"some music was meant to stay underground..."


To date, we have conducted 1401 interviews. If your band is available for an interview, feel free to contact us and we'll see what we can do. Here are our latest:

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Ten Questions for Rockabul's Travis Beard

During Inferno Metal Festival Norway 2018, Metalunderground.com’s own Greekbastard interviewed Travis Beard, the director of the documentary, Rockabul. Check out what he had to say about Afghanistan’s first and only heavy metal band and the making of the film.

Greekbastard: In a nutshell, can you tell our readers the basic storyline behind Rockabul?

Travis Beard: Yeah, in a nutshell I was living in Afghanistan working as a journalist. I sort of stumbled on this music scene which is very, very small, but it was growing and one day, four young Afghan teenagers walked into my house and wanted a place to practice playing metal music. I had a practice room so I let them use it and at the same time, this is quite interesting, they’re playing metal in an Islamic republic. So, I just pressed record on my camera. I had no idea what I was doing and this is funny because, you know, it was recording and there we documented the birth, the rise to the peak, and the death of Afghanistan's only metal band, District Unknown.

Greekbastard: Rockabul is currently being screened at different venues around the world. When and how is the movie going to be released for public consumption?

Travis Beard: So we have a one-year festival circuit, which we're doing now and it'll include the U.S. Once it goes public our strategy, or our plan, is to go online. Probably something like Netflix or Amazon or one of these online platforms…you have iTunes and so forth. That's the reason for that because we're really interested in pushing this film as far as possible in regards to it's not so much about making money. You don’t make money on a documentary. And so by putting on one of these online platforms you can get a film, you know, put out across the world and we'll just do one global sale. There is a chance of a theatrical release as well. We're planning to maybe do a later-in-the-year one-day cinema release globally. That would mean that we'd have cinemas all around the world playing the film on one day and then kind of like an event in the sense throughout different countries and different cities.

Greekbastard: How long did it take to make the movie? Was there a time at any point that you felt not going through with it?

Travis Beard: Ah, that's a good question. The film took eight years make and that was directly because of money. I had some money in the start, but when I first started going, I didn't know what I was doing. I was very inexperienced. Um, but I had the subject matter so I just kept filming. Then of course, the money ran out and there was a good five years in between where I kept editing and I kept putting my own money into the film and I kept getting more and different producers and, you know, especially my, uh, my fist on the wall of people’s doors trying to get attention. There was a good five-year lull where I almost threw the towel in a half a dozen, a dozen times. My girlfriend at the time bore the brunt of all my frustrations.

It really got to a point where I thought I didn't have a good story. I thought that something was missing from my film. I questioned my own filmmaking skills and then I was very lucky that I met up with Brooke in Australia and she had some street credibility in regards to the film industry. She got the money for us through the Australian government and we got the money to finish the film.

And so what it proved in the long run was the film did have the capacity and it did have the quality it just needed to be seen by the right people. And now it's doing what it’s doing traveling around the world doing festivals. So yes, the answer is there was many a time when I thought I would never finish this film. I said to all my friends and different colleagues, if the film is not successful, I will never make another one. This will be my first and last film. Unfortunately, it is successful so now I'm going to make another film.

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Getting To Know The Bastard Sons

When making the trip to Shepherds Bush, West London (famous for being home to England's greatest football club, Queens Park Rangers, don't laugh,) I was able to head to the famous Empire venue to see a show headlined by the legendary Ugly Kid Joe. They weren't the only ones on the bill to be given this tag, as former Motorhead guitarist Phil Campbell was also there with his new band, Phil Campbell & The Bastard Sons. I had the pleasure of meeting up with bassist Tyla Campbell (one of three sons of Phil Campbell who perform in the band,) along with vocalist Neil Starr to discuss their debut album, "The Age Of Absurdity," what it's like to play in a band with your dad and if the group will ever exist without Phil Campbell. You can see the interview in full below.

