Archive: Unearthing the Metal Underground columns
It doesn’t take long when wandering the streets of the sprawling, congested, and smog-ridden city of Bangkok, once known as the Venice of the East due to its many canals, long since paved over, to realize that metal lives here. Young and old sport metal t-shirts with surprising regularity, metal paraphernalia abounds in shops here and there, and even airport employees asked this recent visitor to the country, upon seeing his tattoos and metal garb, “What metal band are you in?” Though scene insiders in Bangkok remarked to this correspondent that the Bangkok scene is largely split among subgenre lines, it clearly does little to diminish the following among the brutal bands of the Bangkok scene. Here are four punishing bands hailing from Thailand’s capital waiting to unleash upon you and aural assault of massive proportions. More...
Chile is a world unto itself, a land of extremes that begins at the harsh Atacama desert to the north and extends thousands of miles to the south in the fjords of Patagonia. The population is of hardy, rugged stock and it's people are as diverse as our own. Within this long country of one time zone, you have all kinds of microcosms and people of diverse ancestry. There are influences from German and Italian lineage and plenty of native and indigenous folk residing amongst the Hispanic populace. And of course, one common thread appears to always transcend boundaries - music. In the case of metal music, Chile has an unbelievable amount of bands in every subgroup imaginable. Black metal bands such as Runepath have put out demos that have gotten recognition on many webzines, and even the ambient new age doom of Uaral has gone viral on YouTube. The majority of people will think of Tom Araya, who recently got the key to a city as a musical emissary, as the most popular Chileno - but delve a little bit deeper and you will find all sorts of bands.
Chile has been thrashing for years, and you can see this as evident when old schoolers such as Vastator regroup are still around putting out videos and even collaborate with Veronica Freeman ("The Gods Give No Reply"). The great thing about the Chilean metal scene as of late is the organization put into it. The Digmetalworld label has put alot of effort into showcasing and streaming countless bands and releases from Chilean and other South American artists. A fan of one band can easily jump and discover music from other groups this way. While you may stream dozens of releases this way and get to know more metal bands, I still find that many will investigate on their own as well. Great blogspots such as Paganvs Info, for those who can read Spanish, also highlight a vast amount of music from the pagan metal scene in Chile and South America. Here on Metal Underground, we have streamed the entire newest releases of such diverse Chilean metal bands as Lefutray, Sacramento and several others. Today we will take a look at a few different styles of metal bands currently active in the Chilean scene.
I like what Folkheim stand for. They have the touch of the common man in their message of popular rights and autonomy for indigenous people. They don't celebrate Columbus Day, because in their words it would be celebrating 519 years of conquistador oppression. They recently bowed out of the Caviahue festival on moral and monetary grounds, and continue to speak their peace on issues such as the funding of the HidroAysen energy project which many deemed environmentally unsound. Hailing from Antofagasta, they play a rich variety of ethnic black folk metal. Folkheim's first EP was 2006's "Pachakuti," which followed their 2004 demo "Touched by Thy Undisturbed Essence." They continue to play shows all over Chile and have an incredible cult following.
Toronto is located in the South Eastern part of the province of Ontario, five hours east of Montreal, Quebec and three hours away from Ottawa, Ontario. A fair comparison to use to describe Toronto would be as the poor man’s New York City: it is large, expansive and industrial (and emotionally cold) in feel, but extremely culturally diverse, and while there are great opportunities for people to spark their individual creativity, the pressure to conform is palatable. Toronto seems to primarily be an “indie rock” town, but in the past few years, hardcore bands such as Fucked Up and Cancer Bats have been making waves, and Protest The Hero started off in Whitby, a suburb outside of the city. There are a plethora of new metal bands in the GTA, and while they get little (if any) love by Toronto press – metal or otherwise, they are around, getting opening slots for the American and European metal and hardcore bands that come into town.
Sons of Otis
In terms of style, Toronto metal acts seem to prefer to emulate the NWBHM feel, while Quebec metal bands seem to be more technical and favor Black metal and /or grindcore styles. Toronto’s Sons of Otis stands out as being a trio of extremely proficient musicians who stand out from the pack with their unique take on metal. Their sound, which is categorized as psychedelic stoner/doom, is infused with American blues music, which adds a deep-in-your-belly groove and a soulfulness to their sound.
