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Archive: Sunday Old School Columns

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Sunday Old School: Anathema

Over the past few months, Sunday Old School has examined British outfit, My Dying Bride and Swedish metal favourites, Katatonia, who, along with Paradise Lost, are known as three of the four bands who helped to pioneer the death/doom genre. This week, we’ll be completing the set by taking a look at Anathema, another band instrumental in launching the sub-genre, but who soon found themselves on an entirely different musical path. Anathema were formed in the English city of Liverpool in 1990, initially under the name of Pagan Angel. They recorded their first demo, "An Iliad of Woes," in November of that year which soon spread around the English music scene and caught the interest of several labels, with the band eventually settling on Peaceville Records following the release of their second demo, "All Faith is Lost." Their first release through Peaceville was an EP named, "The Crestfallen," which earned them enough credibility that they were able to tour with American death metal favourites, Cannibal Corpse. They followed, "The Crestfallen" with their first full length album, "Serenades," which also earned the band significant exposure and featured a music video for the song, "Sweet Tears," which soon gained airplay on MTV. As well as television exposure, the band were soon able to tour throughout Europe and were even scheduled to perform at a festival in Brazil.

Despite the rapidly growing fan base and success, vocalist Darren White decided to leave the band in 1995. Rather than searching for a new singer, guitarist Vincent Cavanagh took over the spot behind the microphone, and later that year, Anathema released their second studio album, "The Silent Enigma," which marked Cavanagh’s debut recording with the band, after he had made his live debut as the group’s frontman when they had toured with countrymen, Cathedral. They followed, "The Silent Enigma" a year later with their third full length, "Eternity," which received near universal acclaim. The album was notable for moving away from the doom metal sound and more towards alternative rock, with some psychedelic and gothic influences also present. More...

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Sunday Old School: Kix

Kix were popular in the glam scene, yet under the radar band that had minor success in the eighties. In fact, they were around before the second round of glam acts (SEE: Poison, Warrant, etc…) and many feel had their stage show stolen by these bands. Regardless, their sleazy style of music (which was never really glam) and their great live shows this was always a “band’s band” and didn’t reach the commercial success of others (SEE: Poison, Warrant, etc…). More...

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Sunday Old School: Benediction

We’ve seen before how Britain played a major part in the development of grindcore by producing such bands as Extreme Noise Terror and Bolt Thrower amongst others, but what about death metal? While the United States arguably produced the most well known death metal bands, the U.K. had some high quality contributions of their own. Everyone knows Scouse noise merchants, Carcass of course, but there’s another band that certainly deserves a mention when talking about the best in British extreme metal, namely, Benediction. Benediction was formed in the city of Birmingham, arguably the birthplace of heavy metal music, in 1989 by bassist, Paul Adams, along with vocalist Mark "Barney" Greenway and guitarists Darren Brookes and Peter Rew. They recorded their first demo, "The Dreams You Dread" the same year and quickly garnered interest from German label, Nuclear Blast Records, signing a deal with them soon after. Only a year after they formed, Benediction released their debut full length album, "Subconscious Terror" in 1990, which gained favourable reviews in the metal media and impressed many of their contemporaries, so much so that Napalm Death invited Greenway to join them as their new vocalist, replacing the recently departed, Lee Dorrian, who had left to form the doom metal band, Cathedral.

Now in need of a new frontman, the group turned to fellow Brummie, Dave Ingram to take over behind the microphone. Following live shows with Bolt Thrower and Nocturnus (an American death metal band notable for fusing keyboards with their death metal sound,) the band recorded and released their sophomore album, "The Grand Leveller," in 1991. The record received an even better reception than their debut and helped spread their name in the international death metal scene. Despite the acclaim, Adams decided to leave the band after a tour with Dismember, leaving Brookes to perform bass duties as well as guitars on their next record, an EP entitled, "Dark is the Season." Eventually, they were able to find a new bass player in Cerebral Fix member, Frank Healy, who joined just in time to perform with their band during their first visit to Israel, before making his Benediction recording debut on the group’s third album, "Transcend the Rubicon." More...

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Sunday Old School: King's X

Kings-XMost bands come together with the idea of making music, but a select few combine in such a way that they make magic. That is the case with America's ultimate power trio defined King's X, although at the time these three musicians were not aware of the impact that their collaboration would have on the metal and rock community.