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Geoff Tate Discusses His Legacy And Future

It's not everyday one gets to meet a true legend of heavy metal. On the evening of April 17th, I had the honour of meeting up with former Queensryche vocalist Geoff Tate, now of Operation: Mindcrime, as his new collective strolled into London to perform at The Underworld with Brazilian power metal veterans Angra. Sitting on the tour bus, we discussed everything from the trilogy of Operation: Mindcrime albums, the influence of Spain on his life and what the future holds for Geoff Tate. You can check out the video interview in full below.

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Andrew WK On The Philosophy Of Partying

Back at the Kentish Town Forum in North London only a day after witnessing the Epica show, where I interviewed the band's composer Mark Jansen and Oceans Of Slumber vocalist Cammie Gilbert, I was excited to sit down and speak with one Andrew W.K., rock's ambassador for fun and the recognised President of party. During the interview, which began with the exchange of Party Rings biscuits, an essential part of any party in Britain, we discussed his latest album, "You're Not Alone," his appearances on Fox News and Aqua Teen Hunger Force and why it would have been ideal for him to perform at this year's Wrestlemania. You can watch the interview in full below.

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Oceans Of Slumber; The Next Big Thing?

On my recent trip back to England for a series of shows, I began with an outstanding night featuring Epica (see interview here,) Myrkur and Oceans Of Slumber. As mentioned in the review of the show, Oceans Of Slumber absolutely blew me away. The progressive metal group from Houston, Texas showcased a unique sound, haunting as it was beautiful.

I was so impressed by the band that when vocalist Cammie Gilbert passed by me, I had to take the opportunity to arrange a spur of the moment interview with her. During the interview, which mostly serves as an introduction to Oceans Of Slumber, we discussed their history, music, themes and success so far. You can check out the video below.

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Epica Guitarist On Music, Art And Technology

Since 2002, Dutch symphonic metal band Epica has gone from strength to strength, becoming one of the most popular groups in their field and putting in a live show to rival anyone else. With their latest album, "The Holographic Principle" and the EP of songs that didn't make the album, "The Solace System," the sextet from Limburg have once again proved why they're one of the most cited and beloved bands in the ever expanding sub-genre of symphonic metal.

During a recent trip to the United Kingdom, I had the pleasure of meeting up with the band's main composer, Mark Jansen in London, where we discussed the ideas behind the album, the record's art work, the role of technology in the world today and how it feels to be in a band where the focus is shifted towards the singer. You can check out the video below.

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Anti Cimex Drummer On Legacy, Punk And Reunions

Metal as we know it owes a lot to punk and hardcore. After all, the key ingredients for thrash metal was punk, hardcore and the New Wave Of British Heavy Metal. Since it began in the United States, spearheaded by the likes of The Stooges, The Ramones, Death, Television and The New York Dolls, punk has gone global and it's no surprise that Sweden was able to create some superb bands such as Disfear and of course, Anti Cimex. So what was it that made the latter so respected and how did punk come about in the Scandinavian country? For answers to these questions and more, I spoke with Anti Cimex drummer "Charlie."

Diamond Oz: Thank you for taking the time to speak to us. It's been twenty five years now since the release of "Scandinavian Jawbreaker". How has Anti Cimex resisted the temptation to reunite in this time, like so many of your peers have?

Charlie: Thank you for the interest in us! To reform you're supposed to be able to deliver. We couldn't do that. Lefty died and Jonsson was stuck in his addictions. And why reform something that was buggering you for some time? Nah, once dead youre supposed to stay dead. That is at least one thing we did properly! Still today we get offers to reunite, some involving quite impressive money offers, but no, we stay dead. Screw the corpse.

Oz: Most people outside of Sweden and Scandinavia have a very small knowledge about the country and its modern history. What circumstances led to you becoming a punk and to form the band?

Charlie: In 1976 we had a right wing government for the first time in 44 years. That's a perfect start for the punk movement! Add to that Thatcher, Breznev and Reagan and you have a perfect growing form for anti system, anti war and anti establishment songs. We had loads of inspiration and things to fight! Pretty much like the situation today! Expect a new wave of punk coming to a place near you in the next few years!

