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Archive: Sunday Old School Columns

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Sunday Old School: Infectious Grooves

Metal music has long experimented with other genres. We've seen metal make the short trip to mix with punk and hardcore and it's been known to flirt with more distanced genres such as reggae, electronic and rap music. One band who helped pioneer the hybrid of metal, punk and funk music was Venice Beach's own, Suicidal Tendencies, led by one of rock's most charismatic frontmen, Mike Muir. When the group recruited bass player Robert Trujillo, Muir appeared to have found a kindred musical spirit, who not only shared his love of funk, but brought it into the band's sound. This partnership was to expand beyond Suicidal Tendencies and cause a new band to emerge, who go by the suitable name of Infectious Grooves.

Muir and Trujillo began the band in 1989 and were joined in their endeavour by Jane's Addiction drummer Stephen Perkins and former Excel guitarist Adam Siegel. The group brought a very bizarre and silly humour to their music, which had previously been seen Suicidal Tendencies, though not to the same extent and invented a character called Sarsippius, a reptilian lover who appeared in skits on the band's albums. Their quest for a record deal was a relatively short one, signing with major label Epic, who also housed Suicidal Tendencies. More...

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Sunday Old School: Monstrosity

There are areas of the world that can always be relied upon to give you great metal. The Bay Area offers some of the best thrash bands of all time, as does New York, which also contains many of history's greatest hardcore bands. Britain has many legends of the game such as Judas Priest and Iron Maiden, in addition to the classic heavy metal sound of the New Wave of British Heavy Metal, while a short trip east to Norway showcases many of the most beloved named in black metal. When it comes to death metal, perhaps one place more than any other can lay claim to being synonymous with the genre, the southern American state of Florida, which has given us such bands as Obituary, Morbid Angel and today's featured group, Monstrosity.

Monstrosity began life in Fort Lauderdale in 1990, the brainchild of former Malevolent Creation drummer Lee Harrison and Maryland native George "Corpsegrinder" Fischer. The duo were soon joined by another ex Malevolent Creation member, Jon Rubin and Cynic bassist Mark Van Erp. After slogging it out in the state scene, the band were eventually rewarded with a record deal with German label, Nuclear Blast. The label released the group's debut album, "Imperial Doom" in 1992, for which they were assisted in the recording by another Cynic member, Jason Gobel. The record was considered very successful, selling over forty thousand copies and receiving rave reviews from the metal press, as well as allowing them to tour Europe with Dutch technical death metal band, Pestilence. More...

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Sunday Old School: Church Of Misery

There are some countries that bands dream about making it in. For a British band on the hunt for success, to make it in the United States has always been one of the biggest targets, and I'm told the same is true in reverse. There's another country however, where bands from all over the world want to make their name, located in the far east and the centre of many popular trends, art and spirituality, Japan. The country has always loved their heavy metal and as a result, many of metal's biggest names such as Judas Priest, Ozzy Osbourne and Iron Maiden have recorded live albums and DVDs there, especially at the world famous Budokan. But it's not all take, Japan has given the world some excellent metal music in return, from the good time classic heaviness of Loudness, to the avant garde and macabre of Sigh and most recently, Babymetal, perhaps the most talked about group in metal right now. There are some other fantastic bands from the country too, including today's featured band, a must have in the record collection for any doom fan, Church Of Misery.

Church Of Misery were formed in 1995 in Shinjuku, a special ward in the city of Tokyo by bass player Tatsu Mikami, who was formerly a member of one of Japan's leading thrash bands, Salem (not to be confused with the Israeli group.) A fan late sixties/early seventies rock and psychedelic bands like Leaf Hound and Blue Oyster Cult, along with the likes of Black Sabbath and Saint Vitus, he wanted to put together his own outfit that would reflect these influences and soon found three partners in crime in guitarist Tomohiro Nishimura, vocalist Kazuhiro Asaeda and drummer Hideki Shimizu. The quartet would record their first demo, "ADV.1996" the following year and sent it out to labels, fanzines and friends across the world, before a company called Doom Records released the recording as "Vol. 1" without the band's permission, resulting naturally in complaints and the threat of legal action, but also in awareness and popularity for the band in doom metal circles. More...

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Sunday Old School: Cryptic Slaughter

Where would this column be without thrash metal? For that matter, where would metal itself be without thrash? It massively changed the genre by taking the sounds of the New Wave of British Heavy Metal and turning them into something more ferocious, not only influencing many of younger headbangers, but also helping to create other successful genres such as death metal via bands like Possessed and Kreator, as well as black metal through the proto-black metal music of Celtic Frost, Bulldozer and Mercyful Fate. Beyond new areas, thrash metal also created a direct offspring of its own, after its marriage to hardcore punk, creating crossover thrash in the process. A number of beloved thrash bands belong in this category, from D.R.I. to Stormtroopers Of Death to today’s featured band, Cryptic Slaughter.

