“Keep the punk leather jackets but bring a kind of transvestite vibe to it” - Nasty Suicide on the look of Hanoi Rocks. More...
This week a look at five new videos; a mix of older and new bands, some videos good and some not so good. At least two, maybe three are exotic dancer friendly and one appears to pay tribute to Bon Jovi’s “Wanted Dead or Alive.” More...
We've been catching up with metal bands and fans all over to get their best mosh pit stories. This week Rob Barrett of death metal legends Cannibal Corpse recalls an X-rated encounter that occurred nearly twenty years ago, during the Chris Barnes days. Apparently, the idea of bloody ejaculate is a potent aphrodisiac. More...
There must be something in the water down in Davao in the southern Philippines, because the sprawling city has produced some of the most brutal, slamming, and at times technical death metal in all of Southeast Asia in recent years. The global brutal death community is beginning to take notice of the Davao scene, as some of the bands are starting to get signed by labels of note in the sub-genre, such as Coyote Records and Sevared Records. Here are a few bands making more than their fair share of gurgling, putrid noise in Davao City, Philippines.
Human Mastication has been blasting out slamming sickness since 2002, and in that time has developed a rock solid international reputation as one of the top slam bands in the business. The early years of the band saw the release of a collection of splits and demos before Human Mastication was picked up by Sevared Records for its debut full length release in 2008, “Grotesque Mastication of Putrid Innards.” Sevared also put out the band’s latest EP, “Persecute to Bloodbath,” last year. Chugging, slamming riffs, disgustingly guttural vocals, liberal use of pinch harmonics, and some combustible groove are all key elements of the Human Mastication formula. This band is currently top of the heap in the Davao brutal scene, and 2012 marks a decade of dedication to unholy slam for vocalist Gee and his comrades in gore. Expect more trademark slamming groove from Human Mastication in the near future.
All too often, the role of women in heavy metal has been relegated to either eye candy or soprano singer for symphonic bands. But they can also rock just as hard as many of the guys can. No further proof of this is needed than Düsseldorf’s own, Doro Pesch. Doro began her musical journey in the early eighties singing with such bands as Snakebite and Beast before she was recruited by another local band named Warlock. This would prove to be one of the biggest decisions of her career as after a year of hard work performing in the clubs of Europe, the band received a record deal from Belgian label, Mausoleum, through whom the group released their first studio album, "Burning The Witches" in 1984. The album led Warlock to sign with Vertigo for future releases, beginning the next year with, "Hellbound."
They toured Europe heavily in support of the album, before their third record, "True As Steel" brought them to the attention of North American head bangers, thanks largely to the single, "Fight For Rock," which was able to find a place on the Billboard Singles Chart and receive regular airplay on MTV. Their profile was also increased in their native continent, perhaps most notably when they opened the 1986 edition of the Monsters Of Rock festival, which also featured Ozzy Osbourne, Motorhead and fellow German rockers, Scorpions. Warlock was dealt a blow when two members, Frank Rittel and Peter Szigeti left the band to join U.D.O. the new band from former Accept singer Udo Dirkschneider, leaving Warlock to recruit Tommy Bolan and Tommy Henriksen for their next album, "Triumph And Agony," which spawned the popular single, "All We Are." Their status continued to rise worldwide, particularly in North America where they toured with such bands as Megadeth, Sanctuary and Fates Warning amongst others. More...
Sometimes these things just fall into your lap. Uh, yes, pun intended. If you would have told me that Captain Zapped would release a song AND video for a song titled “Shake That Pussy” I would have told you to stop yanking my chain (again, yes) and then I would go directly to YouTube and check it out. Here’s my running diary… More...
We've been catching up with metal bands and fans all over to get their best mosh pit stories. This week Prong's Tommy Victor shares the following tale of full frontal male nudity and on-stage theft:
Even though Prong was originally based out of the Lower East Side of Manhattan New York City, we've has some crazy shows out in L.A. Mainly in Hollywood at the Whiskey. For those who are unfamiliar, the lower level is all pit area, with the exception of a few booths by the lower bar. The sound there is always good. Lots of low end and high volume throughout the club, especially downstairs. There isn't a barricade, So if you are onstage you are very connected to the pit audience, literally on top of the crowd.
