Last Friday Axl Rose (Guns N’ Roses) sat down with the crew from VH1’s That Metal Show and discussed lawsuits, Chinese Democracy, and the Rock and Roll Hall of Fame. Of course there was not enough time to ask ALL the questions. After some dumpster diving behind Miami’s American Airlines arena we found the rest of the questions that never got asked. More...
Every Monday we take a look at three bands in the metal underground that deserve to be heard by a wider audience.
While normally the various bands unearthed are all grouped together by sub-genre or geographical location, this week we’re headed into slightly different territory to examine three bands that don’t necessarily share a similar sound. Instead, these three groups all have a common thread in that they are highly prolific artists with many releases under their belts, but somehow still haven’t managed to become highly known in the metal community.
Check out the music of Root, Transmetal, and Senmuth below and decide for yourself if you’d like to join these band’s relatively small but loyal fanbases.
This Czech Republic act is a bit of a cult hit in the underground, developing its own unique sound that isn’t quite black metal or avant-garde or ambient or anything else, but has echoes of all those styles and more.
Root has a solid nine full-length releases under its belt scattered throughout a 20+ year history, having just dropped the new album “Heritage of Satan” (reviewed here). Until recently, Root was almost completely unknown by fans of European dark metal acts, only starting to see more exposure after a series of re-releases through I Hate Records in 2008.
For more info on Root, head over to the band’s official website here, or listen to a sampling of songs off “The Temple in the Underworld” and “The Book” below.
Take yourself back in time almost three decades - the year was 1985, only a scant couple of years after a few record labels were issuing independent metal stateside. The commercial bands were starting to get upstaged by these new groups that had this harder and heavier sound. This little known band Thrust put out this song "Posers Will Die" which became sort of a mantra for the new movement. Listeners wanted an alternative to commercial metal, and along comes this album "Metal Inquisition" by a Canadian band named Piledriver. The album cover alone was enough to have you laughing your ass off. The vocalist was this giant dude with spikes, leather and bondage gear plastered all over his body. He was wielding a v-neck guitar like a jackhammer into some young metalhead kid's skull. But what was truly classic was the actual record itself, which contained a track listing of songs that held up to the test of time and are still listened to today. It was the perfect combination of a thrashing power metal sound. More...
Here’s another one for all you social networking addicts. Google+ rolled out their answer to Facebook Pages this week, Google+ Pages, allowing users to create separate pages for companies, products, etc. Bands are one of the available categories, and you can create your own band page now with a few simple steps.
First, like Facebook, you need to set up your personal account. Set this personal account up as yourself and not your band. The rules of engagement are slightly different for the two types of accounts and I always find it annoying when someone is using a personal account to represent a product essentially.
Once you’ve got a Google+ account for yourself, it’s only a few clicks to create a page for your band. More...
The Last Vegas are Chicago area rockers best known for being Guitar Center’s On Stage contest winners (prize was touring with Motley Crue), and their last album “Whatever Gets You Off,” which was produced by DJ Ashba (Guns N’ Roses), Marti Frederiksen, and Nikki Sixx (Motley Crue, SIXX:A.M.). While their fans await the follow-up to their last album, the band has released a new music video for a song titled “The Other Side.”
Starring in the video is B-Movie star, Sybil Danning, who has starred in Rob Zombie’s (White Zombie) “Halloween” and “Howling II.” Fun Fact: Sybil appeared on the cover of the 1983 August issue of Playboy. Joining Danning in the video is The Last Vegas, consisting of Chad Cherry (vocals), John Wator (guitar), Adam Arling (guitar), Danny Smash (bass), and Nate Arling (drums).
The stage is set for the horror genre by the “normal every day” setting of a house in suburbia. Sybil is sitting on the couch. The band is in the house, spread around the living room. Cherry is sitting next to Danning on the couch. Given the “low budget horror” aspirations of this video, it makes sense that Danny Smash was not allowed a drum set, instead forced to bang out the beat on his knees.
It’s uncomfortable on the couch as Sybil just sits and stares (looking worried) while Chad Cherry SCREAMS into her ear the lyrics and chorus to the song. Inches from her ear, Cherry continues to deliver his vocals as Danning becomes concerned. Something is bothering her! It must be dinner time. Has the ham cooked too long? The screaming continues. The look of concern turns worrisome. Cut to the kitchen.
Dinner is served. If you ever wondered how to eat a feast like a rock and roll band this video offers three points: 1. Chug beer out of a glass (need to stay classy Chicago) 2. Always stick knives into the main course. Apparently a stabbing motion is preferred. 3. If you believe you have shoved enough mashed potatoes in your mouth you are probably wrong, there’s always room for more.