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Venom Inc. Carrying On Original Black Metal

Heavy metal has grown enormously from its humble beginnings in the late sixties/early seventies to encompass a wide variety of sub-genres. The origins of all these different takes on the genre are most often traced back to the early eighties when Michael Jackson's, "Beat It" made the British heavy metal charts thanks to a guitar solo from Eddie Van Halen and a young band from Newcastle decided that if that was heavy metal, they were something else. That band was Venom and their first three albums, "Welcome To Hell," "Black Metal"and "At War With Satan" would become monumentally influential, with the sophomore effort even spawning a genre of its own.

Fast forward to 2018 and the world now has two incarnations of the band. Namely; Venom, fronted by Conrad "Chronos" Lant from the classic lineup and Venom Inc. featuring the other two members of the legendary trio, Mantas and Abaddon, along with Tony "Demolition Man" Dolan, the Atomkraft frontman who replaced Chronos for a time in the late eighties to the mid nineties. With a superb debut album, "Avé," under their belts, Venom Inc. are taking to the road with plenty to prove and a lot to offer. I had the privilege of speaking with Demolition Man and Mantas on the first stop of their Bloodstained Earth tour, which also included Suffocation and Nervosa to discuss their debut album, the progress of other projects including Atomkraft, Dryll and Mpire Of Evil and why, in a sense, Venom were always the only black metal band.

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Goatwhore Riding High On A "Vengeful Ascension"

At a recent show in Bristol, the first British stop on the 2018 "Machine Messiah" tour, I had the pleasure not only of speaking with Sepultura guitarist Andreas Kissser, but with Ben Falgoust, frontman of New Orleans blackened thrash metal veterans, Goatwhore and Soylent Green. During the interview, we discussed a range of topics, particularly regarding the band's latest album, "Vengeful Ascension,"the upcoming 20th anniversary of their debut studio album, "The Eclipse Of Ages Into Black" and what it is that makes New Orleans so special.

On the writing process for "Vengeful Ascension":

"A big element of our writing is 'Are we going to play this live?' A lot of bands put out records and only play certain songs and never play anything else from the record live and we like to be able to take pretty much every single song at one point in the duration of touring for that record and put it in a live experience. When we're writing we're not just writing to write, we're writing from the perspective of "How is this going to sound live?'"

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Photo of Sepultura

Band Photo: Sepultura

Sepultura Celebrates 20 Years With Derrick Green

The nineties were truly a dark time for metal music, with many bands breaking up, changing their sound or being swept aside after the explosion of grunge music. There were however a few bands who were able to break into public consciousness, such as Pantera, Machine Head, Type O Negative and, from Belo Horizonte, Brazil, Sepultura. Over their thirty plus year career, the group has demonstrated a variety of different metal styles and helped pioneer some of their own, thanks to the experimentation with tribal music on the "Chaos A.D."and "Roots" albums. Co-founder Max Cavalera left the band at the end of 1996 and was replaced by American singer, Derrick Green, who made his recording debut with Sepultura on the 1998 album, "Against."

On the first date of their UK tour in Bristol, England, I was able to meet up with guitarist Andreas Kisser and singer Derrick Green to discuss the long, storied history of the group, as well as progress on the Sepultura documentary, their latest album, "Machine Messiah," why writing concept albums is like MacGuyver and whether Kisser has any plans to record another solo release soon.

On writing concept albums since 2006's, "Dante XXI":

"In a respect, all albums are like this. From The Beatles having love as a concept and "Sgt. Pepper's", which was possibly the first album to have a collection of songs become one thing, to Pink Floyd's, "The Wall" and stuff, to collect songs as a whole rather than just tracks, we like that very much. Even with 'Machine Messiah' some people are calling it prog!"

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The Exploited On Health, Legacy And Brexit

Some bands wear their hearts on their sleeves. Others don't just represent their beliefs, they embody them. Manowar, it could be said, were the embodiment of heavy metal, George Clinton was funk personified and if ever there was a band that were punk incarnate, it's Edinburgh's own, The Exploited. With no less than eight stellar albums over thirty nine years, the group has given the world such anthems as, "Punk's Not Dead," "UK82" and "Fuck The U.S.A." and despite lineup changes, feuds with other bands and musicians and health problems, the Scottish legends are still going strong today. At a recent show in Bristol, I had the pleasure of sitting down with iconic frontman Wattie Buchan, as well as his brother, Wully, who plays drums in the band, to discuss a variety of subjects such as punk, Brexit, why they were banned from Top Of The Pops and what was redeeming about Margaret Thatcher "being a cunt."

