We've been talking to bands and fans everywhere to get their favorite mosh pit stories from metal shows. This week Rafa Martinez of Black Cobra shares a story from their Japanese tour a couple years ago and has some video evidence to go along with it:
It was September of 2007 and it was Black Cobra's first tour in Japan. We had just released our second album as a split with Eternal Elysium and we were touring with them in support of the release. It was the third day of the tour and the crowds had been great but nothing like we were about to see.
That day we played in the city of Kawasaki which lies in the outskirts of Tokyo. The crowd was going absolutely bananas. There was a kid in the front row that looked like he was having a seizure. We were playing the last song of the set and it was almost the end of the song when all of a sudden someone from the crowd climbed through the barricade onto one of the PA speakers and stage dove only to find that no one in the crowd noticed his audacious acrobatics... Everyone was too busy pitting so no one caught him and the dude flew head first right through the eye of the slam pit on to the dance floor. Splat!
Check out a video of the events below:
Black Cobra will record a new album in 2011; stay tuned for more info. In the meantime, you can check out some of their past music on the band's MySpace player.
Check back next Tuesday as we share more Pit Stories.
Each week with Unearthing the Metal Underground we take a look at three bands that haven’t had a chance to make as big an impact in the music scene as they should. Whether due to lack of label support, remote location, or just simple obscurity, there are many bands in the underground well worth the time of any serious metal fan.
Rather than looking at three bands in the same region or connected by a similar style, this week we’re delving into three groups that are all relatively unknown side projects of Norwegian prodigy Ihsahn. Probably best known for his work in black metal legion Emperor (which was covered as part of our “Black Metal History Month” at this location), Ihsahn has since headed out on his own to release three solo albums. But before the stage handle Ihsahn was a name known by itself, Vegard Sverre Tveitan was involved in many different projects ranging from freezing cold black metal to the entirely symphonic and even into more bizarre territory with sounds rarely, if ever, heard elsewhere.
After releasing his first solo album “The Adversary,” Ihsahn took a year off to work with other acts and continue to write new music. As black metal fans took in his new solo direction and decided if it stood up to the Emperor material, the musician looked to an entirely unexpected source for his latest collaboration. Teaming up with Norwegian hardingfiddle player Knut Buen, the Hardingrock project was born.
Heading in a vastly different direction than would be expected, Hardingrock’s only album “Grimen” (reviewed here) mixes fiddle heavy folk music, keyboards courtesy of Ihsahn’s wife, spoken word segments provided solely in the Nynorsk dialect, and yes, even some blistering black metal screams. If you are willing to try something vastly different than the standard fare, head over to the band’s MySpace page or checkout the songs “Fanitullen,” “Faens Marsj,” or “Daudingen” in the clips below.
In 1982, when Blackie Lawless put together his band W.A.S.P. (original members: Blackie Lawless, Rik Fox, Randy Piper, and Tony Richards ) there was an immediate buzz over what did the band name/acronym W.A.S.P. represent? From We Are Sexual Perverts to We Are Satan’s People, only the We Are was agreed upon. It was also agreed that Lawless was clearly a marketing genius. The answer is if you go to the dead wax area on W.A.S.P.’s first LP. You will see “we are sexually perverted” inscribed.
The band recorded their first song titled “Animal (F**ck Like a Beast),” which would later be the first song on their self-titled album W.A.S.P. This track would be pulled from the distribution so stores in the U.S. would carry it. It was clear from the start that this band would create and live a unique identity. If fellow Sunset Strip bands like Ratt were going to be about sex and hookers, and Motley Crue was going to be about drugs and strippers, well, then W.A.S.P. decided early on they were going to be about raping hookers and strippers who are on drugs.
In addition to groupies and cutters, their music also got the attention of the Washington D.C. based Parents Music Research Center (P.M.R.C.). A group of up-tight suits led by Tipper Gore declaring war on sex, violence, and vulgar musical lyrics, the basis for their argument was The Filthy Fifteen, a list of songs demonstrating their mission. In their eyes, this list (and not Tipper Gore’s pant suits) was destroying society. W.A.S.P.’s “Animal” was on the list with fellow heavy metal acts Motley Crue and Twisted Sister as well as pop stars Madonna, Cyndi Lauper, and Sheena Easton. Sheena Easton was on the list for a song named “Sugar Walls,” which I’m guessing pissed off Lawless because he didn’t come up with this song title first. Due to the “list,” the band received death and bomb threats from followers of the P.M.R.C. Blackie Lawless was even shot at twice. That is one more time than Ronald Reagan was shot at. Looking back, many forget that W.A.S.P. was a part of the The Filthy Fifteen, but they were part of it, and at the time pretty proud of this. More...
