Back in December 2009, Sunday Old School covered Napalm Death, one of the most influential bands in the history of extreme music. In some respects, we never stopped looking at them, as the column has covered several bands with ties to Napalm Death, namely, Cathedral, Carcass, Extreme Noise Terror and most recently, Terrorizer. Today will see a continuation of this trend, as Sunday Old School looks at Godflesh, one of the most innovative metal bands to ever emerge from Great Britain.
Godflesh was initially birthed as Fall Of Because in 1985 in the city of Birmingham by bass player G.C. Green and guitarist Paul Neville, with Justin Broadrick joining the ranks soon afterwards as a drummer and vocalist, though he would leave soon after to become the new guitarist for Napalm Death, making his recording debut with the band on the A-side of the classic, "Scum" album. Broadrick would leave Napalm Death soon after to become the drummer for Head Of David, one his favourite local bands, but once again remained unsettled and soon contacted Green about reforming Fall Of Because, an invitation Green accepted. Fall Of Because soon became Godflesh and the duo of Broadrick and Green decided to stay as such, incorporating the use of a drum machine instead of hiring someone to sit behind the kit. More...
This week a look at Chickenfoot’s latest video, “Big Foot”.
The video starts off as every alcoholic’s nightmare. Waking up in a chicken coup, wearing a chicken costume. It’s an odd choice to drink out of the same water bucket as the other chickens, but then again, it’s probably a nasty hangover and any beverage will do at this point. More...
We've been checking up with bands and fans everywhere to get their most memorable mosh pit stories from live shows. This week you get two stories for the price of one, courtesy of The World We Knew.
Two specific situations stand out in my mind when I think of "Pit Stories" while on the road; One of them is funny, and the other very violent! Always start with the bad news...
While on the road with our friends in Within the Ruins, our bands had a contest to see who would have the most fights during our sets on tour. We never encouraged the fights, but we tallied each one for the sake of competition. After 3 weeks, we tied 4 to 4, but then decided that TWWK had the most violent fight in Houston, TX.
While playing our last song, a girl decided to punch some guy in the face while moshing. The dude was so heated that he decided it would be a good idea to take a swing right back at the girl. After knocking her straight off her feet, the girls 10 guy friends sitting down decided to beat the offender repeatedly with bar stools. It got so violent that Tim (Guitar) and myself had to get off stage and try to break it up to insure no one was dead!
This other pit story also involves fighting, but ends in a funnier fashion. While in Northern Alabama, we were forced to once again stop our set on a count of fighting, but this time, I decided to brighten the mood a little bit. While talking into the microphone, I decided to walk up to each one of the fighters and asked them kindly to give me a hug. The kids were so flustered and confused with my comment that they forgot they were fighting. The whole crowd laughed loudly at what was going on, and both guys hugged me to end the pit beef. Apparently no one can handle getting hit while dancing these days. Nothing a good hug can't fix though!
The World We Knew released the new album "Death Dealer" today, August 30th via BlkHeart Group, and the album is currently available for streaming in its entirety through Guitarworld.com here.
Check back next Tuesday for more mosh pit stories submitted by bands and fans.
Located out in the Caribbean between Cuba and Puerto Rico, the Dominican Republic has long been an island nation melting pot for a variety of cultures and styles brought over by the millions of tourists and influences that converge upon it. Dominicans are known in America for the crop of professional baseball players they produce and in our large Hispanic community for the stream of bachata/merengue music along with the superstar reggaeton production duo Luny Tunes.
The times are changing though, and the rich history that the Dominicans have had with folkloric rock music has gradually come to include all genres of popular rock/metal throughout the last couple of decades. Bands such as Toque Profundo and M-16 have opened up the floodgates to more extreme categories of rock music, producing the likes of Ad Bestia's hardcore, Santuario's punk rock, the thrash of Necro, good traditional thrash from Overhated and the power metal of Altus Mortem. For a comprehensive look into the Dominican Republic's rich rock history, check out the two-part video Dominican Rock Pt 1 and 2 to gain a greater insight into the scene.
