This week's Pit Story comes courtesy of a Canadian metal band that's been flying under the radar for far too long.
Ottowa outfit Chariots Of The Gods shares a tale about a devoted fan who got more than a little knocked around in the pit at a release show, but decided to stick it out anyway.
The band recalls the story like this:
This particular pit story happened at the release show for our first record "Tides of War." The show was packed and the venue pretty near maximum capacity (350 to 400). During one of our songs, I can't remember which, a big circle pit starting forming and things got pretty wild in there. One of our fan/friends, who wears glasses, got knocked over in the pit and his glasses broke.
As he put his hands down to try and get back up he cut his palm open on the broken lenses. People got him up, he then went to the bathroom to clean up and patch it up as best he could, then came back out and stayed for the rest of the show; only after did he leave for the hospital to get sowed up. Pretty dedicated metal head right there in my opinion.
This isn't the first time we've heard stories of crazy fan devotion - what's the worst injury you've seen a metal head sustain and still hang out to finish the rest of the set?
Chariots Of The Gods also just released new album "Ages Unsung" last month, which can be heard in full via the YouTube playlist below. More...
For some people, grindcore is a hard to define genre. At the time, many bands rejected the tag, which was coined by Napalm Death drummer Mick Harris, who when speaking of the experimental rock band Swans, could only use the word "grind" to describe them. Though Napalm Death and Brutal Truth gladly took on the mantle, the likes of Extreme Noise Terror outright rejected the term. One band, who straddled the line between grindcore and extreme metal and proved to be influential regarding both, was Unseen Terror.
Unseen Terror were formed in Birmingham in 1987, from the ashes of Warhammer, arguably Britain's first death metal band and featuring Shane Embury on drums, along with guitarist Mitch Dickinson. Though not necessarily a grindcore project, their blend of extreme metal and the harder edge of hardcore punk put them in with the burgeoning genre. The two worked together on their craft, taking particular inspiration from Idaho based group, Septic Death, who gave Dickinson the inspiration for the name Unseen Terror from the song, "Unseen Terror - Terrorain" and focusing lyrically on the politics of the time, a common theme of the grindcore scene, as well as the nod to everyone's favourite lasagna eating cat, Garfield. More...
Got a hunger for some more Pit Stories? Good, because we're ready to serve one up hot and fresh!
There's no bloody noses or broken bones in this story, as we instead see some odd behavior from metal fans that's not at all about violence or sex (well... it might have been about sex - I'll let you judge).
Brandon McNeil, guitarist / vocalist from Calgary thrash group Illyrian, recalls the story like this:
Alright, so, one of the main things that always jumps out at me is the opening round of the Wacken Metal Battle. It was 2014, I think, and we were looking for ways to shoehorn our way through the first wave of bands without resistance.
Those close to me, or even those who just have me on the ol’ Facebook, know that I like to borrow things from the pro wrestling world when it comes to fleshing out my stage moves, and it just so happened that, at the time, I was in possession of a retro, yellow Hulk Hogan “Hulkamania” shirt. Naturally, I made the decision that the time had come for its glorious end.
During the finale to the set, I made my way to the front of the stage, ripped the shirt in half with ease, and hurled it out into the crowd. Despite my best efforts afterward, I couldn’t locate the thing in the venue afterwards. The only thought going through my mind, “Why would anyone want a torn up, sweaty Hulk Hogan shirt?”
It wasn’t until months later at a another show in town, where I was approached by an older lady in the crowd who had, with a sheepish and almost suggestive tone, that she had been the one to find the shirt that day… after which she took home and still keeps this day as a sort of weird collectors item. It takes all types, man.
Illyrian's new album "Round 2: Fight!" is set to be unleashed on October 7th, 2016. Check out the new video for album track "Zeta Reticulan" below. More...
