"some music was meant to stay underground..."


To date, we have conducted 1384 interviews. If your band is available for an interview, feel free to contact us and we'll see what we can do. Here are our latest:

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Doro Pesch Discusses New Music And Old Friends

Heavy metal has its fair share of heroes and legends. While many bands mean a lot to people, heavy metal has given the world of music some true icons such as Ozzy Osbourne, Motorhead's Lemmy and King Diamond. In a genre which is seen to have been dominated by men however, a number of woman have made their presence known and voices heard, perhaps none more so than Doro Pesch. Doro achieved success fronting Warlock, who released four albums before legal issues meant she had to change the name of the band to the eponymous, Doro. As a solo artist, she's released a number of stellar albums, creating pounding anthems and satin smooth ballads, collaborating with everyone from Lemmy to comedian Helge Schneider in the process.

Last night, Doro kicked off the tour in support of her first double album, "Forever Warriors, Forever United," performing as special guest to fellow metal legends Saxon. I was lucky enough to meet up with her after her set and discuss the new album, the influence Lemmy had on the record, the impressive cast of collaborators and how the place of women in heavy metal has changed over the decades. You can watch the interview in full below, while an excerpt reads as follows:

Diamond Oz: You've just done an amazing show! I saw you at Bloodstock a few months ago which was also incredible, but this time you've changed the setlist up a little bit and it's not so Warlock orientated. The new material sounds amazing!

Doro Pesch: Oh good! It was the first time we've played "Blood, Sweat and Rock & Roll." We were so excited about it but everybody sang along, it was great!

Oz: And of course that comes from the new album, "Forever Warriors, Forever United." It's been six years since "Raise Your Fist" so I'd imagine quite a lot of material has built up over that time.

Doro: Yeah, totally but we always release something every year like DVDs and then we spent about two and a half years collecting all the new material together. It always takes a long time to really get into the mindset and make sure everything sounds right and now it's a double album for the first time!

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Photo of BillyBio

Band Photo: BillyBio

Billy Graziadei Feeding The Fire With Solo Album

With a career stretching over thirty years, Billy Graziadei is one of the most accomplished musicians in the history of hardcore. Initially receiving for his role as the vocalist/guitarist in Biohazard, Graziadei has also found success with bands like Suicide City and Powerflo, the latter of which he co-founded with Cypress Hill rapper Sen Dog. In just a few weeks, Graziadei will unleash another relentless monster into the world, when "Feed The Fire," the debut album from his solo project BioBilly hits the stores. I had the pleasure of asking Billy some questions about the project, as well as the status of Biohazard, the longevity of Powerflo and the social and global problems which shaped "Feed The Fire" into a ferocious beast.

Diamond Oz: Your debut album, "Feed The Fire" will be out in just a few weeks. Can you explain the meaning behind the title and what subjects are dealt with on the record?

Billy Graziadei: The new album Feed the Fire is a one-two jab in the face, over and over again. It’s not for the weak hearted, the sheep who don’t want to face the reality we live in. On this record, I hit the subjects that we are surrounded by every day. We live in a crazy world that appears more insane each day. The infighting amongst ourselves has become a giant distraction to the real issues that we need to face. It’s defiantly a record to get the blood pumping, not something you listen to while practicing yoga!

Oz: What would you say separates BillyBio from your previous work with Biohazard, Suicide City etc.?

Billy: I love everything about and being part of Biohazard and Powerflo. Suicide City was another great experience I had with some friends. For me, an artist doesn’t paint his painting then invite his friends over to comment on and change the colors he chose to use. BillyBio is me, pure and true, condensed and stream lined like a prize fighter. No bullshit, no fluff, just 100% raw and un-filtered.