While the band has been kicking around since 1992 and has toured with bands like Electric Wizard and YOB and performed at the renowned Roadburn Festival in Holland in 2010, they have been lauded with critical acclaim, but for some reason commercial acclaim has been stymied by horrible record deals, lineup changes and in my opinion, a musically immature city where their uniqueness isn’t appreciated. While I’d heard of the band for a number of years, their opening set for Dark Castle and YOB this past July blew me away, and if I were in one of the bands performing that night, I would have been intimidated. Sheer power and heartfelt passion for their craft cannot be faked simply to win an audience over. These guys are the real deal.
Logan, Utah sits in a picturesque little furrow by the name of Cache Valley, which is home to many small towns. Righteous mountain views are prevalent throughout and Logan is home to an array of diverse businesses, people and music. One thing that has become very apparent throughout the last few years is that, despite the small town vibe, the town has an awesome variation of pure metal that is comparable to cities ten times its size. Autostigmatic, Simple as Suicide, and Osco are but three of the bands that keep Logan’s metal scene alive and kicking some serious ass.
Autostigmatic is a four piece that is reminiscent of greats like Pantera and Slayer but with a crucially unique metal sound that brings fans back in hordes, craving more with every show. Live, they are non-stop head-banging metal that is cemented in the underground scene not only in Logan, but across Northern, Utah. Hovey is the front man, leading the mayhem with fierce vocals and guitar riffs that merge superbly with ferocious guitar abilities. The band produces deep and contagious bass lines and their drum beats are a hardcore combination of metal meets stampede, all in all creating a sound that pulls you in and saturates your soul.
If there was ever a genre of metal that seems to get the least amount of exposure, it would possibly be the brutal death metal scene. There are literally dozens of bands putting out material every week, and occasionally a few rise above the heap to become well-known with most metal listeners.
Brutal death metal, which has as it's subgenres slam, grind, and porno, can partially trace it's inception back to Earache grindcore compilations and mostly to the late 80's/early 90's when such extreme bands as Blood Duster, Lividity, and Broken Hope put out grisly material that raised the bar in terms of gore, lyrics, and horror-themed album cover art. The following years saw Dying Fetus become one of the top bands of the next wave, with caustic maim-inducing music that influenced countless bands in today's brutal scene. When done well, the music can be hilarious and high energy. When done badly, it is still pretty funny too. More...
Every Monday we take a look at three bands in the metal underground that deserve to be heard by a wider audience.
While normally the various bands unearthed are all grouped together by sub-genre or geographical location, this week we’re headed into slightly different territory to examine three bands that don’t necessarily share a similar sound. Instead, these three groups all have a common thread in that they are highly prolific artists with many releases under their belts, but somehow still haven’t managed to become highly known in the metal community.
Check out the music of Root, Transmetal, and Senmuth below and decide for yourself if you’d like to join these band’s relatively small but loyal fanbases.
This Czech Republic act is a bit of a cult hit in the underground, developing its own unique sound that isn’t quite black metal or avant-garde or ambient or anything else, but has echoes of all those styles and more.
Root has a solid nine full-length releases under its belt scattered throughout a 20+ year history, having just dropped the new album “Heritage of Satan” (reviewed here). Until recently, Root was almost completely unknown by fans of European dark metal acts, only starting to see more exposure after a series of re-releases through I Hate Records in 2008.
For more info on Root, head over to the band’s official website here, or listen to a sampling of songs off “The Temple in the Underworld” and “The Book” below.
Every week in Unearthing the Metal Underground, we take a look at three quality bands that haven't gotten as much exposure yet as they should. For as long as there has been rock music, a scene has existed in this Western European country, but many have struggled to gain international stardom, with death metal outfit Gojira probably being the most well known French band in metal today. This week we'll be looking at three bands from France who are out to prove that, contrary to popular belief, the French can throw down just as hard as anybody else.
Formed in 2007 by guitarist and self-proclaimed orchestrator Vynce Leff and recorded their debut EP, "Daughter Of The Night" just six months afterwards, instantly receiving acclaim wherever it was heard and even earned them the titles of Best French Band of 2008 by Metalsymphonique.com and Best EP from HeavyLaw.com. They split with their vocalist last year but were able to find security in December when they recruited Clémentine Delauney to stand behind the microphone.
