From: Los Angeles, CA, United States
Last Known Status: Regrouped
Latest Vengeance Rising News
Below is our complete Vengeance Rising news coverage, including columns and articles pertaining to the band. Some articles listed may be indirectly related, such as side projects of the band members, etc.
For all the controversy heavy metal has generated, one of the biggest and sometimes most divisive talking points within the genre itself is the concept of Christian metal. For a genre which has been accused time and time again of attacking the values of Christianity and portraying Satan in a more positive light than he’s used to, the idea of using the music itself to promote devotion to God may seem like something of a contradiction. However, a number of bands have not only found commercial success with their musically heavy spiritual themes, but also established a large, devoted fan base and respect among secular fans. This week (on a Sunday, appropriately enough,) we’ll be looking at one of the heaviest examples of early Christian metal, albeit one whose story takes a considerable turn, Vengeance Rising. The band was formed in 1987 by vocalist Roger Martinez, initially under the moniker, “Vengeance,” before their name was lengthened to their more familiar tag. Martinez was heavily involved in the Pentecostal Foursquare Church, eventually becoming a pastor in the denomination in Hollywood, California. He was joined in the band by guitarists Larry Farkas and Doug Thieme, along with drummer Glenn Mancaruso and bass player Roger Martin. Merely a year after forming, they released their first album, "Human Sacrifice" through Intense Records, which is considered by many to be one of the most radical albums in the history of Christian metal, adopting a brutally heavy take on thrash. Despite the promotion of their religion, they found that the favour was not returned by Christian stores, who found the sound and front cover to be demonic.
The lyrics were also a heavy topic of conversation. Despite some of the more positive (daresay Stryper-esque) titles such as "Salvation," "He Is God" and "I Love to Hate Evil," it also featured tracks with such names as, "Beheaded" and "Fill This Place with Blood." This was another reason why the record was pulled from many stores, though the same themes can be heard from most borderline insane preachers in the street. The band soon embarked on a tour to promote the album, where they caused more controversy for essentially staging their own Passion Plays on stage, depicting the death of Jesus Christ in a very graphic manner. More...
The overall realm of metal is an incredibly expansive and diverse place, with many different styles and sub-genres all vying for your attention. To help our readers navigate the metallic landscape we unearth three underground or unsigned metal bands every Monday that deserve to be heard.
Awhile back we covered bands that combine different genres or simply ignore genre trends, and on a similar note this week we’re uncovering three bands that drastically changed either sound or lyrical theme from the early works to their modern releases. There are plenty of more well-known (in the extreme metal community anyway) acts that have gone through such a transformation: Samael’s change from black metal to electronica, Katatonia’s move from harsh growls to a cleaner rock sound, Amorphis switching gears with “Am Universum,” Ulver changing things up on pretty much every album, and so on. Instead of rehashing those bigger names that everyone knows about, instead we’ll cover three lesser known acts that have essentially become different bands over time.
Ereb Altor’s underground days are very quickly waning, with the band now releasing new album “Gastrike” through Napalm Records, but there was a time not long ago when nobody knew about Ereb Altor, and it is a side project of an already unknown band, so we’re going to slip this one in here.
The Swedish duo’s debut album “By Honour” (reviewed here) definitely wanted its audience to take the scenic route and enjoy the ride, with slow moving, Viking-style doom metal that took some clear cues from Bathory. Things started to change a bit and the songs become shorter on the follow-up release “The End,” which as the title suggests, was intended to be the demise of the project. Ereb Altor just wouldn’t die however, and now with third album “Gastrike” (review coming soon) the band has radically shifted gears into mid-paced black metal, with only a few underlying doom and Viking metal moments.
To hear the change, check the title track “By Honour” below, and then listen to either of the two songs from “Gastrike.” With the exception of the atmospheric intros, we’re dealing with two completely different genres between these songs.
A number of documentaries pertaining to specific scenes and genres in heavy metal, most notably grindcore and black metal, have been posted online via YouTube and are now available to watch, uninterupted, from start to finish. "Grindcore - 85 Minutes Of Brutal Heavy Metal," features segments on a number of bands signed to Earache Records during the 1990's, including Napalm Death, Morbid Angel, Godflesh, Carcass and Paradise Lost amongst others and includes live footage, interviews and music videos.
Meanwhile, two different documentaries on black metal have also been posted online, including "Until The Light Takes Us," which examines the black metal scene in Norway during the 1990's and looks at such bands as Burzum and Darkthrone, complete with interviews with Gylve "Fenriz" Nagell and the then incarcerated Varg Vikernes. Alternatively, there is "Murder Music: A History of Black Metal," a British documentary hosted by Contraband Candy host René Ackermann that gives a much broader insight into black metal, tracing the genre's roots from the theatrics of Black Widow to the Christian black metal scene, and everything in between. You can view all of these films below. More...