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A Conversation With Orange Goblin

Two days ago in Cardiff, I had the pleasure of witnessing one of the most exciting tour packages of the year, as Corrosion Of Conformity hit the road with Orange Goblin, Fireball Ministry and Black Moth. Needless to say, the show was incredible but beforehand I had the pleasure of speaking not only with Corrosion Of Conformity guitarist Woody Weatherman (which can be viewed here,) but also with Orange Goblin vocalist Ben Ward. During the interview, we discussed the band's excellent new album, "The Wolf Bites Back," balancing day jobs with being in an established metal band and what makes them so relatable to British rockers. You can check out the interview in full below.

Diamond Oz: Well straight into it, the new album, "The Wolf Bites Back" is out now, which is a great and quite typical Orange Goblin title if you like. Very simple but very effective. The same goes for the artwork, can you tell us a little bit about that?

Ben Ward: Well, we wanted something simple but striking. A lot of the classic album covers aren't really over elaborate, think "Dark Side Of The Moon" etc. When the title, "The Wolf Bites Back" came up, it was just a case of a simple striking image of a snarling wolf. We asked our mate Roland (Scriver of Familiar Ink) who's done a lot of artwork for us over the years with t-shirts and other things and he did a great job.

Oz: Well you did a great job on the album yourselves. Without going too far, there's a little bit more of a death metal influence on this record, a bit more doom...

Ben: Yeah, I think it's a melting pot of what the four our collective tastes. Myself and Martyn come from a more extreme/heavy metal background. Chris comes from sort of a more hardcore/D.C. punk scene background and Joe's always been into the blues and classic rock so I think that mixture is what defines Orange Goblin. It comes together to create something unique, although we always joke that we've ripped something off to create our own sound. It's almost impossible these days to create something completely original, everything's kind of been done before, especially with this kind of music with the Sabbath and Motorhead influences. Tony Iommi wrote the book.

With this album we wanted it to sound short, sharp, aggressive and have every song possible to play in a live environment. Not do much with overdubs, guitars etc. We wanted it to be about what we want to take to the stage and we've been playing about four or five songs from the album, mixing it up too. After nine albums you tend to get a bit bored playing the same songs over and over again so when new material's available it's something fresh.

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Photo of Corrosion of Conformity

Band Photo: Corrosion of Conformity

C.O.C. On "No Cross No Crown," Voting And More

Few bands can change their sound as time goes by and still retain a loyal fan base and a revered legacy. While many bands such as Metallica, Kreator and even D.R.I. have received backlash from fans for not repeating the same sound, Corrosion Of Conformity is a group which has evolved and explored new areas in their music since their inception, making them just as beloved by fans of hardcore punk as by fans of blues rooted, stoner metal.

At their recent show in Cardiff, the penultimate in the impressive tour package with Orange Goblin, Fireball Ministry and Black Moth, I had the pleasure of sitting down with Corrosion Of Conformity guitarist Woody Weatherman to discuss this wide range of material, the new album, "No Cross No Crown" and the classic "Vote With A Bullet" and the importance that song still holds today. You can watch the interview in full below.

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Threshold Explains "Legends Of The Shires"

After an initial cult status, progressive metal has grown to become one of the more popular sub-genres for headbanger's these days. The likes of Anathema, Queensryche and especially Dream Theater have all found critical and commercial success and are often viewed as the "thinking man's metal." Hailing from Surrey, Threshold has become one of the most respected and challenging bands in all of progressive music since the release of their debut, "Wounded Land" twenty five years ago.

Now with former vocalist Glynn Morgan back in the fold and their latest record, the double concept album, "Legends Of The Shires" being hailed by many fans as their best, the future looks even brighter than their respected past for the English quintet. At their recent show in London, I had the pleasure of speaking with guitarist Karl Bloom and bass player Steve Anderson to discuss the story, ideas and nature of "Legends Of The Shire," the parallels between man and country, Brexit and more. You can watch the interview in full below.