Whyzdom - "Daughter Of The Night"
Every week in Unearthing the Metal Underground, we take a look at three quality bands that haven't gotten as much exposure yet as they should. This week we take a look at three bands from the vast country of Russia. Believe it or not, rock and heavy metal music was being made by Russian bands ever since 1960s, but it was not until the 1980s that the Soviet Union allowed such music to be released officially. Since the collapse of the Communist empire in 1991, the Russian metal scene has continued to grow and metal artists from the West routinely perform in the country, where legend has it some of the craziest fans in metal are to be found. Below is just a short example of the some of the band that come from Russia, perhaps not with love.
A Foggy Realm
From Russia's capital city, Moscow natives A Foggy Realm formed in 2009 by accomplished composer and musician, Ilya Lipkin, performing a mix of doom metal and ambient in an instrumental fashion, prefering instead to let their music do the talking. A Foggy Realm recorded their first EP, "Twilight" in January of last year, releasing it the next month. You can download the EP for free by heading to this location. More...
For a genre as controversial as National Socialist black metal (NSBM), it's a given that there would be a backlash against it from within. Especially given that metalheads are often a rebellious bunch, a bunch of songs about extreme forms of nativism was inevitably going to annoy the living crap out of a lot of left-leaning metalheads. And thus, red and anarchist black metal (RABM) was born, a genre even more obscure than NSBM but coming from the radical left.
Not a genre with a specific sound but one defined entirely by ideology, RABM will likely never see mainstream appeal but will still manage to attract a small yet dedicated following committed to a never-ending war with NSBM.
Proving that one can be proud of one's culture without resorting to fascism, Yaotl Mictlan is a Mexican band affiliated with the EZLN secessionist movement in Chiapas. Evoking the religion of the ancient Aztec civilization as an attack on the Spanish imperialism and fighting for indigenous rights is only is still second to the band when it comes to making quality ass-kicking black metal.
I have a special place in my heart for Las Vegas, probably because I lived in Nevada for almost twenty years. You hear all kinds of cliched phrases about Las Vegas being the "entertainment capital" of the U.S., but that depends on what kind of entertainment you're looking for. If you're just some tourist, you'll go hog wild for the latest flamboyant guy taming a white tiger or some pop star appearing at Caesar's Palace. Or you could be the weekend partier from LA, descending on the city for a night of debauchery at one of the dozens of night clubs and ultra lounges. But the kind of entertainment a metal listener wants is going to be markedly different, and a scene does exist in Las Vegas once again.
See, the Las Vegas valley had a great underground scene back in the late eighties and throughout the nineties. Besides Mark Slaughter putting it on the map in terms of commercial metal, Mitch Harris released two LP's with his LV band The Righteous Pigs before leaving to join Napalm Death. Clubs such as Calamity Jayne's brought in weekly shows before they were busted for coke, and the Huntridge was legendary in terms of hardcore and extreme metal shows. All the local bands played at the local college bars around UNLV and at the Elks Lodge in Henderson, and had their music promoted on the radio station before the general manager switched the format to all jazz back in 1998. Local bands such as Goatlord, Requiem and Hemlock (still active and billing themselves "the hardest working band in metal") had no more exposure after this happened, and the local scene died off for a number of years after this.
Technology intervened and created a renaissance for the Las Vegas scene. College radio isn't imperative any more when you can hear everything on satellite radio and the internet now. Besides the House of Blues at the Mandalay Bay Hotel and the Hard Rock Casino bringing in the bigger names, there are tons of local venues hosting concerts now. Every weekend there are shows at the Cheyenne Saloon with local bands on the roster supporting the big name acts that come in from L.A. and elsewhere. That five-hour drive from California has brought in bands ranging from Asesino to Enthraller at this venue, which was the site for the Las Vegas Death Fest 3 and the Doom In June shows. Local favorites like Avenger In Blood and Soiled Carnage can be found there with a whole host of other garage metal bands opening for the big gigs.
In the past five years, the scene has exploded with bands such as metalcore heavy hitters Molotov Solution putting Las Vegas on the map. Another big surprise has been the immense popularity of Guttural Secrete in the national death metal scene. Granted, they've been around almost a decade, but it is literally unheard of for a band this extreme to have almost a quarter of a million hits on Youtube - especially an independent one. In many ways, Las Vegas does have the ideal climate for a scene if any city has. It's 24 hours of non-stop drinking, gambling and every vice imaginable. What it lacks in historic culture it exceeds in bacchanalian virtues. It is the setting for the glitterati and the plastic too, and for every serious extreme metal and metalcore band working the club circuit, the desert floor is littered with alot of screamo bands and younger kids that need to hone their style.