Cryptic Slaughter band began life in 1984, the brainchild of Les Evans, Scott Peterson and Adam Scott, all of whom were under the age of 18. The trio met through their participation in the American Youth Soccer League and were soon joined by another young soccer player named, Bill Crooks, who was appointed the bassist of the group. Scott didn’t last long however due to conflicts about school, so Crooks took over the vocal position, with a new bass player named Rob Nicholson was brought in, though until after the band had recorded their first demo, "Life in Grave." More...

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Sunday Old School: Aborted

Having recently been treated to a death metal extravaganza in London from Kataklysm, Septicflesh and Aborted (read the review here,) it seemed as good a time as any to revisit the history and story of one of these bands. In the interest of fairness, this week, we’ll be taking a look at the band whose country we’ve only examined twice before when covering Channel Zero and Enthroned, (which was only last week for those who need reminding.) The band whose career has been drenched in blood and fuelled by gore. The death metal band from Belgium known, quite simple, as Aborted.

Aborted was founded in 1995 by vocalist Sven de Caluwé, in the north west municipality of Waregem, West Flanders, reportedly choosing their name so that their albums would be first in the CD racks. This ambition came closer to be fulfilled, after they released two demos in 1998 entitled, "The Splat Pack" and "The Necrotorous Chronicles," which gained the attention of Uxicon Records, who released their debut album, "The Purity of Perversion" in 1999. The record received a good response from fans of extreme music, as well as disgust from onlookers at the cover art, a photograph of a mutilated woman. More...

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Sunday Old School: BMHM Part 4 - Enthroned

And so we come to the end of Black Metal History Month for the fifth time. This year we’ve seen how Dimmu Borgir attained commercial success, how Melechesh overcame religious policing and fled their home country and examined the blood drenched story of Dissection. We close another fascinating month with a trip to Belgium, to take a look at another band with a history of extreme music and personal tragedy, Enthroned.

Enthroned began life in 1993 in the city of Charleroi, the brain child of drummer Cernunnos. He sought out like minded musicians and soon found them in Tsebaoth and vocalist/bassist Sabathan, who joined after the group briefly worked with a singer from the blackened grindcore band Hecate. The trio recorded a five track demo which circulated around the metal underground, eventually leading them to release a split EP with countrymen Ancient Rites through Afterdark Records. The label soon folded but the band was picked up by Evil Omen Records, a sub-label of Osmose Productions, who released the band’s debut album, "Prophecies of Pagan Fire" in 1995. It didn’t impress every listener, but received a generally good response, with "At the Sound of Millennium Black Bells" being singled out as an Enthroned classic. More...

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Sunday Old School: BMHM Part 3 - Dimmu Borgir

We’ve now reached the halfway mark of our month long descent into darkness that is Black Metal History Month. Though some of the subjects we've look at this month like blasphemy, suicide and murder may be extremely shocking to the uninitiated, to the black metal faithful, perhaps one of the worst things a band could do is find mainstream success. It ruined the credibility of Cradle of Filth, but how would a band from black metal’s spiritual home fare in this situation? We’re about to find out as we continue our month of madness with Dimmu Borgir.

Dimmu Borgir was founded by vocalist Shagrath, guitarist Silenoz and drummer Tjodalv, taking their name from an Icelandic volcanic formation, which translates roughly to "dark cities" in English. They soon recorded an EP entitled, "Inn i evighetens mørke del I," which sold very quickly, leading the trio to record their first full length album with new members Stian Aarstad and Brynjard Tristan, "For all Tid," which was released in 1994 through No Colours Records. The roles were reversed a little on the first album, as Silenoz performed drums and Tjodalv handled guitars, before they switched positions. More...

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Sunday Old School: BMHM Part 2 - Melechesh

Black metal is famous for its fierce opposition to organised religion, particularly Christianity. Most of the bands that espouse the anti-Christian view come from Christian or secular countries with a history of Christianity themselves, such as Norway, Sweden or Great Britain. This week, we’re taking a look at something of a strange case, as we examine a black metal band with opposition to religion from one of the Holiest cities on Earth, Jerusalem. A band who combined the surrounding languages of the Torah, the Bible and the Talmud to forge their name. A moniker formed in fire, Melechesh.