With dinner on the table Sybil is no longer worried. No, instead she looks at peace and has a cleaver behind her back. She is all smiles when she approaches Chad Cherry and slashes his throat. Blood splatters all over the kitchen, the band, and Sybil. Next, Danning kisses and caresses Cherry; rubbing his blood all over herself and then dancing. The band is dead at the kitchen table, in a pool of blood as Danning prances around the kitchen. A brief moment of concern returns, and then she remembers. Dessert! She goes to the oven and pulls out a sheet of chocolate cookies, of course, not before a drop of blood falls onto the cookie sheet.
A killer song and video (literally) that teaches us all a lesson: If you insist on screaming in someone’s ear you may get your throat slashed! The more you know…
The Last Vegas - "The Other Side"
Every week in Unearthing the Metal Underground, we take a look at three quality bands that haven't gotten as much exposure yet as they should. For as long as there has been rock music, a scene has existed in this Western European country, but many have struggled to gain international stardom, with death metal outfit Gojira probably being the most well known French band in metal today. This week we'll be looking at three bands from France who are out to prove that, contrary to popular belief, the French can throw down just as hard as anybody else.
Formed in 2007 by guitarist and self-proclaimed orchestrator Vynce Leff and recorded their debut EP, "Daughter Of The Night" just six months afterwards, instantly receiving acclaim wherever it was heard and even earned them the titles of Best French Band of 2008 by Metalsymphonique.com and Best EP from HeavyLaw.com. They split with their vocalist last year but were able to find security in December when they recruited Clémentine Delauney to stand behind the microphone.
Whyzdom - "Daughter Of The Night"
Death metal is without question one of the most popular sub-genres in heavy metal, with thousands of bands emulating the likes of Morbid Angel, Cannibal Corpse and the like, but there was a band before the Florida based legends came along which pioneered, and some say invented death metal itself. Namely, San Francisco based, Possessed. Possessed was formed in 1983 by guitarist Mike Torraro and drummer Mike Sus, along with bass player Geoff Andrews and vocalist Barry Fisk. This original lineup was not to last long, and ended in tragic fashion when Fisk, who was homeless at the time, shot himself in front of his girlfriend, resulting in Andrews no longer wanting to be a part of the group. The group soon picked themselves up when they recruited Jeff Becerra from the Pinole based band Blizzard to handle both bass and vocal duties, as well as hiring another guitarist in the form of Brian Montana. Possessed got to work spreading their name in the Bay Area scene, performing with local titans such as Slayer and Exodus, the latter of which helped Possessed immensely when they gave the band’s three song demo, "Death Metal" to Metal Blade Records head, Brian Slagel.
Slagel agreed to put Possessed on his forthcoming compilation album, Metal Massacre 6, the same series of compilations that had previously helped Slayer and Metallica become noticed, including the song, "Swing Of The Axe" on the record. Metal Blade did not sign the group but the compilation found it’s way to Combat Records, home to such acts as Megadeth. Combat were able to sign Possessed, who had since replaced Montana with Becerra’s former Blizzard bandmate Larry LaLonde and in October of 1985, the band released it’s debut full length album, "Seven Churches" through the label, with Roadrunner Records handling European distribution. The album was an underground hit, owing to Becerra’s guttural vocals (something quite different for metal at the time) and it’s extreme lyrics which, along with frequent use of the word, "fuck," led to it becoming one of the first albums to receive the famous RIAA "Parental Advisory" sticker. It impacted many burgeoning musicians including Napalm Death drummer Mick Harris, who claimed that "Seven Churches" was his introduction to metal, and Death frontman Chuck Schuldiner, who reportedly told his bandmates that he wanted the band to base their sound on the album. More...
This week Tunecore announced a new Songwriter Publishing Administration Service. Many self-published bands may be familiar with Tunecore’s online distribution service, which helps get unsigned bands’ albums and songs into the major online stores. In the changing musical landscape where streams are slowly eating away at album sales, Tunecore now hopes to helps artists capture much of that money and do it as painlessly as possible for the artist.
30 years ago the bands Anthrax, Metallica, Motley Crue, Pantera, Queensryche, and Slayer were formed. It was also the year many important hard rock/heavy metal albums were released, laying the groundwork for the eighties. Here’s a look back at ten of these classic albums in no particular order. Same as the “1986 M/F/K” edition there is a twist as Marry/Fuck/Kill rules apply. It’s as simple as it sounds. M (Marry) is a song you want to “save” and listen to forever, F (Fuck) is the song you get one more listen to and that is it, and K (Kill) is the song you want to go away and never be heard from again. More...
