To date, we have conducted 1103 interviews. If your band is available for an interview, feel free to contact us and we'll see what we can do. Here are our latest:
Bolingbrook, Illinois' death metal act, Life In Shadow, has a purely unique sound in a genre, much like black metal, that seems to have pretty much run its course at this point. The band consists of Scott Mills on lead guitar/backup vocals, Mark Ebbers on lead vocals, S810 on rhythm guitar, Mark Jenkins on bass/backup vocals and Josh Abbott on drums. They have been steadily creating quite a commotion this year on the true metal underground scene. They are being embraced by hundreds upon thousands of fans, be it on the road or on the web at their MySpace music profile and seem to be putting themselves in a very strong position now moving forward to climb to the top of their genre as one of death metal's hottest indepenent acts. I spent some time recently doing Q&A with their lead guitar player, Scott Mills.
In the heart of the Blue Ridge Mountains, the residents of Asheville, North Carolina may not know it just yet, but this wonderful place to live has bred Southern Cross, one of underground metal music's brightest new talents. Southern Cross is made up of Seth on vocals, Jenna on lead guitar, Ranke on bass and Maxfield playing the drums. They blend the obvious Southern flavor of bands like Eyehategod, Down and Soilent Green with the battering til your knocked out monster riff assault of Pantera and Corrosion Of Conformity. They are quickly gaining thousands of fans via Myspace in a frenzy that seems to have no slowdown in sight. They are working on their debut CD and have been stomping through venues all over their local area with other blazing underground acts, like Evansville, Indiana's Deliver Us From Evil. I wanted to get more in depth now with this rising act, and so I am pleased to present this discussion with their extremely gifted and highly outspoken singer, Seth Uldricks.
Long Beach, California and the Los Angeles Rock music scene in general, have birthed perhaps the closest band to Motley Crue in spirit and party atmosphere attitude with Heavenly Trip To Hell that this Rock journalist on the very scene has at least himself witnessed in recent years. And I was at Motley Crue's 1983 Shout At The Devil performance at the Santa Monica Civic, when most you pups reading this weren't even a dirty thought on your dating parents minds yet. This is a band that I feel is very important right now, in terms of being one of those acts to help get the Rock world back into the hands of the people who actually Rock. They utilize the fury-laden, Industrial-sonic attack of legendary Ministry, while having a steady metal foundation as its overall approach. The band is getting ready for a couple of exciting shows in basically the next week, including a record release party on July 1st at the infamous Whisky A Go Go here in Los Angeles. I am thrilled to have had the chance to get them to tell us more about their crazy ways, along with their socially and politically motivated songwriting stance. Drummer JD and bassist Sergio Natas join us for the conversation.
Paul Di'Anno better known as 'The Beast' was the second vocalist for the now legendary Iron Maiden band from London, England, having spent from 1977 to 1981 with the lineup. The very first singer to actually record with the mighty Maiden, he is featured on the now legendary Soundhouse Tapes EP, as well as the first two albums, Iron Maiden and Killers. Despite the fact that once he separated from the lineup and Maiden, along with Bruce Dickinson, would climb to superstardom across the world, Di'Anno has always remained an intriguing and colorful figure in the heavy music scene, touring with his own solo bands into areas of the globe that no western band has ever ventured. He has now newly released in America an original collection of material entitled 'The Living Dead' on Cleopatra Records and is still igniting the fire on every stage he sets foot upon to this very day. This is a man who does not hide from his much storied past, leaving the clearest of indicators to all that there is still much to come from one of Rock N Roll's all time great lead vocalists.
Formed in 2002, Santa Rosa, California's Killing Of Mind consists of Paul Nieblas on vocals, Niall Mulcahy on drums, Russell Mederios on guitar/vocals and Tony D'Orazio rounds out the talented lineup on bass/backup vocals. They have been playing their local scene hard and steady, making a big splash now on Myspace and generally seem to be moving in the right direction. Citing key influences such as Unearth, 3 inches of blood, Killswitch Engage and Soil Work, Killing Of Mind has a tight grasp on working hard at defining their music right now and really have all the potential in the world to make it far in the music game. I recently got in front of their bass player, Tony D'Orazio to learn more.
