"some music was meant to stay underground..."

Archive: Sunday Old School Columns

Displaying records 141 - 160 of 258 1 2 ... 6 7 8 9 10 ... 12 13 Last

Sunday Old School: Pantera

It’s very close to that time of year again when metal fans all over the world pay their tributes to Dimebag Darrell Abbott, the legendary guitarist from Pantera who was murdered on stage on December 8th, 2004 while performing with his post-Pantera band, Damageplan. To understand why his death is so important to metal fans, it’s best to start, as all legends do, at the beginning. Darrell formed Pantera thirty years ago with his brother Vinnie Paul, along with guitarist Terry Glaze, vocalist Donnie Hart and bass player Tommy Bradford. Hart and Bradford left the group the same year, with the latter being replaced by Rex Brown, while the rest of the group decided that Darrell would be the bands sole guitar player. They soon became an underground favorite, touring throughout their native Texas, as well as Oklahoma and Louisiana, and supporting the likes of Quiet Riot and Dokken.

In 1983, the band released debut album, "Metal Magic" through its own record label of the same name with a second album, "Projects In The Jungle" following the next year. Both albums were very much in the glam metal vein but the second demonstrated the first hint of thrash metal influences, a style which was embellished on the third album, "I Am The Night."

Thrash metal soon crept its way into Pantera's sound permanently however, leading the group to part ways with Glaze and search for a more aggressive vocalist, which was found in New Orleans native, Phil Anselmo. With Anselmo, Pantera recorded the fourth album, "Power Metal," a hybrid of thrash metal and the popular hard rock style of the time. Following this release, Pantera decided to radically reinvent itself, shedding the big hair and make up the group had previously adorned and soon gained itself a manager in Walter O’ Brien, with a record deal coming shortly afterwards with Atco Records.

Despite now being considered something of a debut album for the band, the fifth album, "Cowboys From Hell" was released in 1990 and was instantly a hit with fans of the heavier side of metal, as well as some of their heroes such as Judas Priest and Slayer. It was certainly a breath of fresh air at the time, varied in sound but fluent, songs like the pummeling title track were just as much a part of the band's sound as the haunting epic, "Cemetery Gates." The band toured heavily to support the album, taking to the road with such respected acts as Exodus and Suicidal Tendencies and even earning a slot on the Monsters In Moscow festival with the likes of AC/DC and Metallica, in what was still the Soviet Union. More...

Read more...  |  25 Comments - Discuss

Sunday Old School: L.A. Guns

If you lived in Southern California during 1983 to present day there is a very good chance you have played for a band named L.A. Guns. I demand a VH1 Classic documentary on this phenomenon. I already have the title: "Eight is Enough: The story of nine albums and eight lead singers.”

This is the story of L.A. Guns.

To start we need to get the administrative part out of the way. Instead of populating every other sentence with a line-up change, here we go.

We will refer to the “Classic Line Up” of L.A. Guns as Phil Lewis, Tracii Guns, Mick Cripps, Kelly Nickels, Steve Riley. The “Steve Riley L.A. Guns” a.k.a. L.A. Guns #1 as Phil Lewis, Stacey Blades, Scott Griffin, Steve Riley and the “Tracii Guns L.A. Guns” a.k.a. L.A. Guns #2 as Jizzy Pearl, Tracii Guns, Doni Gray, Jeremy Guns. Recently Jizzy Pearl has left Tracii’s version of L.A. Guns, being replaced by Dilana Robichaux. So now the story is “Nine Lives: Nine albums, nine lead singers”.

Need a comprehensive list of lead singers? Why not, here they are: Phil Lewis, Jizzy pearl, Paul Black, Axl Rose, Michael Jagosz, Chris Van Dahl, Ralph Saenz, Marty Casey.

And finally other members (non lead singers) that at one time were members of L.A. Guns: Nickey Alexander, Ole Beich, Rob Gardner, Robert Stoddard, Michael Gershima, Johnny Crypt, Brent Muscat, Muddy, Keff Ratcliffe, Adam Hamilton, Keri Kelli, Scott Griffin, Kenny Kweens, Chad Stewart, Alec Bauer, Danny Nordahl.

Push the paper to the side and let’s see if we can figure out how this band bio grew to the size of a phone book. More...

