To date, we have conducted 1087 interviews. If your band is available for an interview, feel free to contact us and we'll see what we can do. Here are our latest:
The long-running Polish metallers in Hate dropped their latest opus "Solarflesh" (reviewed here) earlier this month. The death squad will also be hitting the road in Europe in March to support the album along with the legendary Hypocrisy.
Metalunderground.com got in touch with Hate guitarist "Destroyer" to find out what the band was up to between the "Erebos" and "Solarflesh" releases and what went into this new release. Destroyer shares his take on over-produced metal ("We were looking for a really raw and organic sound that would match the wilderness of ATF Sinner's lyrics"), and also discusses the album's themes of humanity being enslaved on multiple levels. Check out the full interview below.
Maryland rock maestros Clutch are so excited for you to hear their new material they aren't even going to wait for the album to drop before storming the world with "Earth Rocker."
The album may be coming March 19th (pre-orders available here), but the North American leg of the "Earth Rocker" tour kicks off March 8th. Check out a full listing of tour dates, with support from Orange Goblin and Lionize on the first leg and The Sword on the second leg, at this location.
With the wheels already in motion and the band gearing up to hit the road, bassist Dan Maines hit up Metalunderground.com for a quick chat. In the interview below Dan talks about the band's recent European trek, the imminent release of "Earth Rocker," and the other projects that Clutch's members are involved with.
Continuing to evolve in new musical directions, the ever-present Greek act Rotting Christ is now only a handful of days away from the release of new album "Kata Ton Daimona Eaytoy" (reviewed here).
Metalunderground.com will be hosting a full stream of the new album this coming Monday, March 4th, on the eve of its official U.S. release (Update: the stream is now available by clicking here).
In conjunction with the impending full album stream, vocalist Sakis Tolis connected with us to offer a track-by-track breakdown of the entire disc. Check out what Sakis had to say about each song below, along with his thoughts on the band's long running career and the album's artwork.
As a nearly identical long-haired brunette body double for actor Neil Patrick Harris, it’s not surprising that Theocracy vocalist and main songwriter Matt Smith gets noticed by everyone whenever he walks in the room. What is surprising, however, is how his charisma and vocal bravado is saved almost entirely for the stage, along with his leather pants and red button-down shirt. The soft-spoken and calm Matt Smith in front of me in jeans, Vans, and a sweatshirt in the upstairs backstage of The Rutledge on the 15th is telling me that he’s practicing vocal rest for the show ahead of him – a demanding one, at that.
He is about to lead the Theocracy boys in the performing of their sprawling 2011 power metal blowout of an album, “As the World Bleeds,” in its entirety that Friday night to a warm Nashville, TN crowd. A show report from the night can be found here. Moreover, the show is going to be filmed and streamed on a UStream feed to the rest of the world, as part of a “Sanctuary From The Streets” benefit show, with proceeds going towards buying meals for the homeless in Nashville. Despite his warning that he wouldn’t be very chatty that night, he made time before the show for an interview with me. He talked about “As the World Bleeds,” stacking vocal tracks in the studio, and the release of the re-mixed self-titled Theocracy debut, among other things.
Update: the North American tour discussed below has since been cancelled due to immigration issues with the band trying to enter the U.S. Check out the statement from the band right here.
The Filth is about to hit the road again, gearing up to devastate North American audiences with The Faceless, Decapitated, and The Agonist later this month (check out a list of tour dates at this location).
The British metal icons will be touring in support of "The Manticore and Other Horrors" (reviewed here), released last year, although front man Dani Filth confirmed to us the set list will include many cuts off previous albums.
In a recent chat with Dani, he discussed the varied nature of this tour's lineup, the band's recent trend in releasing albums every two years, his long delayed side project Temple of the Black Moon, and what's happening in the realm of horror movies. Read on to find a full transcription of the interview.
Guitarist/composer Jon Durant has teamed up with Porcupine Tree bassist Colin Edwin for the new ambient project Burnt Belief. Now that the the project's self-titled album is unleashed, I got in touch with Durant to dive into the history between the two musicians and how this release came together.