On his recent health problems, Wattie said:

"I've had like five heart attacks, quadruple bypass, a gastric bypass, two hernia operations and a blood clot. I should be dead, that's what six doctors have told me but now I'm easily in the best shape I've been for ten years."

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Suffocation: "We're Planning A Farewell For Frank"

There are some bands which will forever be loved by fans of the respective sub-genre. Most black metal fans love Emperor, most thrash fans love Exodus and most death metal fans love New York's own, Suffocation. The quintet are currently on the road in Europe promoting their eighth studio album, "... Of The Dark Light" and I was lucky enough to be in Bristol for the first show of the trek with Venom Inc., Nervosa and Aeternam, in addition to receiving the privilege of interviewing Suffocation guitarist and co founder, Terrance Hobbs (as well as members of Venom Inc. and Nervosa.)

Speaking about the position of vocalist Frank Mullen, who hasn't toured with the band for a while, Hobbs said;

"Frank wants to do a farewell tour but for him it's so hard, as well as for us, because there's so much of the world that he can't just take three months off work and come to Asia, South America etc. So what we're doing is working out the best areas that he'll be able to do in a short amount of time.

"Frank is screaming his lungs out and getting these bad headaches, which in turn makes it even harder for him to do the kind of touring a band like us needs to do. So yeah, we're working on a farewell tour for Frank and it'll be sad if he decides he needs to go. I'm almost never going to let him go! Hopefully we can get him back out here (the United Kingdom.)"

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Photo of Nervosa

Band Photo: Nervosa

Nervosa Discusses New Drummer, Music And Brazil

While the "thrash revival" of the of the mid to late 2000s may have come and gone, there are some young bands still proudly treating headbangers to the style and proving that like punk, hardcore and the smell of weed in the Bristol air, thrash metal is here to stay. There is perhaps no greater champion of modern thrash right now than Nervosa, an all female trio from Sao Paulo, Brazil, who since their debut album, "Victim Of Yourself" in 2015, have gone from strength to strength, touring with such bands as Destruction, Flotsam and Jetsam and Sepultura and currently, with black metal pioneers, Venom Inc. and death metal favourites, Suffocation. Just prior to the first show of this monumental tour, I had the pleasure of sitting down with Nervosa vocalist/bassist Fernanda Lira to discuss everything from the latest album, "Agony," the new album expected later this year, new drummer Luanna Dametto and how life has changed in Brazil since the coup which ousted leader Dilma Rousseff in 2016. You can watch the interview below.

Speaking about new drummer, Luanna Dametto, Fernanda stated:

"She's fitting in just perfectly. It's hard to find girls not only that want to play metal but who are willing to commit to being on tour and everything. She's brought a lot of aggression to our sound and she's super nice and super chilled, she's like our baby!"

On the upcoming third album:

"We can't say much but it's going to be out soon. It's all done and finished. We're happy with the result, the label loves it. It's going to be more aggressive than, "Agony," because of Luanna's drumming. It's also faster and has more death metal sound but we're still a thrash band and it'll still be a thrash album."

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Photo of Destruction

Band Photo: Destruction

Destruction Discusses Thrash And Angela Merkel

During this year's 70000 Tons Of Metal cruise, I had the pleasure of meeting many bands I grew up listening to, and indeed still listen to regularly. I was able to sit down with one of German thrash metal's most beloved names, Schmier, frontman of one of the Teutonic scene's biggest names, Destruction. During the interview, we spoke about the cruise, the jam session which included Mille Petrozza of fellow German thrash legends, Kreator, the collection of re-recorded material, "Thrash Anthems II" and the current political climate in Europe.

Speaking about the title of the latest album of new material, Schmier stated:

"We're under attack by everything these days. There are no quiet moments because everyone is on their cellphones and checking emails all day. We're under the influence of so many things nowadays. Then of course there's the global situation, there's so many wars. It's the right title for me but also a little controversial."