Read more...  |  3 Comments - Discuss

Sunday Old School: Faith No More

Some bands are just so eclectic, it’s practically impossible to label them. Everyone likes these bands because their music is always guaranteed to be interesting, and none of these such bands are more intriguing than Faith No More. Faith No More began life thirty years ago when it was founded by bass player Billy Gould in 1981, along with drummer Mike Bordin, vocalist Michael Morris and keyboard player Wade Worthington. They did not adopt their current moniker until 1982 after Worthington had been replaced by Roddy Bottum and Morris had been fired, leading the band to through a series of vocalists, including future Hole frontwoman Courtney Love, before settling on Chuck Mosley in 1983, the same year they found guitarist Jim Martin.

They began recording their debut album independently, pooling their money together and recording it as and when they could. By the time five songs had been recorded, the group earned the attention of Mordam Records, who signed the band and gave them the money they needed to finish their album, which was released in 1985 under the title, "We Care A Lot." Faith No More then signed with Slash Records, and released "Introduce Yourself" in 1987, which, despite the release of "We Care A Lot" two years prior, is considered by many to be the bands debut album, owing to the limited availability of the previous record and the re-recording of its title track.

Not long after "Introduce Yourself," Mosley was fired from the group, due to erratic behaviour on and off the stage, including falling asleep during the "Introduce Yourself" release party. Taking his place was Mr. Bungle frontman, Mike Patton, who dropped out of Humboldt State University so he could sing for Faith No More. They released their first album with Patton, "The Real Thing" in 1989 and broke through into the public eye in the process, thanks largely to the records second single, "Epic" which became a top ten hit around the world. They performed live at the MTV Video Music Awards and Saturday Night Live, as well as touring all over the world. After releasing a live album, "Live at the Brixton Academy" in 1991 and contributing the song, "The Perfect Crime" to the soundtrack of the movie, Bill & Ted’s Bogus Journey (in which guitarist Jim Martin made a cameo appearance,) the band got to work on their next album. The result, "Angel Dust," was released in the summer of 1992 and featured a much more experimental tone than previous releases, thanks predominantly to Mike Patton. Despite selling well over six hundred thousand copies in the United States, the album sold better overseas, going Gold in Australia and reaching the number 2 position on the album chart in the United Kingdom. More...

Read more...  |  18 Comments - Discuss

Sunday Old School: Piledriver

Take yourself back in time almost three decades - the year was 1985, only a scant couple of years after a few record labels were issuing independent metal stateside. The commercial bands were starting to get upstaged by these new groups that had this harder and heavier sound. This little known band Thrust put out this song "Posers Will Die" which became sort of a mantra for the new movement. Listeners wanted an alternative to commercial metal, and along comes this album "Metal Inquisition" by a Canadian band named Piledriver. The album cover alone was enough to have you laughing your ass off. The vocalist was this giant dude with spikes, leather and bondage gear plastered all over his body. He was wielding a v-neck guitar like a jackhammer into some young metalhead kid's skull. But what was truly classic was the actual record itself, which contained a track listing of songs that held up to the test of time and are still listened to today. It was the perfect combination of a thrashing power metal sound. More...

Read more...  |  1 Comment - Discuss

Sunday Old School: Possessed

Death metal is without question one of the most popular sub-genres in heavy metal, with thousands of bands emulating the likes of Morbid Angel, Cannibal Corpse and the like, but there was a band before the Florida based legends came along which pioneered, and some say invented death metal itself. Namely, San Francisco based, Possessed. Possessed was formed in 1983 by guitarist Mike Torraro and drummer Mike Sus, along with bass player Geoff Andrews and vocalist Barry Fisk. This original lineup was not to last long, and ended in tragic fashion when Fisk, who was homeless at the time, shot himself in front of his girlfriend, resulting in Andrews no longer wanting to be a part of the group. The group soon picked themselves up when they recruited Jeff Becerra from the Pinole based band Blizzard to handle both bass and vocal duties, as well as hiring another guitarist in the form of Brian Montana. Possessed got to work spreading their name in the Bay Area scene, performing with local titans such as Slayer and Exodus, the latter of which helped Possessed immensely when they gave the band’s three song demo, "Death Metal" to Metal Blade Records head, Brian Slagel.