Over the seven year history of the Sunday Old School column, we've covered well over 300 bands. Somehow though, it seems that at least a third of these groups have ties to British grindcore fathers, Napalm Death, whether it's guest appearances, touring buddies or shared members, bands such as Carcass, Extreme Noise Terror and Godflesh among others, can all trace themselves to the brutal Brummies in one way or another. Today's featured outfit is another example of the brilliance of the founders of grindcore, as we take a look at the project launched by Napalm Death guitarist Mitch Harris in the early nineties, which went by the suitably heavy name of Meathook Seed.
The band was formed in 1992 by Harris, who was looking to experiment somewhat. While discussing his idea with Obituary guitarist Trevor Peres, the latter expressed his desire to perform vocals in a band, which was increased further when he heard the demos Harris had recorded. Around the same time, Napalm Death performed a show in Tampa, Florida, where Harris jammed with Peres's Obituary bandmate, Donald Tardy, who was easily persuaded to join the Meathook Seed project. More...
Other than New Release Friday, each Tuesday is always my favorite day of the week - because it means more heavy metal Pit Stories to share!
This week we've got a tale of a show absolutely filled to the brim with shenanigans, and it just happens to have been the band's debut live performance. Guitarist Adrian Barnes from New Brunswick progressive metal band Tactus tells the story like this:
We have a bunch of funny things that actually occurred at our very first live show ever in 2013. We were playing at Pub Down Under in Saint John (which we’ve played a few times now, great little spot!). As most pubs have, there were a few weekend regulars who just happened to be at the pub during the metal show, some of whom clearly didn’t understand what to expect in the pit. In the middle of one of our songs, a few people were moshing and pushing each other a bit, and one of them bumped into this dude at the bar - he was loaded, and did not understand what was happening nor did he take it well.
He threw up his fists like he was in a boxing match and then chased the kid who bumped into him around the mosh pit for several seconds trying to hit him. Everyone was laughing, but the dude had a burning rage in his eyes that was actually pretty frightening. We were a bit worried for a second, but the door guy managed to grab a hold of him and took him outside to explain what was happening. It was pretty funny to see someone have to be taken aside after being struck in a mosh pit and get a crash course in metal culture.
Another amusing thing at that show was that at the time, the venue didn’t actually have a stage, so we were playing on the floor. The ladies washroom was just to the left of us, and our guitarist Alec had to keep stepping aside mid-song to let people by him to go use the washroom. It was simultaneously irritating and hilarious, because he just looked so awkward trying to play his parts while moving about precariously to let people past him.
Finally, another one of the locals who just happened to be at the bar, and who was clearly extremely intoxicated, came up to each of us after the show while we were loading out and had us all sign a napkin. It’s always humbling when someone wants your autograph, but it was also very hard to not laugh about it because it was only our first show and he was completely zonked . . . plus it was a napkin!
Tactus is gearing up to drop new album "Bending Light" on October 7th, 2016. Both a full song and an album teaser trailer are available below. More...
It's never a happy introduction to an edition of Sunday Old School when we need to kick things off with a tribute. However, following the sad passing of Leonard Haze at the age of 61, it feels appropriate to finally look back at his work with one of America's most underrated heavy metal groups, whose influence has been cited by many but overlooked by more. Of course, I am referring to Yesterday & Today, who would become better known as Y&T.
The band was formed in Oakland, California by Haze, along with Bob Gardner and Wayne Stitzer, who performed bass and keyboards respectively in 1982. Following a brief stint with Robin Irons on guitar and vocals, they replaced him with a guitarist named Dave Meniketti, who also handled vocal duties. Shortly afterwards, they were invited to perform their first gig, which consisted entirely of cover songs and was one of the few, if not only, performance with Wayne Stitzer, who quit a little while later, leading Gardner to take over on keyboards and a new bass player named Phil Kennemore, though Gardner himself would leave in 1974, to be replaced by Joey Alves. More...
