To date, we have conducted 1264 interviews. If your band is available for an interview, feel free to contact us and we'll see what we can do. Here are our latest:
Morgoth’s first two recordings “Cursed” (1991) and “Odium” (1993) put Germany on the map for death metal. Both albums showed the band master mid-tempos in a similar fashion to early Death and Obituary. “Odium” was still mired in groove, but the band took a step into progressive territories, even playing some industrial parts. In 1996 the band released “Feel Sorry For the Fanatic, “ which showed them assume full-on industrial sounds. Just two years later, the group disbanded.
12 years later, Morgoth reformed and started playing shows. Last year the band released its “God Is Evil” EP. This was an appetizer for the band’s return to their death metal roots. Now, they are ready to release “Ungod”, their first full length in 19 years. Karsten "Jagger" Jäger of the band Disbelief assumes vocals over long-time growler Marc Grewe. I spoke to guitarist Sebastian Swart on the phone regarding this new material and the band's reformation.
The Austrian underground metal festival "Kaltenbach Open Air" (K:O:A) is celebrating it's 10th anniversary. Reason enough for Wolfgang Bartl (Rottinghill-webzine) to have a chat with K:O:A organiser Thomas Spiwak below.
Wolfgang: Hello Thomas, and thank you for taking the time for this interview! How are you?
Thomas: Hello Wolfgang, thanks for asking. So far so good and after the somewhat strenuous booking phase, it has become a little quieter again in the meantime . Preparations are rolling according to plan and we are confident that we will be able to deliver a great festival once again this year.
Wolfgang: What is currently going on in Kaltenbach?
Thomas: Currently, we mainly focus on promoting the festival but also the first hot phase of selling pre-sale tickets is gearing up already. Interviews are to be given, accreditation requests to be worked through, and also the first merchandise booths are getting booked. Concerning our infrastructure the first contracts are signed and our festival site is taking shape already virtually.
Wolfgang: Last year you appeared to be somewhat uncertain concerning the revival of the festival, whether and how well it will be received by the fans. In retrospect, how did it all work out in the end?
After unearthing the "Black Throne Of All Creation," the death metal explorers from Dehuman have now discovered the "Graveyard of Eden" (reviewed here), with the discovery set to be shared with the rest of the metal world in March.
Today we provided a sneak peek with an exclusive full album stream (still available right here). Along with that stream, Dehuman drummer Laye Louhenapessy and bassist / vocalist Andrea Vissol shared an extensive look at the album's creation and what the band hoped to achieve with this sophomore full-length release.
Andrea had this to say: "What 'Graveyard of Eden' is aiming for is to contrast with today's ultra compressed and generic material that our generation seem to have fallen into. Pure aggressive music, that shoots for creating the new, while not forgetting the old."
Read the the full interview below to find out how Dehuman's sound has evolved in recent years and get an inside view of the new album's major themes.
Forgoing the typical Satan worship or mystical allegory, Carach Angren prefers to tell straight foward and specific stories with a dark bent, from battalions lost at war to children stuck in horrifying home environments.
New album "This Is No Fairytale" (reviewed here) drops at the end of the month via Season Of Mist, with several advance tracks already available online to whet fan appetites (check out a few below).
Ardek - one third of the Carach Angren trio - also got in touch with us to explain the themes of this new release and discuss working with the likes of Peter Tägtgren while recording "This Is No Fairytale" as well as lining up new tour dates to support the release.
Christy Lee of "All Things Metal" has written an article on the metal scene and the society within the genre that we all know and love. She also had the opportunity to chat with George Misanthrope of the band, Monument of Misanthropy. Check out some excerpts below (read the entire interview HERE):
CL: How did you guys end up with Romain Goulon drummer of the band Necrophagist in your band?
GM: Romain is a very good and old friend of Jean Pierre Battesti. They were jamming together before Romain got famous for being the drummer of the technical death metal innovators Necrophagist. Unlike Necrophagist the stuff JP and Romain played at that time was pretty much brutal death metal with old-school death metal and grindcore elements- Brutal and fast but with some Napalm Death & Terrorizer groove in it. JP who already knew me from “Raising The Veil” one day asked me if I want to try out some vocals on some songs he had pre-produced with Romain. And I of course said yes, because I liked the brutality and straight in you face-punch of the songs. So for all of us in “Monument Of Misanthropy” the album is also kind of a tribute to the early days of pure, upright and unpretentious death metal, which defined the 3 of us as young musicians.