We did a show years back that was way sold out, that had a few memorable episodes. We were touting like crazy, partying like crazy, pretty much sleeping in our gig clothes, not washing much nor changing much. Our late great bass player Paul Raven had this weird leisure suit that he pretty much lived in. Somewhere down the line the crotch ripped out of the trousers. Raven could care less. With the lack of laundry access and hygiene in general we all pretty much bypassed underwear. So we start our set and I notice a few girls situated directly under Raven pointing upwards and giggling. I'm trying to sing and play and I'm watching these girls laughing at Raven's cock and balls hanging over their heads. We had to stop the show because I couldn't concentrate. I told Raven to move back a bit. He got mad at me.
The show continued and people were going crazy. It was a great crowd. I was leaning over the crowd, singing playing, interacting with the crowd. Suddenly I was interrupted again by a chain smacking into my guitar. I was wearing a chain wallet, I knew that, but this was all chain. I reached back into my rear pocket: no wallet! I was pick pocketed right on stage. I stopped the show and yelled "Somebody stole my wallet!!" I was freaking out, but the show had to go on. I did notice some scuffle by the door, but I continued the set rather upset. There was money, ID, credit cards, etc. in the wallet. Lost now at the Whiskey.
We were loading out and two dudes sweating, panting, approached me declaring they got my wallet while handing it over! They were upstairs, saw the dude who nabbed it. They ran out of the club and chased him down all the way to La Cienega where they jumped him and got it back. They missed the rest of the set but said it was worth it being loyal fans. Every once in awhile I run in to one of the dudes on the Strip and buy him a drink, telling everyone "This is guy who retrieved my wallet ..stolen on stage!!"
Years later Prong is still doing it. We just finished recording and mixing our new LP entitled "Carved Into Stone" on SPV Longbranch records out April 24. Maybe not the Whiskey but see you live soon!
You can get your own taste of Prong insanity live, as the band has already confirmed upcoming 2012 tour dates for February and March. Find a list of the currently announced shows here, and be sure to check back next Tuesday for more Pit Stories.
A friend of mine often refers to heavy metal and hardcore as "children's music." (No, not this kind of children's music). Today, I am going to grudgingly give him some ammunition for his snobbery, as Unearthing The Metal Underground takes a look at two bands who exhibit extraordinary talent and enthusiasm for playing metal, despite being younger than probably every member of this website.
Gauchos de Acero (Los Gauchos)
Some readers here may remember Gauchos de Acero, as they became something of an internet sensation among heavy metal fans in 2007 when videos of three young boys from Argentina were posted by their father, showing them covering the likes of Slipknot, Pantera and fellow South Americans, Sepultura. Although known as Los Gauchos, the duo did not originally have a name, Los Gauchos being a moniker assigned to them by YouTube users, owing to their user name, "gauchosalta." Not only did they become a hit on the internet, but they also attracted the attention of Argentinean promoters, not least when they were booked to perform at Cosquin Rock 2007, an open air festival which packed in over 20,000 spectators. They were even noticed by the Argentinean government, who supplied them with sound equipment!
Gauchos de Acero - "Refuse/Resist"
Personally, one of my favourite things about metal music is finding ways to fuse it with other genres. From rap to jazz, metal seems to find a way to work with anything. In the early nineties a group from Wales named Dub War found a way to entwine it with reggae. Dub War began life back in 1993 in Newport, Wales, and immediately gained notice for their distinctive sound, which quickly earned them a record deal with Words Of Warning Records, a small label which had previously released records from Britcore legends Gunshot amongst others. Through Words Of Warning, Dub War released their debut mini LP, "Words Of Dub Warning," which circulated throughout the metal underground and eventually found its way to a Mr. Digby Pearson, founder of Earache Records, who were known for putting out music by such extreme bands as Napalm Death, Morbid Angel and Godflesh amongst others. Pearson decided to take a chance on the band and Dub War were signed to Earache in 1995, releasing their first album through the label, "Pain" the same year.
"Pain" proved to be fairly successful. While the first single, "Gorritt" was largely ignored, the band earned their first charting single in the form, of, "Strike It" which entered the British Singles Chart at number seventy. With the release of the album, a charting single and the touring process that came with it, Dub War soon gained a reputation for their live shows, which featured the members experimenting with their sound and singer Benji Webbes commanding stage presence, coupled with his unique form of crowd interaction. The tour even took them to the legendary Dynamo Open Air festival in the Netherlands, where they played alongside such bands as Agnostic Front, Machine Head and Madball amongst many others in front of a crowd of 135,000 people. More...