For this week's Pit Story we go back more than a decade to a time when shows tended to get a lot more rowdy than they do now ('course, anybody who saw Slayer in the late '80s during shows that started riots is probably laughing pretty hard at the thought of 2002 being anything close to extreme for live shows).
Our Pit Story today comes courtesy of Dave Gates from Season of Arrows, recalling an insane performance from The Dillinger Escape Plan at Furnace Fest 2002. Dave retells the story like this:
Brandon, Brad, and I were fortunate to play this festival in Birmingham, AL. We were in a band called Fall With Me at the time. I remember it was very hot outside and there were so many people there. It was my first hardcore 3-day festival experience. I was into a lot of the bands that played, such as The Dillinger Escape Plan, Zao, Norma Jean, Bleeding Through, Shai Hulud, Eso-Charis, etc. to name a few. Most of the bands put on a great show that weekend. However, there was one that pulled off live stage antics and a jaw dropping performance like I have never seen before!
That band was, The Dillinger Escape Plan. I was very familiar with them and I knew they played very mathematical technical noisy hardcore. I had heard that their live show was truly incredible. I remember, they just got a new singer, perhaps that why this particular show was so insane, like he had something to prove. They started off playing and moving around quite a bit, which was typical of bands of that ilk. However, I noticed early on the singer hit his head on the headstock of one of their guitars. It was bleeding pretty bad. He takes his shirt off and wraps it around his head like fucking Rambo. Then he proceeds to climb up this light beam pole which was about 25-30 feet high. He was screaming at the top of his lungs bleeding through his shirt he wrapped around his head. Ha.
Then one of the guitarist jumps up and nose dives straight into the crowd with the headstock of his guitar pointing towards the insane pit. The singer comes down form the pole and then picks up the mic stand and holds it over his head like Conan while screaming like a mad man, flawlessly I might add. This is one of those mic stands that has the heavy circle weight on the end and he grabs the mic from it and throws the stand into the massive spinning circle pit. A few songs later, he takes one of the guitarists 4x12 cabs and tosses it into the pit. People were pulling it apart like it was the flesh of a human during a violent zombie attack. I saw tons of kids with pieces of the speaker cones, tolex, and wires flinging them around to the beat of the song all while moshing. If that wasn’t enough, they started to play my favorite song from them called "43% Burnt." I forgot to mention they had a fire breather dude this whole time this was going on up on stage with them.
They all eventually leave the stage and light the drum kit on fire and then one of the guitarist plugs in and starts to play the awesome main riff of the song again, which is so heavy still to this day. He keeps playing it over and over, meanwhile the drums are burning behind him. The next thing I know, the drummer runs from beside the stage and jumps back on the kit and starts to play along with this riff hitting the drums as hard as he possibly can. They all come back in and finish a lengthy added ending to this brutal song. It was a site to see man, I will never forget that show.
We managed to dig up some footage from that wild performance back in '02 - check it out below! Nashville’s Season Of Arrows will release new album “Give it to the Mountain" via Static Tension Recordings on October 28th, 2016. A teaser trailer is available after the Furnace Fest footage. More...
As a teenager in Britain, myself and any other guy with long hair, or even somebody wearing an Iron Maiden hoodie, was immediately classified by the non metal listening peers as a Goth (spelled "Goff" of course due to the average intelligence of these people.) It may come as a surprise to any of these people who think/thought this way then, that Gothic metal is a thing of its own, with not a great deal in common with the likes of Judas Priest and Deep Purple. Paradise Lost are often credited as the band which created the genre, which went on to create more pioneers, favourites and legends, including today's featured band, Tiamat.
Tiamat were formed in the municipality of Täby, in Stockholm, Sweden, originally using the moniker Treblinka and performing no nonsense black metal. After recording some demos, the band recorded their first full length album, "Sumerian Cry" in October 1989, though not long after they finished the record, guitarist Stefan Lagergren and drummer Anders Holmberg quit, leaving vocalist/guitarist Johan Edlund and bass player Jörgen Thullberg as the only remaining members. The two decided to change the name of the band to Tiamat, taking the name from the Mesopotamian goddess of the ocean before "Sumerian Cry" was released, giving them time to change the moniker for the albums release and for their appearance on a split with Unleashed, Asphyx, Grave and Loudblast. More...