CL: How do you feel about how today’s society likes to categorize metal sub-genres?
GM: I think its human, which doesn’t mean it is ok or that I like it. People especially growing up kids long to be part of something they can or want to be identified with. It also has to do with insecurities during adolescence. Anyways what really matters is that someone really likes the music genre and it’s a message and ideals which he or she’s listening to. I never thought it was cool to be a thrash metal fan when I listened to thrash or later a death metal fan listening to death metal. I just liked the music and the people I met in metal record-stores (yes we had to buy our music at that time), clubs and at shows. But it has always been and probably always will be that people of one genre try to tell you that his genre is the best ever and that what you’re listening to is total crap. I never tried to persuade someone to any kind of metal genre. If a friend didn’t like what I listened to it was ok I kept listening to it. Best practice for dealing with metal elitist preachers: Ignore them, end of story.
CL: If you were to evolve heavy metal, how would you do so?
Thought dead since the mid-90s, Putrid Offal tore its way out of the grave to return to grinding duty with the "Suffering" EP.
Now a double-disc monstrosity is on the way, featuring re-recorded and re-mastered old material as well as new tracks to further add to the goregrind band's legend.
"Mature Necropsy" will drop next month via Katoxin Records, and we also just premiered the first disc online (give it a listen over here).
To go along with the resurrection and new album premiere, Putrid Offal bassist Fred Houriez checked in with Metalunderground.com to discuss the band's return, the changes in sound and recording processes after 20 years, and the guest musicians brought on to further brutalize the sound. Check out the full interview below.
Sweden's Watain is still riding high on the success of latest album "The Wild Hunt" (reviewed here) - which pushed the boundaries of black metal and experimented beyond what many fans were expecting.
Now the band has officially landed on North American shores to wage black metal warfare with Mayhem and Revenge (full tour dates here).
Just a day before the trek kicked off, we got in touch with Watain's front man E. (Erik Danielsson) to discuss the tour and upcoming activity from the band. While he was evasive about whether or not new material is in the works or if new songs would be played on the trek, E. had plenty to say about the process of coming to the U.S. for touring and how the media has reacted to the group's stage show. Check out the full interview below.
The following interview with Blind Guardian vocalist Hansi Kürsch was a joint venture between MetalUnderground.com and Black Bird Productions. The guest interviewer is none other than Disforia/Judicator vocalist John Yelland, who worked with Kürsch (who appeared as a guest vocalist) on the Disforia track “The Dying Firmament” (from the band’s latest album “The Age of Ether” - see review here).
A lifelong fan of Blind Guardian, John approached me with the idea of interviewing Kürsch about the band’s upcoming new release “Beyond the Red Mirror” (see our review at this location), and knowing how interesting the interaction would be among musicians and friends, I quickly jumped at the idea. So please sit back, read and watch the interview (video appears at the end) with the legendary Hansi Kürsch presented by one of the best up and coming singers, John Yelland! - CROMCarl
On a chilly winter morning I had the pleasure of interviewing a legend, the master bard himself, mister Hansi Kürsch of Blind Guardian. I had worked with Hansi before on a song of mine in Disforia, “The Dying Firmament”, and have stayed in touch with him since. Intensely curious about the growing hype around Blind Guardian’s upcoming album ‘Beyond the Red Mirror’, I was fascinated to learn details behind the album’s story, concept, and creation. The interview which follows shines light on the aforementioned subjects, as well as everything from promotion, music videos, and the orchestral project, to beer and The Hobbit movies. Please, enjoy :-)
Silent Screams was supporting Japanese act Crossfaith on November 2nd at London's KOKO in Camden.
I sat with Ozzy and Joel before the show and learnt a lot about their next tour, and some very interesting tour adventures. Check it out below! Stay tuned for the transcript!
On November 2nd, Japanese act Crossfaith took to London's KOKO stage in Camden by storm. but not before an epic line up of support acts. I managed to sit down with Masato from Coldrain, another Japanese act, and get a very brief look into what's been going on for Coldrain before he had to run off for soundcheck.
Check it out below!
Please stay tuned for the transcript!
Reforming in 2010 after two decades of inactivity and dropping the comeback album "Heaven Sent...Hellbound" the next year, Indestructible Noise Command (I.N.C.) just dropped fourth full-length album "Black Hearse Serenade" at the end of the Fall.
We caught up with lead guitarist Erik Barath (who recently shared a pit story with us about an over-eager fan wearing nothing but a sock) to discuss the album, I.N.C. embarking on a tour with a band of a very different style, and what classic band he'd like to see reform.