Melechesh was originally intended to be a one man band such as Burzum by Murat Cenan, better known as Ashmedi, or Melechesh Ashmedi, and took the name from the words "melech," which means king, and "esh," which means fire, two words rooted in Hebrew and Aramaic. Melechesh was soon expanded into a full band however, comprising of Israelis of Armenian and Asyrrian descent. Before they even released an album, the group themselves were not just talk of the metal underground with their demo, "As Jerusalem Burns..." and single, "The Siege of Lachish," but also in deep trouble with the local authorities, who charged Melechesh with "dark, cult like activities," with one Jerusalem paper even making them front page news, albeit with plenty of inaccuracies thrown in. More...

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Sunday Old School: BMHM Part 1 - Dissection

It’s that special month again! Black Metal History Month is back for its fifth instalment, with some of the heaviest and most controversial bands lined up to celebrate our trademark four weeks of darkness. To get things going, we’re going to kick off the month with perhaps one of the craziest stories we’ve yet to cover in Sunday Old School by taking a look at one of Sweden’s most infamous bands, Dissection.

Dissection can trace its roots back to a thrash metal band, Siren’s Yell, which featured future members Peter Palmdahl, Öhman and Jon Nödtveidt. They only lasted one demo before Nödtveidt and Öhman spent a short time in a band called Rabbit’s Carrot, a group which the duo found very lightweight so they worked on darker and more aggressive music, which the other members rejected. This led Nödtveidt to form Dissection in the autumn of 1989 with Peter Palmdahl, with Öhman joining the pair once again the following spring. They soon recorded a demo, "Severing into Shreds," which they distributed to fanzines with the message that the recording marked the birth of Dissection and that they were "about to make a heavy impact on the scene." More...

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Sunday Old School: Tool

Metal music is full of weird and wonderful bands. Though many outsiders may see the genre as simple or worse, “just noise,” there have been many groups to utilise the sound with musical intellect such as Sigh and Dream Theater to name but two. Today’s featured band is another to create a sound all of their own and gain a rabid following in the metal community, one of the biggest, though maybe shortest names in the alternative metal area, Tool.

Tool began life in 1990, after all their founding members had moved to Los Angeles the previous decade. Whilst two founding members, Adam Jones and Paul D’Amour had originally come to the city to find work in the film industry, the other two, Danny Carey and Maynard James Keenan (the latter an art graduate who had been making a living remodelling pet stores,) had previously tasted what it was like being part of a cult musical act in their time with Green Jelly. Keenan and Jones would meet in 1989 through a mutual friend and decided to put together their own band, jamming together while actively seeking a rhythm section. Carey would be the next member to join, convenient since he lived above Keenan and had previously met Jones through his old friend, Tom Morello. Introductions were to play a key role again, as the lineup was completed when D’Amour, who he met via a friend, joined the ranks. More...

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Sunday Old School: Crimson Glory

Believe it or not, Slipknot, Mushroomhead and Ghost were not the first hard rock and metal bands to wear masks as part of their image. It’s been a staple of metal music for some time, with a few of these hidden faces becoming quite successful. One of these bands would help to pioneer a genre many follow today and brought a greater attention to progressive metal. They went, and indeed still do go, by the name of Crimson Glory.

Crimson Glory began life as Pierced Arrow in 1979, after a group of musicians which consisted of Tony Wise on vocals, Bernardo Hernandez and Ben Jackson on guitars, Glen Barnhardt on Bass later, and Dana Burnell on drums, formed a band in Sarasota, Florida. Not long after, Chris Campbell and John Colemorgan were brought in on bass and drums respectively by 1982, though a year later, they would go through another transformation when Jeff Lords, who had previously replaced Barnhardt, returned to the group, as well as bringing in a new singer who went by the moniker, Midnight. It was after these changes that the group would change their name to the now familiar alias of Crimson Glory. More...

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Sunday Old School: Dying Fetus

One thing that can be found in metal music that doesn’t appear in other genres is gloriously offensive band names. Metal is very good at turning away non listeners with monikers alone, with Septicflesh and Rotting Christ being two names that are always guaranteed to cause some disturbed looks from the uninitiated, with Anal Cunt and Pissing Razors usually gauging a good reaction too. So let’s take a look at another metal’s most repulsive names, Dying Fetus.

The band began life in Upper Marlboro, Maryland in 1991, the brainchild of guitarist John Gallagher, (not to be confused with the Raven frontman,) and bass player Jason Netherton. The two met guitarist and vocalist Nick Speleos a year later and from there, the group really got going, with Gallagher handling the drum duties until a permanent member could be found. The trio recorded a demo, "Bathing in Entrails" in 1993, before they hired drummer Rob Belton, as well as replacing Speleos with Brian Latta, which prompted Gallagher to also take up vocals, which were first heard on the 1994 demo, "Infatuated With Malevolence." The two demos were released together under the title of the latter as a compilation album in 1995 through Wild Rags Records. More...