The almighty metal mosh pit: sanctuary to some, place of unfortunate pain for others. Every week we seek out fans and bands to share their most memorable mosh pit stories, and this week guitarist David Davidson of Revocation shares the following tale of a drunken stage dive. A bloody clip of the aftermath is also available below.
My mosh pit story took place during the Darkest Hour Legacy Tour. We were playing in Cleveland at a club called Peabody's and the DH dudes bought a shit ton of booze to get the party started early. I was drinking heavily and was talking with Misha from Periphery about the joys of stage diving. He had mentioned that he had never done it before and in my drunken state I convinced him there was nothing to worry about so I decided to demonstrate for him. I jumped of the stage backwards and at the same time head first. Unfortunately I over shot my jump and landed directly on the back of my head, busting my dome open. After a quick trip to the emergency room I returned to the show with 8 staples in the back of my head. Good times!
In other Revocation news, the band recently shot a new music video for the track "No Funeral."
Check back in next Tuesday as we share more pit stories from band members and metal fans.
Every week in Unearthing the Metal Underground, we take a look at three quality bands that haven't gotten as much exposure yet as they should. This week we take a look at three bands from the vast country of Russia. Believe it or not, rock and heavy metal music was being made by Russian bands ever since 1960s, but it was not until the 1980s that the Soviet Union allowed such music to be released officially. Since the collapse of the Communist empire in 1991, the Russian metal scene has continued to grow and metal artists from the West routinely perform in the country, where legend has it some of the craziest fans in metal are to be found. Below is just a short example of the some of the band that come from Russia, perhaps not with love.
A Foggy Realm
From Russia's capital city, Moscow natives A Foggy Realm formed in 2009 by accomplished composer and musician, Ilya Lipkin, performing a mix of doom metal and ambient in an instrumental fashion, prefering instead to let their music do the talking. A Foggy Realm recorded their first EP, "Twilight" in January of last year, releasing it the next month. You can download the EP for free by heading to this location. More...
In 1978 the band Dokken formed, it was soon after the band was composed of Don Dokken (vocals), George Lynch (guitar), Juan Croucier (bass), and Mick Brown (drums). They were wide-eyed and ready to rock, still there was no way anyone could predict a Grammy nomination, die-hard fans, and the Ultimate Warrior style armbands. More...
MySpace is dead. Oh, it’s still out there, but isn’t worth your band's precious time anymore. If it wasn’t clear its downfall was coming when sold to News Corp., then it should have been clear when sold to ad network Specific Media this year. The social network, while terrible on usability and reliability, did wonders for the music industry in its heyday by giving bands a place where they could host their music for free streaming. While other sites would also host songs for streaming, being the top social network resulted in every band creating a MySpace profile and the site becoming the go-to destination to hear a band’s music.
MySpace has been losing users and mindshare for years now, with Facebook and its superior interaction model rocketing to the top of the social network pack. Still, while hinting at music services, Facebook took their time delivering any sort of music integration, keeping MySpace relevant to the music world long after it had been made irrelevant as a social networking platform. Eventually, YouTube surpassed MySpace as the primary place where users search for music (albeit much of its content consists of infringing uploads), and the writing was on the wall about MySpace's imminent demise.
Facebook Pages were enough to draw bands to Facebook to network with their fans on the largest social network in the world. Then Facebook opted not to create “Facebook Music,” but instead support music via applications that integrate with other services and a more direct integration with streaming services such as Spotify, MOG, and Earbits.
As the current #1 social media site and now as large as the entire Internet was in 2004, Facebook is a great place for social media addicts to promote their band and engage with fans and make new fans. But can Facebook be what MySpace was to bands and more?
In this article, we’ll take a look at a few applications that can be used to turn your band’s Facebook page into a destination where users can hear your music, much like MySpace was at its peak, but without the errors and crappy/bloated designs. More...
The videos keep on coming and this week a special treat as we look at three different bands with unique, yet equally phenomenal videos. This assumes you define phenomenal as I do: Fun and hilarious with no sense of moral ground! More...
Every week Metalunderground.com seeks out fans and bands to share their memorable stories from the mosh pit. This week Jason Mackenroth, formerly of Rollins Band and current Mack member, shares a story of clearing out a Motorhead pit.
It was July 15th, 2000 and we were in the middle of a particularly intense Rollins Band summer tour of Europe. We'd been on a handful of dates with Motorhead on our European travels and this night Rollins Band was going on before Motorhead at the Monster Mastership Festival in Dortmund, Germany.