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Sigh Frontman On New Album, Drugs And Old Ads

Many bands strive for commercial success, others work for respect. Then there are the true artists, who simply create to express themselves, regardless of what anyone else thinks. Some examples would be Tom G. Warrior of Triptykon (and ex Celtic Frost/Hellhammer,) Lou Reed and in today's case, Mirai Kawashima of Sigh. The Japanese band has been challenging preconceptions about music and art since their debut, "Scorn Defeat" was released in 1993, with subsequent albums such as "Imaginary Sonicscape," "Gallows Gallery" and "Hangman's Hymn," as well the superb 2015 release, "Graveward" surprising listeners at every turn.

Three years on from "Graveward" and fans are in for another shock with the release of, "Heir To Despair" on November 16th through Candlelight. The record is completely different from the previous effort, boasts a guest appearance from Phil Anselmo and most importantly, is a strong artistic and personal statement. I had the honour of having my questions answered by the band's vocalist and leader Mirai Kawashima who discussed "Heir To Despair," his insistence that fans will hate the record and the influence drug advertisements had on the artwork.

Diamond Oz: Thank you for taking the time to speak to us. Obviously the first place to start is with the new album, "Heir To Despair." You maintained for months that fans would hate the album. Why is this?

Mirai Kawashima: There is no other reason than I have been feeling so. It's not a part of promotion plan or anything. I just mean it. This is 100% my personal album. This album is not meant to please anybody including the band members. I am quite sure the other members do not get what it is about, either. So far "Homo Homini Lupus" has been published and people say they liked it, but this song is a big exception. This does not have an Asian feel or flute, which is a feature of the album. Other songs do not sound anything like HHL. If you liked HHL, that means you'd hate rest of the album.

Oz: There is a trilogy of songs on the album entitled, "Heresy." Could you tell us more about this concept?

Mirai: Actually this trilogy is the main reason that I keep saying fans won't appreciate the album. It has nothing to do with metal. I myself do not know what they are. I just made those songs without thinking much. I just wanted to make something druggy and evil. For Heresy II and III, I tried to imagine how schizophrenic people see and hear this world. Heresy I was remixed by David Harrow. He also remixed "The Tranquilizer Song" on "Gallows Gallery". David is one of the artists I truly respect. "Tantric Steps" by Technova, which is actually David, is one of the druggiest techno stuff I have ever heard. It's a genius work.

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Enslaved Frontman On New Members And Vikings

Few bands from the Norwegian black metal scene transform themselves into a more complex entity. Emperor would of course be one example but it doesn't get any more progressive, complex and introspective than Enslaved. Since the band's debut, "Vikingligr Veldi," the band has evolved constantly and become one of the most revered Norwegian metal bands performing to this day.

At their recent show in Bristol, England with High On Fire (see interview here,) I had the pleasure of sitting down with frontman Grutle Kjellson to discuss their latest album, "E," the recruitment of new keyboardist Håkon Vinje, when we can expect new material and how he sees modern depictions of Vikings in movies and TV shows like "Valhalla Rising" and "Vikings." You can listen to the interview in full below.

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High On Fire Frontman Heralds The Electric Messiah

Very few musicians make it so far as to form an influential band, let alone two. But since Sleep's debut, "Volume One" in 1991, metal fans have been treated to the awesome might of Matt Pike's guitar sound and in 2000, listeners have become familiar with his distinct voice, as High On Fire released their debut, "The Art Of Self Defence." Over the course of this nearly thirty year period of releasing records, Matt Pike has come to be seen as a modern metal legend, with fans often comparing him to Motorhead frontman Lemmy, something he modestly refutes.

Before their show in Bristol yesterday, I was lucky enough to sit down with the man himself to discuss his career, the new albums from both High On Fire and Sleep and the meaning behind the awesome "Electric Messiah" artwork. You can watch the interview in full below.

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Voivod Drummer Explains "The Wake"

After a five year wait for a new full length album, Quebec's legendary thrashers Voivod are back with "The Wake." A concept album telling the science fiction story of a great event which changes humanity forever, the record has everything fans love about the band and still manages to surprise listeners. To promote the album, the band are currently on the road in Europe and at their recent show at The Underworld in Camden, North London, I had the opportunity to meet up once again with the band's drummer, co-founder and resident artist, Michel "Away" Langevin to discuss "The Wake," the 70000 Tons Of Metal cruise, the fate of humanity and more. You can watch the chat in full below.