We've been talking to bands and fans everywhere to get their favorite mosh pit stories from metal shows. This week Teloch of Nidingr, and now also of Mayhem, sent in a pit story along with some photo evidence:
Ok, this was back when I was doing guitars in 1349. We played a festival here in Europe; I don't remember what festival it was, but I'm guessing this was in 2007. Celtic Frost played the same festival, and we were just back from doing a tour with them in North America, so we got to know them pretty well. As soon as CF started their gig at this festival I was starting to get drunk, hence I was having a good time and wanted to raise some hell.
Together with Mustis from Dimmu Borgir, I went to the production office and got some tools to work with. I ended up with a poster with a message to Franco their drummer, as I also did a couple of times when we did the tour with them. I think one of the posters read: "Franco, I have AIDS," which I was waving around in the pit, hiding my face so that none of the guys in CF could see who the idiot with the poster was.
At this time I took it a step further; since I was playing at the festival I had a backstage pass. So I went up onstage, started to mosh around the Celtic guys with the poster taped around my body. For the finale, I stagedived head first with my hands to my side, headbutting at least two other heads before I landed, fainted, woke up with no shoes, and had to take the van back with Celtic Frost to our hotel after the gig. Tom G. did not seem very happy with my stunt, but I for one, had a good time.
Photo evidence after the jump: More...
Every week in Unearthing the Metal Underground, we take a look at three quality bands that haven't gotten as much exposure yet as they should. This week we’ll be looking at three bands from the West Country (the Southwest of England.)
First up on the agenda is From Ruin, a melodic thrash metal band from the small town Warminster, which is close to Stonehenge. Having only formed in 2009, the band can be seen as newcomers to the scene but have been rapidly increasing their fan base in their two years they’ve been around. Acclaim has already been flooding in for the band for their blend of soulful vocals with pounding instruments.
From Ruin - "Crimson Tears"
From Ruin - "Fear To Tread"
What did you get up to when you were twelve years old? Did you play video games at home, play sports outside or go fishing with your dad? Whatever it was, chances are you weren’t in a hardcore band. Not a lot of people can say that, but Freddy Cricien can. Freddy Cricien is the younger half brother of Agnostic Front singer Roger Miret and would frequently join the band onstage to perform The Animals’ song, "It’s My Life." Eventually, Cricien was encouraged to start his own band, which he did in 1988 at the age of twelve with Miret on bass, Agnostic Front guitarist Vinnie Stigma and drummer Will Shepler. Naming the band, Madball, their music mostly comprised of unused Agnostic Front material and they quickly released their first demo, "Ball Of Destruction" in 1989. After adding a second guitarist in the form of Matt Henderson and spending a few more years performing, the band finally released another record in 1992 entitled, "Droppin’ Many Suckers."
Following Miret’s departure, Cricien recruited a friend of his, Hoya Roc to become the band’s new bassist and shortly afterwards, the group found themselves signed to Roadrunner Records. Through the label, Madball released their full length album, "Set It Off" in 1994, which enabled the band to tour not only across America, but also in Europe, performing at such events as Dynamo Open Air, as well as appearing in the documentary movie NYHC in 1995. They continued to expand their fanbase the next year when they released "Demonstrating My Style," a record which features the song, "Pride (Times Are Changing,)" arguable their most well known song along with the title track from "Set It Off." Two more albums, "Look My Way" and "Hold It Down" were released in 1998 and 2000 respectively, both of which received good reviews from critics and were met with positive feedback from fans, before the band decided to call it a day in early 2001.
The split didn’t last long however as Cricien and Hoya resurrected Madball late the next year, writing new music and touring internationally. Although the group came back in 2002, it would take until 2005 before they released a new full length album (though an EP entitled, NYHC was released in 2004,) which came in the shape of "Legacy." Since the release of the record, Madball have continued to perform all over the world, cementing their place as one of the true greats of the New York hardcore scene, easily ranking highly with Agnostic Front and Sick Of It All. They’ve also been releasing new music, with "Infiltrate The System" hitting the shelves in 2007, before their most recent record, "Empire" was released last year. The Madball name is now proving to transcend genres and the band has become rather popular amongst the New York hip-hop scene, being referenced by the likes of Ill Bill and Q Unique, not least in part to Cricien's own hip-hop outputs under the name Freddy Madball, the moniker with which he released his solo album, "Catholic Guilt." More...
