"some music was meant to stay underground..."

Archive: Columns

Displaying records 81 - 100 of 989 1 2 3 4 5 6 7 ... 49 50 Last

Pit Stories: Metsatoll And The Siamese Hair Twins

Each Tuesday we check in with metal musicians from across the world to get their best Pit Stories from live shows.

Today Estonian folk metal band Metsatoll shares a tale (which the band swears is true) involving Siamese hair-twins, flavored lube, and backstage jujitsu. Metsatoll's Kuriraivo tells the story this way:

Once upon a time on one Metsatöll gig the were two longhaired moshers n the
front of the stage. The crowd was bizarre, men with drinking horns, women with horny drinks, drinks with horned men. Mad! And those two moshers, one small and thin as Mexican money, the other big, long and strong as (censored).

Anyway, they got somehow stuck within each others hair and they kept on moshing during all our songs. The tiny-one seemed to flew through the air as the big-one moshed his feet up from the ground. Yes, there was unnatural power in the mosh of the censored-one. After the show, we were all very excited, as we all saw the "mosh of the pseudo-Siamese twins," we called the pair to the backstage after that and offered our help to let them loose from each other. As we have on the tour different kind of lubrication-crèmes: you know, with the strawberry, pepper
and iron taste. For every occasion. So, we tried to use this stuff on mosher hair. Nothing.

Then we had an idea to use our stage-manager Janno, hes been doing judo for
at least three lifetimes, so he tried some of his famous ju-jitsu. The Mexican-money-man did loose some of his hair from the top of his head, but luckily the hair in the back did stay still long, so its still metal! And the bigger guy turned out to be a bearded woman with only one foot and a
golden ring inside her nose, just escaped from her home and a man, who’s cheating her with an Alice Cooper male fan. Mosh and go! What a night! The unbelievable part of it is that it’s a true
story!

Metsatoll will be touring with Eluveitie and Tyr this Fall, with dates available at this location. The shows will be in support of Metsatoll's new album "Karjajuht" (reviewed here). Find out more about the album by reading our interview with the band. More...

Read more...  |  0 Comments - Discuss

Sunday Old School: Vader

In 1992, Brutal Truth released their debut album, "Extreme Conditions Demand Extreme Responses." Perhaps this was a phrase ringing around the minds of a group of young men nine years earlier in Olsztyn, Poland, who formed a metal band while living under Communist rule and named it, Vader. The group was started by bassist Piotr Wiwczarek and guitar player Zbigniew "Vika" Wróblewski, initially as a speed metal band, though they eventually progressed into a death metal sound by the time they recorded their first demo, "Live in Decay" in 1986. It would be another three years before another demo, "Necrolust" was recorded, followed closely by a third demo, "Morbid Reich" in 1990. The demo circulated around the European metal scene, selling almost ten thousand copies, a very impressive tally for an underground group from Eastern Europe. The success of the demo earned them a deal with Earache Records, who were known at the time for releasing some of the heaviest bands around, including the likes of Godflesh and Carcass. They first attempted to record their debut album at Sunlight Studios in Sweden, however both the band and the label were unhappy with the end result and so it was re-recorded at Rhythm Studios in England. The finished product was finally released in November 1992 under the title, "The Ultimate Incantation." After releasing the album, Vader was able to tour in the West for the first time, initially in Europe with Bolt Thrower and Grave and then in the United States with Deicide and Suffocation .

Following a breakdown of communications with Earache, the EP, "Sothis" and live album, "The Darkest Age: Live '93" had to be released under different record labels, something which would also happen after the band recorded their sophomore full length, "De Profundis." The album received some excellent reviews in parts of the music media and included a cover of the Depeche Mode song, "I Feel You" on the American version of the release. It was something of a success in their home country, where they also recorded the album, selling over seventeen thousand copies in two weeks. They promoted the album by once again teaming up with some of the heaviest names in death metal, partnering with Cannibal Corpse and Immolation in Europe, before heading back to the United States to support Monstrosity and Broken Hope. The touring cycle for the album featured no less than 250 concerts and concluded with the band recording a covers album, "Future of the Past," which paid tribute to the likes of Celtic Frost, Sodom and Terrorizer. More...

