To date, we have conducted 1204 interviews. If your band is available for an interview, feel free to contact us and we'll see what we can do. Here are our latest:
Instru-metal lovers mark your calendars: the U.S. wizards of instrumental metal will help you reach "Altered States of Consciousness" next month with a new full-length album release.
Breaking out of its typical comfort zone, the band actually brings on vocals on one track this time around with a guest spot by none other than Tommy Rogers of Between The Buried and Me (who also goes by Thomas Giles in his solo material).
If you need an Abnormal Thought Patterns fix before the album drops, check out our interview below with guitarist Jasun Tipton, who discusses the album's guest spots, writing compelling instrumental music, and the current status of related band Cynthesis.
Doyle Wolfgang von Frankenstein is best known for playing guitar in the Misfits. This is where he partially found his look, at least the long bangs called devil locks. Doyle also played in Kryst the Conqueror, Gorgeous Frankenstein and has toured with Danzig performing Misfits songs.
Doyle most recently branched out to create his own solo project. Last year Doyle released its debut album “Abominator.” Said album is a mix of punk and metal that will appease both Danzig and Misfits fans. The album featured Alex Story of Cancerslug on vocals, Dr. C.H.U.D. of the Misfits on drums, and Left Hand Graham of Gorgeous Frankenstein on bass. Since its release, Doyle has experienced lineup changes. While on the second day of his headlining tour, I caught up with Doyle to discuss these lineup changes. In the following interview we also talk about the making of “Abominator,” Doyle’s label, Monsterman Records and his brand of hot sauce.
Nightrage's latest album "The Puritan" just saw official release today, filled with heavy riffs, emotional melodies, and brutal vocal hooks.
Marios Iliopoulos checked in with us to discuss the ins and outs of the album, from writing to recording at Dug Out Productions and on to shooting a series of music videos for the album.
Summing the theme of the new disc succinctly, Marios comments, "No matter what happens, always following your heart in life, in ups and downs, never stop fighting, believing in yourself and on your ideals. Even if the whole world is against you, you need to be able to stand up and fight for yourself."
Read on for the full interview with the Greek guitarist, along with music taken from the freshly released full-length.
When Metal Underground.com last spoke with Striker the band had just released its full-length album “City of Gold.” CROMCarl spoke with guitarist Adam Brown who was their latest had just joined the band. The two also discussed a tour with Onslaught and Artillery that Striker later cancelled. Fast forward a few months later and the band is experiencing many of the same things. I talked to Dan Cleary about the cancelled tour and how the group eventually stepped out on the road with Artillery, a tour that is taking place at this very moment. Now that “City of God” has been on shelves for eight months, we were able to discuss how critics and fans view the album. In the following interview we also discuss new guitarist Trent Halliwell who replaced Chris Segger.
Sworn Enemy was a fixture in the hardcore scene of the ‘00s. The New York City group released an album of streetwise hardcore about every other year in the first part of the ‘00s. “Total World Domination” was their last release of this period in 2009. The band did not release another album for five years due to lineup changes. That album came in the form of “Living on Borrowed Time,” which was released last year.
Now the group has a stable lineup and recently released a video for the song “No Mercy.” While touring as part of the No Mercy No Surrender Tour, the group stopped off in Austin, Texas to play the Texas Independence Fest. Four of the five members gathered around me in the courtyard to discuss this video, tour and creating “Living on Borrowed Time.”
Sweden's upcoming moody and reflective album "IX - Everyone, Everything, Everywhere, Ends" is set to drop on April 21st through Season Of Mist, which you can pre-order physically here or digitally at this location.
The band just wrapped up a festival appearance in Canada to support the impending release, and front man Niklas Kvarforth graciously checked in with us to discuss the show and album. For those who have long awaited a Shining live show in the United States, Kvarforth claims it may finally be happening next year for the band's 20th anniversary.
Find out what he had to say on the subject as well as what's happening musically and lyrically on "IX" in the full interview below.
A "Second Storm" is on the horizon, ready to officially break into a melodic metal squall on April 10th through Despotz Records.
After several music videos have dropped and the album is just now on the cusp of official release, we checked in with Lancer vocalist Isak Stenvall to find out what the band had to say about this album's creation.
Read on for more info on the impending full-length, which covers everything from killer robot ostriches to Sodom and Gomorrah in its nine killer tracks (and if you haven't yet, pre-order your own copy right here).