News wires across the globe were quick to pick up the report that Ozzy and Sharon Osbourne owed a reported 1.7 million dollars in taxes to the Internal Revenue Service. The Osbourne's reportedly have paid this debt that was, in their words, news to them. It’s too bad because that is obviously a lot of money. Other ways they could have spent 1.7 million dollars:
Sharon could slip the 1.7 to Donald Trump as a political “donation” in hopes of becoming his running mate for the next Presidential election…
Pay for a billboard over Hollywood’s Sunset strip and hire Randy “Macho Man” Savage to promote Jani Lane’s new EP. Lane has a new EP coming soon that will be a free download with a choice to pay. Let’s make this happen. Lane and Savage side by side over West Hollywood. Lane needs to get back to making music and Savage needs to get back to selling consumer products. How does this benefit Ozzy? Probably doesn’t, but let’s assume Sharon has a crush on Randy Savage, if so, call it an early Christmas present. For more information go to www.stepintoaslimjim.com... More...
Many years ago, I grew up and graduated from High School in this small Central American country. Nestled between the political hotbeds of Nicaragua and Panama, Costa Rica has maintained it's status as a democratic bastion while it's neighbors are plagued by coup'd'etats and upheaval. Only a couple hours either way from the capital city of San Jose to both the Atlantic and Pacific coasts, Costa Rica has the ideal party atmosphere. The breathtaking beauty of the country coupled with the cultural tolerance they exhibit has awakened a phenomena in the metal scene.
Back in the old times, Costa Ricans ("Ticos" - as they are referred as) would clamor to several AOR stations to listen to Budgie or Judas Priest, or be found in a downtown bar shooting darts to Saxon. Yes, the Ticos love their metal every bit as much as any salsa or folklorico music. Nowadays they have definitely evolved with the times and share plenty of love for foreign metal and all things imported. Restrictions are not so hard on entrance visas to foreign musicians hereby opening the floodgates to plenty of stellar international talent. Big name acts are a monthly thing now, especially since Costa Ricans have a good standard of living and can afford to buy tickets and fill the clubs. Bookings into such venues as Pepper's Disco Club and a whole host of local bars is routine.
Back in the 80's, I had only seen Santana and Sting ever come down and perform. Since Iron Maiden played in 2008, visits from such luminaries as Anthrax, Moonspell, Therion and countless others ( Slayer this June) are now the norm. In fact, Marduk raised the hairs on the Catholic Church's neck with their visit last July. But even the priests are of a gentle nature in Costa Rica. "Don't use religious artifacts in an obscene manner on stage," implored a local monsignor.
Perhaps the godfathers of the local scene, a lot of credit must be given to Mantra. Formed nearly twenty years ago, these guys made so much possible for the younger crop of Tico musicians. Their 2003 release "Creature" marked the zenith of their creative career, spawning a couple of classic local death thrash songs. Unlike their younger counterparts, Mantra preferred to sing in Spanish and continue to do so. Nowadays, as with many bands that have been around for a long time, they have changed members and their style of metal a bit frequently. To listen to the classic track "El Ojo de Dios" from Mantra, click here.
Similar respect must be given to Sight of Emptiness who brought Costa Rican metal to the forefront with their win at the UK Open Air Bloodstock festival in 2007. They are usually the opener for most of the international acts that come, and we have posted plenty of news articles and videos about them in the past five years. If you are not familiar with their melodic techno thrash sound, listen to the video for "Desolation Whispers" here. Last week they were one of 27 bands to inaugurate the new National Soccer Stadium.
In January, the Documentary "Heavy Metal 506" was produced, showcasing the talents of Costa Rica's heavy hitters in the metal scene. (The title, incidentally, gets it's name from Costa Rica's country calling code). You can listen to the trailer right here. Also, the four part compilation "Costa Rican Metal" includes twenty bands from genres ranging from commerical metal, symphonic black metal, demonic thrash, brutal death and atmospheric. The first part has links to the other three parts and can be listened to here. Today we will take a look at a few of the bands that are also stirring up the Costa Rican scene.