Slagel agreed to put Possessed on his forthcoming compilation album, Metal Massacre 6, the same series of compilations that had previously helped Slayer and Metallica become noticed, including the song, "Swing Of The Axe" on the record. Metal Blade did not sign the group but the compilation found it’s way to Combat Records, home to such acts as Megadeth. Combat were able to sign Possessed, who had since replaced Montana with Becerra’s former Blizzard bandmate Larry LaLonde and in October of 1985, the band released it’s debut full length album, "Seven Churches" through the label, with Roadrunner Records handling European distribution. The album was an underground hit, owing to Becerra’s guttural vocals (something quite different for metal at the time) and it’s extreme lyrics which, along with frequent use of the word, "fuck," led to it becoming one of the first albums to receive the famous RIAA "Parental Advisory" sticker. It impacted many burgeoning musicians including Napalm Death drummer Mick Harris, who claimed that "Seven Churches" was his introduction to metal, and Death frontman Chuck Schuldiner, who reportedly told his bandmates that he wanted the band to base their sound on the album. More...

Read more...  |  8 Comments - Discuss

Sunday Old School: Dokken

In 1978 the band Dokken formed, it was soon after the band was composed of Don Dokken (vocals), George Lynch (guitar), Juan Croucier (bass), and Mick Brown (drums). They were wide-eyed and ready to rock, still there was no way anyone could predict a Grammy nomination, die-hard fans, and the Ultimate Warrior style armbands. More...

Read more...  |  8 Comments - Discuss

Sunday Old School: Therapy?

So far this year in Sunday Old School, we’ve covered bands from a variety of places including Switzerland, Australia, Norway and Japan, as well as the expected English and American groups, but we have yet to look at a band from the Emerald Isle. This week we’ll be rectifying this by taking a gander at the Northern Irish alternative metal/rock band, Therapy? The seeds of the band were sewn in 1989 when guitarist Andy Cairns spotted drummer Fyfe Ewing performing in a punk rock band at a local charity gig. The two began talking after the show and soon recorded a demo tape, with Cairns also handling the bass duties, having borrowed the instrument from Michael McKeegan, a classmate of Ewing’s who was officially recruited into the band when they decided to begin performing live. After releasing their first single, "Meat Abstract" in July of 1990, Therapy? soon attracted the attention of legendary British disc jockey, John Peel and took slots supporting a variety of bands, including Madchester outfit Inspiral Carpets and Ian Mackeye’s post-Minor Threat band, Fugazi amongst others. After these accomplishments, they signed with independent record label, Wiiija, through which they released their first two albums, "Babyteeth" and "Pleasure Death."

The two albums were enough to secure the group a new record deal with major label, A&M and soon afterwards, the band found their first taste of commercial success when they released, "Nurse" in November 1992, which was able to reach the Top 40 in the U.K. Album Charts, thanks largely to the single, "Teethgrinder," which entered the Top 40 in the Singles Charts. They then scored a string of successful EPs including, "Shortsharpshock," which featured the song, "Screamager," perhaps the best known Therapy? song and one which incorporated the feelings of teenage emotions as brilliantly as their fellow Northern Irishmen, The Undertones had done fifteen years prior with, "Teenage Kicks," albeit in a much darker fashion. Following two more successful EPs in "Face The Strange" and "Opal Mantra," the group released, "Troublegum," their biggest album to date, in February 1994. "Troublegum" featured no less than six singles including the Joy Division cover, "Isolation," which had two different videos made to promote it. The popularity of the record led the band to a Kerrang! Award and a Mercury Prize nomination. More...

Read more...  |  4 Comments - Discuss

Sunday Old School: Pungent Stench

Possibly one of the most darkly humorous bands from the old school, Pungent Stench traces it's roots back to 1988 when former members of Carnage came together to create this sick and twisted group. These "tres hombres," as the three members Martin Schirenc (El Cochino) on vocals and guitar, El Gore on bass and Alex Wank on drums referred to themselves as, became the flagbearers for extreme warped metal in the early nineties. After a demo and a split EP with fellow Austrians the Disharmonic Orchestra in 1989, Pungent Stench unleashed it's "Extreme Deformity" 7" and the classic debut "For God Your Soul...For Me Your Flesh." The time was 1990, a year that also saw them put out one of a couple split 7"s with Nuclear Blast labelmates Benediction. (A band that Alex Wank never minded sharing vinyl space with, since he deemed them the only other group on the label that vaguely resembled them.) This album took the underground by storm with it's deranged groovy death beat songs like "Dead Body Love" and "Embalmed In Sulphuric Acid." This was back in the time when not many bands were recording extreme metal. More...