Below we will take you to the music of a few Las Vegas bands that haven't been featured prominently in our pages, so you can get an idea of what this desert community has to offer the metal scene.
Tales of the Grotesque
Tales of the Grotesque define themselves as a brutal melodic death metal band that were "recently released from a dark room where they defined their sound and status as a band." They've been around since 2010 and it's their mission to give you the feeling of an eerie tale crawling in your skin. They were recently voted October band of the month by Las Vegas website FiggZillaMusic.com.
Helsinki, my Helsinki. One year later, and still there is always something new and exciting here. In a city that is constantly evolving musically, a city where Gods of Metal roam the streets, what could be hidden under the surface? Clearly Helsinki is a center in the musical world, where it seems as if everyone you meet either plays an instrument or is in a band. One only has to look at the music that comes from this epicenter to realize how raw with talent the city and surrounding suburbs are.
With such internationally acclaimed acts such as Nightwish, Apocalyptica, Wintersun, Norther, Amorphis, and Moonsorrow boasting their origins here in Southern Finland, is it really a surprise that there is even more phenomenal talent hidden right beneath our noses? That’s not the Koskenkorva I smell, it’s the scent of fresh, raw talent. Heavily influenced by folk metal and symphonic metal, Helsinki area also has a surprisingly good local scene; this week we’ll Unearth the Metal Underground with everything from black metal to symphonic death metal.
Assemble the Chariots
To start with, a hefty dose of black and death metal! Assemble the Chariots was formed in the summer of 2008. The band's musical focus is death, black and hardcore metal, and in its own words “fast guitar shreds, and shit you’ve never heard before.” They had their first release in 2008 and currently are writing a demo set to come out later this year. Personally, I’m loving the flowing guitar riffs and the way the songs quickly transition to Opeth style growls and blast beats. Piano interludes provide melancholic interest and leave me wondering how the hell these guys aren’t on any magazine covers yet.
Each week in Unearthing the Metal Underground, we'll be putting a few quality underground bands in the spotlight in an attempt to get the word out about them. This week is our fourth exploration of the metal scene in Perth, Western Australia. You can also check out Part 1 (death metal), Part 2, and Part 3 (thrash metal).
The number of good bands that come out of such a small, remote place is quite staggering - it's just a shame that most of them don't get the opportunity to take their music to a wider audience. Today's highlighted bands have, to their credit, made some inroads into the international market.
With two full length albums under its belt, numerous local and national awards, and an appearance at Australia’s largest festival The Big Day Out, progressive metal outfit Chaos Divine has started to get some recognition in their home country. Not content with that, in 2009 the band played at the Progpower Europe Festival in The Netherlands as well as some club dates in Belgium.
March 2011 saw the release of Chaos Divine's second album, The Human Connection. While recorded in Perth, for the mixing and mastering the band managed to score the talents of Swedish producer Jens Bogren, known for his work with Opeth and Katatonia. The album is also available internationally on iTunes. The sound combines progressive elements and melodic death metal with particularly outstanding guitar work and great clean vocals, and will appeal to fans of Opeth and Dream Theater as well as fans of European-style melodic death metal.
Every week in Unearthing The Metal Underground, we check out bands in the underground who deserve more notice for the excellent heavy metal they are producing. This week we're looking at the underground scene in the capital of the United States, Washington, DC.
The District usually conjures up thoughts of monuments, patriotism, and presidential blow jobs, but if you listen closely, ignoring all the political windbags, inner city gunshots and almost weekly protests for one cause or another and you manage to avoid all the indie rock hipster bars and DJ dance nights you can hear the rumblings of a metal scene overshadowed by just about everything else in the most powerful city in the world. But unlike the city's rats who scurry away in the shadows these bands are screaming to be heard, and cranking their amps up too! Here's three of the best underground metal bands in Washington, DC right now that you won't find in any of the tourist guides.
Ilsa is a metal band with a sound that lies somewhere in the filthiest place where old school death metal and sludgy doom collide. This five piece band is raw in the best sense of the word. Heaviness exudes from every riff these guys play, regardless of the tempo, and the rhythm section breaks up bursts of brutality with dirty grooves. On top of it all you've got lead singer Orion's vocals which scream out with a pain that can't be faked. They're often found playing to packed basements at house shows but Ilsa isn't just some garage band. They’re a great underground band really making art for the unwashed masses and they deserve more recognition. Listen to their song Frostthrower on their MySpace page here and you'll see what I mean.