This week brought the first single and video from the new Van Halen album. Not only do we get David Lee Roth back, but also Eddie Van Halen’s son, Wolfgang, instead of Michael Anthony. There’s a lesson here kids. ANYWAY, the new video is “Tattoo” and the reviews have varied from “It’s good to hear Dave’s voice again” to “How many years did I have to wait for this shit!” Does the new video hold up to the vintage Van Halen videos? The old VH videos showcased a band with a sense of humor, keeping the balance between the song and having a good time. This week a look at some classic Van Halen videos before we dive into the new video… More...
Every week we track down musicians and metalheads from all over the world to get their favorite mosh pit stories and crazy tales from live shows. This week comes a story of Viking mayhem at Sweden Rock 2010 courtesy of Metalunderground.com reader Cbella:
At Sweden Rock 2010, I wanted to see Danzig but none of my group wanted to so I made my way alone over to the stage. On my way, I encountered a group of the biggest Vikings I ever saw! They charged at me and one of them threw me into a fireman’s lift. Anyway, he was trashed and it had been pissing with rain so the ground was really wet.
So this fucking Viking slipped, dropped me on my face, knocked me out and knocked my front tooth out! If that wasn’t bad enough, when I came round, this vomit-smelling, Sloth-from-the-Goonies-looking fucker, was trying to give me the kiss-of-life while I was bleeding from the mouth! Nice!
Many thanks to Cbella, and we hope your next festival is experienced fully conscious and with significantly less Viking face-destruction action. Check back in again next Tuesday as we share more Pit Stories from readers and metal bands.
Power metal: master of epic guitar solos and frequent champion of all that is cheesy. Some love it for the deliciously grandiose high-pitched vocals, and others hate it for the exact same reason. While not all can appreciate the lyrical themes and vocal stylings of the genre, the level of both passion and technical proficiency displayed by the power metal virtuosos can't be denied. There are the obvious big names in the scene like Fates Warning, Blind Guardian, and Jag Panzer, but what’s going on in the underground these days?
Unlike with the hordes of black metal or death metal, there isn’t nearly as large a pool of unknown talent in the power realm. In this case that’s not necessarily a bad thing, as lesser quantity can lead to better quality. For this week’s edition of Unearthing the Metal Underground, we’ll look at three lesser known bands from different corners of the globe that all approach the power metal style from a slightly different angle.
To start our expedition into the power metal underground we’re headed to Finland for a tour-de-force of shredding solos and pounding drums. Tiluland dropped the debut album “Axes of the Universe” last year and put a surprising twist on the style by going completely instrumental. Driven by guitar acrobatics instead of the standard falsetto singing, Tiluland is the band for you if you love the fast and epic instrumentation of the genre but don’t care for the vocal style.
Check out more on Tiluland via Facebook, or listen to two songs from the “Axes of the Universe” album below.
“Tilu of the Kings”
Many are under the misnomer that Coroner got it's start as Celtic Frost's roadies, but that's not entirely true. Coroner had been an established band a couple of years before they served as Celtic Frost's road crew on a U.S. tour. Coroner went on this tour of America as a way of promoting it's "Death Cult" demo in the U.S. back in 1986, and Tom G. Warrior even sang on it. When it came time to release their debut, "RIP," Tom once again offered to do vocal duties. By then, Coroner had bassist Ron "Royce" Broder assume the vocals as well. Ron had never sang before and even surprised himself with how well he rose to the occasion. More...
Happy New Year! Let’s kick it off with a couple of new bands paying homage to the glam metal of the eighties. First up is New York’s Nasty Habit. Their video “Saturday Night” is from their recently released EP. More...
While the Caribbean island of Cuba may be a source of mistrust for some owing to it's political history and it's former leader Fidel Castro being seen as both an enemy and an icon, the country boasts quite a healthy metal scene, one which certainly deserves to be brought to the attention of headbangers the world over. When scratching the surface, one can find a diverse range of metal bands in Cuba, from the epic to brutal. Here are just a few of the Cuban metal acts on offer.