Read more...  |  6 Comments - Discuss

Sunday Old School: Electric Wizard

Some bands are almost essential to their respective genres. If one likes thrash metal, there's a better chance than not that the same person will be an Exodus fan. If one likes grindcore, it's extremely likely they will also be a fan of Napalm Death and if one is a fan of doom metal, it's safe to say that Electric Wizard is somewhere in their CD collection. Rightfully so too, as they have released some of the best tunes not only in doom, but all of heavy metal. The band was formed in the market town of Wimborne, Dorset in 1993 by guitarist Jus Oborn after he left the band Eternal, joined in the venture by bass player Tim Bagshaw and drummer Mark Greening. After slugging it out in the live scene for two years, Electric Wizard were able to bag themselves a record deal with Rise Above Records, the label owned by Cathedral frontman Lee Dorrian. They soon released their self-titled, debut album which followed the traditional doom metal style, but was met with many positive reviews. They followed the record shortly afterwards by releasing, "Demon Lung," a split single which was shared with a band named, Our Haunted Kingdom, who themselves have now become a stoner metal favourite, though they are more recognised by their current name, Orange Goblin.

In January 1997, the group marked a milestone in their career when they released their second album, "Come My Fanatics..." which is today considered one of the best albums in the history of doom metal. "Fanatics..." was also labeled by many as one of the heaviest albums released in the 1990s and was followed by a slew of singles and EPs. This time of the band was not met without controversy. Guitarist and singer Oborn was arrested for possession of cannabis, as well as encountering health issues when he was hit by a collapsed eardrum and severed a fingertip in a DIY accident. Oborn was not the only member to have a run in with the law, as Bagshaw was arrested for armed robbery and Greening also found himself in trouble after he was charged with assaulting a police officer. Nevertheless, Electric Wizard arguably outdid themselves in the year 2000 when they released their third album, "Dopethrone." "Dopethrone" was instantly hailed as a masterpiece, with many today ranking it as one of, and in the case of Terrorizer magazine, the best album of the 2000s. The record saw the band adopt a more aggressive tone, leaving behind some of their psychedelic sounds in the process. More...

Read more...  |  3 Comments - Discuss

Sunday Old School: Machine Head

Who says gang violence is restricted to rap music? If it weren’t for a fight between a local gang and Californian thrash metal band Vio-Lence, we may have never heard Machine Head, for it was this incident that inspired guitarist Robb Flynn to leave the group and form one of his own. Joining forces with bassist Adam Duce, drummer Tony Costanza and Canadian guitar player Logan Mader, the collective soon named themselves, Machine Head simply because, as Flynn states, "It sounded cool." Before long, they found themselves signed to Roadrunner Records, after a label representative heard the band’s demo tape which had been recorded in a friend’s bedroom. Costanza was soon replaced by Chris Kontos and Machine Head recorded their first album, "Burn My Eyes." The album was a success, reaching the top forty in albums charts in such countries as Germany, Sweden and the United Kingdom and selling over 400,000 copies, a record for Roadrunner at the time. After supporting Slayer in Europe, the band found that they had become popular enough to head back to the continent and headline the same venues for themselves.

Following the tours, the group once again replaced the man behind the drum kit, this time bringing in German drummer Dave McClain, who had spent some time with American thrashers Sacred Reich. This new formation gave birth to Machine Head’s sophomore album, "The More Things Change," which was released in 1997 and entered the Billboard album charts at number 138. Machine Head then had the honour of participating in the first Ozzfest tour, during which they fired Mader after a backstage incident, replacing him with Ahrue Luster. They followed "The More Things Change" with perhaps their most controversial album to date, "The Burning Red." The record polarised critics and fans alike, who were unsure at best about certain musical aspects, including rapping vocals and an image change which saw some ridiculous outfits and hair cuts. Despite these factors, the album is currently the band’s second highest seller in the United States and the album’s inclusion of "Message In A Bottle" (originally by The Police) is considered by many to be one of the best versions of the song.

The criticism continued when the band released, "Supercharger" on October 2nd 2001. Musically, it was a continuation of "The Burning Red" and resulted in a feud between the band and Slayer guitarist Kerry King, who claimed after the album’s release that Machine Head had sold out. Although it sold quite well, the "Supercharger" years weren’t too kind to the band either, as the promotional video for the song, "Crashing Around You" was banned by radio stations owing to the recent 9/11 attacks, it was for this same reason that the music video for the song was also banned from being aired on MTV. The group took exception to this and left Roadrunner Records, touring in support of the album by their own means and without the support from a record label. The tour produced the live album, "Hellalive," which was released through Roadrunner to fulfil a contractual obligation. They then suffered another blow when Luster left the group, joining Ill Nino soon after. Machine Head were unable to attract any interest from other record labels in the United States, but were still signed to Roadrunner in Europe, through which they released their fifth album, "Through The Ashes Of Empires," now with new guitarist (and Vio-lence founder and long time friend of Flynn) Phil Demmel in tow. More...