Every week in Unearthing the Metal Underground, we take a look at three quality bands that haven't gotten as much exposure yet as they should. This week we take a look at the metal scene in London, one of the most famous cities in the world.
Formed in 2006, Mutant has been performing their take on classic thrash metal, which they refer to as speed death, for five years now. They have been able to build up an ever growing fan base in that time, leading to shows with such other acts as Municipal Waste and performing at the Bloodstock, Damnation and Hammerfest festivals amongst others. Early this year they proved to the whole country why they’re one of the best bands going in the British underground, when they were voted the Best Unsigned Band of 2010 by readers of Terrorizer magazine.
Mutant - "The Rauncher"
While Chicago has a reputation as a punk and hip hop town, there's still an active metal scene within the Windy City with some great gems that haven’t gotten nearly enough exposure. Even though Chicago may not have the same metal cred that Boston and Seattle have today, there is still a rawness and experimentation to Chicago metal fused into the scene's bloodstream. Less accessible than Gothenburg and nowhere near as technical as Montreal but certainly not lacking in creativity, the Chcago metal scene's mix of grittiness and experimentation has produced everything from Hewhocorrupts to Ministry to Nachtmystium and that same aesthetic is still alive in 2011 in any number of as yet undiscovered bands.
Now, as part of the Unearthing the Metal Underground series, Metal Underground.com presents three underground Chicago bands that deserve way more exposure and attention than they currently receive.
Blood of the Tyrant
Sounding like the bastard child of Black Sabbath and Mastodon, Blood of the Tyrant is an excellent example of progressive doom metal. While still only having one release to its name, released in 2008, Blood of the Tyrant is still one of Chicago's best unsigned bands, known for epic song lengths, impressive guitar solos and surprisingly energetic take on doom metal.
Located out in the Caribbean between Cuba and Puerto Rico, the Dominican Republic has long been an island nation melting pot for a variety of cultures and styles brought over by the millions of tourists and influences that converge upon it. Dominicans are known in America for the crop of professional baseball players they produce and in our large Hispanic community for the stream of bachata/merengue music along with the superstar reggaeton production duo Luny Tunes.
The times are changing though, and the rich history that the Dominicans have had with folkloric rock music has gradually come to include all genres of popular rock/metal throughout the last couple of decades. Bands such as Toque Profundo and M-16 have opened up the floodgates to more extreme categories of rock music, producing the likes of Ad Bestia's hardcore, Santuario's punk rock, the thrash of Necro, good traditional thrash from Overhated and the power metal of Altus Mortem. For a comprehensive look into the Dominican Republic's rich rock history, check out the two-part video Dominican Rock Pt 1 and 2 to gain a greater insight into the scene.
Nowadays, with home studio computer equipment and social networking, hundreds of young bands are cropping up all over the Dominican landscape. In fact, a few homegrown independent labels now showcase the talents of the more extreme Caribbean bands - Dark Canvas and Goecia records. Today we will take a look at three of the most deserving and hard working bands paying their dues in the trenches of Santo Domingo.
Conceived in 1994, Archaios are the premier melodic techno-thrash band from Santo Domingo. Fusing intricate leads with an abundance of bridges and time changes, this is one band that deserve a further listen. Their new one, "The Distant," drops in November and is an exponentially good progression from their debut, 2006's "Out of the Shadows." You can check out their songs in full at their Myspace page and listen to the promotional sampler clip below, plus a few other tracks from their debut. Also, you can read a full interview with the band here.
Every week in Unearthing the Metal Underground, we take a look at three quality bands that haven't gotten as much exposure yet as they should. This week we’ll be taking a second look at three bands from the West Country (the South West of England.)
One of the biggest, and quite possibly best, bands from the West Country's metal scene comes in the guise of Seregon, who formed in 2005. The band take influence from such thrash metal heroes as Testament and Sepultura (the latter of which they have shared the stage with on numerous occassions) and add a healthy dose of death metal into the fray, to create a savage sound not quite like any other. While still very much rooted in the underground, Seregon have found themselves performing outside of the United Kingdom, taking to the stage in such countries as Germany, Portugal and Romania amongst others. They are currently working on their new EP, which is expected to be released next year.