We'd hung a bit with Mikkey and Phil before the show and Mikkey watched our set and I remember having a pretty great show. So with my work behind me for the evening, I was ready for Motorhead. The Motorhead pit is always in top form it seems. I couldn't help getting involved. So I step in and start doing my thing, and end up running into our road manager, Mike Curtis. Apparently, I'd hit him in the face! He quickly got my attention and I immediately grabbed both his hands in a criss-cross handshake. The two us did the infamous whirly-bird throughout the pit and cleared it completely in seconds, flinging people with the greatest of ease. With the kind of momentum this move generates, it usually knocks people right out of the ring. But it seemed like most folks just got out of the way before they were hit and left pulseless.
Mack — featuring former Rollins Band drummer Jason Mackenroth, bassist Michael “MK” Kelly (Magnified), and guitarist Billy O’Malley (Seka, Stripmind, Jocobono) — just released "Pay To Play," the follow-up to Mack’s self-titled debut album. Blas Elias (Slaughter) is the band’s live drummer, enabling Mackenroth to step out front on lead vocals. A Mack 2012 U.S. tour will also be announced soon.
The Las Vegas Review-Journal called the "Pay To Play" album “a modern-day update of the harder edges of Kiss' '70s catalog: songs of sex, sin and redemption powered by shout-along hooks, octopus-armed drumming and lots of fist-in-the-air guitar soloing. It's a visceral, overheated, organic-sounding recording.” You can check out Mack's music by heading over to the band's Reverbnation page here.
Be sure to check back next Tuesday for more pit stories, or share your favorite mosh pit experience in the comments below.
For a genre as controversial as National Socialist black metal (NSBM), it's a given that there would be a backlash against it from within. Especially given that metalheads are often a rebellious bunch, a bunch of songs about extreme forms of nativism was inevitably going to annoy the living crap out of a lot of left-leaning metalheads. And thus, red and anarchist black metal (RABM) was born, a genre even more obscure than NSBM but coming from the radical left.
Not a genre with a specific sound but one defined entirely by ideology, RABM will likely never see mainstream appeal but will still manage to attract a small yet dedicated following committed to a never-ending war with NSBM.
Proving that one can be proud of one's culture without resorting to fascism, Yaotl Mictlan is a Mexican band affiliated with the EZLN secessionist movement in Chiapas. Evoking the religion of the ancient Aztec civilization as an attack on the Spanish imperialism and fighting for indigenous rights is only is still second to the band when it comes to making quality ass-kicking black metal.
So far this year in Sunday Old School, we’ve covered bands from a variety of places including Switzerland, Australia, Norway and Japan, as well as the expected English and American groups, but we have yet to look at a band from the Emerald Isle. This week we’ll be rectifying this by taking a gander at the Northern Irish alternative metal/rock band, Therapy? The seeds of the band were sewn in 1989 when guitarist Andy Cairns spotted drummer Fyfe Ewing performing in a punk rock band at a local charity gig. The two began talking after the show and soon recorded a demo tape, with Cairns also handling the bass duties, having borrowed the instrument from Michael McKeegan, a classmate of Ewing’s who was officially recruited into the band when they decided to begin performing live. After releasing their first single, "Meat Abstract" in July of 1990, Therapy? soon attracted the attention of legendary British disc jockey, John Peel and took slots supporting a variety of bands, including Madchester outfit Inspiral Carpets and Ian Mackeye’s post-Minor Threat band, Fugazi amongst others. After these accomplishments, they signed with independent record label, Wiiija, through which they released their first two albums, "Babyteeth" and "Pleasure Death."
The two albums were enough to secure the group a new record deal with major label, A&M and soon afterwards, the band found their first taste of commercial success when they released, "Nurse" in November 1992, which was able to reach the Top 40 in the U.K. Album Charts, thanks largely to the single, "Teethgrinder," which entered the Top 40 in the Singles Charts. They then scored a string of successful EPs including, "Shortsharpshock," which featured the song, "Screamager," perhaps the best known Therapy? song and one which incorporated the feelings of teenage emotions as brilliantly as their fellow Northern Irishmen, The Undertones had done fifteen years prior with, "Teenage Kicks," albeit in a much darker fashion. Following two more successful EPs in "Face The Strange" and "Opal Mantra," the group released, "Troublegum," their biggest album to date, in February 1994. "Troublegum" featured no less than six singles including the Joy Division cover, "Isolation," which had two different videos made to promote it. The popularity of the record led the band to a Kerrang! Award and a Mercury Prize nomination. More...
This week a look at two recently released videos from Sex Slaves and Falling Red; in a classic showdown I will have to ultimately decide between strippers and blood. Surprisingly, it’s a lot closer than you think.