Read more...  |  1 Comment - Discuss

The Rockstar Ramblings: Girls, Girls, Girls

Apparently there have been lots of casting calls for tattooed rock girls who like to strip and dance in their panties. Thankfully there have been lots of casting calls for tattooed rock girls who like to strip and dance in their panties. More...

Read more...  |  0 Comments - Discuss

Pit Stories: The On-Stage Circle Pit

For this week's Pit Story, we caught up with German metal outfit Holy Moses, which was also covered in our Sunday Old School column last month.

The pit usually takes place apart from the band, but at a festival stop last year the fans had to share the mosh directly with Holy Moses! Vocalist Sabina Classen shares this story of a circle pit breaking out on-stage while the band was still playing:

We had a cool pit story in August 2013 at Oulu Festival in Finland. We already played there a few years before. A Holy Moses tradition is to bring up a few people to the stage for the last song to headbang with us. This seems to be rather unusual there and the Finnish rules are strict. Back then the security was a bit overwhelmed with all the people coming unto the stage. When we showed up this time, the first thing they asked us, was if would do that again. We said “of course!”

At this festival there were special areas a bit further in the back, where people could drink alcohol. It wasn’t allowed in front of the stage. So there were a lot of people rather in the back having a beer and some thirsty people in the front. At the last song we invited, as usual, some people to join us on stage. These people were on fire. They started doing a circle pit on stage. We never had that before. We had to be a bit careful to not get run over, haha. We all had great fun. I think some the guys stole some of our stage beer, but that was OK. We were done anyway and they were not being allowed drinking in front of the stage and they were thirsty.

You can see the on-stage circle pit for yourself via the video below (at about the 50 second mark). Check it out, and let us know about your favorite time at a show that the band and the fans collided for some good old fashioned moshing.

Holy Moses has a new album titled "Redefined Mayhem" out now via SPV/Steamhammer, with the artwork available below the video clip. More...

Read more...  |  0 Comments - Discuss

Sunday Old School: Vince Neil

Vince Neil has performed as the lead singer for Motley Crue, a solo artist after being fired/quitting Motley Crue and continues to perform shows in between Crue gigs. In addition to his vocal career, Neil has also invested in tattoos, tequila and even an airline. Oh, and of course, a strip club. More...

Read more...  |  1 Comment - Discuss

The Rockstar Ramblings: Comedy Gold

This week is a good time for a laugh and these bands have just what we need. First, The Last Vegas are playing dress-up, and then Outloud wants the seventies back and 3D In Your Face are just adorable. More...

Read more...  |  0 Comments - Discuss

Sunday Old School: Down

Bizarrely, one of the most surprising things about so called super groups is one of them is actually good. Many have been excited about some collaborative efforts only to find themselves disappointed with the end result. One band which did not fall in to this category however were one formed in New Orleans, Louisiana in 1991 when a group of friends formed a new group together. These were no ordinary group of metal fans however, as they consisted of Corrosion of Conformity guitarist (later vocalist,) Pepper Keenan, Jimmy Bower of Eyehategod, Crowbar members Kirk Windstein and Todd Strange and perhaps most notably, Pantera singer, Phil Anselmo. The quintet all had a long time love of such doom bands as Trouble, Witchfinder General and Saint Vitus and decided they wanted to form a band more in the vein of these acts, rather than the ferocious thrash which was popular at the time. They soon recorded a three track demo and circulated it around the metal scene, hyping themselves up by asking fans if they had heard of a band called Down. When they eventually performed a live concert in New Orleans, they were spotted by a representative of Elektra Records, who offered them a record deal there and then.

