From: TX, United States
Last Known Status: Regrouped
Latest Skrew News
Below is our complete Skrew news coverage, including columns and articles pertaining to the band. Some articles listed may be indirectly related, such as side projects of the band members, etc.
Housecore Horror Film and Heavy metal festival masterminds, Corey Mitchell and Philip H. Anselmo brought Austin, Texas a rare entertainment opportunity, packaged in human flesh, marred by celluloid cigarette burns--a four-day, multi-stage, multi-tent, multi-everything horror-movie festival. Industry people arrived from all around the world to help support this lofty endeavor.
The gorier the better as many of the major stars of the film portion of the festival had participated in legendary blood spillers such as the "Nekromantik" film series (Director Jörg Buttgereit ), "Coffin Joe" (Director José Mojica Marins ) and "Friday the 13th." Ari Lehman made film history when Jason Voorhees finally sprung to life after the murder of his mother. Lehman attended the festival not only as a film celebrity, but as a musician. Nefarious of Macabre joined Lehman on stage in his First Jason band to perform campy horror metal songs about that guy in the hockey mask. More...
Legendary Austin industrial metal band Skrew, after a fifteen year hiatus, is back recording new material for an upcoming release. The band has posted three demo versions of songs over on its ReverbNation page. After a few classic albums in the nineties, Skrew dropped off of the radar after 1997's "Angel Seed XIII." Now, back and recording its fifth album and led by original member Adam Grossman, check out three new demo songs from Skrew below in the player.
A rush of cool air relieved my over-taxed pores when I entered Jackalopes. I walked past a girl wearing a Danzig shirt posing for a picture on top of a statue of a giant jackrabbit with horns—the fabled Jackalope. I not only sought shelter from the one-hundred-three-degree inferno that blazed outside, it helped me kill time before Emo’s opened its door a hour-and-a-half later.
While devouring one of the juiciest burgers in town, I noticed other metal heads wearing various death metal shirts entering the establishment. Located just a couple of blocks from the venue, the metal-friendly bar and grill catered to those awaiting the coming death metal onslaught.
In route to the bar, I noticed one of the more conspicuous fans on the other side of the street. Wearing corpse paint that may have been patterned from an old Satyricon or Gorgoroth photo, this fan’s black attire seemed in defiance of the sun’s powerful rays. I guess nobody told this guy he was going to a death metal show. Also, the heat surely streaked his makeup, most likely stinging his eyes. What he lacked in brains he made up for in dedication, though (even though this was a death metal show).
Three or four people stood near the touring vans outside the venue when I walked past Emo’s at around 6:30. The line grew to the front of the next venue when I returned at 7:30. Soon, the line grew to the end of the block—a good sign for the five bands due on stage. The venue opened close to its scheduled time of 8 PM. More...
SXSW Music officially began on Wednesday, March 16th. My schedule was jam-packed and I quicky fell behind on reporting on the days’ events at the conference, which started with an interactive conference on March 11th.
Despite being out late for a show the night before, I decided to head over to the conference center to catch my first music talk: “Welcome to the Music Business - You’re Fucked.” I didn’t have great expectations from the description alone. Once seated, I was hearing great things about the speaker, who turned out to be Martin Atkins, author of “Tour:Smart” and former drummer for Ministry and Killing Joke among others. More...