The first video is from UK rockers, Falling Red. The video is for the song “Come On Down” from the EP “Hasta La Victoria Siempre.” We begin with the 1-2 punch of guitars and the band name, Falling Red, shown on a marquee, and then we’re off with two girls dancing on the stage in lingerie. The song begins with, “Friday night and I’m headed for the show…” then cuts to a seating area that may be a VIP or champagne room, although I doubt the latter because there is too much light. Here we find a girl in red lingerie stripping on a pole. We are 36 seconds in and already have three strippers. For those keeping score at home I don’t need too mention how impressive this is. More...
Each week we chat up bands and fans everywhere to get their favorite pit stories and tales from live shows. This week's story of alcohol induced mayhem comes courtesy of Dead Horse Trauma, which recently released the new album "Tellus Hodiernus Caducus" (reviewed here). Below is vocalist Eric Davidson's retelling of a fan's run in with the police at a show in Fargo.
First thing that comes to mind was a show at The Nestor Tavern in Fargo, ND. We didn't know it at the time, but we were having some really uncomfortable conversations with this shady drunk guy, who had minutes before stabbed his roommate for taking his liquor. I didn't notice the blood on his shirt while he was talking to me, but my band mates saw it. Cops were swarming the house next to the venue, and eventually this guy ended up getting slammed against the back of our RV and arrested. Made for some sweet footage that we used on our video for "No Recollection."
Check back again next Tuesday as we continue to share more pit stories from metal fans and musicians.
I have a special place in my heart for Las Vegas, probably because I lived in Nevada for almost twenty years. You hear all kinds of cliched phrases about Las Vegas being the "entertainment capital" of the U.S., but that depends on what kind of entertainment you're looking for. If you're just some tourist, you'll go hog wild for the latest flamboyant guy taming a white tiger or some pop star appearing at Caesar's Palace. Or you could be the weekend partier from LA, descending on the city for a night of debauchery at one of the dozens of night clubs and ultra lounges. But the kind of entertainment a metal listener wants is going to be markedly different, and a scene does exist in Las Vegas once again.
See, the Las Vegas valley had a great underground scene back in the late eighties and throughout the nineties. Besides Mark Slaughter putting it on the map in terms of commercial metal, Mitch Harris released two LP's with his LV band The Righteous Pigs before leaving to join Napalm Death. Clubs such as Calamity Jayne's brought in weekly shows before they were busted for coke, and the Huntridge was legendary in terms of hardcore and extreme metal shows. All the local bands played at the local college bars around UNLV and at the Elks Lodge in Henderson, and had their music promoted on the radio station before the general manager switched the format to all jazz back in 1998. Local bands such as Goatlord, Requiem and Hemlock (still active and billing themselves "the hardest working band in metal") had no more exposure after this happened, and the local scene died off for a number of years after this.
Technology intervened and created a renaissance for the Las Vegas scene. College radio isn't imperative any more when you can hear everything on satellite radio and the internet now. Besides the House of Blues at the Mandalay Bay Hotel and the Hard Rock Casino bringing in the bigger names, there are tons of local venues hosting concerts now. Every weekend there are shows at the Cheyenne Saloon with local bands on the roster supporting the big name acts that come in from L.A. and elsewhere. That five-hour drive from California has brought in bands ranging from Asesino to Enthraller at this venue, which was the site for the Las Vegas Death Fest 3 and the Doom In June shows. Local favorites like Avenger In Blood and Soiled Carnage can be found there with a whole host of other garage metal bands opening for the big gigs.
In the past five years, the scene has exploded with bands such as metalcore heavy hitters Molotov Solution putting Las Vegas on the map. Another big surprise has been the immense popularity of Guttural Secrete in the national death metal scene. Granted, they've been around almost a decade, but it is literally unheard of for a band this extreme to have almost a quarter of a million hits on Youtube - especially an independent one. In many ways, Las Vegas does have the ideal climate for a scene if any city has. It's 24 hours of non-stop drinking, gambling and every vice imaginable. What it lacks in historic culture it exceeds in bacchanalian virtues. It is the setting for the glitterati and the plastic too, and for every serious extreme metal and metalcore band working the club circuit, the desert floor is littered with alot of screamo bands and younger kids that need to hone their style.
Below we will take you to the music of a few Las Vegas bands that haven't been featured prominently in our pages, so you can get an idea of what this desert community has to offer the metal scene.
Tales of the Grotesque
Tales of the Grotesque define themselves as a brutal melodic death metal band that were "recently released from a dark room where they defined their sound and status as a band." They've been around since 2010 and it's their mission to give you the feeling of an eerie tale crawling in your skin. They were recently voted October band of the month by Las Vegas website FiggZillaMusic.com.