The group recorded their debut album, "NOLA" once the members were free from the schedules of their main bands and released the record in September 1995. It was a success both commercially and critically, peaking on the Billboard album charts at number fifty five. The media were very impressed with the album and most publications gave the album very high scores, dazzled by the combination of Black Sabbath influenced metal, hardcore punk, doom and stoner infections and southern rock flavour. It spawned four singles, the most successful being, "Stone the Crow," which became Down’s first single to enter the Billboard top 40. Two of the other singles, "Temptation’s Wings" and "Bury Me in Smoke" have gone on to become fan favourites, as did the album tracks, "Eyes of the South" and "Hail the Leaf." Touring in support of the album was very limited, consisting of only a thirteen date trek before the members put Down on hiatus to focus on their respective bands. More...

Read more...  |  5 Comments - Discuss

The Rockstar Ramblings: 5 Years and Counting

Holy shit this column has existed for five years! Some may suggest five weeks was too many. Anyway, we keep plugging along. This week’s videos feature rock stars roughing it in the wilderness, experiencing a not-so-special drink and an appearance by Waldo. Yes, that Waldo. More...

Read more...  |  0 Comments - Discuss

Sunday Old School: Marilyn Manson

After a whole month covering black metal bands such as Behemoth and Gorgoroth, you’d have thought that we’d be sick of writing about men in makeup causing outrage. However, this week’s article looks at one of the biggest rock acts of the nineties, fronted by the most controversial name in rock since Ozzy Osbourne, Marilyn Manson. Manson himself began life as Brian Warner, who was working as a music journalist when he met guitarist, Scott Putesky, with whom he soon formed a band, which they named Marilyn Manson & the Spooky Kids. It was decided that the members would adopt stage names which married the names of female icons with serial killers. Warner became Marilyn Manson while Putesky rechristened himself, Daisy Berkowitz. They were joined by bass player, Brian Tutunick (Olivia Newton Bundy) and recorded their first, self-titled demo. After bringing in keyboard player Stephen Bier (Madonna Wayne Gacy) and drummer Fred Streithorst (Sara Lee Lucas,) as well as replacing Bundy with Brad Stewart (Gidget Gein,) the band increased their local profile and gained substantial airplay on WYNX-FM, thanks largely to DJ and fan, Scott David. The early shows were just as theatrical as the ones the band would become known for, featuring such provocative images as women on crosses, children in cages and, due to the lack of a professional pyrotechnician, setting their own props on fire. The group soon caught the attention of Nine Inch Nails frontman, Trent Reznor, who signed the band to his newly formed label, Nothing Records and brought the group on the road as a support act.

Marilyn Manson (as the band had by now shortened their name to) recorded their first album, "The Manson Family Album" in the summer of 1993 but was very unhappy with the result. After playing the record to Reznor, who agreed that the album didn’t sound very good and helped the band re-record and remix the album, which was released the next summer under the new name, "Portrait of an American Family." As soon as work on the record was complete, the band decided to let Gein go after he overdosed on heroin for the fourth time. He was replaced by Twiggy Ramirez who made his live debut with the band on a short headlining tour, during which Manson was arrested in Jacksonville, Florida after the local Christian Coalition accused him of indecency. On the same tour, Manson met Anton LaVey of the Church of Satan, who gave him the title, Reverend. The controversy stirred by Manson’s new title arguably helped earn the band its first headlining tour of North America, during which drummer Sara Lee Lucas would quit after Manson set his drum kit on fire while Lucas was still performing. He was replaced by Ginger Fish and the group hit the road again, this time partnering with Danzig and Korn. More...

Read more...  |  2 Comments - Discuss

Pit Stories: The Useless Sound Guy

Every week we have metal musicians from around the planet share their favorite stories from live shows, and while these are usually centered on the mayhem in the pit or the interaction between band and crowd, sometimes the best stories come from before the show has even started.