Advent of Bedlam
You may have heard of Advent of Bedlam, who hail from the town of Heredia, or as they have called it before, "Hell-redia," by their previous name. Together over a decade, they used to be known as December's Cold Winter. Under that name, they put out some nice symphonic black metal and an album of enjoyable tunes. Deciding to go for a more blackened thrash sound, they changed their name to Advent of Bedlam a couple of years ago and have contined to receive great mentions, attaining an ACAM Award Songwriter of the Year nomination and a win for their "Ablaze all Shrines" LP. Their song "Manipulating Human Emotions" also appeared in Zero Tolerance Magazine's covermount CD. They produced their whole new album themselves, since the average Latino producer possibly wouldn't understand where they were coming from. Check out the new one from their "Behold the Chaos" album below, along with a few others.
Advent of Bedlam - "The Stench of Your Faith"
Advent of Bedlam - "The Darkest Alliance"
December's Cold Winter - "The Alabaster Corpse"
It’s amazing that some bands can have such a massive influence on a genre yet still remain unheard of by many music lovers. In this case, we’re talking about Virginia’s, Pentagram, who had an effect on the doom metal genre almost as great as Black Sabbath’s. The band was formed in 1971 by singer Bobby Liebling and drummer Geof O’Keefe, who were looking to form a band in the vein of some of the then recent underground sensations like Black Sabbath, UFO and Sir Lord Baltimore. The two found themselves going through a number of musicians all year until their bassist at the time, Vincent McAllister, switched to guitars and they recruited a new bassist in Greg Mayne and this lineup, known to fans as their "classic" lineup began rehearsing together on Christmas Day 1971. The group continued to write and perform material, but found their attempts at gaining major label interest were thwarted each time and the band eventually broke up with only a few demo recordings to their name, on New Year’s Eve 1975, two weeks after Bobby Liebling and his girlfriend were arrested.
In 1980, Liebling became the singer for a band named Death Row, which featured drummer Joe Hasselvander, who would later joing British heavy metal trio Raven, amongst others. After a while of performing together and including old Pentagram numbers in their set, the group decided to adopt the Pentagram name and much like the original incarnation of the band, found themselves struggling for years for a record deal. However, this time, their patience was rewarded when they decided to self-release an album in 1985 and begin to earn recognition from a wider section of heavy metal fans. Although the album was self-titled, it would eventually become known as "Relentless," after it was re-released through Peaceville Records in 1993 and is more commonly known by this mantle today. Their second album, "Day Of Reckoning" would follow in 1987, being released through Napalm Records this time. However, tensions rose once again and Pentagram called it a day soon afterwards. A quick reunion followed in 1993, just in time for the band to release their third album, "Be Forewarned" before they split up again.
Once more however, Pentagram would return, this time as a duo comprised of Liebling and Hasselvander and the two released two more albums, "Review Your Choices" in 1999 and "Sub-Basement" in 2001, before Hasselvander left. Rather than letting the band rest once more however, Liebling recruited a brand new lineup and they released, "Show ‘em How" in 2004, which featured only three original tracks, the rest of the record comprising of re-recorded older material. After the album’s release, the band went very quiet and was assumed to have broken up once again, before Liebling confirmed in 2008 that Pentagram were set to return with another new lineup. This time, the reunion shows went down very well with fans and the band found themselves being booked for more shows. After contacting many labels, the group finally found a new home when they signed to Metal Blade Records, through which they will release their new album, "Last Rites," their first in seven years, on April 12th. More...
Forgetting about his recent trouble with the law, Vince Neil (Motley Crue) joined Steel Panther on stage at the Ovation Showroom in Green Valley Ranch, Las Vegas to sing Crue staples “Live Wire” and “Kick Start My Heart”. I’m not exactly sure where Green Valley Ranch is but I suspect the Ovation room is just down the hall from the Encore Center and Bravo-Bravo Hall… More...
We've been talking to bands and fans everywhere to get their favorite mosh pit stories from metal shows. This week Nils K. Rue of Pagan's Mind shares a story involving his psychic friend and a witch. Read on to see what that's all about:
A friend of mine is a psychic person, and sees both future, past and what's going on presently. He is deadly accurate in a lot of his visions, and I have proof for that. He also finds lost keys, missing persons etc. It may sound like bullshit to some, but there is evidence you just can't refuse to look past. He has helped me in a lot of matters, but since “the images” he gets in his head also is mixed sometimes into his very vivid and dramatic fantasy (and sense of humor), I have learnt over the years to filter out what he probably read in dungeons and dragons book or saw in a horror movie and what is a fact.