Drawing inspiration from the book "When Prophecy Fails" and the idea of exploring how people react when their deeply held beliefs don't pan out, Burnt Belief is an introspective journey relying solely on instrumentation and photography to get its ideas across.
Check out the full interview with Durant below, in which he discusses the recently released "Semazen" music video, Harold Camping's failed apocalyptic rapture prophecies, and more.
Chicago’s Arbogast is not the kind of band that engages in the conventional nature of metal. Their sound is hard to pinpoint, sounding like a thrashy take on punk one song, and then a sludgy mess on another. Pulling their cues from many different influences helps them retain a sound that can be defined as their own. Arbogast makes the most out of it on their debut album “I,” which was released back in last December. It was largely overlooked, stuck in the space between end-of-year lists and building anticipation for 2013’s releases. I had the opportunity to speak to all three members of Argogast - bassist/vocalist Aaron Roemig, guitarist/vocalist Mike Scheid, and drummer Mike Rataj - about the creation of “I” and finding a balance between all the different styles the music pools from.
The occult metal troupe Lightning Swords of Death broke through "The Extra Dimensional Wound" (reviewed here) into our world back in 2010, and the group has spent the interim working on a proper invocation to Baphomet and the magical arts.
Newly released album "Baphometic Chaosium" is exactly what it sounds like, and Lightning Swords of Death vocalist Autarch wasn't shy about spreading its message. "The new one is pretty much a love letter to Baphomet," he stated during a recent chat with Metalunderground.com. Discussing the album, he went on to say "When one invokes Baphomet you are usually seeking a certain wisdom that will be left inside you after the ritual. That’s the feeling I wanted the CD to have. I wanted something to enter the listener for the duration of the playtime and then leave traces of itself within you."
With the album having just seen official release through Metal Blade, along with a music video directed by Autarch himself, black metal fans now have the chance to decide for themselves if that lofty goal was achieved. To get an inside look at what went into the creation of this new assault of occult heaviness, check out the full interview below.
The short film “Black Metal” aired at Sundance Film Festival 2013 in Park City, Utah. This was the second year in a row independent film company, Austin-based film production company, Candler Productions was nominated to play the indie film juggernaut. As the film’s title suggests, corpse paint and spikes are abound with bands such as Vesperian Sorrow and Horned Almighty supplying the soundtrack.
Black metal as a form of music was probably chosen because of its violent history. While Norway’s infamous BM bands show no remorse for various crimes, not all artists creating extreme music live in an abyss of personal agony. So when dark music influences a fan to commit a crime, how would the guilt of this tragedy affect the artists, especially someone with a family? Writer and Director Kat Candler explores the aftermath of such a tragedy and asks the question: Who is to blame? Who should take responsibility for such terrible acts?
Before taking “Black Metal” to Sundance, Metal Underground.com watched the film at a private screening. Afterwards, we talked to lead actor and producer Jonny Mars and fellow producer Kelly Williams about researching black metal and attending the massive indie film fest. Although the film is only nine-minutes, Candler said she plans to make the film a full-length feature. Before reading our Q and A, please watch the film embedded below.
Canadian progressive metal act Voivod is back with new album "Target Earth," which was released today in Europe and is due out for eager North American fans tomorrow.
Just a handful of days before the album drop, I chatted up Voivod's drummer "Away" (Michel Langevin) to find out what went into the album and how the recording process went with members "Blacky" and "Chewy."
In the transcription of the interview below you can also see what Michel had to say about the distinctive artwork he created for the album, what Voivod's tour plans look like over the coming year, and how the band has become a cohesive unit while playing early classic material at live performances.
Greece's symphonic maestros Nightfall are only a handful of days away from the release of latest opus "Cassiopeia," which follows on the heels of 2010's comeback album "Astron Black and the Thirty Tyrants."
As the January 22nd release date inches ever closer, Nightfall mastermind Efthimis Karadimas checked in with us to reveal the band's writing and recording process for "Cassiopeia." Learn about the background themes of this multinationally recorded effort and how it differs from the previous release in the interview below, along with some inside insight about the state of the Greek metal scene.