Nowadays, with home studio computer equipment and social networking, hundreds of young bands are cropping up all over the Dominican landscape. In fact, a few homegrown independent labels now showcase the talents of the more extreme Caribbean bands - Dark Canvas and Goecia records. Today we will take a look at three of the most deserving and hard working bands paying their dues in the trenches of Santo Domingo.
Conceived in 1994, Archaios are the premier melodic techno-thrash band from Santo Domingo. Fusing intricate leads with an abundance of bridges and time changes, this is one band that deserve a further listen. Their new one, "The Distant," drops in November and is an exponentially good progression from their debut, 2006's "Out of the Shadows." You can check out their songs in full at their Myspace page and listen to the promotional sampler clip below, plus a few other tracks from their debut. Also, you can read a full interview with the band here.
While most rock bands cite blues music as an influence, Cinderella was one of the few bands from the eighties where you could actually hear it, feel it, taste it.
The band was formed with members Tom Keifer (singer, keyboards, guitar), Eric Brittingham (bass), Michael Smerick (guitar) and Tony Destra (drums). Within two years Destra and Smerick left to form Britny Fox. Using eighties 20-20 hindsight: MISTAKE? I’m sure hanging with the girls while making the video for “Girlschool” had to be a great day it still can’t compare to being in what would become Cinderella.
In 1985 Cinderella recorded their first album, “Night Songs,” with guitarist Jeff LaBar and drummer Jim Drnec. After recording the album, Fred Coury replaced Drnec and joined the band for the supporting tour. The first single, “Shake Me,” from the album featured a girl sitting on her bed with a Cinderella poster behind her. Her wicked (READ: slutty) sisters appear and are off to rock and roll (READ: shoot heroin and sleep with rock guys) while she is left all alone. Then the poster comes alive and she is now at a live Cinderella concert. It should be mentioned that Tom Keifer is wearing the Paul Stanley 1984 permanent hair style throughout the song. When I’m running VH1 someday I will definitely do a WHERE ARE THEY NOW documentary on the Cinderella wicked sisters. More...
After the albums Appetite for Destruction and Lies, Guns N Roses released two albums at the same time titled Use Your Illusion I and II. From this double release would come three intertwining videos known as ‘The Trilogy’.
This week a look back at these videos and the excess involved.
The video begins with a baby floating to the top of water. The baby has blue eyes. Logically, the video cuts to Axl Rose who is caught in a Buffalo winter-like-blizzard. He is in a kilt and holding a gun. Ladies and gentlemen this is your setup to ‘The Trilogy’…now it gets weird.
Axl is now in his residence and is holding a gun and apparently contemplating suicide. His girl played by then girl friend Stephanie Seymour, wrestles the gun away, but not before Axl throws her against the wall; angry that his model girlfriend stopped him from killing himself. Next scene we are at a cemetery where Axl and his girl are having a picnic. Cut to the band playing on top of a skyscraper building. Shannon Hoon, the lead singer from Blind Melon joins Axl, singing along with the chorus. All members of the band have decided to carry bandanas that hang out of their back pocket, except for Matt Sorum (who replaced their original drummer Steven Adler) who is wearing his on his head. There is a sign that says WHERE’S IZZY signaling Izzy Stradlin’s departure from the band (replaced by guitarist Gilby Clarke). Axl is wearing a flannel shirt that is probably his way distancing himself from the backlash of hair bands that was beginning during this time. Axl does the “airplane” run from one side of the building to the other. This doesn’t appear safe.
Back to the drama, we have Duff and Slash separately having fights with their girls. Duff is outside a club/bar and Slash is out driving. It appears Duff tells his girl off while Slash decides to drive the girl off a cliff. I picture Slash and Duff in a bar later that night. DUFF: So I just said “Fuck You!” and that was it. SLASH: I drove my girl off a cliff. DUFF: Oh.