It's Tuesday Pit Story time yet again! This week we shift away from the moshing fans and onto the stage itself.
With so many moving parts and many elements outside the musicians' control, there's always room for something to go wrong during a live show, and dealing with those sudden issues is something every performer needs to learn sooner or later.
For this week's Pit Story, Medevil shares two tales of when things didn't quite go as planned on the stage:
We had a pretty weird set when we played a show at the Railway Club two years back. During the second song of our set, "Mayan Rituals" (now known as "A Sacrifice"), our bass player Eric Wesa's bass string broke and he had to run through the audience and find a bass string. The crowd thought it was awesome, and when Eric came back on stage he arrived just in time to hit the last note of the song. I'm sure he felt like a metal god in that moment.
Also, during this exact show, singer Liam Collingwood collapsed for a few seconds due to dehydration. After the show when we spoke to the people in the crowd, it was pretty funny to hear that they thought it was part of the show. They said he looked like he was just getting really involved in the music and that it was an awesome stage antic.
As you may have noticed by recent Sunday Old School columns focusing on the likes of Coal Chamber and Spineshank, nu metal, or rather bands lumped into that category, are now being covered in this feature. It was a strange time, as following grunge's almost complete removal of metal from mainstream popularity, save for the likes of Pantera, Sepultura and Fear Factory, it was another brand of metal that removed it. The problem was, many metal fans hated what they saw as the bastardising of their genre. There were however, several bands which earned respect for their clear talent and songwriting abilities, including today's featured group, Sevendust.
Sevendust were formed in Atlanta, Georgia in 1994 by bassist Vince Hornsby and drummer Morgan Rose, who christened their new project, Snake Nation prior to being joined by guitarist John Connolly. After recording a demo, which they felt was let down by a poor vocal performance, they began a search for a new singer, one which would lead them to Lajon Witherspoon, with the lineup being completed six months later when Clint Lowery joined as a second guitarist, at which point the band renamed themselves, Rumblefish, before changing it to Crawlspace and then finally settling on the moniker Sevendust after a band named Crawlspac sent them a letter demanding $2,500. More...
Gather 'round metal heads, it's Pit Story time!
This week we've got two for the price of one, as Francisco Ramirez of Milwaukee, Wisconsin-based group Volunteer shares two epic tales of live mayhem in Chicago.
The first deals with cops breaking up a show... while beating down some Nazi punks! The second shifts focus to a different venue where free flowing beer got the fans a little two rowdy. Ramirez spins these tales like this:
When I worked at the Fireside Bowl in Chicago there was some show that drew a crowd of SHARP (Skin Heads Against Racial Prejudice) and old fashion Nazi skinheads. I don't remember the band but I remember the Nazi's bum rushing the front door with lead pipes and attacking people in the show. My staff and I stopped most of the violence but there was still a lot of damage done. Lots of blood and people on the ground. The bartender called the police as soon as everything happened. 5 paddy wagons and 10 police cars showed up and dragged out all the Nazis. The police beat the fuck out of all the Nazi skinheads and arrested them for assault. The image of Chicago Police pressing and crushing the skinheads outside the venue is still vivid in my head. By the way, after the cops demolished the skins, one came up to me and showed me his Ramones and Crass tattoo, I offered a beer and he drank it. I know cops suck most of the times, but there are are moments.