It's really amazing how the world works. I remember just months back for the very first time meeting Josh, the lead singer for Whittier, California's Al-Ce-Mi, in front of The Whisky A Go Go, sharing just a few words, and now here we all are linked up and working so closely together. I'm even prouder that this talented and dynamic punk/metal act is going to have its debut EP recorded by pretty much the best in the business in Ryan Green (Bad Religion, NOFX, Nerf Herder, The Dickies) and it seems like they are really about ready to start turning a major corner now in the music world. I think it's important for us to stay open minded, even being the diehard extreme metalers most of us are. A band like Al-Ce-Mi really does refuse to be labeled and I think that's why they are becoming more accepted in the harsher circles. I got some questions answered recently by the band's guitar player, Ray Mendez .
The Seattle, Washington music scene may be still a barren ghost town compared to the way it used to produce one big Rock band after the next, but what I find most satisfying is knowing that from the ashes of Cobain and Staley, now rises a downright sickening hardcore/thrash metal band like Burnt Shadows. This band sounds very Slayer-esque at times, yet somehow still manage to carve out their own brutal musical identity. They are quickly making a name for themselves in their local area and that momentum doesn't seem to be slowing down at all. I was able to get some questions in recently with one of their two guitarists, Craig Saner.
Glendale, California's progressive black metal band, Orcus has been making its mark on the local Los Angeles music scene with their dark and mysterious brand of heavy music. They are getting ready to release their debut album 'Birth' on June 26th and have recently opened for the likes of Obituary and My Ruin. I took some time recently to get some questions answered by their bassist, Karo Torosyan.
Evansville, Indiana may be home to the legendary retired New York Yankee great, Don Mattingly, but I believe it is going to become just as well known for a little metal band that is slowly but surely inching its way out of unknown status called Deliver Us From Evil. This is a band that came together in 2003 initially under the moniker Mutiny Rise. After changing that, it seems they have fully found their identity and true calling, now steadily offering up very technical, aggressive, and the truest metal music they can possibly create. They have also been playing by all accounts, some of the most dynamic live shows in their local music scene and are working hard right now to begin their climb for the national spotlight and worldwide stardom. I am happy to have gotten some conversation in with their lead guitarist, John Matheis.
New York City, New York's Dry Kill Logic has been one of the top underground metal acts since making its slamming debut with Darker Side of Nonesense in 2001 on the Roadrunner Records label. They have a solid legion of devoted fans now all throughout the world that seem to keep them moving closer and closer to achieving true legendary status in the world of heavy music. They are also one of the rare metal acts that have accomplished all these great things based solely off their music ability and not some fashionable image they needed to sell like so many others continue to do around them. With Dry Kill Logic, you always know you're in for some straight up, no holds barred, kick-you-in-the-mouth intensity and subject matter that speaks to the difficult times we live in. There is no sugar on top of your medicine with this band and that is why amid the sea of countless tens of thousands of metal bands that are trying to get to where they now are, Dry Kill Logic remains one of the King's of metal's true underground scene. I am very pleased again to share some new discussion with their drummer, Phil Arcuri.
Brickhouse Recording's growing underground metal sensation, Lofat from Norfolk, Virginia is a band on the serious rise. They have kept busy on tour and are working toward completing the highly anticipated new material of the fat. They seem to have really won over quite a few new fans via Myspace so far. I enjoy this band so much I think because they do metal with a fresh approach, a bit quirky at times, while mixing in a lot of the straight ahead old school hardcore punk/thrash sound. Roaches is their debut video that you can checkout on their site as well -- it's totally killer from my perspective. I have always said they had an immediate star in Simon on guitar... and the rest of the boys aren't chop liver themselves. Ha! But Simon on lead guitar for Lofat and Jenna from Southern Cross, who sounds like Dime's little sister, oh man...lol. They are both something else on the scene right now. Such great talent. Well, I tracked down Lofat's bassist DZL to answer some questions on how the low end is being held for the fat.
Many of you know by now that Cleveland, Ohio's all-female metal act Level-C has been signed recently to Crash Music Inc. for a two record deal. They have climbed quickly out of their local hometown scene, into the worldwide spotlight after having finished in the top ten on MTV's Battle for Ozzfest, and now securing a solid opportunity at really making their dreams come true in the dog eat dog music industry. Their lead vocalist, Christine Maynard is my final interview with the band, having now featured each bandmate here at metalunderground.com this year.