The video escalates with Axl in a hospital room that is probably an insane asylum. While Rose lies there in a gown another image of Axl wearing a kilt appears and then one wearing a blazer appears and then leaves. Just for kicks it would have been entertaining to have Axl with the hair from the “Welcome to the Jungle” video show up as well, but then sometimes I ask too much.
Back on the roof with the band and helicopters are overhead and Axl continues to run around like an airplane on this very high roof. At this point he might as well grab a pair of scissors as he runs because it’s clear all caution has been thrown out the window.
Back in the hospital and Axl’s hand’s are shaking and he’s making this strange look like “see I told you” to the doctor who doesn’t seem very interested in what is happening. Next scene we are back in the cemetery and the grave has the name Axl Rose engraved on it with the ending year of 1990 which is because (as Axl later stated) a very suicidal year for him. Below the grave a green demon like Axl is looking up then we cut to a baby again coming up from the water. This time the eyes are green….and…..CUT!
We've been seeking bands and fans everywhere to get their memorable mosh pit stories, and this week's story about a sudden invasion of blue spandex superheroes comes courtesy of Florida's Catalepsy.
This “pit story” took place about a year ago when we were in Myrtle Beach, SC. We were playing this tiny dive bar right on the beach in some random basement. We were just finishing up line check and were about to start our set when we we came to the sudden realization that there was literally no one inside the venue.
Bummed out but still needing our pay, we decided to fight the good fight and play anyways. After about 20 seconds into our opening song, a couple of kids started to file in wearing these blue, Spiderman like body suits. By the end of the second song, the venue was completely packed full of matching blue spandex superheroes. What that all was about, well, the world may never know. Quite the experience...
Catalepsy recently release the new album "Bleed" through Eulogy Recordings. You can check out a music video for the album's title track here or listen to the song "Monolith" by heading over to this location. For additional details on Catalepsy, navigate to the band's Facebook profile.
Come back next Tuesday to see our latest Pit Story submitted by bands and fans from around the world.
Every week in Unearthing the Metal Underground, we take a look at three quality bands that haven't gotten as much exposure yet as they should. This week we’ll be taking a second look at three bands from the West Country (the South West of England.)
One of the biggest, and quite possibly best, bands from the West Country's metal scene comes in the guise of Seregon, who formed in 2005. The band take influence from such thrash metal heroes as Testament and Sepultura (the latter of which they have shared the stage with on numerous occassions) and add a healthy dose of death metal into the fray, to create a savage sound not quite like any other. While still very much rooted in the underground, Seregon have found themselves performing outside of the United Kingdom, taking to the stage in such countries as Germany, Portugal and Romania amongst others. They are currently working on their new EP, which is expected to be released next year.
Seregon - "The Removal Of The Spine"
CBGB's may well be known as one of the most famous clubs in the world, having been home to many bands from The Ramones to Agnostic Front, but it's staff has plenty of connections to music too, not least of which was the club's sound man Tommy Victor and doorman Mike Kirkland, who would soon form their own band, Prong. Prong was completed a few months after Victor and Kirkland (Vocals/guitar and bass respectively) began jamming together when the band recruited former Swans drummer Ted Parsons. Having essentially being born from the best place for hardcore in New York, it's no surprise that the early Prong material was very much rooted in the genre. Following their debut released, the EP "Primitive Origins" and the full length, "Force Fed," the band were able to secure a major label deal when they signed with CBS Records for their next release, "Beg To Differ." The album was a critical smash, earning rave reviews from big name publications like Rolling Stone and the praise continued even after Kirkland left the band was replaced by Flotsam And Jetsam bassist Troy Gregory, when Prong released their third full length album, "Prove You Wrong," which featured an almost bizarre cover of the punk classic "(Get A) Grip (On Yourself)" by The Stranglers.