The time was 1979 and the place was Evangel College in Missouri. Jerry Gaskill, enrolled in the institute for a degree in Biblical studies, met Doug (dUg) Pinnick there. Jerry was from New Jersey and Doug came down from Chicago to work with a project that Greg Volz from Petra had assembled. DUg was from a religious, Baptist background himself and had been involved in several bands in Illinois along with promoting the Christian music scene in Florida. (It was during this time in Florida that one of dUg's friends got into a car wreck, collected a settlement and bought dUg his first 'official' bass guitar). When the Petra project folded, band member Phil Keaggy invited the both of them to join his new band. More...

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Sunday Old School: Soundgarden

Since Sunday Old School almost always finishes it's month of sundays with a column about a group from the glam metal scene, it always seems so natural to kick the next month off with one of the so-called "grunge" acts, given it was the next stage in popular rock music. And who better to start November off than Soundgarden, whose reunion has been of the most anticipated in recent times? Soundgarden was formed from the ashes of a band named The Shemps, which featured singing drummer, Chris Cornell and bass player Hiro Yamamoto. The two kept in contact after The Shemps’ demise and were soon joined by guitarist Kim Thayil, who moved to Washington with Yamamoto and future Sub Pop founder, Bruce Pavitt, from Park Forest, Illinois. The trio adopted the name, Soundgarden from a sculpture next to Magnuson Park, Seattle and soon became a four piece, when they hired drummer Scott Sundquist in order for Cornell to focus on his vocals. This lineup would continue for around a year and make the first Soundgarden recordings, which surfaced on a compilation album named, "Deep Six," before Sundquist left to be replaced by Skin Yard drummer, Matt Cameron. The band’s live performances made them one of the stand out groups in an area which had many quality bands, and it was thanks to their blistering presence that KCMU DJ Jonathan Poneman offered to contribute twenty thousand dollars to Sub Pop Records, in order to fund a Soundgarden release, which came in 1987 in the form of the single, "Hunted Down," which also featured a highly regarded b-side in, "Nothing To Say."

The band released two further EPs, "Screaming Life" and "Fopp" through Sub Pop before deciding to sign with SST Records for their first full length effort, snubbing the interest of major labels in the process. They then released their first LP, "Ultramega OK" on Halloween, 1988, and soon found themselves regularly on MTV, thanks to the music video for "Flower," as well as eventually being nominated for a Grammy award for Best Metal Performance 1990, in addition to touring overseas for the first time. Following the "Ultramega OK" tours, the band got to work on their second album, during which they claim ideas weren’t flowing freely from all members, leaving Cornell to write the bulk of it. The second album surfaced in September 1989 as, "Louder Than Love" and would prove to be their last record with Yamamoto, who left to go back to college after he felt he was unable to contribute to the band anymore. He was replaced by former Nirvana guitarist, Jason Everman, and the band hit the road again, this time in support of Canadian progressive metal act, Voivod, with Faith No More opening the shows. There was initially some problems with the distribution for "Louder Than Love," with some retailers taking umbrage with the lyrics to the songs, "Big Dumb Sex" and "Hands All Over," but nonetheless, it became the band’s first record to hit the Billboard 200, peaking at number 108. More...

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Sunday Old School: Warrant

Few bands will ever sniff the success Warrant had in 1989-1990: two multi-platinum albums, a Rolling Stone chart number one single, and a headlining tour. The band created a song named “Cherry Pie” and sold millions of more records because of it! (True story.) Then they were off the radio, then conflict, and then finally abuse and the death of their lead songwriter. The band continues to carry on, but it will never be the same as the summer of ‘89. More...

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Sunday Old School: Vision Of Disorder

There’s probably no hardcore scene more famous than the one in New York. It’s produced legendary bands that have been going steadily for decades, such as Sick Of It All, as well as bands which have gone away, only to come back stronger than ever such as Agnostic Front. Another band that fits in the latter category is Long Island suburbanites, Vision Of Disorder. Vision Of Disorder was formed in 1992 by guitarist Mike Kennedy and Matt Baumbach, along with vocalist Tim Williams, drummer Brendon Cohen and bassist Mike Fleischmann, who left the band shortly after they formed, only to return a short time later. Following the release of numerous demos, the band got to work on an EP entitled, "Still," that proved to be something of a breakthrough release for the band, garnering a strong underground fan base. It was also while recording, "Still" that they partook in the documentary, "N.Y.H.C." alongside such bands as Madball, Crown Of Thornz and No Redeeming Social Value. The buzz around the group and their, "Still" record led them to sign a deal with Supersoul Records, a subsidiary of Roadrunner Records and they released their self-titled debut album in October 1996. The album was an underground hit, with many fans still considering it to be their best work to date and praising it for the innovative approach to traditional hardcore music.