I was playing the Blue Flamingo in Austin, TX in the late 90's. I was in a fast drunk punk band called Traitors from Chicago, we had songs no longer than a minute and half. Anyways, the Blue Flamingo was a drag bar earlier in the night and they had punk shows late night. We had to headline for some reason, but they kept giving us free beer all night so we said fuck it. So it turns out that we were not only the people getting free beer. One of the bartenders threw up in one of the beer coolers and they were just washing off the beer and giving it away. This meant that everyone was drinking for free and was getting rowdy. The place was tiny and the bands played in the front of the bar in front of a window, the crowd was having fun. By the time we started at 1AM, shit was bonkers. We played 15 songs in 20 minutes. The crowd wanted one more and we had learned Joan Jett's "Bad Reputation" so we decided to play it. With in the first 10 seconds people were jumping off the bar, which is right next to the stage, into the crowd. Bar stools were flying and people were having fun, then someone dove out of the front window. Yep they ran through the band and dove through the window. Everyone stopped for a second and once he got up, we finished the song.
The Netherlands has a long history when it comes to metal music. This small, European country has produced plenty of excellent groups over the years such as Pestilence and God Dethroned and held plenty of festivals, including the Eindhoven Metal Meeting, where so many bands have performed and recorded live releases. Adding to this list of talented metallers is a group with one of the most suited monikers in death metal, the Zeeland based, Gorefest.
Gorefest were formed in 1989 in the city of Goes in the Netherlands and initially comprised of guitarists Alex van Schaik and Frank Harthoorn, drummer Marc Hoogendoorn and vocalist/bassist Jan-Chris de Koeijer. This lineup recorded their first demo, "Tangled in Gore" that same year, which was received extremely well by the extreme metal underground and led to them appearing on the split record, "Where Is Your God Now?" with such bands as Dead Head, Acrostichon, Disfigure and Sinister, before recording another demo, "Horrors in a Retarded Mind," which was also met warmly by metalheads and gained enough attention for them to be booked as the support for Carcass in the Netherlands and Belgium. More...
Believe it or not, oh young headbangers, groove metal doesn't begin and end with Pantera. Exhorder are of course cited as one of the great progenitors of the style, as are King's X, while other popular bands such as Sepultura and Prong also took on the design. Though perhaps not the most famous of metal's many sub-genres, groove metal nonetheless produced it's own legends and cult favourites, one of which began life in El Paso, Texas and went by the suitably brutal name of Pissing Razors.
The band was formed in 1994 by brothers Danny and Eddy Garcia, originally using the moniker Back Door Cyclops and were joined in their endeavour by vocalist Loco McNutt, who is credited with coming up with coming up with the change of the name, after he allegedly caught the clap after visiting a Mexican brothel, describing the condition as "pissing razors." His time with the band, much like that of Danny Garcia, was short lived and both decided to quit around 1996, at which point Eddy Garcia switched from guitar to drums and brought on board singer Joe Rodriguez and bassist Rick Valles, while bassist Matt Lynch moved to guitar. More...
Ready for another Tuesday Pit Story metal fans?
Today we have Italian power/prog icons DGM on board for a new tale involving the musicians having a little bit too much fun before the show, but trying their drunk damnedest to put on a killer gig anyway.
The story comes from a live appearance five years back while the band was on tour with Symphony X. DGM tells the tale like this:
It was the last gig of Symphony X's 2011 tour for "Iconoclast." We supported Symphony X throughout their whole European tour in 2011 across all Europe and of course lots of funny moments come back to my mind. We were in London at the O2 in the dressing rooms area and all the crew and band from Symphony X arrived to gives us some presents... from what I can remember it was a bottle of Jack Daniel's (or two...?).
Since you cannot bring them on a plane and we were supposed to be in Italy the day after, we had this brilliant idea of finishing them right in that moment. I know this sounds like the typical Motley Crue-style, but I can assure you that it's not that easy if you play this fast progressive intricate stuff for an hour!!!!