This week Eddy "Snow" Levitsky from Montreal outfit Hollow shares a story of something many metal bands can relate to: an uncooperative sound guy!

I’ll tell you a tale which has become one of the most used inside joke in Hollow. When you have gigs, most of the time, the venue will have all you need to accommodate your stage needs and if you’re starting out, the staff to help you. Sometimes, though, you get the one sound guy who’s had either too much to drink or hasn’t slept well enough before coming to work and who obviously does not care for your music, or anybody else but himself, for that matter.

I’m not sure if I can name which venue and when this happened, but I do remember the circumstances around this story. We were setting up our gear on stage and getting ready for the sound check. Every question or important fact that we needed to tell the soundman about our performance seemed like a chore to him, even though the guy was paid to do this. Hey, we rented your venue for a reason, we want to have a good night, and at least you could be pleasant with us, even if it’s just a little bit.

So we are completely set up and I take the microphone from its stand to start sound check. As I walk away from the stand, the mic gets stuck on something and I almost drop it. To our amazement, we all realize that I’ve got a six foot wire, plugged straight into the floor of the stage underneath the mic stand. Being six foot and one inch tall and needing to move to and fro on stage to give a better show, I turned to the sound guy and asked in the nicest way possible if he could procure me a longer wire, say a twenty five inch one or longer. I’ll never forget his face, bothered, vexed and desperate at the same time, as he looked at me and answered:

“Do you like, REEEEAAAAALLLLY need this?”

For our many readers who are musicians themselves, be sure to let us know your story of a venue employee who just had to make the night a little more difficult in the comments below.

Hollow's "Mordrake" album (reviewed here) is due out May 30th, 2014. You can stream the "Iscariot" single at this location, or see the band's music video for "Landscape" below. More...

Read more...  |  0 Comments - Discuss

Sunday Old School: Methods of Mayhem

With the final Motley Crue tour underway what is next for the band members? For drummer, Tommy Lee, some of his time may be spent with his band, Methods of Mayhem, a unique formation in terms of both structure and sound. The band has had two rounds, will Lee and Co. try a third one? More...

Read more...  |  3 Comments - Discuss

The Rockstar Ramblings: Deep Thoughts

This week three videos that do their best to entertain, promote new singles, and stretch every cent in the budget. More...

Read more...  |  0 Comments - Discuss

Pit Stories: Don't Piss Off The Vocalist

With digital music readily available through services like Bandcamp and iTunes, heavy metal is now readily available everywhere from your phone to your computer, but that hasn't stopped the live show from being the heart of the scene. That's why every week we check in with musicians from across the globe to get their favorite stories from live performances.

As any regular show-goer knows, you shouldn't piss off the band unless you've got the balls to throw down or the numbers to back you up and out-shout the vocalist. From Dave Mustaine's infamous rants, Josh Homme from Queens of the Stone Age chucking things at audience members, and Bruce Dickinson's viral anti-pot tirade, many fans have made the mistake of ticking off a front man during a set.

Today Johnny Gorilla from The Admiral Sir Cloudesley Shovell shares this tale of his own back and forth with a crowd heckler:

We played in Scotland with Orange Goblin to a sold out King Tut's and this Russian guy calls me a cunt! He didn't remember meeting me the night before in a bar coz he was so pissed drunk. I stopped the gig and got the whole crowd to call him a cunt, by name. He looked like he was gonna cry.

Also a guy called "Scabby Dave" used to sit in front of us picking the scabs and eating them while we played! TASTY!!!

Admiral Sir Cloudsely Shovell's new album "Check 'em Before You Wreck 'em" was released earlier this month, and a music video off the album can be seen below.

Also be sure to check in next week for more Pit Stories, and let us know your favorite tale of a heckler getting called out during a set! More...