"Prove You Wrong" also featured the band's first experimentation with electronic sounds such as sampling and programming, a feature which was to be expanded upon on the next album, "Cleansing," which was released in 1994. With a sound more grounded in industrial metal and Pantera producer Terry Date behind the mixing board, the record proved to be hit, containing such fan favourites as "Snap Your Fingers, Snap Your Neck" (which was used by Extreme Championship Wrestling as the theme for the wrestler, Justin Credible) and "Broken Peace." The album also garnered Prong support slots on some major tours, including supporting Sepultura on their "Chaos A.D." tour, and performing with Pantera who were celebrating the release of their number one album, "Far Beyond Driven." More...
Jani Lane: the singer, songwriter, and entertainer most noted for his role as front man of the band Warrant passed away last week. He was found in a Los Angeles area Comfort Inn with (according to police reports) a half-bottle of vodka and prescription pills close by. This week we take a look at some of Warrant’s videos. One last celebration of Jani Lane’s lyrics, hair, dance moves, and cringe worthy moments as we retire the following videos. More...
We've been seeking out bands and fans everywhere to get their most memorable and outrageous mosh pit stories. This week we have a tale to share from screamer Trevor Tatro, of Oklahoma six piece Outline in Color, about an unfortunately vomit-fueled altercation in the pit.
Over the years I've been to a plethora of shows. Whether I'm playing one or attending I always try to keep an eye on the pit. Usually I'm not windmilling or two stepping because I have the stature of a buffer Rosie O' Donnell and when I dance I look like a orangutan on meth.
Anyways there's one blumpkin of a pit that comes to mind from a few years back at what I think was a Stick to Your Guns show (I don't remember, it might have been this sick Metro Station show but anyways...). There was a select group of pasty suburb kids as tall as yard sticks who were attempting to do that wheelbarrow jumping jack move that basically screams "yah I could mosh but I'd rather fellate/get kissy with my step dad." While doing this the pair of goons bumped into the wrong tough guy. In mid air tough guy donkey kicks the kid who ran into him right in the stomach, which I felt was a proper reaction at the time. This led to a fit of puking and getting butthurt among friends but that didn't stop him from getting up and throwing some punches (all the while covered in vomit and tears). Needless to say raging wasn't this guys' forte and colonel creatine fed him fists for a minute until security broke it up.
To check out Outline in Color's music or find out the latest info on the band, head over to the group's Facebook profile here.
Be sure to check back in next Tuesday as we share more band and fan submitted Pit Stories.
There are some bands who continue for decades, never making a splash of any kind in their respective genres, then there are bands who earn instant legendary status. Terrorizer would, and should, be classified in the latter. The band formed in 1986 by guitarist Jesse Pintado, along with Nausea vocalist Oscar Garcia and rhythm section Pete Sandoval and Dave Vincent. At the time of formation, Garcia was still busy with Nausea and Sandoval and Vincent were also busy with another death metal band named, Morbid Angel, which may have proved time consuming and a factor in Terrorizer taking time to release a full length record. Nevertheless, in 1989, the band finally did release their debut album, "World Downfall," which was almost immediately hailed as a classic in the field of grindcore, earning it comparisons to the classic Slayer album, "Reign In Blood." The record was notable for it's album cover, which like the debut full length from fellow grindcore legends, Napalm Death, featured something of a socially active collage, including pictures of corpses, nuclear power stations and Islamic extemists, topped off by the eye catching centre piece of Jesus Christ. Although it was a Terrorizer album, almost one third of the material was actually written by Nausea, not that that stopped Terrorizer from being championed as one of the best original bands in American grindcore.