God Damn is a hard band to describe by way of single genre terms. The band has elements of hard rock, hardcore, stoner, thrash, noise and alternative. They are heavy. They are light. What makes their diversity even more astonishing is that this is all created by two members. The duo recently made the trip from the UK over to America for the first time. Their tour led them to SXSW to play the widespread festival. After failing to connect with the group, they were cordial enough to answer a few of my questions via email. In the following interview, the band discusses their time in America and the SXSW experience as well as giving us details about the history of the band and what to expect from their forthcoming debut album “Vultures,” due to hit American stores on May 12th via One Little Indian Records.
South By Southwest (SXSW) is a festival for discovering new bands. The Skull is only three-years old and released their debut album “For Those Which Are Asleep” just last year. However, its members, Ron Holzner and Eric Wagner have a long history in the metal scene. The two formerly played in the highly influential band, Trouble, which is rooted as far back as 1979. The Skull took its name from Trouble’s second album, which Wagner lent his vocals to. The group also plays early Trouble songs live. I caught up with vocalist Eric Wagner before the band played one of three performances at SXSW. In the following brief interview, Wagner discusses the history of The Skull, its formation, members and lyrics.
The new age of doom is upon us as Horsehunter's "Caged In Flesh" will drop next month via Magnetic Eye Records.
If you love full volume amplifier feedback and low 'n slow doom riffs that crawl across your skull like a hazy psychedelic horizon, then you've nothing to fear from this dawning age, and fans of battering ram doom outfits like Batillus or Maegashira will be right at home with this impending album.
To give you a taste of what to expect, we just premiered the title track online, and also checked in with guitarist Dan Harris to discuss the doom metal scene in Australia, how Horsehunter went from Iron Maiden cover band to a devastating original outfit, and the many travails of recording a full-length album. Check out the full interview below.
Greg Anderson has carved a little niche into the annuals of doom metal. Best known for his droning guitar tones in Sunn O))) he has also lent his axe to bands such as Burning Witch, Teeth of Lions Rule The Divine and Thorr’s Hammer. Anderson’s latest band in the news is Goatsnake. Goatsnake is not as well known as Sunn O))). They don’t play nearly as often and haven’t released a full-length recording in fifteen years. Now all the band members have been able to get together to play a string of shows and release a new album titled “Black Age Blues.”
Goatsnake played a couple of shows last year, which afforded them opportunity to play some of the new album, which is due June 2nd. Goatsnake is billed to play a couple of festivals, Maryland Death Fest and South By Southwest, where they can showcase this new material to their fans. I talked to Anderson via phone in the following interview about these upcoming shows and the making of “Black Age Blues.”
For Agnostic Front singer Roger Miret “The American Dream Died” is the result of built up frustration of seeing greed and corruption go by unchecked. The album, Agnostic Front’s 11th full-length, serves as a vehicle for Miret to voice his opinion on current events like “Police Violence,” which the group compiled videos of police horrifically beating citizens. Other things that upset him include the housing crisis, war profiteering and corporations leaving America for a cheaper labor force. There is just so much anger building inside of this man that he got mad as hell and wouldn’t take it anymore. “The American Dream Died” is his outlet. It’s an outlet not only for his self, it's also gives a voice to the oppressed.
I called Roger at his home in Arizona to discuss these topics he feels so strongly about. We also talked about the legendary NYC hardcore band’s making of the album—the production and recording. Read further on to learn more about “The American Dream Died” available April 7 through Nuclear Blast Records.
Celebrating 15 years of existence, Byzantine is set to release fifth album "To Release Is To Resolve" in April. Forgoing even an indie label this time around, the U.S. group crowd funded the album and will be releasing through its own publishing company.
With the release date just a month off now, the members of Byzantine checked in to explain the process of funding and recording the album, and to discuss everything from the artwork to the diverse lyrics (covering topics from the West Memphis 3 to pain pill withdrawal and even on to alien/human interactions). Check out the full interview below.
A death metal outfit utilizing both harsh and clean vocals, Dysrider just dropped debut full-length album "Bury The Omen" through Tenacity Music.
Formed from the ashes of Trophallaxy, this Swiss group combines orchestral / symphonic elements with the aggression of death metal and is coming off a long live hiatus to support the debut with record release shows.
As the "Bury The Omen" launch festivities are just getting started, front man Jonathan Pellet checked in to share a little history on the band and discuss shooting music videos and the state of the metal scene in Switzerland.
Melodic / technical outfit Subversion is on the cusp of a major metallic takeover, preparing to drop the "Animi" full-length album this coming March 2nd in the U.K. and March 3rd in the United States.