The Swedish metal extremists from Bloodbath have been through their fair share of ups downs - from front men changes to one lengthy hiatus after another due to the main projects of each member - but they keep marching on to hold the death metal banner high.
Currently on its third vocalist following the departure of Opeth's Mikael Åkerfeldt, Bloodbath is now led by new vocalist Nick Holmes from Paradise Lost.
To go along with the vocalist swap, Bloodbath's latest album of dark and dirty death metal, "Grand Morbid Funeral," is out now.
Following the official release, we caught up with Bloodbath's Per "Sodomizer" Ericksson to find out how the new front man joined on, when we can expect the band to hit the live stage again, and gauge the likelihood of the band's former vocalists ever performing live with the group again.
The death metal hooligans from Cannabis Corpse are just about to embark on a hazy, smoke-filled trek across the U.S. supporting new album "From Wisdom To Baked" (reviewed here - and be sure to pick up your copy if you haven't yet at Bandcamp).
Metalunderground.com is (s)toked to be sponsoring the cross-country tour, which kicks off November 28th. Find full dates for the live incursion over at this location.
Before the festivities officially kick off, Cannabis Corpse checked in with us to explain the curious lack of weed-legal states on the tour itinerary, and discuss the recruitment of new member Brandon Ellis and the recording of "From Wisdom To Baked." Check out the full interview below.
Iron Reagan released its second full-length recording “The Tyranny of Will” in September via Relapse Records. This album continues their tradition of punk-thrash songs not far removed from Municipal Waste. Iron Reagan consists of half the members of Municipal Waste. Tony Foresta is still the hyperblast word architect while Phil Hall takes up the guitar in place of his bass. The album contains 25 songs done in just over a half-hour, but not as “cartoony” as Municipal Waste. Here is a band with something to say and they’ll instigate a circle pit in doing it.
Phil Hall and drummer Ryan Parrish spoke to me after a blistering performance on the Black Stage at Fun Fun Fun Fest in Austin, Texas. The night before, the band played Red 7 as part of the festival’s Nites club shows. Their FFF daytime appearance marked the end of a North American tour, but the band was gearing up for another tour, this time with Napalm Death, Voivod, Exhumed, Ringworm and Black Crown Initiate. Read what the group has to say about these tours as well as their zany video for “Miserable Failure.”
By now, most of the metal world has probably listened to At The Gates' brand new, critically-acclaimed album "At War With Reality." With this relentless recording, the legendary Swedish band demonstrated that it was possible to live up to the hype and create something as imposing as the previous, highly influential opus "Slaughter Of The Soul."
MetalUnderground.com had the opportunity to interview vocalist Tomas Lindberg about the genesis of the album, how it developed in the studio and its importance for At The Gates' decades-long musical journey.
Oscuro: At what point, after your initial 2008 reunion shows, you decided not to be just a "nostalgia act" but to write/record a proper album?
Tomas: From the beginning of the reunion we had a really good feeling. We had fantastic feedback from the crowds, we really enjoyed playing together and we felt that musically we were better than ever before. As we kept playing more and more shows the feeling never wore off, so the creative urge slowly crept up on us. Once the rest of us heard Anders' first musical ideas it was a no-brainer, we just had to make this record.
“Obsolescence” is the fourth album released by modern death metal group Abysmal Dawn. Released in late October via Relapse Records, the album offers more than mere DM brutality and speed. The album reveals elements of black metal made obvious by the band’s cover of Dissection’s “Night’s Blood.” The band’s technical abilities recall Nile, while its use of melody and rhythm bring to mind Hypocrisy. Overall, the album’s European feel makes it almost seem out of place in America. Americans love Euro style death metal, though, and the band has received its largest contingent of fans opening for Deicide.
During the last night of their tour guitarist/vocalist Charles Elliott joined me in the alleyway behind Dirty Dog bar in Austin, Texas, the preferred area for interviews at said club. In the following interview, Elliott discusses the tour, which also featured Septicflesh, Inquisition and Carach Angren, and recounts writing and recording “Obsolescence.”
Heralds of the Canadian technical death metal scene, there was a time when Beyond Creation was an unknown metallic entity (even being covered in our look at the technical metal underground a few years back).
Rising out of obscurity and landing a record deal, the band just dropped new album "Earthborn Evolution" last month via Season Of Mist, letting the world know tech-death isn't even close to slowing down or going tame.