Despite the unanimous praise, the band decided to fold later that year in order for Sandoval and Vincent to focus more on Morbid Angel and allowing Pintado to head overseas and join Napalm Death, as well as becoming a member of extreme metal group Brujeria in 2000. After leaving Napalm Death in 2004, Pintado decided to bring back Terrorizer from it's fifteen year hiatus, with Pete Sandoval returning as the only other original member and brought with him Morbid Angel guitarist Tony Norman. The reactivated version of the group rounded out their lineup by recruiting Resistant Culture frontman, Anthony Rezhawk. Together the band began work on their second album, "Darker Days Ahead," which was finally released on August 22nd in 2006. The hype behind the album was sadly soon to be overshadowed however, as Pintado tragically passed away five days after the record's release in a Dutch hospital as a result of liver failure. Following the death of Pintado and the mixed reception "Darker Days Ahead" received, the group once again decided to call it a day.
The split proved to be a short lived one when in 2009, Terrorizer seemed to have once again risen from the ashes by posting a new demo online entitled, "Hordes Of Zombies." The comeback wasn't confirmed until two years later however, when the French record label, Season Of Mist announced that they had signed Terrorizer and that they would be releasing a brand new studio album in 2012, with Pintado's place taken by Resistant Culture guitar player, Katina Culture. Regardless of how the new album will sound, Terrorizer have been able to forge a legacy of outstanding grindcore despite a limited catalogue. "World Downfall" will always be remembered as one of the true classics in extreme music, and thanks to modern mediums like the internet and video game soundtracks (specifically Grand Theft Auto IV: The Lost And Damned, which featured the song, "Fear Of Napalm,") the band will be etched in to the minds of extreme metal fans worldwide for years to come. More...
Sebastian Bach (ex-Skid Row) is back with a new single and video titled “Kicking and Screaming”. This is the first single from his new album (by the same name) due this fall. Given Bach’s history of entertaining videos (“18 and Life” anyone?) this was definitely worth a look. More...
Metalunderground.com has been hitting up bands and fans everywhere to get their most memorable mosh pit stories. This week Tom Brumpton of Akarusa Yami shares a story of his former band Kallous playing a terrifying show in a fallout shelter in the Czech Republic.
In 2007 my old band Kallous was playing a Festival in the Czech Republic and it was absolutely terrifying. While we were over there we got invited to play a smaller venue called The Bunker, which was an old fallout shelter from the war. It was 30 feet underground and smelt terrible. There were 7 bands, a Neo-Nazi dancing throughout by himself, the stage was at the bottom of a ramp, and there was no crowd to be seen as the “Bunker” was in the middle of butt-fuck nowhere.
About two songs into the set, water began tricking down the ramp onto the stage. By the end of the set, the stage and electrics were covered in water and we all thought we were going to die. I ran out of the venue screaming. The last band was later not allowed to play as the sound man had ran out of cocaine. He then shuffled off into the night, leaving 30 people and about £20,000 worth of musical equipment in the middle of Prague, in the middle of the night, without a lift home. Scary.
Head over to Akarusa Yami's official Facebook page here to check out what the band has to offer, and be sure to check back in next Tuesday as we share more Pit Stories taken from fans and bands around the world.
Every week with Unearthing the Metal Underground we reveal three bands that deserve to be heard by a wider audience. After taking a look at experimental metal groups and instrumental bands with plenty of progressive elements, this week we’re heading straight into underground prog metal acts.
Throwing in jazzy interludes, unexpected changes in tempo and style, and usually a heaping dose of 70’s rock influence, prog has helped to keep the metal scene from stagnating and provides plenty of heaviness without always relying on outright brutality. There may be an odd contradiction of an entire genre called “progressive metal,” since the whole idea is that progressive music can’t be lumped into a single category and doesn’t follow the rules or format of a specific sub-genre. That whole sticky issue aside, these three bands explode with non-traditional song structures and a huge range of influences that make them well worth hearing for any fan of the more well known progressive metal acts, from Opeth to Dream Theater and beyond.