Diamond Oz: The new album, "The Wake" is finally out and it's a very ambitious album. I suppose the first thing to ask is about the story, could you tell us a bit about that?

Michel "Away" Langevin: I could but Snake is probably the guy to ask about that. But as soon as started working on it, Snake mentioned that he wanted to write a long story and then Chewy thought about bringing back musical themes but re-arranged. So we wrote the album and the lyrics together and I know that at first, the story involves an undersea disaster which triggers a big revelation that changes all the systems, religious and social and if you look at the album it becomes it's very introspective. In the end it's totally intergalactic, so I think Snake wanted to touch on all the subjects that he was interested in and it's related to this planet and the state that it's in but in the typical, post-Apocalyptic, sci-fi Voivodian way.

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A Neighbourly Chat With Okilly Dokilly's Head Ned

Many of us have areas of pop culture, history or science which we become obsessed with. For most of us on this site, heavy metal music would be one of them of course, but there are many bands which focus on specific areas such as Ex Deo singing exclusively about the Roman culture and empire, Nile and their focus on Egyptian history or the Red Hot Chilli Peppers and their unhealthy feelings for California. One band which has grabbed the attention of people across the spectrum in recent years though, is Okilly Dokilly, the metal outfit from Phoenix, Arizona who focus solely on the friendliest neighbour in the world, Ned Flanders of The Simpsons fame.

Being a Simpsons fanatic myself (a true one that hates everything after a certain point,) I jumped at the opportunity to meet up with the band's frontman and founder, Head Ned, where we discussed the concept behind the band, as well as his feelings on more recent episodes, Futurama, Disenchantment and what we can expect from the band's second album, which currently goes by the working title, "Howdilly Twodilly." You can watch it in full below.

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Vodun Ready To Ascend To New Levels

With the rejection many of us have to the more mainstream rock and metal bands today, it's always refreshing to find a band which keeps the original flame alive, quite literally in this case. As I mentioned in my report on their show in Bristol, London based power trio Vodun are a band quite unlike any other, combining Sabbath like grooves with African rhythms and mysticism. The three piece has just released their sophomore album, "Ascend," and before their show at The Crofters Rights, I was able to sit down and talk with all three members of the band about influences, "Ascend" and more.

Diamond Oz: Straight into then, this tour is to promote your new album, "Ascend," which has only just been released, is that right?

Oya: The seventh of September, so about three weeks now.

Diamond Oz: Lovely, have you had much in the way of reviews and feedback so far?

Marassa: Quite a few reviews trickling in so far. Everything seems to be positive, everybody says it's a step up, the textures are thicker than "Possession"...

Oya: Yeah, good reviews, positive. People seem to like the dynamics of the songs and the war cry aspect of it in what we're talking about.

Diamond Oz: I'm not surprised they're liking it, I've had "Spirits Past" in my head all day!

Oya: Well we're playing it tonight so you'll soon be sick of it!

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Acid Reign Frontman Talks First Album In 29 Years

British thrash metal was truly a law unto itself. While the thrash scenes in the United States and Germany produced some mega stars of the genre such as Metallica, Megadeth and Anthrax, along with cult heroes like Kreator, Exodus and Destruction, the United Kingdom gave the world a small treasure chest. While the British contribution to the sub-genre was never as recognised, some stellar material from the likes of Onslaught, Sabbat and Xentrix proved influential, while those who were around at the time or dig deeper nowadays can tell you, bands like Re-Animator, Lawnmower Deth and of course, Acid Reign have just as much quality to offer as many of their American and German counterparts.