Read more...  |  18 Comments - Discuss

Sunday Old School: Poison

In 1985, Bret Michaels (vocals), Rikki Rockett (drums), Bobby Dall (bass), and Matt Smith (guitar) set out for the Los Angeles Sunset Strip, determined to make it as the next big hair band. Initially, the band struggled to survive; Matt Smith specifically couldn't handle the poverty and left for back East. During this time Bret Michaels states that his only possession was a toothbrush. Behind The Music: One Toothbrush and Six Bandanas -- The Bret Michaels Story.

With Smith's departure, the band started looking for a new guitarist. In the end their search came down to C.C. DeVille and Slash. Slash was clearly the better guitar player, but C.C. had that over the top glam look the band coveted. This decision would end up being one of the most significant events in eighties heavy metal music. Not only was C.C. the right pick for Poison, but not taking Slash off the market proved to be more important, keeping the door open for him to join Guns N' Roses just months later.

The release of their first album, "Look What The Cat Dragged In," would introduce the world to this glam foursome. The cover would also lead to several debates. First, were these in fact men? After establishing that yes, in fact, these are men, the discussion would turn to which was the prettiest of the group? Most of the time it was Rikki Rockett edging out Bret Michaels in the beauty contest. I believe the amount of eye shadow Rikki used had a direct impact on this outcome. Often lost in judging this book by its cover was how hard the band worked to promote their shows and the dedication to their fans. They were the second wave of “hair bands” and there were hundreds trying to be part of this group. The foursome was relentless in getting friends, fans, and others to attend their shows and promote Poison. More...

Read more...  |  18 Comments - Discuss

Sunday Old School: The Mentors

One of the crazier bands to grace the LA metal scene in the mid-eighties was the legendary trio the Mentors. While gaining their fame in that city, what many may not realize is that the band got it's start in 1976 right out of Roosevelt High School in Seattle. Eldon Hoke, Eric Carlson and Steve Broy relocated to LA in 1979 and quickly became a fixture in the club scene at the height of the punk rock era, and a voice to counter the beginnings of the glam/hair metal movement. Figuring they had a better chance for fame in LA, they moved the band and the roadies into a one bedroom Hollywood apartment. Changing their stage names to El Duce, Sickie Wifebeater and Dr. Heathen Scum respectively, they were ready to launch an all-out assault on traditional metal as we know it. Combining thrash, garage and punk, they developed a huge core audience with their irreverent, misogynistic lyrics delivered in that nice sloppy style that never pretended to be good serious metal. When hair metal bands in spandex were singing about what the cat dragged in, here came three slovenly dudes with beer bellies and t-shirts singing about their secretary hump. More...

Read more...  |  12 Comments - Discuss

Sunday Old School: AC/DC, The Brian Johnson Years

Last year when I wrote a Sunday Old School column to commemorate the 30th anniversary of frontman Bon Scott's passing, I asked readers to close their eyes and think of AC/DC. As I wrote back then, “If you're like most people, the first thing that enters your mind is the image of Angus Young in his schoolboy suit doing his Chuck Berry on speed duckwalk across the stage. The second thing for most is the image of singer Brian Johnson, cap pulled down nearly to his eyes, letting loose with a powerdrill wail.”

To be sure, part of the reason for that is the longevity of Johnson's tenure with the band. Scott's career with AC/DC lasted a mere six years, while Johnson's been with the band for 30 years and counting. But chalking it up to that alone discounts Johnson's skill as a vocalist, lyricist and frontman in his own right. The fact of the matter is that had Brian not been as adept as he was in taking over for Bon, the lights could've been permanently put out for AC/DC three decades ago. In fact, in the book “AC/DC: Maximum Rock 'N Roll,” there are several statements pointing to the fact that but for Brian, the band never would've taken off as it did in the United States in the 1980s. After all, the band had failed to catch fire supporting acts like Kiss, Aerosmith and Lynrd Skynrd during Bon's tenure.