New Jersey’s Suspyre is the cream of the crop in the underground prog metal world, with production values and song writing chops on par with any huge name act. The band creates massive Opeth-length tracks, but still maintain consistent quality and amazing transitions across ten minute epics. Suspyre’s soaring power metal influence vocal work is especially worth hearing, and the band does even throw in a few growls here and there for a heavier edge.
The group’s last release was the 2008 “When Time Fades” album (reviewed here), but Suspyre is now working on a fourth album. To check out the act’s take on melodic prog metal, head over to the Suspyre Facebook profile or listen to the songs “The Light of the Fire” and “Siren” in the clips below.
Six chart topping albums as one of the biggest bands in the world (Van Halen), a messy break-up, and a rumored reunion? NO, that is a different story. Today, a look at the paramedic, talk-radio host, and one of the biggest personalities from eighties rock and roll. This is the story of David Lee Roth, the solo artist years.
The founder of the “It’s not whether you win or lose, it’s how you good you look” club, solo Dave begins before his years with Van Halen officially ended, when he released Crazy from The Heat. Most notably the EP contained two covers, “California Girls” and “Just a Gigolo/I Ain’t Got Nobody”, both would generate moderate success due to Roth’s humorous videos that included Dave in a fat suit, extremely beautiful women, and either monkeys or little people, or in some cases both.
After the famous split Dave teamed up with guitarist Steve Vai, bassist Billy Sheehan, Jesse Harms on keyboards, and drummer Gregg Bissonette for what would be his first initial solo record, Eat’em and Smile. No one needed a hit more than Diamond Dave, and he didn’t disappoint. The lead single, “Yankee Rose” was a rocker accompanied by a video with the famous line: “I’ll take a glazed doughnut and a bottle of anything, to go.” The videos for “Yankee Rose” and “Goin’ Crazy” may be the definitive height of the spandex era thanks to Roth’s numerous costume changes, most incorporating spandex with thongs worn on the outside. Eat’em and Smile was a well balanced album with rockers like “Shy Boy” as well as the “slow it down and show Dave’s seductive side” with “Ladies Nite in Buffalo?”. There’s even a cover of “That’s Life”, displaying Roth’s show biz nature, a side only he has been able to portray without coming off too corny, or cheesy, or both. More...
KISS members Gene Simmons and Paul Stanley are planning to collaborate on a memoir. Is it already assumed the first and last chapters will be “Gene” chapters?...
Alice Cooper has been asked to help design Universal Studios Halloween maze. For a rocker that has always used fright and horror as a back drop it looks like Cooper has been typecast with this project. Three years from now Alice will be receiving calls to go to Iowa and design corn mazes…
The medical mystery man Ozzy Osbourne recently lost his two front bottom teeth (crowns). With a show only days away, Ozzy frantically looked for a dentist to fix his mouth. I realize we are five months away from Christmas, but I already know what Ozzy wants…
A fan with a “professional” style camcorder got a surprise when Nikki Sixx (Motley Crue) went into the crowd to have him removed. Unfortunately from the video you are unable to see if there is in fact a camera or Sixx spotted on of Kat Von D’s new boyfriends. Either way Nikki might consider some additional insurance should he continue to jump into crowds at his age… More...
We've been chatting up bands and fans everywhere to get their most memorable mosh pit stories, and this week's tale of a disembodied leg comes courtesy of Egypt Central bassist Joey Chicago. Joey had this to say about forming a spontaneous telepathic bond with a fan:
The crowd heaved in front of me. A heat coming from them like being in the belly of a medieval dragon. The Florida humidity sticking heavy to me like a wet blanket fresh from a two minute blast in the microwave. Then, in the midst of carnage, I spotted a limb floating above like a crowd surfer. Yes, a limb. The calf and foot, shoe and all, held tightly by a death grip covered knuckle to knuckle in determination. The leg grew closer and as it did, I felt as though a purpose and destiny were coming my way. The foot disappeared, gone for a song and a half. Where is it? Where did it go? Questions swarmed my mind like a rattled bee hive. One more song.
