Metal Underground.com

Evan Seinfeld’s departure from Biohazard came as an unpredictable swerve, considering the band was in the midst of releasing a new album at the time the news was announced. Seinfeld wasted little time hooking up with a new project, Attika 7, which is the brainchild of guitarist Rusty Coones. Coones, a motorcycle enthusiast, had a stint in prison, and this is the location where the concept of Attika 7 began to form. Having Seinfeld as lead vocalist gives this band instant credibility, though their ‘90s grunge/hard rock sound on “Blood Of My Enemies” is dated by about a decade.

Seinfeld and Coones are joined by Tony Campos (Soulfly, Prong, Static-X) and Dustin Schoenhofer (Bury Your Dead, Walls Of Jericho) on bass and drums, respectively. Those two are solid studio musicians to collaborate with, and Campos in particular puts in a great performance. His bass work is the foundation for every song to stack up from, but his ruthless, thumping bass lines stand out the most on the title track and “No Redemption.”

Many of these songs leave a grimy stain behind with their hard-edge rock, with brief fancies into metal. There has been a stink made about this being “biker music” or something for the Harley-Davidson-riding crowd, but “Blood Of My Enemies” is not as clear-cut as that. “Living In Oppression” and “Lockdown” describe the difficult life that Coones has led, as much of this album seems resided to the confines of an 8X8 jail cell. The lyrics are very personal, and while it gets to be overbearing on the awkward spoken word interlude “The Hard Cold Truth,” it largely gives a realism missing from much of today’s rock/metal.

For the star power behind the band, Attika 7 can’t avoid falling into the trap of treading familiar grounds with their music. There are allusions to better bands like Alice in Chains and Soundgarden on “Serial Killer” and “Dying Slowly.” Usually, these tie-ins to past acts come when the band lays the brake on the tempo, though the groovy “Devil’s Daughter” is a noteworthy exception. The band comes out stronger when the focus is on a punishing experience delivered in three minutes, not languishing on half-baked ideas like the dull closer “War.”

Though “Blood Of My Enemies” is not something that will leave an indisputable mark on music like Biohazard’s early material, Attika 7 comes off in a positive light on this debut. The songs chug and bounce the way any good rock song should. Seinfeld seems more motivated throughout this album than on “Reborn In Defiance,” with his vocals having more depth to them and allowing him a platform to explore cleaner tones. The album has the range to appeal to a broad audience of rock/metal fans. Coones and Seinfeld work well as a team, making “Blood Of My Enemies” more than just a middle-of-the-road first effort.