After releasing lyric clips and official videos (available below) to tease the album, and sharing a mosh pit story with us earlier this month, Subversion's Kai Giritli has checked in with an in-depth interview chronicling the history of the band and creation of this new album.
See what Kai had to say below about learning the ropes of recording and producing in a home environment while still getting a stellar sound, how he ended up in Subversion through some major hair disasters, and find out how piss-his-pants excited he is to hear new music from Muse!
If you dig what you hear below, be sure to also support Subversion by pre-ordering the new album over here.
Morgoth’s first two recordings “Cursed” (1991) and “Odium” (1993) put Germany on the map for death metal. Both albums showed the band master mid-tempos in a similar fashion to early Death and Obituary. “Odium” was still mired in groove, but the band took a step into progressive territories, even playing some industrial parts. In 1996 the band released “Feel Sorry For the Fanatic, “ which showed them assume full-on industrial sounds. Just two years later, the group disbanded.
12 years later, Morgoth reformed and started playing shows. Last year the band released its “God Is Evil” EP. This was an appetizer for the band’s return to their death metal roots. Now, they are ready to release “Ungod”, their first full length in 19 years. Karsten "Jagger" Jäger of the band Disbelief assumes vocals over long-time growler Marc Grewe. I spoke to guitarist Sebastian Swart on the phone regarding this new material and the band's reformation.
The Austrian underground metal festival "Kaltenbach Open Air" (K:O:A) is celebrating it's 10th anniversary. Reason enough for Wolfgang Bartl (Rottinghill-webzine) to have a chat with K:O:A organiser Thomas Spiwak below.
Wolfgang: Hello Thomas, and thank you for taking the time for this interview! How are you?
Thomas: Hello Wolfgang, thanks for asking. So far so good and after the somewhat strenuous booking phase, it has become a little quieter again in the meantime . Preparations are rolling according to plan and we are confident that we will be able to deliver a great festival once again this year.
Wolfgang: What is currently going on in Kaltenbach?
Thomas: Currently, we mainly focus on promoting the festival but also the first hot phase of selling pre-sale tickets is gearing up already. Interviews are to be given, accreditation requests to be worked through, and also the first merchandise booths are getting booked. Concerning our infrastructure the first contracts are signed and our festival site is taking shape already virtually.
Wolfgang: Last year you appeared to be somewhat uncertain concerning the revival of the festival, whether and how well it will be received by the fans. In retrospect, how did it all work out in the end?
After unearthing the "Black Throne Of All Creation," the death metal explorers from Dehuman have now discovered the "Graveyard of Eden" (reviewed here), with the discovery set to be shared with the rest of the metal world in March.
Today we provided a sneak peek with an exclusive full album stream (still available right here). Along with that stream, Dehuman drummer Laye Louhenapessy and bassist / vocalist Andrea Vissol shared an extensive look at the album's creation and what the band hoped to achieve with this sophomore full-length release.
Andrea had this to say: "What 'Graveyard of Eden' is aiming for is to contrast with today's ultra compressed and generic material that our generation seem to have fallen into. Pure aggressive music, that shoots for creating the new, while not forgetting the old."
Read the the full interview below to find out how Dehuman's sound has evolved in recent years and get an inside view of the new album's major themes.
Forgoing the typical Satan worship or mystical allegory, Carach Angren prefers to tell straight foward and specific stories with a dark bent, from battalions lost at war to children stuck in horrifying home environments.
New album "This Is No Fairytale" (reviewed here) drops at the end of the month via Season Of Mist, with several advance tracks already available online to whet fan appetites (check out a few below).
Ardek - one third of the Carach Angren trio - also got in touch with us to explain the themes of this new release and discuss working with the likes of Peter Tägtgren while recording "This Is No Fairytale" as well as lining up new tour dates to support the release.
Christy Lee of "All Things Metal" has written an article on the metal scene and the society within the genre that we all know and love. She also had the opportunity to chat with George Misanthrope of the band, Monument of Misanthropy. Check out some excerpts below (read the entire interview HERE):
CL: How did you guys end up with Romain Goulon drummer of the band Necrophagist in your band?