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Sunday Old School: Evildead

Thrash metal must have given the world more bands in its heyday than any other field. So many of the groups in the genre have released classic albums, or at least good ones from "Reign in Blood" by Slayer to "Angel Rat" from Voivod. Much like the New Wave of British Heavy Metal that inspired it, the thrash scene also gave us plenty of great bands that didn’t receive much attention or have been shuffled away but can now be uncovered and cherished. Today we’ll look at one of these bands, namely the Los Angeles based socio-political thrashers, Evildead.

Evildead was formed in 1988 when guitarist Juan Garcia decided to leave the speed metal band Agent Steel as well as Abattoir, taking bass player Mel Sanchez with him from the latter group, as well as recruiting vocalist, Phil Flores, guitar player, Albert Gonzales and drummer, Rob Alaniz. Garcia was looking for something where he could express his interest in hardcore music and thrash metal, which was present but not at the forefront of Agent Steel material and so decided to forge a new outfit, taking their name from the cult Sam Raimi film, The Evil Dead. More...

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Sunday Old School: Spineshank

In the late nineties and early 2000s, metal was being represented by the nu metal genre, which for those of you too young to remember, consisted mostly of guys with short hair, piercings and tattoos, a lack of guitar solos and perhaps most offensive to “true” metal fans of all, hit singles. While some of the big names in the field such as Limp Bizkit and Coal Chamber were being slated by metalheads, there were a few which were considered hidden gems in the hated genre, one of which was the more industrial influenced, Spineshank.

The seeds of Spineshank were sewn when vocalist Jonny Santos, guitar player Mike Sarkisyan and drummer Tom Decker were all part of a band named Basic Enigma. Shortly after forming, the group heard the album, "Demanufacture" from industrial metal favourites, Fear Factory and decided to take their music further into such a direction, changing their moniker to the now familiar name of Spineshank and bringing in bassist Robert Garcia. As luck would have it, the band befriended the members of Fear Factory, particularly guitarist Dino Cazares, who was impressed with their demo and offered them a slot opening for his band at the Whiskey A-Go-Go. More...

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Sunday Old School: In Flames

Over the course of Sunday Old School, we’ve seen how genres, or indeed sub-genres can be pioneered or popularised by a specific group of bands. We’ve seen how the Peaceville three (Paradise Lost, Anathema and My Dying Bride) and Katatonia, helped launch the combination of doom and death metal, and of course everyone knows the Big Four of thrash (Metallica, Slayer, Anthrax and Megadeth in case you’ve forgot,) but another style we’ve seen spread was melodic death metal, which was brought to people’s attention by Carcass, At The Gates, Dark Tranquillity and one other group, today’s in fact, In Flames.

In Flames began life as a side project of Ceremonial Oath member, Jesper Strömblad, who wanted to add more melodic aspects to death metal. It wasn’t until he’d quit Ceremonial Oath that he was able to put together a lineup for his project though, recruiting guitarist Glenn Ljungström and bass player Johan Larsson, both founding members of the power metal band Hammerfall, another offshoot of Ceremonial Oath. After picking up another guitarist in Carl Näslund and hiring Dark Tranquility vocalist to be their session singer, In Flames recorded their first studio album, "Lunar Strain," which was released through Wrong Again Records at first and was notable for its inclusion of folk music, something which would not last long in the band’s style. More...

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Sunday Old School: Believer

It’s quite hard to think of how a Christmas special could be done in a column exclusively about metal music. We came close last year with a look at British hit makers, Slade, who are perhaps best known for their song, "Merry Xmas Everyone." This year, we’re ringing in the holidays with a band who perhaps have a more traditional take on this season, as perhaps do some of our readers who are also subscribers to the Christian faith, or should I say, consider them self to be a Believer?

Have you forgiven me for that terrible pun yet? Then let’s move on to Believer, a band formed in Colebrook, Pennsylvania , that was formed in 1986 by vocalist/guitarist Kurt Bachman and drummer Joey Daub with bassist Howe Kraft and a second guitarist, Dave Baddorf joining soon after. Initially, their music was very melodic and the group demonstrated this with their demo, "The Return," in 1987, which earned them a deal with R.E.X. Records. More...

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Sunday Old School: U.D.O.