Formed in La Habana in 2009, Sed mostly comprises of former members of The Flowers Of Evil and Radical OH. The band is perhaps best described as a combination of speed and power metal, featuring crystal clear and powerful vocals along with epic sounding riffs and stampeding drums. The band released their first demo CD, "Sed De Tantas Cosas" last year and has even been able to perform on Cuban television.
Discuss New Jersey rock and roll and many think Bruce Springsteen; however, Bon Jovi has built quite a reputation themselves. With over 130 million albums sold, the boys from Sayreville, NJ continue to change up their sound and are making a run at "the boss" for notoriety in the Garden State.
The original band has been together since their first studio album (one exception being a change at bass in '94). The initial line-up was led by lead singer Jon Bon Jovi (who shortened his name from John Francis Bongiovi, Jr.), guitarist Richie Sambora, bassist Alec John Such, keyboardist David Bryan, and drummer Tico Torres. The initial thought when looking at this band was not that they had a lot of hair, but that they were also very pretty and smiling at the camera -- unlike the scowls of David Lee Roth, Nikki Sixx, and Stephen Pearcy, Jon Bon Jovi and Richie Sambora were just a couple of guys with a hardhat mentality and hair most women would kill for. Was it just me or did David Bryan actually have better hair than Jon? Just me... okay. Anyway it is quite preposterous to think that the keyboardist would have better hair than the lead singer. Moving on...
The first album, their self titled debut from 1984, featured a single titled "Runaway" that displayed Jon Bon Jovi wearing either leggings or bandanas around his ankles. This video was also the beginning of the rise of Jon Bon Jovi's hair, something that would peak during the second course of "Livin' On A Prayer." In 1985 they put out their second album, "7800 Fahrenheit," an album with "In and Out of Love," a song showing arena anthem potential complete with a live video showing the world how much fun you can have at a Bon Jovi concert. The first album showed potential and gave hope of the band becoming a hit, but the second album didn't blow up, instead steadily building on the first album, if nothing else, an example of a band working hard to create music and tour to support. This hardest working band mantra would last from their start through present day. Of course, they would get a break, which changed everything in 1986. More...
The story that won’t go away, NOT Guns N’ Roses elected to the rock and roll hall of fame, but will they reunite to accept the honor? Despite recent reports, this is HIGHLY unlikely. Here’s one person’s list of the top 25 GNR songs to date. As in the past, note that although personal opinion was weighted heavily, I also took into account popularity, videos, etc… Since there were overall too many honorable mentions I won’t list them; however, I will say that from Chinese Democracy the songs Better, I.R.S., and Sorry were all close to cracking the top 25. More...
We've been tracking down metal fans and bands everywhere to get their best stories from the pit. This week, German prog rock/metal band Beyond the Bridges shares the following story of a bassist embarking on a glorious crowd surfing trip, and a vocalist who wasn't quite as lucky:
Actually we're not a hardcore extreme death metal band, which kicks ass with hard riffs and death-bringing blastbeats. In fact the music of Beyond the Bridge is meant to a polyrhythmic head-nodding audience. But even “BtB” has a dark past as a school-band with alternative-indie-progressive-rock songs, only known in and around Frankfurt, Germany.
A single legendary gig we had one night in one of the most famous clubs in Frankfurt, a newcomer band contest. Hundreds of fans were traveling with us and celebrated until the last encore. We saw nothing but raised hands, time for stage diving. Bass man “Dömsen,” our featherweight, jumped down the stage and was carried all the way to the FOH, yeah!
Our singer at that time, was jumping down, too, but he wasn´t that kind of airy as Dömsen was. And the crowd felt that their own security is more important than taking the once in a lifetime opportunity of touching the singer of a rock band. But it was indeed a once in a lifetime experience for the singer.
Beyond the Bridges recently signed with Frontiers Records and "The Old Man And The Spirit" album is scheduled for release on January 20th, 2012 (EU) and January 24th, 2011 (North America). For more details on Beyond the Bridges, head over to the band's Facebook profile.
Check back in again next Tuesday as Metalunderground.com continues to share more Pit Stories from metal bands and fans.