Read more...  |  15 Comments - Discuss

Sunday Old School: Holy Moses

Germany is a country whose history and legacy of thrash metal is rivalled only by that on the United States. It’s given the world such excellent acts as Kreator, Destruction and Assassin and still has more to uncover. This week, Sunday Old School will look at another of the country’s fastest heavy groups, who helped strike a blow for women’s place in metal music, Holy Moses. The band was formed in the spa town of Aachen, located in North Rhine-Westphalia in 1980 by bass player Ramon Brüssler, guitarist Jochen Fünders and drummer Peter Vonderstein while they were in high school and played their first show only four days after forming, with Fünders handling vocal duties, before that same year, they recorded and released their first demo, "Black Metal Masters." In 1981, the band was to change forever when both Fünders and Vonderstein left the band, with the latter being replaced by Paul Linzenich, a singer known only as "Iggy" and guitarist, Andly Classen.

Just before the year ended, Iggy decided to leave the band and Classen brought in his partner Sabina to be the group’s new singer. They worked on new material until they felt they were ready to perform, debuting their new incarnation in November 1982, before recording several new demos. The demos, such as "Walpurgis Night" and "The Bitch" helped them gain attention in the metal underground, eventually leading to a deal with Aarrg Records, through which they released their debut album, "Queen of Siam" in 1986. They were scheduled to promote the record by opening for American speed metal act, Agent Steel, however drummer Herbert Dreger failed to show up and was fired from the band as a result, with Uli Kusch replacing him. The last founding member of Holy Moses, Ramon Brüssler decided to quit soon afterwards, his place taken by Andre Chapelier. More...

Read more...  |  0 Comments - Discuss

The Rockstar Ramblings: Tribute

This week an eclectic group of videos featuring bad ass women, potential kidnappings and answering the question no one asked: Why do escalators move so slow?

Axel Rudi Pell has released a new video for the song "Long Way To Go," taken from the guitarist's latest album "Into The Storm." The video starts like an indie movie, a boring indie movie. We see city like scenes and then an escalator. Is the escalator a metaphor for life and the “long way to go?” Maybe it just means some escalators are way to slow and this song is about how long it takes. If so, I understand…

More...

Read more...  |  0 Comments - Discuss

Sunday Old School: Brujeria

Looking through the Sunday Old School archives, it seems there hasn't been too many articles featuring a mainly Latino band, with the exception of such Brazilian bands as Sepultura, Ratos de Parão and Sarcófago. So this week, Sunday Old School will be examining one of the most prominent, extreme and overall, best bands to have ever formed in Mexico, Brujeria. Brujeria was formed in 1989 at a party in Tijuana by Fear Factory guitarist Dino Cazares and featured such well known names as Dead Kennedys frontman, Jello Biafra, Faith No More bassist, Billy Gould and DJ Pat Hoed, along with vocalist Juan Brujo. Because several members were in other high profile bands, it was decided that they would adopt pseudonyms and wear disguises to hide their true identity, with the story being given that they were drug lords on the run from the FBI. They recorded their first single, "¡Demoniaco!" the same year and released it in 1990 through Nemesis Records. Owing to their busy schedules, it would be another two years before their next single, "Machetazos" hit the shelves, this time being released through Biafra's, Alternative Tentacles Records. It was around this time that Biafra also left the group and new members Pinche Peach and Raymond Herrera, also of Fear Factory, was brought in, which saw Pat Hoed move from drums to backing vocals.

Soon after the second single's release, the band signed a record deal with Roadrunner and brought in Napalm Death bassist Shane Embury on guitar. Their debut album, "Matando Güeros" generated much controversy due to the graphic front cover, which consisted of a photograph featuring a decapitated and disfigured head, which the band adopted as their logo, naming it "Coco Loco." The album's lyrics were also a subject of protest, with some people taking offense at their anti-Christian stance, as well as talk of sex, drugs and border crossing, not to mention the record's title. As is often the case however, the controversy only served to increase the profile of the band and shift a few more copies. The music itself was met with a mixed reaction from critics, but very positive ones from death metal and grindcore fans, remaining an extreme favourite to this day. More...