Then, in the dark, a bang above all bangs begins to rise up. I hear something echoing below me like cannonballs going off. The lights go on! I stand face to face with the limb and the rabid fan holding his prosthetic leg like a flag above his head. Our eyes lock and simultaneously we telepathically know the future. I will play this last song with that fake leg. Without words the exchange is made and the bass of "You Make Me Sick" explodes through the speaker, pounded out with the leg hammer gift of destiny! After the show, I signed his leg and we had a beer. We were brothers now. Bonded forever by musical creepiness.
Egypt Central is currently on tour in the U.S. in support of the new album "White Rabbit," which came out on May 31st, 2011 through Fat Lady Music/ILG. The band also recently premiered an acoustic video for the song "White Rabbit" through Metalunderground.com.
Check back again next Tuesday as we share more Pit Stories from band members and fans.
Each week in Unearthing the Metal Underground, we look at underground bands that embody the metal genre and this week is no exception as we focus on Ogden, Utah. The metal that comes from this area and nearby is astounding, they are metal bands that fly under the mainstream radar but have metal music seared into their souls.
Better known as O-Town to locals, Ogden has an impressive emerging underground music scene. However, the metal reverberating out of this area is distinguishable for the simple fact that they bring it hard, with every show, every song and with every note. Three bands stand out from the pack for a variety of reasons, one being they scorch your souls with their intensity and two… because they are metal to the core.
"The Dead Gates- the entrance to eternal suffering where the hounds of hell feast upon the damned," an apt description for a band as hardcore as these boys. Hailing from Ogden, Utah, these metalheads have taken the Wasatch Front by storm, not only banging heads with O-Town fans but creating a solid fan base throughout Utah. By combining searing guitar riffs, irresistibly heavy bass lines and drum beats of ferocious proportions they create a melodic yet forceful tone that cascades over you. Add that to the vehement growls and intense vocals and you get an effectual sound that is as savage as it is addicting. Deadgates is: Sam E. (vocals), Josh W. (guitar), Mat L. (guitar), Kirk T. (bass), and Matt H. (drums). Check them out on their Facebook on Myspace and on Youtube.
Today sees Sunday Old School reach it's 100th article. You might say reaching this milestone is a true testament to how high heavy metal fans regard the old school. Or you might say that the previous sentence was just a bad pun to lead into this week's band. Either way, this week Sunday Old School will be looking at Testament, one of the most popular bands to emerge from the Bay Area thrash metal scene.
Testament was originally founded under the name Legacy in 1983 by guitarist Eric Peterson, along with his cousin Derrick Ramirez. The band took a significant step when Ramirez was replaced by guitarist Alex Skolnick and singer Steve "Zetro" Souza. The band were late comers of sorts to the Bay Area thrash scene, with such other bands as Metallica, Slayer and Exodus pre-dating them, which perhaps might have been a key factor in Souza deciding to leave the band to join Exodus after they fired singer Paul Baloff. Despite his resignation, Souza suggested that the band attempt to recruit Chuck Billy to replace him behind the microphone, a move which proved highly successful.
After finding out that the name The Legacy was already trademarked by a jazz band, the group changed their name to Testament on Stormtroopers Of Death frontman Billy Milano's suggestion. They remained close to their Legacy moniker though, and after signing with Megaforce Records, used the title "The Legacy" as the name of their debut album. The record was a success, earning the band favourable comparisons to Metallica and containing several songs that remain in the band's setlist to this day, including "Over The Wall" and "First Strike Is Deadly." Testament supported the album by supporting Anthrax on their "Among The Living" tour, which helped to make a household name out of Anthrax and thus garnered Testament much attention. Thrash fans remained enamoured with the band when they released their second album, "The New Order," which followed in the same vein as "The Legacy" both lyrically and musically. This second album also contained future fan favourites such like "Trial By Fire" and "Into The Pit," the latter becoming something of an anthem. More...