Trivium Tagged As Revivalists and Plagiarists
Band Photo: Slayer (?)
LESSON ONE for all aspiring bands out there: if you think you’re good, make sure you tell as many people as possible. Just ask Florida metallers Trivium.
When the quartet signed with Roadrunner in 2004, they supported the release of their second album Ascendancy with interviews in which they confidently voiced their desire to be one of the biggest bands in the world. Think Metallica, Megadeth and Slayer, they suggested, and one day you will also think Trivium.
Not surprisingly, the notoriously suspicious metal world reared back, took one look at the young upstarts - frontman Matt Heafy was all of 19 when he made the claim - and laughed. Until, that is, they heard Ascendancy and its classic thrash metal stylings, the likes of which turned them into genuine stars in the UK, where they recently performed in front of 80,000 people at the Download festival and supported Iron Maiden.
“All the other bands that were around and that were getting pretty stale were pretty shocked [by what we said],” Heafy says triumphantly. “But now they see we’re still around and hammering away, and all the disbelievers, they’re not really saying anything any more. We haven’t really seen anything negative since [just-released third album] The Crusade came out.”
Heafy’s first taste of metal came in 1998 when a friend gave the-then impressionable 12-year-old a copy of Metallica’s Black album. Amazed at its technicality, aggression and catchiness, he delved into the band’s back catalogue, devouring both it and any albums released by the band’s late-80s/early-90s thrash peers. Not surprisingly, when he started playing guitar and formed Trivium, what came out was a noise that owed a debt more to the bands of yesteryear than it did Korn, Deftones and Limp Bizkit.
Source: Time Off
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