On Friday, June 2, 2006, I had the pleasure of interviewing Devildriver’s drummer, John Boecklin. John was a very nice, laid back guy with a great sense of humor. After the interview, he, along with the rest of Devildriver, allowed me to eat my dinner on their bus as it was raining out and there was no other place to sit and eat.
John and I discussed Devildriver’s current success, their new album, the music scene, past and present, and the band’s plans after the tour as that night was their last US tour date. The interview is as follows:
There's been so much drama going on lately in relation to I.R.A.T.E. (Infinite Rebellion Against The Establishment) from Los Angeles, who have recently concluded their 30 date Project Independent Tour, that I wanted to take a different route and have some fun with the bandmates and their manager, Jeff Totten of Celestial Entertainment, by conducting a basic follow-up with them. The very first Project Independent release "Brothers of The Same Struggle", for which I have written a review on here at the almighty metalunderground.com, is currently available at your local Tower Records music store. Fans of Century Media may also order through their catalog.
For those that have been following this metal news site over the last couple of months, you are surely to be aware of the controversial band name ownership dispute that has been raging between New York's long standing hardcore act Irate and California's I.R.A.T.E., who are skillfully managed by Jeff Totten of Celestial Entertainment for Project Independent. In my last interview, I gave NYC Irate a more than fair opportunity to speak their case before all of us and handle this heated situation in a civil manner, for their have even been threats of violence made against the west coast I.R.A.T.E., prompting the FBI to be informed of the escalating matter. I feel it is only right now to give Mr. Totten a chance to follow-up to what was said by NYC Irate, in concern with the overall debate. I personally think this is a strong lesson in the way the music business works and not how we want it to work for us.
Jerry Montano of Danzig and Nothingface is one of the rare metal personalities of today that seems to understand the true scope of metal music and its great history up to this point. He's never been one of those players that gives off one of the typical major rock star attitudes. And what's even more amazing with him being as in demand as he is, he has never played in a band just to try and get rich quick. This is what endears Jerry Montano to the hardcore metalheads like myself in the true underground scene. I have also yet to ever see someone that looks as downright ominous plucking away on the low end as Montano does. Whether he's played alongside the greats like Danzig or Dimebag Darrell, one thing you know you're always going to get with Jerry Montano is someone that is there because of the pure love they have for the music. I want to sincerely thank him for being even bigger than life by spending time on this interview with me. I don't know what better way to celebrate 6-6-6 and with that, I hold the devil horns high and proud.
Memphis, Tennessee is famous for being the home of the man with the dangerous hips and velvet-lined voice, Elvis Presley. I knew the first time that I came across Sacrum's music profile on Myspace that I was looking at the future of heavy music when listening to their down home, ass stomping brand of metal. They have now really started a serious buzz for themselves, and I'm not talking about their partying activities either. Sacrum has a lot of great people surrounding them at this point in time and the members of the band are some of the most intensely driven musicians I've ever witnessed. I have nothing but the utmost confidence in this group really staking its claim in metal over the coming years. This interview covers a lot of exciting ground and I'm pleased to be working as closely as I do with them.
Norfolk, Virginia's Lofat continues to make strong waves in the metal underground, having recently produced their first video for the song Roaches under the Brick House Records label. The video, directed by Fabian Rush, is quirky, dark and totally fresh in its approach. I have always felt that this is a metal outfit that simply will not wear the same uniform and clown makeup that most seem to think is a prerequisite for delivering heavy music today. I believe that this is their main strength, beyond the fact that they offer a very compelling mix of old school hardcore and the metal/punk vibe that Suicidal Tendencies became so famous for. I had the chance recently to get some Q&A in with their entertaining drummer, Zeus.
In the Fall of 2000, five young and hungry musicians out of Cape Coral, Florida formed as Ekotren, in an all-out pursuit to bring passion back to the game of metal. They have hung in tough and really started to make a name for themselves on their local club scene and now are scheduled in a short time to unleash their self-released debut album, entitled The Tables Have Turned. I have thoroughly enjoyed all the work I have done with this band up to this time, for it's rare to find such a talented bunch that are as well mannered and respectful as I have found Ekotren to be. I had some questions answered recently by their bassist, Sean Fiene.