Somehow we managed to finished the show and we continued with beers and whatever during the whole SyX set... during their last song we invaded the stage and each one of us “stalked” their “alter-ego”... I went to Romeo's side, Fabio went to Jason's Drums and so on... you know we were and we still are major fan of the band and I remember that they let us play their instruments for a short time during the song, and I can recall clearly that I personally fucked up every note of that passage of music, and all the other guys in the band did pretty much the same... ahahahah. This was so embarrassing in front of the audience and in front of the SyX guy, but in the end a funny memory!
Frontiers Music Srl will release the brand new album from Italian prog metal masters DGM, entitled "The Passage," on August 26th. Check out the songs "Ghost Of Insanity" and "Fallen" below. More...
Last month in this column, we examined the career of Fantomas and mentioned the topic of supergroups. Whilst Fantômas much like Cream, Emerson Lake & Palmer and Crosby Stills and Nash (and Young) crafted some excellent music and achieved great commercial success (in the latter three cases at least,) many of these projects fall flat or only last for two albums, such as Velvet Revolver and GTR. A supergroup that seemingly met the high hopes of fans however, was one formed in the Swedish capital city of Stockholm, which comprised of some of the most respected names in death metal and chose the suitably brutal name of Bloodbath.
Bloodbath were formed in 1998, the brainchild of Opeth frontman Mikael Åkerfeldt and Edge of Sanity's Dan Swanö, who handled vocals and drums respectively. They were soon joined by Katatonia members Anders Nyström on guitar and Jonas Renkse on bass and two years later, released their debut EP, "Breeding Death," through Century Media Records. The three track release received a generally positive response from the death metal faithful, with many feeling it was a worthy debut from such a talented collective. More...
When looking through the Sunday Old School archives, perhaps you'll notice that while we pay a lot of attention to thrash, death, black and doom metal bands, we haven't forgotten the roots of the genre we all know and love. Over the years, we've taken a look at such bands as Black Sabbath, Budgie, Blue Cheer and Spooky Tooth, who all helped shape heavy metal in it's earliest form. Today, we'll be looking at another such band, who despite a relatively short career, are still mentioned frequently when discussing the most influential groups in the genesis of metal, Sir Lord Baltimore.
Sir Lord Baltimore was formed in 1968 by John Garner, who was joined in his musical endeavour by schoolmates Joey Dambra and Gary Justin. After putting some material together, the band performed in front of talent scout Mike Appel, who would go on to discover, Bruce Springsteen. Appel agreed to mentor the group and is rumoured to have been the one to give them the name Sir Lord Baltimore, which was taken from a character in Butch Cassidy & the Sundance Kid. More...
Ready for another set of Pit Stories from the metal world? This week's tale twosome arrives courtesy of experimental U.S. outfit Gus McArthur, who shares stories (and some awesome video) of epic pits at two very different shows from Babymetal and Megadeth.
One of the coolest pits we have ever been in was Babymetal's first U.S. show in L.A. The head of their fan club comes all the way from Japan to coordinate the wall of death, which is dividing the crowd in half down the middle and waiting to charge. We stood divided for maybe 3 minutes before the song came in at the right part to charge, I honestly don't know how anyone didn't get hurt. It was fun and good vibes all around, not quite like getting punched in the face in a Cannibal Corpse pit, but close.
The New Wave of British Heavy Metal has been studied, mentioned and dragged up time and time again throughout the history of this here column; and with good reason. It gave the genre some of the greatest bands in the field and revitalised the friendly rivalry between the British and American heavy metal scenes. While the Midlands gets a lot of attention for producing such NWOBHM acts as Diamond Head and Blitzkrieg, as well as icons such as Judas Priest and Black Sabbath, the North East contributed massively to the scene with the likes of Venom, Raven and Neat Records, as well as today's featured band, White Spirit.
White Spirit were formed in the coastal town of Hartlepool, most famous for the legend that the locals hung a monkey during the Napoleonic wars, believing it to be a French spy, in 1975 by drummer Graeme Crallan and guitarist Janick Gers. They were joined in the endeavour by vocalist Bruce Ruff, bassist Phil Brady and keyboardist Malcolm Pearson, displaying a sound closer to that of Deep Purple and Uriah Heep to the more contemporary styles of Saxon and Samson. More...