Seregon - "The Removal Of The Spine"
Every week with Unearthing the Metal Underground we reveal three bands that deserve to be heard by a wider audience. After taking a look at experimental metal groups and instrumental bands with plenty of progressive elements, this week we’re heading straight into underground prog metal acts.
Throwing in jazzy interludes, unexpected changes in tempo and style, and usually a heaping dose of 70’s rock influence, prog has helped to keep the metal scene from stagnating and provides plenty of heaviness without always relying on outright brutality. There may be an odd contradiction of an entire genre called “progressive metal,” since the whole idea is that progressive music can’t be lumped into a single category and doesn’t follow the rules or format of a specific sub-genre. That whole sticky issue aside, these three bands explode with non-traditional song structures and a huge range of influences that make them well worth hearing for any fan of the more well known progressive metal acts, from Opeth to Dream Theater and beyond.
New Jersey’s Suspyre is the cream of the crop in the underground prog metal world, with production values and song writing chops on par with any huge name act. The band creates massive Opeth-length tracks, but still maintain consistent quality and amazing transitions across ten minute epics. Suspyre’s soaring power metal influence vocal work is especially worth hearing, and the band does even throw in a few growls here and there for a heavier edge.
The group’s last release was the 2008 “When Time Fades” album (reviewed here), but Suspyre is now working on a fourth album. To check out the act’s take on melodic prog metal, head over to the Suspyre Facebook profile or listen to the songs “The Light of the Fire” and “Siren” in the clips below.
Each week in Unearthing the Metal Underground, we look at underground bands that embody the metal genre and this week is no exception as we focus on Ogden, Utah. The metal that comes from this area and nearby is astounding, they are metal bands that fly under the mainstream radar but have metal music seared into their souls.
Better known as O-Town to locals, Ogden has an impressive emerging underground music scene. However, the metal reverberating out of this area is distinguishable for the simple fact that they bring it hard, with every show, every song and with every note. Three bands stand out from the pack for a variety of reasons, one being they scorch your souls with their intensity and two… because they are metal to the core.
"The Dead Gates- the entrance to eternal suffering where the hounds of hell feast upon the damned," an apt description for a band as hardcore as these boys. Hailing from Ogden, Utah, these metalheads have taken the Wasatch Front by storm, not only banging heads with O-Town fans but creating a solid fan base throughout Utah. By combining searing guitar riffs, irresistibly heavy bass lines and drum beats of ferocious proportions they create a melodic yet forceful tone that cascades over you. Add that to the vehement growls and intense vocals and you get an effectual sound that is as savage as it is addicting. Deadgates is: Sam E. (vocals), Josh W. (guitar), Mat L. (guitar), Kirk T. (bass), and Matt H. (drums). Check them out on their Facebook on Myspace and on Youtube.
Each week with Unearthing the Metal Underground, we shine the spotlight onto three bands that may not have had a chance to hit your musical radar yet. This week we’re taking another look into a unique blend of styles that show how not every metal band has to scream about Satan or politics or personal struggles.
After previously looking at underground folk metal in general last year and then folk metal specifically from the Andes, we’re now delving into three bands that all share a love of Celtic and pagan themes, as well as a desire to mix traditional instruments with abrasive black metal or melodic power metal.
Whether you are looking for a night of fun drinking in a folk atmosphere, an in-your-face dose of extreme metal that draws from other influences, or even a more melodic and calm experience, these three bands show what Canada, Arizona, and the U.K. have to offer in the world of folk metal.
For our first trek into folk-laced metal we’ll take a look at Canadian act Trollband, which recently released the debut album “In The Shadow of a Mountain” (reviewed here). The band has now made the album available as a completely free download to get the music out to a wider audience.
In conjunction with the album’s review, Metalunderground.com conducted an interview with Trollband to discuss the band’s decision to give away the release and other topics, such as the many guest musicians appearing on “In the Shadow of a Mountain.” The interview is available for viewing here.
Splitting the difference between a harsher act like Finntroll and a more melodic band like Equilibrium, Trollband has plenty of symphonic black metal mayhem to keep the heads banging, even while a host of folksy sounds keep the music grounded in a more traditional style. To hear more of Trollband you can check out the band’s MySpace page, or listen to the songs “Heathen Blood” or “Nidhoggr” in the clips below.