Hayg Terzian on lead guitar for the poignant yet darkly themed progressive black metal band called Orcus is quite a pleasant revelation. He is not one of the new breed of axe slingers that thinks going fast is the only way to impress anyone, yet he seems to be more than capable with both tremendous dexterity and ability to stir emotion from his notes, which is the highest compliment I think that can be paid to any electric guitarist, no matter what style of music they play. Orcus is a very unique and I believe meaningful unsigned metal band at this point in time and are due to be releasing their new album entitled Birth at a record release party Saturday, June 17th at the famed Whisky A Go Go.
I recently had the chance to interview Dan Palmer of Death By Stereo. The name Death By Stereo was taken from a scene in the movie The Lost Boys. In 1998, Death By Stereo signed to Indecision Records and released its first album the following year. Shortly after the release of the band's Indecision debut, Dan Palmer (formerly of Southern California hardcore band Eyelid) joined the band. In the winter of 1999, while Death By Stereo was on the road with Straight Faced and Ignite, Brett Gurewitz of Epitaph Records approached Death By Stereo, interested in signing the band. 2000 saw the band sign to Epitaph Records. In January of 2001 Epitaph released the band's second album, Day of the Death. Since the release of Day of the Death, Death By Stereo has gone on to release two more full-lengths: Into the Valley of Death and it's most recent album, Death for Life.
Known for blurring the lines between punk rock, hardcore and metal, Death By Stereo's sound is noted for its originality in a scene that some say has become stagnant in recent years. The band's sound has also evolved over time, with If Looks Could Kill I'd Watch You Die leaning more in the direction of punk rock/hardcore, while later albums — including Death for Life — bring more metal elements to the mix.
Here's how the interview went down:
San Diego, California is home to many intriguing metal acts today, but I dare say that Hard Echo is one of its most well rounded and technically sound, featuring Mark Arrington on vocals, Tony Jenkins and Tim Bailleul on guitars, with Norm Campbell on Bass. Though they are currently looking for a competent double bass drummer, this is a metal act that is ready for a bright future ahead and the thousands of screaming fans that await their old school progressive metal attack. I was able to recently get some questions in with their extremely gifted lead singer.
Many that watched Level-C on the MTV cable produced Battle For Ozzfest may recall seeing this female metal group out of Cleveland, Ohio make it all the way to the top ten out of nearly eight hundred bands in the entire competition. When I discovered them on Myspace and saw that they did indeed have a unique sound and hard rocking image, I expected that they would be signed by a label sooner rather than later. And sure enough, they have been recently signed to Crash Music Incorporated for a two album deal. In light of this, I had some of my new questions answered by the band's drummer, Misty Everson.
There's been a bit of an ongoing verbal war between the infamous hardcore thrash metal act from Bronx, New York called Irate and the west coast I.R.A.T.E. - over the ownership of well, the Irate group moniker. My past interview with Erik Ulrich of the latter mentioned I.R.A.T.E. - who are currently travelling across the country with The Project Independent Tour - stirred up literal blood dripping over the curbs into the streets from the anger and frustration expressed by the New York Irate's devoted legion of fans. I wanted to be fair and give both sides a chance to tell their story. Jeff Totten of Project Independent has already spoken on his band's behalf in concern with this over-heated issue and now I give that opportunity to the other Irate and hopefully we can finally bury this battle six feet under. I personally thank Nando and Nick from NYC Irate for being real standup and giving me the honor of discussing not just the name ownership situation - but also giving all of us true metalers a bit more history of their band and what is to come from them as they move forward in life. I respect both sides, for I am merely a rock journalist who loves metal music and at the end of the day on all of this, I hope that's what we walk away talking about: music not destruction. Maybe the White house could learn a thing or two from this themselves.
Killing of Mind hails from Santa Rosa, California and is made up of four members, including Paul Nieblas on vocals, Niall Mulcahy hitting the drums, Russell Mederios on guitar/vocals and Tony D'Orazio on Bass/backup vocals). Having released two independent cd's: "Self-titled" black EP (2002), and "Strings" (2004), they are one of the top unsigned metal acts in the underground at this point and seem to firing on all cylinders with their high energy live shows. The band took time out recently to give us all a better rundown on what makes Killing of Mind tick.