The band then moved to Roadrunner Records itself, through which they released their sophomore effort, "Imprint" in July 1998. The album marked an important moment in the history of the group, receiving favourable reviews and becoming their best selling album to date, but alienated many of their old fans who were less than impressed with their new sound. Vision of Disorder were forced to record the album in only two weeks by Roadrunner, a move which did not sit well with the band and led to them leaving the company. Instead of working on new material, the quintet decided to re-record nine songs for their next CD, "For the Bleeders," which was released in 1999 through Go Kart Records. More...

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Sunday Old School: Tad

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Tad - such a little name for such a large and imposing guy. But Tad always kept it short, even in his song and album titles. Back in the early eighties, the former 300 lb. butcher/lumberjack was a big fish in the small town of Nampa, Idaho. Even Boise was overwhelmed by him, so he took his love of underground music even further westward and settled in Seattle. By 1987, Thomas 'Tad' Doyle helped pioneer the pacific northwest grunge genre. Creating his eponymous band Tad, Doyle's interpretation of grunge had more in common with the metal side of things like the Melvins, whereas his cohorts in the scene like Cat Butt or Mudhoney took the more garage/punk approach.

Tad Doyle had assembled his veritable grunge band from guys he knew in the scene. His band H-Hour had played with bassist Kurt Danielson's group Bundle Of Hiss, and he knew drummer Steve Weid from Skinyard and guitarist Gary Thorstensen from Treeclimbers. The 1987 debut Sub Pop single "Daisy/Ritual Device" by Tad was one of the earliest singles on that label. Produced by Jack Endino, it helped usher in an era of those classic singles on that label. Back in the day, it was an event to see which single Sub Pop would release every month. That release was followed by Tad's debut album (eventually called "God's Balls") in 1989, also produced by Endino. The great cover shot of the band shows Tad sporting a wristwatch, and if you look closely at that Texas Instruments styled timepiece you can distinctly see that it says "Tad." More...

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Sunday Old School: My Dying Bride

To paraphrase an old joke, there was once a band with a sound so loud you could hear them over three fields; Sheffield, Huddersfield and Wakefield. They were formed in another area of Yorkshire named Bradford in 1990 and would become one of the most influential groups in death/doom metal, and they are called, My Dying Bride. The genesis of the band began when guitarist Andrew Craighan and drummer Rick Miah left their previous band, Abiosis and joined forces with singer Aaron Stainthorpe and another guitar player named Calvin Robertshaw. After six months of writing material, they recorded their first demo, "Towards the Sinister," which led them to release their first official single, "God Is Alone" through a French label named, Listenable. The single was limited to one thousand copies, which sold out extremely quickly, and the buzz around the band saw them begin a love affair with Peaceville Records, a company which had previously specialised in anarcho punk bands but had now decided to expand their horizons by signing metal acts such as Paradise Lost, Darkthrone, Anathema and of course, My Dying Bride, who have been loyal to the label ever since signing.

After recruiting a new member in bassist, Adrian Jackson, the band released their first EP, "Symphonaire Infernus et Spera Empyrium" in March of 1992, and two months later released their debut full length, "As the Flower Withers." The album saw the band team with artist Dave McKean, known for his work on the legendary Batman graphic novel, "Arkham Asylum: A Serious House on Serious Ground," and most recently for his work on the Richard Dawkins book, "The Magic of Reality," but more importantly, it saw the band begin to break through into the modern metal consciousness, allowing them to perform in mainland Europe, as well as embarking on a big tour in their native, Great Britain. The band then decided to broaden their sound by hiring Martin Powell as their keyboardist and violinist. Powell made his recording debut with the band on their next EP, "The Thrash of Naked Limbs," which was released in February 1993. While filming a video for the title track, Miah had a nasty fall which forced the group to cancel their tour in support of the record. Instead, the band got to work on their second album, "Turn Loose the Swans," which was met with a very strong response, with Rolling Stone describing it as, "Bram Stoker’s ‘Dracula’ for the ears." They continued to tour Britain and Europe and released another EP named, "I Am the Bloody Earth" in January the next year. More...