Read more...  |  6 Comments - Discuss

The Rockstar Ramblings: The Gloryhole

Steel Panther have released the third music video from their critically acclaimed new album 'All You Can Eat.’ Following the release of the "Party Like Tomorrow Is The End Of The World" and "The Burden Of Being Wonderful" videos comes “Gloryhole.” More...

Read more...  |  0 Comments - Discuss

Pit Stories: The Booze Cruise

Every week we check in with musicians from across the metalverse to get their favorite Pit Stories from live shows. Today vocalist Pekka Heino from Finland's Brother Firetribe shares this tale of how the legendary Finnish love for alcohol got out of hand on a cruise show:

I was doing a show on a big cruise boat sailing the Helsinki-Stockholm line. Things get easily out of hand there as the audience tends to be pretty drunk - to put it mildly. This one time people were extra special messed up, really partying to the music we played.

Some guy got a little too excited and made his way onto the fence dividing the stage and the audience. He started rocking his body back and forth while holding on to the fence with only one hand. The state he was in made sure that it wouldn't end up well. And it didn't. He slammed face down on stage so that his body followed, legs and ass twisting over his neck. Of course he landed on glasses and bottles people had placed on stage while partying, and of course on our bass players pedal board. The bassist didn't really appreciate this, grabbed a hold of the guy and threw him off the stage. Another face down landing in just a few seconds.

While I'm watching this episode, a bald body builder type of guy grabs a hold of my clothes, trying to pull me off stage so I'm left with no choice but to cross check him in the forehead with the mic stand. He was so out of it he didn't even blink, just showed me the thumbs up and kept on rocking.

At the end of the gig, during the last encore, our guitarist jumped onto the audience to play a solo, tried to jump back to the stage over the fence, failing epically and landing on his back like a beetle turned upside down. I laughed so hard I couldn't finish the song.

Brother Firetribe features Nightwish guitarist Emppu Vuorinen and will release "Diamond in the Firepit" via Spinefarm Records on May 2nd. Pre-orders are available now on physical format or digital via iTunes. More...

Read more...  |  0 Comments - Discuss

Sunday Old School: Sanctuary

It’s interesting to see how some bands formed by ex members of another successful group can over shadow their predecessors. Type O Negative became unquestionably bigger than Carnivore, Machine Head are more popular than Forbidden and whilst Nevermore became a hugely successful act, many will remember Warrel Dane (and to an extent, Jeff Loomis) for their work with a band before Nevermore formed. A band named, Sanctuary. Sanctuary formed in the city of Seattle, Washington, a place which would become famous a few years later for producing the grunge wave and acts such as Alice In Chains and Soundgarden, in 1985. Whilst they are now associated with the thrash scene of the 1980s, their music was a solid blend of thrash, power and traditional heavy metal, which showcased impressively on their first demo, which was recorded in 1986. The demo circulated around the tape trading scene and found its way to a number of record companies, including major label Epic, who offered the band a deal, which was unsurprisingly snapped up.

The band entered into the studio with Megadeth frontman Dave Mustaine, who would produce their debut full length, as well as performing a guest guitar solo on the band’s cover of the Jefferson Airplane classic, "White Rabbit." Sanctuary spent the remainder of 1986 and the beginning of the next year working on the album, which eventually surfaced later that year under the title, "Refuge Denied." The record was notable for featuring a high pitched vocal style from Dane, one which he has not used since, with speculation stating that the vocal technique injured his voice, leaving him unable to replicate the style he utilised on Sanctuary’s debut. More...

Read more...  |  4 Comments - Discuss

The Rockstar Ramblings: Apologies to Winger

This week a tribute to the eighties, Bach is back and Winger (yes, that Winger) continues to surprise me. More...

Read more...  |  0 Comments - Discuss

Displaying records 81 - 100 of 989 1 2 3 4 5 6 7 ... 49 50 Last