A sense of humour was always there among British thrash, many of whom acknowledging the sometimes silly world of heavy metal and its image, while also often containing social messages. Acid Reign was perhaps the best example of a band with plenty to say but not all of it too serious, as evidenced by their opening track on "The Fear," "You Never Know (W.T.N.W.S.)" and "Obnoxious" closing track, "This Is Serious," while dealing with such topics as anxiety ("You Are Your Enemy,") racism ("Blind Aggression") and free expression ("Creative Restraint".)

After a lengthy absence, the band returned in 2015, with only vocalist Howard "H" Smith in the fold from the original lineup. They've since released two singles, "Plan of the Damned" and "The Man Who Became Himself" and are currently in the studio recording their first album in twenty nine years. Before his excellent one man show in Camden, North London, I had the pleasure of meeting up with H in a pub across the street to discuss the return of the band, new material, his comedy career and much more. You can check it out below.

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Angry Anderson On Life, Legacy And Politics

There are very few bands whose impact is so great that they're not only important in their own field, but culturally significant. The Rolling Stones are as much a part of British culture as tea and chip shops, everyone thinks of Rush when they think of Canada and the good nature but toughness of Australia can be summed up by the legendary rockers, Rose Tattoo. Led by charismatic frontman Angry Anderson, the band has achieved commercial success, influenced countless bands at home and abroad, been covered by the likes of Guns N Roses and along with AC/DC, are one of the biggest rock bands to ever emerge from Australia.

Anderson himself has become a popular and much talked about figure in Australia, having had a solo hit with the ballad "Suddenly," embarked on a successful career as an actor and presenter and in recent times, become active in Australian politics, running as a candidate endorsed first by the National Party and then by the Australian Liberty Alliance.

At the band's recent show in London, the final date of their sold out tour of Britain with Girlschool, I had the pleasure of meeting Angry Anderson to discuss the legacy of the band, his storied and amazing life, how "We Can't Be Beaten" was written and so much more. You can watch the interview in full below.

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Raven: "A New Album's Coming!"

The New Wave Of British Heavy Metal produced and shed light on some of the most beloved bands in British rock music, many of whom are still going today. While some were flash in the pan or found success short lived, others not only experienced longevity but have been cited by peers and younger generations as a strong influence. One shining example of the latter is the legendary Geordie trio, Raven. Since their debut album, "Rock Until You Drop" in 1981, they've been praised by the likes of Anthrax, covered by such bands as Kreator and even took Metallica out on their first tour.

This month, I sat down with the band's vocalist/bassist John Gallagher, who along with his brother Mark (guitars) has been the driving force behind the group for over four decades. In the interview, we discussed new material, the use of crowdfunding, the legacy of the band and more. You can watch the conversation in full below, while an excerpt regarding new music reads as follows:

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Brainstorm Guitarist Discusses "Midnight Ghost"

Today marks the release date of "Midnight Ghost," the twelfth studio album from German power metal veterans Brainstorm. Over the course of twenty plus years, the band has developed a sound of their own, separating them from contemporaries like Blind Guardian and Hammerfall with a much darker tone, helping them to become a favourite of power metal fans.

Recently, I had the pleasure of meeting Brainstorm guitarist Torsten Ihlenfeld in Shepherds Bush, West London to discuss the "Midnight Ghost" album, as well as the history of the band, artwork, achieving a number one single and more. You can check out the interview in full below.

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At The Gates Already Looking To Next Album

At this year's edition of the Bloodstock Open Air festival, I had the privilege of speaking with guitarist Martin Larsson, of one of death metal's most respected names, At The Gates. Now on their second reunion, the band recently released their sixth album, "To Drink From The Night Itself" through Century Media Records, to follow up the well received 2014 effort, "At War With Reality." While speaking with Larsson, the musician revealed that the band are already looking ahead to their next album, while also shedding some light on "To Drink From The Night Itself" and the legacy of Swedish death metal. You can check out the interview in full below.

Diamond Oz: The new album, "To Drink From The Night Itself" is out now. It's a very worthy successor to "At War With Reality," very strong and very dark as well. What made it such a dark album?