Also, Brian brought a level of consistency that perhaps hadn't quite been there before. One could argue that he was less of a dynamic showman than Bon was — though in recent tours he's come out of his shell a lot more. At the same time, Bon was much less consistent in terms of vocal delivery. Even Angus admitted such in an interview, saying that Bon's vocal style was much more a matter of rhythm, where Brian's vocals were much more like a musical instrument in their own right.

Prior to his AC/DC gig, Brian was best known as the lead singer of the English glam rock band Geordie. In the early 1970s, Bon Scott's pre-AC/DC outfit Fang toured England, playing with Geordie. With a singing style reminiscent of Little Richard, Johnson had impressed Scott, who later told the rest of AC/DC of a particular show in which Johnson was shrieking and thrashing about on the ground. Scott believed it was all part of the show. In fact, Johnson was in agony from appendicitis.

"Geordie: She's a Teaser"
More...

Read more...  |  3 Comments - Discuss

Sunday Old School: Godflesh

Back in December 2009, Sunday Old School covered Napalm Death, one of the most influential bands in the history of extreme music. In some respects, we never stopped looking at them, as the column has covered several bands with ties to Napalm Death, namely, Cathedral, Carcass, Extreme Noise Terror and most recently, Terrorizer. Today will see a continuation of this trend, as Sunday Old School looks at Godflesh, one of the most innovative metal bands to ever emerge from Great Britain.

Godflesh was initially birthed as Fall Of Because in 1985 in the city of Birmingham by bass player G.C. Green and guitarist Paul Neville, with Justin Broadrick joining the ranks soon afterwards as a drummer and vocalist, though he would leave soon after to become the new guitarist for Napalm Death, making his recording debut with the band on the A-side of the classic, "Scum" album. Broadrick would leave Napalm Death soon after to become the drummer for Head Of David, one his favourite local bands, but once again remained unsettled and soon contacted Green about reforming Fall Of Because, an invitation Green accepted. Fall Of Because soon became Godflesh and the duo of Broadrick and Green decided to stay as such, incorporating the use of a drum machine instead of hiring someone to sit behind the kit. More...

Read more...  |  9 Comments - Discuss

Sunday Old School: Cinderella

While most rock bands cite blues music as an influence, Cinderella was one of the few bands from the eighties where you could actually hear it, feel it, taste it.

The band was formed with members Tom Keifer (singer, keyboards, guitar), Eric Brittingham (bass), Michael Smerick (guitar) and Tony Destra (drums). Within two years Destra and Smerick left to form Britny Fox. Using eighties 20-20 hindsight: MISTAKE? I’m sure hanging with the girls while making the video for “Girlschool” had to be a great day it still can’t compare to being in what would become Cinderella.

In 1985 Cinderella recorded their first album, “Night Songs,” with guitarist Jeff LaBar and drummer Jim Drnec. After recording the album, Fred Coury replaced Drnec and joined the band for the supporting tour. The first single, “Shake Me,” from the album featured a girl sitting on her bed with a Cinderella poster behind her. Her wicked (READ: slutty) sisters appear and are off to rock and roll (READ: shoot heroin and sleep with rock guys) while she is left all alone. Then the poster comes alive and she is now at a live Cinderella concert. It should be mentioned that Tom Keifer is wearing the Paul Stanley 1984 permanent hair style throughout the song. When I’m running VH1 someday I will definitely do a WHERE ARE THEY NOW documentary on the Cinderella wicked sisters. More...

Read more...  |  14 Comments - Discuss

Sunday Old School: Prong

CBGB's may well be known as one of the most famous clubs in the world, having been home to many bands from The Ramones to Agnostic Front, but it's staff has plenty of connections to music too, not least of which was the club's sound man Tommy Victor and doorman Mike Kirkland, who would soon form their own band, Prong. Prong was completed a few months after Victor and Kirkland (Vocals/guitar and bass respectively) began jamming together when the band recruited former Swans drummer Ted Parsons. Having essentially being born from the best place for hardcore in New York, it's no surprise that the early Prong material was very much rooted in the genre. Following their debut released, the EP "Primitive Origins" and the full length, "Force Fed," the band were able to secure a major label deal when they signed with CBS Records for their next release, "Beg To Differ." The album was a critical smash, earning rave reviews from big name publications like Rolling Stone and the praise continued even after Kirkland left the band was replaced by Flotsam And Jetsam bassist Troy Gregory, when Prong released their third full length album, "Prove You Wrong," which featured an almost bizarre cover of the punk classic "(Get A) Grip (On Yourself)" by The Stranglers.