Tuesday's here and it's time for another round of heavy metal Pit Stories! This week sees a host of tales from across years worth of attending shows all brought together in one place.
Joeseph Woodbury of Armed With Books shares a veritable bazaar of the most bizarre events from heavy metal and hardcore shows. From overly drunk assholes at grind shows to truly odd one-man performances, he recalls the events in question like this:
With over 15 years of playing and attending shows, I have seen many things that are worthy of a mention, and to be honest I’m finding it hard to pin point just one story. The most horrific was seeing a man stage dive, the crowd parted and I watched him land head first onto a concrete floor. He laid there twitching, some people tried to help but because of the injury sustained nobody wanted to move him in case he had also damaged his spine. The band stopped playing and were just looking around like WTF do we do. Thankfully an ambulance crew turned up very rapidly and the band and moshing resumed before the man was even out of the room.
Probably the strangest stories from shows I have played seem to come in the form of the opening act. I once had a man open for me wearing nothing but pants and a horse head mask playing feedback for 10 minutes. I also had a man with what I can only call a keyboard and a Sega Mega drive hooked up to a big speaker, playing his own version of the kids song "Head Shoulders Knees and Toes" with dance moves included.
But the most violent would be when I watched a grindcore band play to a small crowd in a tiny pub. Some guy was pissed as a fart and stumbling all over the place. He was on stage with the band continuously knocking into the guitarist and trying to sing into the mike, the band was getting very annoyed with him as too were the crowd. The band was about 12 minutes into the set and for a grind band probably 15 songs deep, the drunken guy then stumbles and falls face first into the drum kit, knocking over the ride and floor tom, almost pushing the drummer off his stool.
Obviously, the band stop playing to see what this idiot had done and without even thinking the drummer hits the drunk guy over the head with his stick as hard as he could before the guy had a chance to stand up. The sound of wood on skull, froze the whole room, the thud was frightfully grotesque. The drunken man tries to stand like nothing had happen and the hit had maybe sobered him up, but the moment he put his hands to his face and realized his eye socket was sunken inwards to an unrecognizable shape, his face went white and he collapses onto the floor, falling forward once again in to the kit. The drummer realizing the seriousness of this assault begins to quickly pack away his breakables.
The band silently follow suit and all 4 members are out of the venue before anyone has a chance to say a word. I don’t know what happened to the drunken guy but I do believe he deserved what he got. Yes it was a seriously hard hit he took, but not only did he ruin the bands night who had probably traveled miles to get to the venue, the promoter who took weeks in planning the show. He ruined the night for all members of the crowd who had paid money to watch.
It's that time of year in the Northern hemisphere when the sun's out, the shorts are on and the Facebook feeds are filled with people complaining about the heat... Perfect timing for some Scandinavian gothic metal, don't you think? Gothic metal is largely attributed to British band Paradise Lost, not least due to the title of their sophomore full length, "Gothic," but has since gone on to become a popular and successful sub-genre in it's own right, probably providing the most female musicians in any of metal's varied offshoots. One of the first bands to lay the template for operatic, female vocals hails from the west of Norway and continue to hold a special place amongst fans of the genre, is Tristania.
Tristania was formed in 1995 by vocalist/guitarist Morten Veland, drummer Kenneth Ølsson and keyboardist Einar Moen and were joined in their musical pursuits a few weeks later by guitarist Anders Høyvik Hidle and bass player Rune Østerhus. While recording a demo, the group decided to bring in Vibeke Stene as a guest vocalist, who was soon recruited as a permanent member, although she was unaware of this until after the band signed with Napalm Records and released their debut album, "Widow's Weeds." The album itself drew considerable praise and is considered a classic in the gothic metal genre, thanks to the contrasting, "beauty and the beast" vocals and symphonic elements. More...