Martin Larsson: I'd say just the way of the world in general. These are pretty bleak times we're living in. Good times as well, but let other people write about the good times.

Diamond Oz: And where does the title come from?

Martin: There was a line from the last album that we used for the title. The general concept is inspired by a German writer called Peter Weiss, he wrote a huge novel called The Aesthetics Of Resistance, which is the main inspiration for the album concept.

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Orphaned Land Sheds Light On Latest Album

Heavy metal may have been born in the midlands of Britain but over the course of nearly five decades, it's become a global phenomenon, spreading across the world and finding homes in the most unlikely of places. It's also empowered musicians and activists to use this heavier and more aggressive music to spread their messages. Nowhere is this more pertinent than Orphaned Land, the veteran metal outfit from Israel whose goal of peace in the Middle East and indeed throughout the world.

At the Bloodstock Open Air festival this year, I had the opportunity to speak with vocalist Kobi Farhi and drummer Matan Shmuely to discuss their latest album, "Unsung Prophets & Dead Messiahs," their first album in five years, as well as artwork, the issues affecting their homeland and more. You can watch the interview in full below.

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Photo of Exhorder

Band Photo: Exhorder

Exhorder On Reunion, New Material And More

Last month, I had the pleasure of being invited to the Bloodstock Open Air festival in Derbyshire, one of the United Kingdom's most prestigious heavy metal extravaganzas. While there, I was able to not only see an assortment of legends, cult heroes and up and comers but meet some of them two and I was delighted to be able to talk with Kyle Thomas and Vinnie Labella of the massively influential Exhorder. Now back and with big plans, the duo discussed why Exhorder has returned, if there will be anything new for fans to look forward to and finally being able to tour Europe. You can check out the interview in full in the video below.

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Power Trip On Thrash, Trump And Gerrymandering

There are many reasons to still be a metal fan, no matter how long you've been around the scene or the genre. From seeing reunions from bands you'd thought would never be in the same room again to visiting festivals across the globe. The main reason however, will always be the discovery of new and up and coming bands. One of the groups which has captured the attention of headbangers of all ages the world over is Power Trip, the crossover thrash quintet from Dallas, Texas. The band has been going from strength to strength in recent years, particularly since the release of their second album, "Nightmare Logic" last year.

At this year's edition of the Bloodstock Open Air festival, the band took to the main stage on Saturday morning and blew the crowd away with their ferocious brand of thrash. Afterwards, I had the pleasure of meeting up with vocalist Riley Gale to talk about the band's growing success, their home state of Texas and the dangers of gerrymandering in the modern political climate. You can watch the chat in full below.

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Photo of Soulfly

Band Photo: Soulfly

Soulfly: "I Don't Think There'll Be More Nailbomb"

Over the years of doing interviews for Metal Underground, I've had the pleasure and honour of meeting some of metal's true legends. From Udo Dirkschneider to Geoff Tate and all manner of heroes in between. Last night, I was granted the privilege of speaking with one of Brazil's most famous muscians, Max Cavalera, whose catalogue stretches from Sepultura to Soulfly with a number of projects such as Cavalera Conspiracy, Nailbomb and Killer Be Killed along the way.

Capping off a successful tour of the United Kingdom and with the details of their upcoming new studio album, "Ritual" now out in the open, there was plenty to talk about with Max Cavalera including the new album, the future of Nailbomb and Killer Be Killed and what it's like having your son in your band. You can watch the interview below.

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Paradise Lost Guitarist On "Medusa" And More

There are many sub-genres of heavy metal music these days. Often they can be traced back or attributed to only a handful of bands. In the nineties, the word saw the rise of groove metal, with many fans pointing to Pantera and Exhorder as the originators, as well as what we now call, black metal, with the Norwegian scene including Immortal, Emperor and Mayhem credited with spawning the style. It also saw the rise of gothic metal, which while built up from a variety of groups, is often attributed to British band, Paradise Lost.