GM: Romain is a very good and old friend of Jean Pierre Battesti. They were jamming together before Romain got famous for being the drummer of the technical death metal innovators Necrophagist. Unlike Necrophagist the stuff JP and Romain played at that time was pretty much brutal death metal with old-school death metal and grindcore elements- Brutal and fast but with some Napalm Death & Terrorizer groove in it. JP who already knew me from “Raising The Veil” one day asked me if I want to try out some vocals on some songs he had pre-produced with Romain. And I of course said yes, because I liked the brutality and straight in you face-punch of the songs. So for all of us in “Monument Of Misanthropy” the album is also kind of a tribute to the early days of pure, upright and unpretentious death metal, which defined the 3 of us as young musicians.
CL: How do you feel about how today’s society likes to categorize metal sub-genres?
GM: I think its human, which doesn’t mean it is ok or that I like it. People especially growing up kids long to be part of something they can or want to be identified with. It also has to do with insecurities during adolescence. Anyways what really matters is that someone really likes the music genre and it’s a message and ideals which he or she’s listening to. I never thought it was cool to be a thrash metal fan when I listened to thrash or later a death metal fan listening to death metal. I just liked the music and the people I met in metal record-stores (yes we had to buy our music at that time), clubs and at shows. But it has always been and probably always will be that people of one genre try to tell you that his genre is the best ever and that what you’re listening to is total crap. I never tried to persuade someone to any kind of metal genre. If a friend didn’t like what I listened to it was ok I kept listening to it. Best practice for dealing with metal elitist preachers: Ignore them, end of story.
CL: If you were to evolve heavy metal, how would you do so?
Thought dead since the mid-90s, Putrid Offal tore its way out of the grave to return to grinding duty with the "Suffering" EP.
Now a double-disc monstrosity is on the way, featuring re-recorded and re-mastered old material as well as new tracks to further add to the goregrind band's legend.
"Mature Necropsy" will drop next month via Katoxin Records, and we also just premiered the first disc online (give it a listen over here).
To go along with the resurrection and new album premiere, Putrid Offal bassist Fred Houriez checked in with Metalunderground.com to discuss the band's return, the changes in sound and recording processes after 20 years, and the guest musicians brought on to further brutalize the sound. Check out the full interview below.
Sweden's Watain is still riding high on the success of latest album "The Wild Hunt" (reviewed here) - which pushed the boundaries of black metal and experimented beyond what many fans were expecting.
Now the band has officially landed on North American shores to wage black metal warfare with Mayhem and Revenge (full tour dates here).
Just a day before the trek kicked off, we got in touch with Watain's front man E. (Erik Danielsson) to discuss the tour and upcoming activity from the band. While he was evasive about whether or not new material is in the works or if new songs would be played on the trek, E. had plenty to say about the process of coming to the U.S. for touring and how the media has reacted to the group's stage show. Check out the full interview below.
The following interview with Blind Guardian vocalist Hansi Kürsch was a joint venture between MetalUnderground.com and Black Bird Productions. The guest interviewer is none other than Disforia/Judicator vocalist John Yelland, who worked with Kürsch (who appeared as a guest vocalist) on the Disforia track “The Dying Firmament” (from the band’s latest album “The Age of Ether” - see review here).
A lifelong fan of Blind Guardian, John approached me with the idea of interviewing Kürsch about the band’s upcoming new release “Beyond the Red Mirror” (see our review at this location), and knowing how interesting the interaction would be among musicians and friends, I quickly jumped at the idea. So please sit back, read and watch the interview (video appears at the end) with the legendary Hansi Kürsch presented by one of the best up and coming singers, John Yelland! - CROMCarl
On a chilly winter morning I had the pleasure of interviewing a legend, the master bard himself, mister Hansi Kürsch of Blind Guardian. I had worked with Hansi before on a song of mine in Disforia, “The Dying Firmament”, and have stayed in touch with him since. Intensely curious about the growing hype around Blind Guardian’s upcoming album ‘Beyond the Red Mirror’, I was fascinated to learn details behind the album’s story, concept, and creation. The interview which follows shines light on the aforementioned subjects, as well as everything from promotion, music videos, and the orchestral project, to beer and The Hobbit movies. Please, enjoy :-)
Silent Screams was supporting Japanese act Crossfaith on November 2nd at London's KOKO in Camden.
I sat with Ozzy and Joel before the show and learnt a lot about their next tour, and some very interesting tour adventures. Check it out below! Stay tuned for the transcript!
On November 2nd, Japanese act Crossfaith took to London's KOKO stage in Camden by storm. but not before an epic line up of support acts. I managed to sit down with Masato from Coldrain, another Japanese act, and get a very brief look into what's been going on for Coldrain before he had to run off for soundcheck.
Check it out below!
Please stay tuned for the transcript!