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Photo of Visions Of Atlantis

Band Photo: Visions Of Atlantis

Visions Of Atlantis Reveals "The Deep & The Dark"

In this modern age of metal, there's a massive appreciation for traditional story telling as well as the progressive sight of more women in bands. Austria's, Visions Of Atlantis has been steadily making a name for themselves over the years and now with new French vocalist Clementine Delauney and a new studio album, "The Deep And The Dark," Visions Of Atlantis are sure to gain the attention and respect of metal fans the world over. We recently had the pleasure of asking Clementine about the band's new album, how they've changed over the years and how women are seen in metal music today.

Diamond Oz: Thank you for taking the time to talk to us. Visions Of Atlantis are about to release their first full length album in five years, "The Deep and The Dark," which will be your first album of new material with the band. How do you feel it compares to previous VOA records and what were you able to bring to the table?

Clementine: You’re welcome! Honestly, we all do believe this is the best album the band has ever released! We went back to a more melodic and symphonic metal style with an old-school touch and a production that suits the genre. We wrote diversified songs with rich arrangements using many different influences.

"I was finally able to take part in the creative process! I wrote many of the vocal lines, most of the lyrics together with Siegfried, and I wrote the last song of the album “Prayer To the Lost”. So, for the first time I’m able to release really personal material and to sing about things that deeply matter to me. I’ve been waiting for this since I joined my first band in 2010!

Oz: Why was "The Deep and The Dark" chosen as the album's title?

Clementine : "This title sums up the topics that we talk about in our lyrics, exploring dark and deep spots whether it’s out there in the world around us or deep within ourselves. There are a lot of double meanings in our songs. This title uses simple yet evocative words to gather all what this album is about.

Oz: Of course, the myth of Atlantis was the starting point for the band. How much further into the mythology does "The Deep and The Dark" go and what would you say are, if any, the overall themes for the record?

Clementine: "The only song that mentions a world of myth openly is “Return To Lemuria”. But I’ve been using the place “Lemuria” as a metaphor to describe the place where lovers meet. It is a love song in the end!

"When it comes to the other themes, I’ve been writing about topics that affect me and define me: our connection to nature, dealing with inner struggles and mourning, imagining a world that would be fairer, with people thinking by themselves, escaping our modern industrial money-driven world! We are pirates creating our own rules and values, questioning power, religion, seeking for truth in the Nature around us and in the love we hold within.

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Rage Welcomes The "Seasons Of The Black"

The great thing about conducting interviews for this site is the opportunity to meet some true metal legends from across the globe. Having previously met the likes of Udo Dirkschneider and Overkill frontman Bobby Blitz, it was a privilege to sit down with the whole lineup of German veterans, Rage, led by the mountainous Peter "Peavy" Wagner in Murcia, Spain, during their tour with Firewind.

Diamond Oz: So, you're touring in support of "Seasons Of The Black, " which has been out for about a year now, how's the response to the album been?

Peavy Wagner: Super cool.

Lucky Maniatopoulos: Actually it's the second album of this lineup, by the way we call this lineup "the last lineup."

Peavy: The last in lineup!

Lucky: It's the second album we've done, it continues the style of the album before but focused more on the original DNA of the band. The reception to "The Devil Strikes Again" was good but "Seasons Of The Black" even more, you can see it everywhere, people always say we're on the right track and really enjoy it live. So it seems we're doing something right, especially on this tour, which has been double the size of the last tour.

Peavy: I think that not only have the older fans realised that we're focused on the original style of the band, also the younger fans are getting into what the band should be.

Lucky: Marcos said it best that this is the old style of Rage with some modern salt and pepper. It's timeless, modern, historic, a mix of all that which hopefully attracts younger people.

