Haeresiarchs of Dis Talks Upcoming Material In New Interview
Band Photo: Haeresiarchs of Dis (?)
Occult Black Metal Zine has posted a new interview online with Cernunnos from Haeresiarchs of Dis, in which he discusses the band's upcoming material. An excerpt from the interview follows.
OBM: Can you give us an update on what is going on with the project these days?
The next full release is tentatively entitled “Sermon 31: Clavicle: 1-6 the Third Trine of Satyr’s Cross.” This album is more conceptual than the previous releases, written in a linear narrative that tells the tale of a place called Satyr’s Cross where realities intersect and are erased. While this album has been demoed out for quite some time (a preview is posted on mySpace), I have held off on finishing while I addressed some recording and production considerations. The last two releases “Denuntiatus Cinis” and “In Obsecration of the Seven Darks” were both recorded at the same time and in the same manner. I wanted to step back and take more time thinking about composing and recording. To keep my forward momentum I decided to change up my recording methods and practices, thus offering something slightly different. I do not want to make the same album. So while the new album is completed, it is done with scratch tracks, and the re-recording these tracks I expect to occur throughout winter and spring. There is also a split coming out with Ophidian Forest on UW Records later this year. This split will be material from the now out of print Dis demo released on Toadstool Enterprises in 2010, though re-mixed. I try to post updates to the MySpace site regularly, and there are some feeds from that blog posted on Metalunderground and other sites.
OBM: How would you describe the musical sound of the new album and how it differs from previous releases?
With the new upcoming release, “Sermon 31: Clavicle: 1-6 the Third Trine of Satyr’s Cross”, I would say the sound offers something new while maintaining the Haeresiarchs of Dis format and style. While I freely experiment with Haeresiarchs of Dis, it will always have the same backbone, same flavor: underground metal wet in the occult, religion, and the sick areas of the human condition. Lyrically, the narrative that I use on “Sermon 31” will stand out as different being a continuous piece of prose, though will still maintain the darker themes and ideas I put forth on previous releases. Aside from some different equipment and software, expect the new material to contain all the hallmarks of Haeresiarchs of Dis: fast riffs, slower drones, choirs, ambient, and some acoustics. This album is also written without large breaks between tracks as it is intended as a single conceptual piece.
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