It seems a common trait in metal music is that if a popular frontman leaves a well known group, he (or indeed she,) will form a new band named after themselves, rather than simply using their full name. Dio is one of the best known examples of this, and King Diamond of Mercyful Fate is another, with the trend continuing to this day with Immortal frontman Abbath Doom Occulta, forming his own band, Abbath. Another of the more popular acts to be founded in such a way, was done so in "the city of blades," Solingen, Germany, by the German singer, Udo Dirkschneider, who christened his new group, U.D.O.

Dirkschneider had made his name in the eighties as the gruff frontman for Accept, a pioneer of the speed metal sound and one of Germany’s most popular heavy metal groups, but in 1987, he expressed his desire to go solo, which he did with the blessing of his bandmates. He put together a lineup which included Warlock bass player Frank Rittel, as well as guitarists Mathias Dieth of Sinner and Peter Szigeti, along with drummer Thomas Franke and the quintet recorded their debut album, "Animal House," which was actually written for Dirkschneider by Accept as a goodbye present. It was very well received by fans, if not all critics, and the band took to the road to promote the album, performing with the likes of Lita Ford and Guns N Roses, who were riding high on the success of, "Appetite for Destruction." More...

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Sunday Old School: Stone Temple Pilots

This week, it was sadly confirmed that Scott Weiland, the former vocalist of Stone Temple Pilots and supergroup Velvet Revolver, had passed away at the age of 48. Perhaps the most tragic part of this news was that not too many people were surprised, given his long history of drug abuse. In spite of this, he was always respected for his outstanding vocal talents and unique stage presence that inspired dancing even during the heaviest songs he performed. This is the story of how he, the DeLeo brothers and drummer Eric Kretz made their name as one of the most popular bands in rock music, Stone Temple Pilots.

The story of how the group started is one that’s been debated. Most accounts claim that Scott Weiland met bassist Robert DeLeo at a Black Flag show, where they discussed their girlfriends and realised that they were dating the same girl, though in his autobiography, Weiland claims that he and his two friends, guitarist Corey Hicock and drummer David Allin had been chasing up DeLeo after seeing him perform with a band named Soi Disant. After convincing him to join them, the wrote for a few years before Allin left and was replaced by Eric Kretz, who the group had seen perform in Long Beach and not long after, Hicock also quit, with his place eventually being taken by Robert’s brother, Dean. The guitarist insisted that if he joined, the band would have to lose their name, Swing and so they settled on Mighty Joe Young, taken from the 1949 movie of the same name. More...

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Sunday Old School: Holy Dragons

Over the course of the Sunday Old School series, we’ve examined veteran metal bands from all across the world. From Aria in Russia, to Septicflesh and Rotting Christ of Greece, to Austria’s Belphegor, a Chilean band called Pentagram and another band called Pentagram (or Mezarkabul, if you prefer,) from Turkey. Speaking of Turkey, did you know that Turks are part of a larger group of people classified as Turkic? Another ethnicity that’s a member of this collective is the Kazakhs. In case you haven’t put two and two together yet, this week we’ll be expanding our map by taking a look at a metal band from Kazakhstan for the first time and their name is Holy Dragons.

The band was formed in 1992 in the then capital city of Almaty, (it was replaced as capital in 1997 by Astana,) by guitarist, Jurgen Thunderson, who was joined initially in his endeavour by singer Oleg "Holger" Komaroff. They set out to bring make music like that of their heavy metal heroes such as Judas Priest and Iron Maiden and in doing so, became one of, if not the first metal band Kazakhstan had produced. Keeping a stable lineup proved to be something of a difficult task, with Thunderson remaining the sole constant member. More...

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Sunday Old School: Vital Remains

Ordinarily, when a news story provides the inspiration to choose which band will be featured in the Sunday Old School column, it's because the group has split, reformed or a member has passed away. However, this week, the choice was made when a police officer in Florida was fired for joining a well known death metal band on stage and singing along to their song, "Let the Killing Begin." The quartet in question hails from Providence, Rhode Island and goes by the name of Vital Remains.

The group was forged in 1988 by guitarist, Paul Flynn, who was soon joined in his endeavour by guitarist Butch Machado, vocalist Mike Flynn, bassist Tom Supkow, and drummer Chris Dupont. Mike Flynn and Butch Machado did not last long however, as Vital Remains decided they needed better musicians and replaced the duo with Jeff Gruslin and Tony Lazaro respectively. Spurred on by the writing partnership of the two guitar players, the group became one of the most popular live acts in their local scene and after recording two demos, "Reduced to Ashes" and "Excruciating Pain," they caught the attention of French label, Thrash Records, who signed them up. More...

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