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Photo of Firewind

Band Photo: Firewind

A Coke And A Smile With Gus G

Metal and hardcore bands seem to be taking a little more notice of the South East of Spain lately. While Madrid and Barcelona still receives regular visits from all manner of heavy groups, the industrial city of Murcia is finally getting some recognition and receiving visits from big names. Of course, with awesome bands comes the opportunity to conduct some (I hope) great interviews and so I pursued the chance to sit down with Firewind founder and guitarist Gus G. (also known for his tenure as the guitarist for Ozzy Osbourne) to talk about the band's latest album, "Immortals," lineup changes and Greek metal and history, which we did at a small tapas bar after sharing some Eddie Murphy/Richard Pryor jokes (hence the article title.)

Diamond Oz: So, you're on tour at the moment promoting, "Immortals," which was released last January. How would you say the response to "Immortals" has been?"

Gus G.: It's really great! We didn't expect we would expand the tour that long. We had been away for like four years and everything moves so fast so we thought, "OK, we'll do one round of Europe, maybe some festivals" and then we started getting offers to go to Russia and South America, then Rage reached out and offered us the tour so it's been great, we're very happy. Fans love the album, it's one of the best received albums of our career.

Oz: It is a solid album, I bought it a few weeks ago. I heard earlier that the idea of Rage and Firewind touring together had been around for quite a while.

Gus: Yeah, that was an idea that came about months ago. We're on the same management roster, which is run by Lucky, the drummer from Rage and they had this idea that we should go out together, which is great because the music styles blend together so well and we have a similar fan base, though obviously Rage is a much older band than we are. So far the package has worked out great.

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Photo of Samael

Band Photo: Samael

Samael Frontman Reflects On "Hegemony"

In every sub-genre of metal music, there are bands which became "stars" for lack of a better word and bands which may not have become rich, but are recognised as highly important. Swiss extreme metal veterans Samael would fall into the latter category, with two massively influential albums, "Worship Him" and "Blood Ritual," they helped shape what would become known as the second wave of black metal. Last year, the band released "Hegemony," their first full length release in six years. I had the opportunity to ask frontman and founder Vorph about the album, the bands' longevity and more.

First of all, thank you very much for taking the time to speak to us. Your new album, "Hegemony" has been out for nine months and is already being hailed as another superb album that fits in with even your most revered works. What was the driving force behind the record and now that some time has passed, how do you feel it works as an artistic statement?

Vorph: It took us some time to complete the work on the new album but as every songs went to a growing process, from their first version to the next to the one that ended up on the album we knew that “Hegemony” would be something special, not just a new album but a collection of songs with a strong live potential. Since the album has been release we already have played 5 songs live and they all found their way to the heart of our audience and that's the best feeling in the world, to know that those songs will have a life on their own and will live on not only for the length of the album life but far beyond that.

"Hegmony" was your first album since 2011. Why was there such a long break in between albums?

Vorph: Xy worked on a side project for over a year and that delayed the whole process of finishing the album; the city of Sion where we both come from asked him to compose some original music for a spectacle they're doing every year. He had the chance to work with a full orchestra, something he wanted to do for a long time, and have his music play by classically trained musicians. That music ended up being play for two consecutive years and got released under the name “Sedunum”. After completing his work on that project he reworked every songs we already had, adding ochestration to most of them.

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Photo of Napalm Death

Band Photo: Napalm Death

Napalm Death On New Music, Landlords And Corbyn

It's a rare treat when a noted band comes to the south east of Spain, one which any self-respecting metal fan needs to make the best of. I was recently privileged to witness Napalm Death put on a blistering performance at the Garaje Beat Club in Murcia (see review here) and before the show, I met with their vocalist Mark "Barney" Greenway at the band's hotel. During the interview, we discussed a wide range of topics, from the group's forthcoming new compilation, "Coded Smears and More Uncommon Slurs," how far they've come writing new material, the present British government, opposition leader Jeremy Corbyn, the stigma of playing in Israel and much more. You can watch the interview below.

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Orphaned Land Talks Music, Racism And Middle East

For many of us metal fans, getting the opportunity to meet and talk with our favourite musicians and bands is an incredibly exciting thing. Over my ten years with Metal Underground, I've been privileged not only to interview bands I love, but to meet some of metal's most interesting people, such as Ashmedi of Melechesh, who has been the subject of several television shows and a documentary and Overkill frontman Bobby Blitz, the man who's beaten death several times and still infects everyone with his sense of humour.