The first year I knew him, I didn't realize that some of his sayings were part of his fantasy, so he scared the hell out of me regularly – until I learned how to understand him and interpret “his language.” It could be like “there's an old man standing behind you right now, he is your grandfather (and he described him perfectly)” stuff, to “you will break big next year with a song that goes with these chords: E, F, G, C etc. Well, that didn’t happen…More...
Each week in Unearthing the Metal Underground, we give our readers a look at a few underground bands from scenes around the world to help spread the word about them. In March, I had the chance to do a short tour in Japan, and one of the tour stops was the city of Nagoya. While there, I had the opportunity to share the stage with and meet some of the prominent members of the Nagoya scene.
The members of Deaflock, formed in 2000, spend their days breaking their backs and risking their digits in the factories of Nagoya's industrial wasteland outskirts, and their nights breaking their necks in the city's downtown metal clubs with their own brand of Bay Area thrash. Bringing to mind acts such as Exodus, Heathen, Vio-lence, and Forbidden, Deaflock has an impressive knack for drawing out the rumbling hook and face stomping rhythms, with hints of melody and progressive elements as well. Signed to Arctic Music Group in the U.S. and Alkemist Fanatix in Europe for the re-release of its debut full length album, “Reality of False Pasts,” which first saw the light of day in April of 2008, Deaflock is now looking to break out in a big way, with plans for the next installment of their catalog to be released sometime next year. The band has also appeared on locally released compilation albums put out by various underground labels in Japan. More...
It’s nice when a band has a pet name for their fan base. For Slipknot, their fans are "Maggots." For Megadeth, it’s "Droogies" and Wolfsbane, it’s "Howling Mad Shitheads." The creators of this delightful tag came together in 1984 in Tamworth, a town situated in Staffordshire, England and rapidly got to work on building up a loyal fan base, releasing a string of demos along the way. Eventually, after five years slogging it out in the underground, they caught the attention of producer extraordinaire Rick Rubin, who signed them to his Def American record label and produced their debut album, "Live Fast, Die Fast: Wicked Tales Of Booze, Birds and Bad Language." The record was released in 1989 and instantly received favourable feedback from critics and heavy metal fans alike, and spawned two music videos for the songs, "Man Hunt" (which was featured on their first demo in 1985) and "I Like It Hot." The success of the album enabled the band to tour their native Britain with heavy metal giants Iron Maiden, who were supporting their "No Prayer For The Dying" album at the time.
The band achieved further praise from their fan base in 1990, when they released the mini album, "All Hell’s Breaking Loose At Kathy Wilson’s Place," a record named after the 1953 sci-fi film, "Invaders From Mars." Their success continued the next year when their second full length studio album, "Down Fall The Good Guys" was released. The record was notable in that it featured the group’s only charting single to date in the form of the track, "Ezy," which reached number 68 in the British Singles Charts. However, their popularity was not up to scratch across the Atlantic and Def American decided to drop the band from the label, citing poor record sales as the primary reason. Despite the setback however, they retained their popularity in the United Kingdom, and were voted the Unsigned Act Of The Year in 1993.
Wolfsbane then appeared to have found a new home with Bronze Company Records, through which they released a live album entitled, "Massive Noise Injection," which was recorded at London’s famous Marquee club in 1993. Following the release of the live album, the group released it’s eponymous third album in 1994, which to this day is hailed by many fans as their greatest work. Despite the perceived commercial revival however, the band were to suffer a serious blow in 1995, when lead singer Blaze Bayley left the group to become the new vocalist of Iron Maiden, who were searching for a new singer following the departure of Bruce Dickinson, resulting in Wolfsbane disbanding shortly afterwards. Though Blaze was only in Maiden for a four year spell, one which featured disappointing record sales and cancelled shows as a result of his allergic reaction to certain stage effects, the band continued to be laid to rest for some time, with Blaze forming a solo band and the other members involved in a new project called Stretch. Eventually however, a reunion of sorts did occur in 2007, in the form of fleeing performances at festivals, but in 2010, the band announced that they had reunited with more long term goals in mind, announcing plans for a new album amongst other targets. The band’s new record, an EP entitled, "Did It For The Money," will finally be released this month, when it hits shelves on April 9th, with a tour of the United Kingdom supporting fellow British metal veterans Saxon to follow. More...