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Sunday Old School: Great White

Great White started as a standard lipstick and big hair glam band before evolving into one of the best blues hard rock bands of the eighties. Great White had amazing highs in the eighties, but nothing matches their tragic low in 2003. Today (as is the current trend with eighties bands) the lineup is a mess; with two bands touring as Great White. A made for Hollywood story from a band formed in Los Angeles. More...

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Sunday Old School: Sick Of It All

This week's edition of Sunday Old School is a slightly strange one, in that we've already covered our focused band before, in one of the very first Sunday Old School columns. However, given that it only looked at one song, it seemed unfair to give so little attention to one of the greatest hardcore bands in the history of the legendary New York hardcore scene. So this week, we'll be taking a closer look at Queens' own, Sick of it All. Sick of it All were formed around 1985 by brothers Lou and Pete Koller, who sang and played guitar in the band respectively, along with bass player Mark McNielly and drummer David Lamb. They began performing regularly in the local music scene, where they rapidly improved their sound and demonstrated their ability to write memorable hardcore tunes. After Lamb and McNielly left the band, the Koller brothers recruited bass player Rich Cipriano and former Rest In Pieces drummer Armand Majidi to record their first demo in 1987, with a self-titled seven inch record following later the same year. In 1988, the band signed to In-Effect Records and released their first full length album, "Blood, Sweat and No Tears" in the summer of 1989.

The album was a hit in the hardcore scene, and received favourable reviews from music critics, and led them to tours with other highly respected hardcore bands such as Gorilla Biscuits and Agnostic Front. They followed, "Blood, Sweat and No Tears" with an EP named, "We Stand Alone" in 1991, which featured two new original recordings, as well as a cover of the Minor Threat song, "Betray" and nine live tracks, before releasing their second full length album, "Just Look Around" in 1992. "Just Look Around" was another success for the band and this time allowed them to tour internationally, taking them to South America, Europe and Japan. More...

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Sunday Old School: Dream Theater

With ProgPower USA wrapping up yesterday, along with our pledge to cover more progressive acts in Sunday Old School this year, it seemed like a fitting time to look at one of the biggest names in modern progressive metal, Dream Theater. Dream Theater was originally formed under the name, Majesty in 1985 by guitarist John Petrucci, bass player John Myung and drummer Mike Portnoy, who met each other while students at the Berklee College of Music in Boston. They filled the remaining slots in the band when Petruccis old friend, Kevin Moore joined on keyboards and vocalist Chris Collins was recruited after the band heard him singing Queensryche. The hectic schedules of the musicians resulted in them all leaving education to focus on the group and they soon recorded some songs as demos, which sold out in a matter of months. In November 1986, Majesty decided to fire Collins and after a year of searching, they appointed Charlie Dominici as their new singer, despite him being considerably older than the other members. They were to experience another change after Dominicis recruitment, when a band from Las Vegas, also named Majesty, threatened legal action if they did not change their name, leading them to choose the new moniker, Dream Theater, which was named after a theater that Portnoys father used to run.

With their new, more visually stimulating name and a stronger work ethic, the band eventually caught the attention of Mechanic Records, a division of MCA Records, and released their first album, "When Dream and Day Unite" through the label in 1989. The album was met with lacklustre reviews and the label broke many promises they had made, leaving Dream Theater to continue performing mostly around New York. The group soon made two key decisions, with the first being to fire Dominici due to what they perceived as his limited vocal range, and performed with him for the last time opening for English prog legends, Marillion. Their second item of business was to be released from Mechanic, which they eventually achieved. More...

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Sunday Old School: Cirith Ungol

The band that I bring you this week is so old school that it formed during the times of older rock acts that influenced the independent metal acts of the eighties. In terms of being unique, Ventura, California metal band Cirith Ungol has no parallel. Having met in 1969 in High School, drummer Robert Garven, bassist Greg Lindstrom and guitarist Jerry Fogle started jamming under the name Titanic. Another school friend, Pat Galligan, joined them until eventually going on to play for the Angry Samoans years down the road.

Robert Garven had liberal minded parents that allowed the band to practice at their house. The year was now 1972 and the band had changed its name to Cirith Ungol, which is a reference to Lord of the Rings. Cirith Ungol means "pass of the spider Shelob" in Elvish as per the trinity, the members of the band being huge fans of Tolkien's novels in English class. Frodo and Samwise fight the spider in Tolkien's "Two Towers." In practice, the band would cover Cream, Mountain, Sam Gopal's Dream, Ursa Major, Freedom and also their renditions of Budgie tunes long before Metallica even existed. More...