"Prove You Wrong" also featured the band's first experimentation with electronic sounds such as sampling and programming, a feature which was to be expanded upon on the next album, "Cleansing," which was released in 1994. With a sound more grounded in industrial metal and Pantera producer Terry Date behind the mixing board, the record proved to be hit, containing such fan favourites as "Snap Your Fingers, Snap Your Neck" (which was used by Extreme Championship Wrestling as the theme for the wrestler, Justin Credible) and "Broken Peace." The album also garnered Prong support slots on some major tours, including supporting Sepultura on their "Chaos A.D." tour, and performing with Pantera who were celebrating the release of their number one album, "Far Beyond Driven." More...

Read more...  |  8 Comments - Discuss

Sunday Old School: Terrorizer

There are some bands who continue for decades, never making a splash of any kind in their respective genres, then there are bands who earn instant legendary status. Terrorizer would, and should, be classified in the latter. The band formed in 1986 by guitarist Jesse Pintado, along with Nausea vocalist Oscar Garcia and rhythm section Pete Sandoval and Dave Vincent. At the time of formation, Garcia was still busy with Nausea and Sandoval and Vincent were also busy with another death metal band named, Morbid Angel, which may have proved time consuming and a factor in Terrorizer taking time to release a full length record. Nevertheless, in 1989, the band finally did release their debut album, "World Downfall," which was almost immediately hailed as a classic in the field of grindcore, earning it comparisons to the classic Slayer album, "Reign In Blood." The record was notable for it's album cover, which like the debut full length from fellow grindcore legends, Napalm Death, featured something of a socially active collage, including pictures of corpses, nuclear power stations and Islamic extemists, topped off by the eye catching centre piece of Jesus Christ. Although it was a Terrorizer album, almost one third of the material was actually written by Nausea, not that that stopped Terrorizer from being championed as one of the best original bands in American grindcore.

Despite the unanimous praise, the band decided to fold later that year in order for Sandoval and Vincent to focus more on Morbid Angel and allowing Pintado to head overseas and join Napalm Death, as well as becoming a member of extreme metal group Brujeria in 2000. After leaving Napalm Death in 2004, Pintado decided to bring back Terrorizer from it's fifteen year hiatus, with Pete Sandoval returning as the only other original member and brought with him Morbid Angel guitarist Tony Norman. The reactivated version of the group rounded out their lineup by recruiting Resistant Culture frontman, Anthony Rezhawk. Together the band began work on their second album, "Darker Days Ahead," which was finally released on August 22nd in 2006. The hype behind the album was sadly soon to be overshadowed however, as Pintado tragically passed away five days after the record's release in a Dutch hospital as a result of liver failure. Following the death of Pintado and the mixed reception "Darker Days Ahead" received, the group once again decided to call it a day.

The split proved to be a short lived one when in 2009, Terrorizer seemed to have once again risen from the ashes by posting a new demo online entitled, "Hordes Of Zombies." The comeback wasn't confirmed until two years later however, when the French record label, Season Of Mist announced that they had signed Terrorizer and that they would be releasing a brand new studio album in 2012, with Pintado's place taken by Resistant Culture guitar player, Katina Culture. Regardless of how the new album will sound, Terrorizer have been able to forge a legacy of outstanding grindcore despite a limited catalogue. "World Downfall" will always be remembered as one of the true classics in extreme music, and thanks to modern mediums like the internet and video game soundtracks (specifically Grand Theft Auto IV: The Lost And Damned, which featured the song, "Fear Of Napalm,") the band will be etched in to the minds of extreme metal fans worldwide for years to come. More...

Read more...  |  4 Comments - Discuss

Sunday Old School: David Lee Roth

Six chart topping albums as one of the biggest bands in the world (Van Halen), a messy break-up, and a rumored reunion? NO, that is a different story. Today, a look at the paramedic, talk-radio host, and one of the biggest personalities from eighties rock and roll. This is the story of David Lee Roth, the solo artist years.

The founder of the “It’s not whether you win or lose, it’s how you good you look” club, solo Dave begins before his years with Van Halen officially ended, when he released Crazy from The Heat. Most notably the EP contained two covers, “California Girls” and “Just a Gigolo/I Ain’t Got Nobody”, both would generate moderate success due to Roth’s humorous videos that included Dave in a fat suit, extremely beautiful women, and either monkeys or little people, or in some cases both.