We've been talking to bands and fans everywhere to get their favorite mosh pit stories from metal shows. In this week's edition of Pit Stories, vocalist David Sanchez of up and coming thrash band Havok tells a tale of a house show gone out of control.
Every time we play a house show in St. Louis, it has been completely insane. We haven’t played a house show out there in a few years, but the last show we played was in somebody’s basement. The crowd punched out the ceiling of the basement completely. They punched out every tile so the ground was covered with dust and pieces of drywall. Also at that same show somebody jumped up onto the ventilation system for the house and knocked it down from the ceiling, so that was on the ground, there was dust and debris everywhere, and then apparently somebody threw a bunch of kitty litter in the toilet. So the toilet had to be removed from house that same night. So every time we play in St. Louis something crazy happens.
Havok released the new album "Time is Up" today, and the folks over at MetalSucks.net are currently streaming the entire release online. Head over here for details. You can also check out Metalunderground.com's interview with Havok about the new album at this location.
Be sure to check back next Tuesday for more pit stories.
Each week in Unearthing the Metal Underground we take a look at unsigned bands gracing a given locale. This week we will glance at the scene from Connecticut. Often viewed as the vast wasteland between New York and Boston, Connecticut often gets overlooked in terms of it's metal scene. Particularly distressing, considering many acts such as Fates Warning, Nasty Disaster, The Breathing Process and Liege Lord have heralded from there. Currently there are well over a couple dozen unsigned indie metal acts actively blazing the scene, but today we will take a look at three of the best.
Curse the Son
Coming at you from Hamden is stoner doom metal monster Curse the Son. Fronted by scene veteran and NWOBHM aficionado Ron Vanacore on vocals and guitar and completed by Cheech and Rich Lemley respectively, they describe their music as "the sound of dinosaurs walking the earth." Laying down slabs of riffs and mind-warping song lyrics, they purport to be influenced by valium, MJ and zoloft. Their music will take your higher conscious into one trippy journey. They released a full-length, "Klonopain," on their own last year. To listen to Curse the Son's music, check out the band's My Space Page.
Curse the Son - "Pulsotar Bringer"
Raised in Long Island, New York the band Twisted Sister started as a seventies local glam band that would evolve into one of the most important heavy metal bands of the eighties (eventually flip-flopping and becoming more heavy metal with a dash of glam, opposite of their initial vision).
Twisted Sister was originally formed in 1972 by Jay Jay French. The band went through several line-up changes until 1979 when it settled on Dee Snider (vocals), Jay Jay French (guitar), Eddie Ojeda (guitar), Mark Mendoza (bass), and A.J. Pero (drums). In 1979 the band self released two singles and then was signed by Secret Records in the UK. With Secret they would release an EP titled “Ruff Cuts” and their first studio album, “Under the Blade,” which quickly became an underground hit. The band would then sign with Atlantic Records and put out their second studio album, “You Can’t Stop Rock n’ Roll,” in 1983.
In 1984 Twisted Sister shocked the heavy metal world, releasing “Stay Hungry,” their contribution to an era that continues to define a decade. The album caught on with fans as well as government officials, organized as the P.R.M.C. (stands for the Parents Resource Music Center which is the least intimidating name I’ve ever heard). Twisted Sister was called out for their rebellious lyrics in the song “We’re Not Gonna Take It.” It was a strange group that included Twisted Sister, W.A.S.P., and Motley Crue as well as Madonna, Sheena Easton, and Prince. These proceedings eventually led to the “Explicit Material” or Tipper Sticker found on the cover of albums, cassettes, and CDs. After “Stay Hungry” the band would release the album “Come Out and Play” and then later, thought more of a Dee Snider solo project, the album “Love Is for Suckers” was released. More...
We've been talking to bands and fans everywhere to get their favorite mosh pit stories from metal shows. This week's pit story comes courtesy of Jeannie Saiz from sludge metal trio Shroud Eater, who shared the following story of a bar room brawl.
At one of the last gigs we played, the evening started with two ladies at the bar breaking out into a sudden brawl - bar stools to the face and everything! As the second band of the night played, there was a whirlwind of like six fights breaking out at once. People were jumping on the bar to get out of the way and the cops showed up, lights went on, and the show almost got canceled on the spot as you can imagine the owner was pretty upset.