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Sunday Old School: Alice In Chains

Usually at the end of every month, Sunday Old School examines a band from the glam metal genre, so we’re kicking off a new month of Sundays this week by taking a look at one of the bands that helped to kill off the era of men in lipstick, Alice In Chains. The band was formed in 1987 by guitarist Jerry Cantrell, drummer Sean Kinney and bass player Mike Starr, and soon recruited a singer named Layne Staley, who joined in return for Cantrell participating in his funk project. The funk band broke up soon afterwards and the quartet performed under a number of different monikers, before eventually settling on Alice In Chains, which stemmed from Staley’s former band, Alice N’ Chainz. The group caught the attention of local promoter, Randy Hauser, who offered to pay for their demo recording, which was delayed when the studio they were set to record in was shut down a day before the recording was meant to take place, due to the biggest cannabis raid in the history of the state of Washington. The band eventually recorded a demo named, "The Treehouse Tapes," which was passed around the local scene until it reached Don Ienner, the president of Columbia Records, who decided to sign the band and make them a top priority.

In July 1990, Alice in Chains released their first EP, "We Die Young," and its title track became an instant hit on metal radio. Based on this positive response, the label rushed the band to release its full length debut, which surfaced only a month later in the form of, "Facelift." The album sold modestly at first, until the music video for, "Man in the Box" found its way into regular airplay on MTV and became a top twenty single. Six weeks later, "Facelift" had sold over 400,000 copies and was certified Gold before the year was out, peaking on the Billboard Charts number 42. The album was also highly praised by critics and their peers alike, and soon the group were invited to open the Clash of the Titans tour in North America, which apart from themselves, featured a thrash metal lineup of Slayer, Megadeth and Anthrax. The band found themselves subject to some hostile audiences but Anthrax bassist Frank Bello recalls them earning the respect of others by standing up for themselves. "If there was a guy starting shit, Layne would jump into the audience and beat the FUCK outta that guy!" he recalls in the documentary, Get Thrashed. More...

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Sunday Old School: BulletBoys

Love the BulletBoys. Hate the BulletBoys. Never heard of the BulletBoys. There are only three options here. MAYBE, a fourth option: being a fan of Marq Torien’s hair. Nah, if you were a fan of Torien’s hair then admit it: You loved the BulletBoys! More...

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Sunday Old School: Katatonia

Catatonia are one the biggest successes in the history of Welsh pop rock, having forever entered the annals of British music with such classics as "Road Rage" and "Mulder and Scully." No, sorry, I got mixed up. This week, Sunday Old School will not be looking at a female fronted pop rock group, but rather a band with a similar name who created some of the darkest and most atmospheric music of their time, and continue to push boundaries, Katatonia. Katatonia were formed in the Swedish capital city of Stockholm in 1991 by guitarist Anders Nyström and singing drummer Jonas Renkse, and soon recruited keyboardist and singer, Dan Swanö, which would be released in 1992 as an EP entitled, "Jhva Elohim Meth... The Revival." They followed this with the release of their first full length album, "Dance of December Souls" the next year, which featured a new member in bassist Guillaume Le Huche, but saw Swanö appear only as a guest musician. These early releases proved to be landmark entries into the emerging hybrid of death and doom metal, a crossover also launched by such British bands as Anathema and My Dying Bride, and they followed this direction for their next release, a four track EP named, "For Funerals to Come" in 1994, which would prove to be the last recording with Le Huche, who left the band soon afterwards. His departure was quite a blow for the band, and they took over a year to find a new lineup they were satisfied with.

Katatonia eventually returned in 1995, after Renkse decided that Fredrik Norrman, a bandmate in his new group, October Tide, would fit in well. Soon after bringing the band back, Renkse discovered that he could no longer perform harsh vocals and focused on clean singing instead. So that the style wasn’t missing from their new material however, the band invited Opeth frontman, Mikael Åkerfeldt to perform death growls on their new album, "Brave Murder Day," which was released in November of 1996 through Avantgarde Music. The album was notable for going to pressing unmastered, something which wasn’t rectified until it was re-released in 2004 through Peaceville Records, along with their next EP, "Sounds of Decay," which also featured Mikael Åkerfeldt, who claims that two versions of the EP were recorded and that he preferred the unreleased edition. More EPs were released during this time, including, "Scarlet Heavens," (a split with Irish black metal band, Primordial,) which the group did not want released owing to it’s noticeably different sound from their previous work and "Saw You Drown" in 1997, which marked the start of Katatonia’s complete shedding of harsh vocals. More...