No matter how hard metal tries to separate itself from comedy, the two modes of entertainment are often linked, whether by accident or on purpose. Manowar might feel overwhelmingly macho and barbaric wearing cod pieces and furry boots in promotional pictures, but these visual statements are so over the top that some will find the sentiment absolutely hilarious. The grave nature of black metal can also be construed as humorous, especially the visual aspect. Some may view corpse paint as a morbid, anti-Christian statement, while others perceive the strategy as something reserved for children’s birthday parties.
Still, some bands make no qualms about having a sense of humor. Bands such as S.O.D. and Anthrax may pummel their fans with no-bullshit thrash metal, but always make time for joke songs such as “I’m the Man” and “King at the King.” These groups are musicians first and comedians second, whether their songs or presence was intentionally humorous or not. However, in the past few years comedians have started a new trend.
Trend might not be the correct term, certainly three albums do not constitute a “scene,” but metal labels are starting to sign comedians. Each of the three comedians signed to a metal label—Brian Posehn, Jamieson and Jim Florentine—are connected to metal in some fashion. Jamieson and Florentine join metal journalist Eddie Trunk as hosts of VH1 Classic’s “That Metal Show.” Posehn isn’t considered a metal expert like Jamieson and Florentine, but he is an unabashed fan. Jamieson and Posehn include humorous metal songs on both of their respective album. However, they are the opposite of the thrash bands listed above; they are comedians first and metal musicians second.
Brian Posehn was the first comedian to sign to a metal label. In 2006, Relapse Records picked up Posehn’s first album “Live in: Nerd Rage.” Posehn’s first album, at least the stand up portion, was recorded as part of the “Comedians of Comedy” tour and includes a sketch with Bob Odenkirk. Odenkirk and Posehn now each other from the HBO skit comedy show “Mr. Show” and its movie spin off “Run Ronny Run.”
Posehn also recorded a couple of songs. “Mr. Show” produced the joke-metal band Titanica whose performance of “Try Again” appears on the said album. Posehn also performs in Posehn, which features Scott Ian [Anthrax], Joey Vera [Armored Saint], John Tempesta [White, The Cult] and Brian himself on vocals. His solo-dubbed group performs a track called “Metal By Numbers,” which rips on metal stereotypes. His 2010 Relapse release “Fart and Weiner Jokes” includes more social commentary about the metal community. “More Metal Than You” is about how metal head often turn being a fan into a competition. Additionally, Brian Posehn is an actor and writer who has appeared in front of the camera on “The Devil’s Rejects,” “The Sarah Silverman Show” and “Seinfeld.”
Alternative metal is probably the loosest tag of any metal sub-genre, which is what makes it so alternative I suppose. Nevertheless, today Sunday Old School looks at Life Of Agony, an alternative metal band from Brooklyn, New York. Life Of Agony was formed in 1989 by singer Keith Caputo, guitarist Joey Z and bass player Alan Robert, who went through a number of drummers before settling with Sal Abruscato, a founding member of the gothic metal band, Type O Negative. The group slogged it out for four years before signing a record deal with Roadrunner, who were also home to Type O Negative. Through the label, the band released their debut album, "River Runs Red" in October of 1993. The album was critically praised and in time has become known as one of the finest records in the entire Roadrunner catalogue, gaining popularity through singles such as, "This Time" and "Through And Through."
A more emotional direction was employed on the group’s next studio album, "Ugly," which was released in 1995. The album was once again highly praised and was notable for featuring a cover of the Simple Minds hit, "Don’t You (Forget About Me,)" as well as a cover of Bob Marley’s, "Redemption Song" on the special edition of the album. Shortly after "Ugly’s" release, Abruscato announced that he was leaving the band and was replaced by Dan Richardson, formerly of the bands Pro-Pain and Crumbsuckers. With their new drummer in tow, Life Of Agony recorded and released their third album, "Soul Searching Sun" in 1997, but were dealt a major blow when Caputo announced his resignation from the group, claiming his heart was no longer in to the type of music Life Of Agony wrote. The band soldiered on, initially recruiting former Ugly Kid Joe vocalist Whitfield Crane, but parted company with the singer when they began working on a new album. After toying with the idea of Robert switching to vocals and guitar and bringing in Stuck Mojo bassist Corey Lowery, Life Of Agony decided to simply call it a day, feeling that the band couldn’t continue properly without Caputo. More...