Luckily, we had an awesome friend who helped us book the show talk to the owner and he let us play. We did a killer set amidst some high tensions, so it was definitely a crazy evening.
Shroud Eater is currently streaming the entire debut album "ThunderNoise" online via the band's
Band Camp profile. You can also check out Metalunderground.com's recent interview with Jeannie at this location.
Check back next Tuesday as we share more Pit Stories.
Every week in Unearthing the Metal Underground, we take a look at three quality bands that haven't gotten as much exposure yet as they should. This week we'll dig into three rocking outfits all hailing from The Republic of Ireland.
Great Britain may be more well known for their heavy metal, but a short trip West finds that the Republic of Ireland has just as strong a heavy metal background. One could even argue that the Irish metal underground is much more varied than the British, boasting a large number of thrash, black, death and in particular doom metal bands. This week we’ll be taking a look at three of the country’s lesser known bands.
Proudly claiming themselves to be the world’s only Gaelic doom metal band, Dublin’s Mael Mordha, who take their name from the King of Leinster who led a gruesome rebellion against the High King of Ireland, Brian Ború in 998, formed exactly one thousand years after their namesake’s revolt. They signed with German label, Grau in 2005 and released their first full length album, "Cluain Tarbh" the same year, along with a split record with fellow Irishmen Primordial. Since then, the band has released two more studio albums, with the most recent being, "Manannan" in 2010.
Mael Mordha - "The Serpent And The Black Lake"
Mael Mordha - "Godless Commune Of Sodom"
Thrash metal was unquestionably a phenomenon considering it reached heavy metal fans all over the globe without ever really becoming mainstream. It also spawned numerous scenes in countries such as Germany, Great Britain and even Brazil. Despite it’s wide travels though, a lot of thrash novices are still surprised that even Australia had a premier thrash outfit during the 1980s. That band was Mortal Sin. The group was formed in Sydney in 1985 by singer Mat Maurer and drummer Wayne Campbell before quickly recruiting bass player Andy Eftichiou and guitarists Keith Krstin and Neville Reynolds, though Reynolds was to befired by the band for being unable to make their first show and was replaced by Paul Carwana. Gigging relentlessly, the band built up a strong following in the Australian metal underground and soon recorded a full length demo tape entitled, "Mayhemic Destruction," which rapidly won the band a record deal with British label, Phonogram Records, who released the album internationally.
They next recorded their sophomore album, "Face Of Despair," which was produced by Randy Burns, who was known for his work with other big name thrash metal bands such as Megadeth and Kreator. The album took the better of a year to recorded and distributed but soon after the record’s release, the band received further exposure by being booked to support Metallica on their Australian tour. Following the tour, Campbell was sacked from the band and the group brought in Slaughter Lord drummer Steve Hughes, who now works as a stand up comedian and has appeared on numerous television shows, to sit behind the kit. They then left the land down under to perform shows in Europe and the United States but once they returned home, Maurer announced he was leaving the band, which soon led to it’s demise, though a new incarnation formed afterwards and, while popular, soon folded ultimately split for a number of reasons.
In 1996 however, the band reunited with most of the, "Face Of Despair" lineup, though Carwana was to take leave almost immediately after reforming. Nevertheless, the band soon recorded a new EP entitled, "Revolution of the Mind" and embarked on a national tour, which did not fare as well as the band hoped and caused them to once again split in 1998. Once again however, the band would rise from the ashes, thanks this time to Maurer and Eftichiou, who enlisted the help of other musicians to bring back Mortal Sin. The band soon found themselves performing at such events as Wacken Open Air and sharing the stage with the likes of Michael Schenker and fellow Aussies, Rose Tattoo. The comeback was well received and the band then recorded their fourth release, "An Absence Of Faith," which was released in 2007. Since then, the band has continued to perform regularly and has supported such big names as Judas Priest, Testament and Overkill, as well as touring in South America, as well as releasing a live album entitled, "Into The Inferno," with a new album expected to be released by next year. More...
This week Duff McKagan (Loaded, ex-Guns N Roses) put to rest the rumor that Guns N Roses will be reuniting for next year’s Super Bowl. Even I knew that. Everyone knows there won’t be a football season next year… More...