On the final day of my interview tour last year, I stopped in Camden, north London to witness an international display of metal from Voodoo Kungfu from China, Crisalida from Chile and Imperial Age from Russia (see interview here.) The gig was headlined by Israeli group Orphaned Land, who many cite as the fathers of "oriental metal," fronted by the charismatic singer Kobi Farhi. The band and most notably Farhi have been very vocal and outspoken about their belief in their cause to help unite all people in the Middle East, be they Jewish, Christian, Muslim, Atheist or whomever and it's this passion for unity which has seen them become one of the most talked about and important metal bands going today. They have been the recipient of several peace prizes and were even put forward by a petition to receive the Nobel Peace Prize. I was fortunate enough to meet with Farhi and discuss how much of a role music can play in the world today, the everyday battle with racism and religious intolerance and much more.

Orphaned Land will release their new album, "Unsung Prophets & Dead Messiahs" on January 26th through Century Media.

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Vader: "The Empire" Strikes Back

When undertaking my hectic schedule of interviews and shows last year, I was lucky enough to experience a great night of death metal at the Kentish Town Forum in London, which included Hate Eternal (see my interview with frontman Erik Rutan here) and Threat Signal among others. Headlining the evening was Polish legends Vader, in their only UK show of the tour (a planned show in Birmingham was cancelled.) I caught up with Vader frontman Piotr "Peter" Wiwczarek and drummer James Stewart (who I had also interviewed earlier in the year) to discuss their latest album, "The Empire," what life was like in Communist Poland and more.

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Photo of Lacuna Coil

Band Photo: Lacuna Coil

Cristina Scabbia Reveals The Concept Of "Delirium"

In November last year, Italian gothic metal heavyweights returned to the United Kingdom in support of their superb latest album, "Delirium." The headline tour, which included support from Danish up and comers, Forever Still, was a delight for fans and a roaring success. During their stop in Bristol, I had the privilege of sitting down with the band's co-vocalist Cristina Scabbia, where we discussed the concept behind "Delirium," mental health, Star Wars and which of the two big Milan football teams were better.

Read Diamond Oz's full interview »

Photo of Hate Eternal

Band Photo: Hate Eternal

Catching Up With Erik Rutan

While on my tour of interviews and shows last year, I was treated to a death metal extravaganza at the Kentish Town Forum in London. The show was headlined by Vader (who I also caught up with, video coming soon) and also included performances from the likes of Hate Eternal and Threat Signal. After some talking with managers and staff, I was able to sit down with Hate Eternal's respected frontman Erik Rutan, who not only leads one of the most brutal bands in death metal, but has also made a name for himself as one of heavy music's most in demand producers. Almost immediately after the Hate Eternal set, we sat down to talk about death metal's past and present, his storied career and more.

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Onslaught Looks Back On "The Force"

2016 marked the thirtieth anniversary of arguably the best album in the history of British thrash metal, "The Force," by the group who many consider to be the greatest band in British thrash metal, Onslaught. To celebrate this milestone, the band embarked on a lengthy tour, performing the album in full. When they rolled back in to their home city of Bristol last year, I was fortunate enough not just to witness a phenomenal performance (see review here,) but also to speak with Onslaught co-founder and guitarist, Nige Rockett. In the video below, I talk with Nige about the band's live reputation, hearing rare songs and what we can expect from their forthcoming seventh studio album.

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Imperial Age Discuss "Warrior Race" And More

Last year, I embarked on a lengthy string of shows and interviews in England, where I was privileged to meet many metal musicians from around the globe. The last show I attended couldn't have been more multicultural, as it featured Orphaned Land from Israel, Voodoo Kungfu from China, Crisalida from Chile and Imperial Age from Russia. I was very impressed by the last of these bands (as I was with all on the groups) and arranged a spur of the moment interview with them while they were at the merch stand. After a series of technical difficulties and delays, I am finally able to present my conversation with these innovative and highly skilled musicians Alexander "Aor" Osipov and Jane "Corn" Odintsova.

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