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Sunday Old School: The Accüsed

Whidbey Island, Washington isn't that remote, but is only accessible via the Port Townsend ferry on the Olympic Peninsula, the Mukilteo ferry north of Seattle and the Deception Pass bridge up by Anacortes. It is in this splendid isolation that one of America's most revered seminal crossover bands, The Accused, found its inspiration. The time was 1981 and the place was the town of Oak Harbor.

Before the beginnings of grunge proliferated to the extent of being a pox on the Seattle area (except for the really good bands), The Accused had already started honing its pioneering hardcore metal sound. There were other bands doing the same thing such as DRI, COC, Cryptic Slaughter and Broken Bones (to name a few), but The Accused came from an area far removed from these other bands and thus had a distinct sound very unlike anyone else. More...

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Sunday Old School: Living Colour

The great thing about alternative metal is there's such a wide variety of bands in the one genre, some of whom retained a constant signature sound, while others such as Faith No More experimented continuously to create a brand of rock music which painted with every colour from the palette. Faith No More weren't the only band to do this, a band from New York named Living Colour combined everything from funk to electronic in their attempt to produce hard rocking, but interesting music. Living Colour was formed in 1984 by Vernon Reid, an English born guitarist that grew up in New York who was also one of the founders of the Black Rock Coalition, an organisation which sought to encourage black musicians with an interest in rock music. He performed with a large number of musicians under the Living Colour moniker before eventually finding a stable lineup in 1986 which featured bassist Muzz Skillings, drummer Will Calhoun and vocalist Corey Glover, who up to that point had been an actor and had appeared in the Oliver Stone movie, Platoon amongst other things.

They performed regularly at the legendary club, CBGBs and it was whilst playing there that they caught the attention of iconic Rolling Stones singer Mick Jagger. They soon signed a deal with Epic Records and got to work on their debut album, "Vivid," which was released in May of 1988. The album featured guest appearances from Mick Jagger, who performed harmonica and backing vocals, as well as Chuck D and Flava Flav from Public Enemy, and became one of the most acclaimed records of the year. Though sales were initially rather slow, its momentum was boosted immensely when MTV began playing the video for the albums opening track, "Cult Of Personality," helping the album to reach as high as number 6 on the Billboard Album Charts and eventually achieve Double Platinum status. Their profile increased greater still when they performed on the legendary TV show, Saturday Night Live, before joining Guns N Roses to open for the Rolling Stones. More...

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Sunday Old School: Faster Pussycat

Faster Pussycat was part of a large second wave of the glam eighties. They followed the template of successful debut and even more successful follow-up album, popular ballad (with video), deep decline in interest (as the grunge arrived), and then reunite only to break-up and attempt to have two versions of the same band. No, it may not be the road most chosen, but it was the road taken by the band Faster Pussycat. More...

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Sunday Old School: Slayer

Today marks the 150th official column in the Sunday Old School series (we’re not counting the April Fools article which looked at Limp Bizkit) and to celebrate, we’ll be taking a look at a band that we’ve been asked to feature for years. If you haven’t worked it out from the title, this week's Sunday Old School will be examining Slayer, one of the most controversial bands in the history of metal music, with a fan base more akin to the characters in One Flew Over the Cuckoos Nest than the average head banger.

Slayer was founded in 1981 by guitarists Kerry King and Jeff Hanneman, who met when they went to audition for the same band. They soon completed the group when they recruited singing bassist Tom Araya, a native of the South American country Chile, and drummer Dave Lombardo, who met King while working as a pizza delivery man. The quartet initially performed at local parties, covering songs by the likes of Judas Priest and Iron Maiden, as well as using a "Satanic" image, influenced by such bands as Mercyful Fate and Venom. In 1983, the band pooled money saved by Araya and borrowed from Kings father to record their debut album, "Show No Mercy," which was released through Metal Blade Records in December of that year. Although some had criticised the record for its production quality (or lack thereof,) it became the biggest selling album on Metal Blade at the time, shifting over 20,000 copies in the United States alone. They followed the album with a three song EP entitled, "Haunting The Chapel," which featured the live staple, "Chemical Warfare" and soon performed in Europe for the first time, including opening for UFO in Belgium and a show at Londons infamous 100 Club, where the band were upset about being spat on by the audience (though this was actually a sign of approval from British punks.) More...

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