Over the course of thirty years, Paradise Lost has gone from death/doom metal to the Gothic style they pioneered, to electronic music and everything in between. Last week, the band supported another of metal's more Gothic figures, Danzig in Brixton, London and I had the opportunity to sit down with guitarist Aaron Aedy to discuss the latest album, "Medusa," the band's thirtieth anniversary, the re-issues of the controversial albums, "Host" and "Believe In Nothing" and much more. You can watch the interview in full below.

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Rapper DMC Discusses His Love Of Heavy Metal

After eleven years with this site, I've had the privilege of speaking with all kinds of musicians about heavy music. While this is, and always will be, a heavy metal website, it's always interesting to hear a view on the genre from an unexpected source, which is why last month, I took the opportunity to sit down in Grosvenor House, a JW Marriott hotel in London overlooking Hyde Park, to speak with one of the first stars of hip hop, DMC, of the legendary group Run DMC about his love of metal and rock music, his collaborations with the likes of Aerosmith, Myles Kennedy and Slaves On Dope, his new EP, "Back From The Dead" and much more. You can check out the interview in two parts below, while some excerpts are as follows:

On the importance of "Walk This Way":
"It was so cool that we did it with them (Aerosmith.) We could have just remade it alone but it wouldn't have had the impact that it had. Their fans were like, 'Why are they with the rap guys!?' and our fans didn't know any better and thought, 'Why are they doing a record with The Rolling Stones!?' When Steven Tyler took the mic stand and put it through the wall, it's exactly what happened. Rock and rap breaking barriers and coming together."

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Photo of Therapy?

Band Photo: Therapy?

Therapy? Bassist Discusses New Album, "Cleave"

For such a small nation, Northern Ireland has produced some truly amazing contributions to rock over the years. From the guitar wizardry of Gary Moore to the catchy teenage encapsulated output of The Undertones to retro thrash metal favourites Gama Bomb, Northern Ireland has a lot to be proud about. One band that they should treasure however hails from the market town of Larne and have always been one of the most leftfield bands in alternative rock/metal.

I could only be talking about Therapy? and this past month, I had the pleasure of sitting down with Therapy? bassist Michael McKeegan to discuss that night's acoustic show, the upcoming new album, "Cleave" and why "Troublegum" is still such a special album twenty four years later. You can check out some excerpts as well as a video of the full interview below.

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Photo of Psychostick

Band Photo: Psychostick

Psychostick Reveals More About Upcoming Video Game

Comedy in rock and metal has always been a touchy subject, even if it's nothing new. From the days of Spinal Tap and Bad News to Tenacious D, metal fans have often been split between those who take themselves too seriously and those who can laugh at themselves. At the moment, Tempe, Arizona's own Psychostick must surely be hailed as one of the most popular and funniest bands in the "comedy metal" genre.

At their recent show in London, I had the opportunity to sit down to talk (and laugh) with guitarist Josh "The J" Key, drummer Alex "Shmalex/The Boy" Dontre and bass player Matty J "Moose" Rzemyk to discuss the use of crowdfunding, their own video game, "Pluhquest" and what Americans and British people think of each other.

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Melechesh On New Music, Comics And Jerusalem

Black metal is a sub-genre which, like most, has plenty of stereotypes and cliches. Typically, when one thinks of the term, images of snow covered mountains and corpse paint spring to mind. However, black metal reaches far beyond Scandinavia, from the rainy streets of Newcastle, England to the cultural hive that is Athens, Greece and beyond, black metal can be found challenging all aspects of society.

In June of this year, I had the privilege of speaking with perhaps one of the bravest men in extreme metal, Ashmedi, who formed the black metal band Melechesh in the holiest city on Earth, Jerusalem. Prior to witnessing a standard stellar performance from the band at their show with Belphegor, Ashmedi and I discussed when how far along Melechesh are with new material, the graphic novel based on his life, "Emissary Of The Anunnaki: The Tale Of The Fire King" and what he thinks of the American embassy being moved to Jerusalem.

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