After the famous split Dave teamed up with guitarist Steve Vai, bassist Billy Sheehan, Jesse Harms on keyboards, and drummer Gregg Bissonette for what would be his first initial solo record, Eat’em and Smile. No one needed a hit more than Diamond Dave, and he didn’t disappoint. The lead single, “Yankee Rose” was a rocker accompanied by a video with the famous line: “I’ll take a glazed doughnut and a bottle of anything, to go.” The videos for “Yankee Rose” and “Goin’ Crazy” may be the definitive height of the spandex era thanks to Roth’s numerous costume changes, most incorporating spandex with thongs worn on the outside. Eat’em and Smile was a well balanced album with rockers like “Shy Boy” as well as the “slow it down and show Dave’s seductive side” with “Ladies Nite in Buffalo?”. There’s even a cover of “That’s Life”, displaying Roth’s show biz nature, a side only he has been able to portray without coming off too corny, or cheesy, or both. More...

Read more...  |  8 Comments - Discuss

Sunday Old School: Testament

Today sees Sunday Old School reach it's 100th article. You might say reaching this milestone is a true testament to how high heavy metal fans regard the old school. Or you might say that the previous sentence was just a bad pun to lead into this week's band. Either way, this week Sunday Old School will be looking at Testament, one of the most popular bands to emerge from the Bay Area thrash metal scene.

Testament was originally founded under the name Legacy in 1983 by guitarist Eric Peterson, along with his cousin Derrick Ramirez. The band took a significant step when Ramirez was replaced by guitarist Alex Skolnick and singer Steve "Zetro" Souza. The band were late comers of sorts to the Bay Area thrash scene, with such other bands as Metallica, Slayer and Exodus pre-dating them, which perhaps might have been a key factor in Souza deciding to leave the band to join Exodus after they fired singer Paul Baloff. Despite his resignation, Souza suggested that the band attempt to recruit Chuck Billy to replace him behind the microphone, a move which proved highly successful.

After finding out that the name The Legacy was already trademarked by a jazz band, the group changed their name to Testament on Stormtroopers Of Death frontman Billy Milano's suggestion. They remained close to their Legacy moniker though, and after signing with Megaforce Records, used the title "The Legacy" as the name of their debut album. The record was a success, earning the band favourable comparisons to Metallica and containing several songs that remain in the band's setlist to this day, including "Over The Wall" and "First Strike Is Deadly." Testament supported the album by supporting Anthrax on their "Among The Living" tour, which helped to make a household name out of Anthrax and thus garnered Testament much attention. Thrash fans remained enamoured with the band when they released their second album, "The New Order," which followed in the same vein as "The Legacy" both lyrically and musically. This second album also contained future fan favourites such like "Trial By Fire" and "Into The Pit," the latter becoming something of an anthem. More...

Read more...  |  16 Comments - Discuss

Sunday Old School: Paul Di'anno After Iron Maiden

In 1982, British heavy metal band Iron Maiden made what would be one of the biggest decisions of their career when they fired their singer Paul Di'anno and recruited Samson vocalist, Bruce Dickinson. As everyone knows, Iron Maiden then released their third album, "The Number Of The Beast" and subsequently became one of the biggest groups in the history of heavy metal. But what happened to Di'anno after he was sacked? Quite a lot actually...

Following his departure, Di'anno formed a self-titled band, releasing only one album, also called, "Di'anno," before breaking up in 1985. While touring in support of the record, the band angered fans by refusing to perform any Iron Maiden songs, instead focusing on their own material with a few covers thrown in. Before disbanding, the group was also able to release a live video, "Live at the Palace," which is now available on DVD as "Live In London." After his self-titled endeavour, Paul then found himself part of a new heavy metal supergroup called Gogmagog, which was intended to be a rock opera project. The band saw Di'anno reunited with his former Maiden bandmate Clive Burr and also featured original Def Leppard guitarist Pete Willis, former Whitesnake bassist Neil Murray and White Spirit/future Iron Maiden guitarist Janick Gers. The band didn't fare well and folded after only releasing a three song EP, "I Will Be There." More...

Read more...  |  8 Comments - Discuss

Displaying records 141 - 160 of 258 1 2 ... 6 7 8 9 10 ... 12 13 Last