Megadeth's David Ellefson Posts New Album Track-By-Track Breakdown
Band Photo: Megadeth (?)
Musicradar.com has posted a track-by-track breakdown by David Ellefson of Megadeth about the band's upcoming album "Th1rt3en," which will be released through Roadrunner Records on October 31st in Europe and November 1st in North America. You can check out an excerpt from the breakdown below.
Sudden Death: This is a track that was being worked on when I rejoined the band. I came in on a Friday, I played my part on a Saturday, and on Monday we put out the press release that I was back in Megadeth. So this song represents a real homecoming for me.
Musically, I wanted to combine a New Wave Of British Heavy Metal and a thrash style in my bass playing. There’s some great rhythmic work going on, particularly in the intro, and the riff, especially towards the end, gives me a chance to move up an octave and create tension underneath the guitars. All by itself, it’s a very exciting song. But when I think about what it represents, it’s deep on an emotional level.
Public Enemy No.1: We started writing this song during a soundcheck in Croatia last year, and we finished it in Vienna, Austria a short while later. Funnily enough, earlier this year we wrote another song on the record called Never Dead in the same venue in Austria. So that place has magic in it. Again, it’s another New Wave Of British Heavy Metal-type song, at least as far as what I do. I loved the early Def Leppard records, and I’m copping a bit of a Rick Savage bass approach on it.
I really tried to write around the vocals. I love to hear as much of the band, especially the vocals, when I record a bass part. As a player, I want to be the mortar between the blocks that glue the building together. Once the vocal melody developed, Johnny and I worked with Dave, and that allowed me to put down a strong bass part.
It was a fun way to record. I had a lot of note choices available to me, and there’s a cool moving bassline in the B section of the verse as well as the chorus. As a listener, none of that matters, but hopefully, you’ll feel the song jump.
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