With a new full-length in stores and upcoming world tour dates lined up for Australia and Japan, we got the chance to check in with Beyond Creation and hear a first-hand chronicle of the album's creation. Read the full interview below.
Lich King's "Do-Over" Vs D.R.I's "Crossover": A Thrash homage goes wrong.
American old school thrashers, Lich King, recently announced the release of their new EP "Do-Over." According to vocalist/founder, Tom Martin, the idea behind the recording was to give a second chance to some of their old material. "The first two albums are horribly recorded—I did them myself," Martin says. "The 'when will you re-record those albums' was a question we got often. So this is just five old songs, one cover and a demo of one of the new songs on a goofy EP. No big whoop."
One of the attributes that has always characterized this American band is its irreverent brand of humor. Because of this, it's perfectly to understand their decision of giving the new EP's title and cover art, a sort of postmodern, pseudo-satiric treatment. Taking as reference D.R.I's now-classic recording, "Crossover," Martin created (via digital techniques) a look-alike version of that blue-dominated artwork for "Do-Over." He would opt to feature Lich King's mascot (an undead king) instead of D.R.I's iconic running man present in the original.
Mexican black metal band Black Hate is working on upcoming material for a 2015 release, and this weekend we'll be premiering a new single in full (check out the teaser below) to give a taste of what to expect.
This upcoming new release follows both the "Los Tres Mundos" album and "The Dark Key of Enki," a split with Be Persecuted that came out earlier this year.
Black Hate mastermind B.G. Ikanunna can't wait for the world to hear the "Aneetmaa" single, which he refuses to classify either in terms of sound or lyrics, stating its up the fans to interpret it how they want. Eschewing the typical tunnel vision and elitism that plagues metaldom, he states "I'm not into just one genre you know? I just see the music as a gift for my satisfaction and I never care about the 'what people will think if I listen to this band, or that'."
Read on for the full interview to find out how the band is continuing to evolve and what's on the horizon for Black Hate.
Shane Embury (bass), Mitch Harris (guitars), Danny Herrera (drums) and Mark “Barney” Greenway have led the field of grindcore for over two decades. Now that we’re approaching the midway point through the teens of the 2000s, the band is showing no signs of slowing down. In early 2015, the group will release its follow up to “Utilitarian.”
Napalm Death was in Austin, Texas for the Housecore Horror Film Festival. They headlined the outdoor stage at Midway. Before the fathers of grind took the stage, front man Barney Greenway talked to us about this new recording. While some of the details such as the title of their album has been released to the public—they’re calling the album “Apex Predator-Easy Meat,” there are other details about the direction of their songs and Greenway delves deeper into the topic of the album.
In May, the sludge lords from Eyehategod released their first full-length in fourteen years. This period wasn’t void of activity. The band released short-play recordings such as a split with Soilent Green, “99 Miles of Bad Road” EP and “New Orleans Is the New Vietnam.” But the band hadn’t released a full-length recording since “Confederacy of Ruined Lives” dropped in 2000.
14 years is a long build towards a record and they needed to make something good. Their self-titled recording proved well worth the wait. The group couldn’t have picked a better title for the record. It is the ultimate EHG recording.
It contains what one expects from EHG—heaping loads of feedback, groove and punk-addled speed. It’s a faster, more aggressive beast. It’s also the final EHG recording featuring drummer Joey LaCaze who passed away in 2013. Possibly their fastest record, it was the perfect medium for LaCaze to showcase his skills—skills that showed him at the top of his game.
Front man Mike IX Williams was in Austin, Texas to play two shows at the Housecore Horror Film Fest. Early Sunday, he played with his industrial band Corrections House and then with Eyehategod later in the evening. We found Williams in the press room with his podcast cohort Perry P. The two had completed another podcast for the Thee Garbage Men show on Core of Destruction Radio. In the following interview, Williams discusses his involvement in various bands including spinning albums on Core of Destruction Radio. He tells us about EGH’s cryptic messages, playing with new drummer Aaron Hill and being interviewed for the NOLA series on Noisey/Vice.
When Dave Brockie died earlier this year, many fans of Gwar (bohabs as the group calls them_ wondered if the band would continue. Gwar is a large collection of artists and musicians, but Brockie played Oderus Urungus, the voice of the galactic space outfit.
Gwar is a joke that just can’t be stopped and the circus continued at the 5th Annual GWAR B-Q. There the band welcomed new members Blothar and Vulvatron. Blothar is a fat, filthy space Viking who enjoys ice fishing and ritualistic murder. Vulvatron is genetically engineered Scumdog assassin from the future. She has her own line of signature drag-racing motor oils, Vulvoline.
The Scumdogs are currently on the road as part of the “Gwar Eternal Tour 2014.” When the group showed up at the Housecore Horror Film Fest in Austin, Texas, I found Mike Bishop, aka Blothar in the press area enjoying Rudy’s BBQ. It didn't take long for him to get into his beserker character. In the following interview, the cordial Bishop, formerly Beefcake The Mighty, provides insight into the band's newest vocalist without accepting a single yam for his time.
26 years have passed since Bruce Corbitt recorded vocals for Rigor Mortis. The band recorded the “Freaks” EP (1989) and “Rigor Mortis Vs. The Earth” in 1991, but both recordings featured Doyle Bright on vocals. Rigor Mortis was put on a shelf after the latter album release, but returned in 2005. During this time of inactivity guitarist Mike Scaccia metalized industrial icons Ministry on the “Psalm 69” album and bassist Casey Orr assumed the role of Beefcake The Mighty in Gwar and Sheriff “Tubb” Tucker in X-Cops.
Just a year after Rigor Mortis’ reformation, Corbitt and members of fellow Dallas/Fort Worth ‘80s thrashers Gammacide formed Texas Metal Alliance. The group changed its name to Warbeast and recorded its first album “Krush the Enemy” in 2010. This album and their second full-length were both released on Phil Anselmo’s Housecore Records.
A year prior to the release of Warbeast’s “Destroy,” Corbitt joined original members of Rigor Mortis—Casey Orr-bass, Mike Scaccia-guitar and Harden Harrison-drums and recorded the 10 tracks that would become “Slaves to the Grave” at Al Jourgensen’s 13th Planet Studios in El Paso. The speed picking of their eponymous debut was maintained while Scaccia showed a knack for shredding that wasn’t as obvious on the first record. “Slaves to the Grave” was without a doubt Mike Scaccia’s best playing. Unfortunately, it was his last. Near the end of 2012, Scaccia died of a heart attack doing what he did best, playing a concert in front of his fans. Since Scaccia’s death, Rigor Mortis has played under pseudonyms such as The Scaccianators and most recently, Wizards of Gore. The former name performed to benefit the Mike Scaccia Heart Rock Foundation.
Bruce Corbitt was in Austin to play with both bands on the Housecore Horror Film Festival. When not enjoying the plethora of great bands, Corbitt was involved in other aspects of the fest. He sat next to metal dignitaries such as Phil Anselmo and film icons such as Bill Moseley on the Masters of Metal and Horror Panel. He also saw his documentary “Welcome to your Funeral (The Story of Rigor Mortis) debut. Corbitt’s directing earned him the award for Best Documentary by Housecore judges.
I caught up with Corbitt early on Friday to find out more about what he had in store for HHFF. He recalls recording “Slaves to the Grave” and talks about the future as Wizards of Gore and Warbeast.
Halloween hit Reading with a bang, as Indiana rock band SOiL hit town. Supported by American Head Charge, HEDp.E and Wolfborne, this tour has gone through Europe like a tidal wave of rocking beats and headbanging hair.
I managed to catch Ryan McCombs of SOiL pre-show and had a very interesting talk... Check it out below.
From a non-musician viewpoint, its difficult to comprehend just how hard it is to play one single instrument. For some of the more gifted musicians, they play them all. Enter Snowy Shaw, who early on in his career was best known as the blonde beast behind the drum kit for King Diamond and Mercyful Fate.
However, he is more than just a drummer....Snowy can out play so many other on guitar, bass, and even vocals. Having played with many bands (notably: King Diamond, Mercyful Fate, Notre Dame, Opera Diabolicus, Memento Mori, Dream Evil, Illwill, and more recently Mad Architect and his solo band) Shaw is a master of both music and the visual arts.
Earlier this year, Snowy celebrated his 25 year career with the release of new DVD/CD "The Liveshow: 25 Years of Madness in the Name of Metal." The DVD is a combination of material recorded in 2011 and 2012 with a myriad of guest stars to complement his solo band. In it, Snowy does it all with all the visual creepiness of an old time horror flick.
The musician....the artist....the animal activist - Snowy Shaw has never been shy about how he feels. He sat down with Metal Underground.com to talk about his stellar career and his forecast for the future.