Ottawa's Chariots of the Gods is nearing in on the release of debut full-length album "Tides of War," due out this coming January 29th, 2013.
Metalunderground.com will soon be hosting the premiere of a new track off the album, but in the mean time you can see what the band itself had to say about the impending album, which aims "to deliver straight up, balls-to-the-walls, in-your-face heavy metal."
The interview available below features Chariots of the Gods guitarist Mat St-Amour discussing the mythology behind the band's name, gearing up to drop a first music video, and the best releases of 2012.
The metal queen Doro Pesch has kept busy this year, releasing an EP, a compilation, and the new full-length album "Raise Your Fist," which is an old school look at anthemic, fist-pumping metal meant to keep the energy running high.
Doro is gearing up to rock the sea-bound metal legions on the 70,000 Tons of Metal Cruise, which will then be followed by a U.S. tour in February with Sister Sin. As the year is ending and the festivities are just about to kick off, Doro got in touch with us to chat about the new album and upcoming live activity.
Check out a transcript of our talk below, in which she shares her excitement for new live shows, discusses a track dedicated to the late Ronnie James Dio, and gushes with love for all things '80s metal.
New Jersey's Clamfight plays that type of music that just gets the heart pumping, the fist flying, and the heads nodding until the neck begins to cramp. They spent years working on their stoner metal sound before releasing their vastly-underrated debut “Volume I” back in 2010. This January will see the release of their second album, “I Versus the Glacier,” which is as vicious as their first album was, though with shorter songs and a more focused approach. I had the opportunity to get in an interview with drummer/vocalist Andy Martin to talk about the band’s long path to get to this point and what metal fans can expect from “I Versus the Glacier.”
The Nashville-based progressive metal band “Invicta” (featured in an edition of Unearthing The Metal Underground) has announced the debut of a new music video (see below) for the first single from a new album, due out in January of 2013. Along with the music video for “The Peripheral Sound,” the band also announced the addition of two new instrumentalists to the band in an exclusive interview with MetalUnderground.com’s Frank Serafine.
The band’s first album, “Split by the Sun,” was recorded in Cleveland by acclaimed producer Tony Gammalo (Chimaira, Drowning Pool, Misery Signals) and the band has since undergone several lineup changes with regards to their drummers, bassists, and second guitarists. Now solidified, the band looks to break through to a larger audience with an even more progressive sophomore release, detailed by vocalist and co-writer Mike Schii.
It would be a stretch to call Lord Worm a “controversial” figure in metal, simply for the fact that controversy requires a high degree of visibility, and mysterious anonymity is just the way the former Cryptopsy vocalist likes it.
That may change, however, with his return to the scene at the helm of Montreal black metallers Rage Nucléaire. Not two months after the release of the subtly titled debut “Unrelenting Fucking Hatred” through Season Of Mist, the band is already hard at work on new material. Worm graciously took time out from a Friday night jam session to chat with me about Rage Nucléaire’s background, current happenings, and hopes for the near future.
In an articulate and professorial manner befitting his English-teaching pedigree and wry sense of humor, Worm also quite frankly detailed the murderous thoughts and feelings surrounding his rather antisocial worldview, his excursions into the taboo of cannibalism, the gastronomical origins of his famed moniker, and more – proving that it’s not the theatrically costumed clown at center stage you should keep an eye on, but the reclusive figure lurking just within the shadows’ edge.
We pick up just after I introduce myself over the phone.
Championing orchestral metal, the mighty Therion has gone through quite a wild ride over its 25 year long career. From the death metal of “Symphony Masses” to the game changing “Theli” on to the fully symphonic “Vovin” and “Deggial,” Therion has been evolving along with the metal scene and continues to do so today.
The band’s latest output “Les Fleurs Du Mal” (reviewed here) is a collection of Therionized covers of what master mind Christofer Johnsson refers to as “French oldies,” which have been translated into a medium that metalheads and lovers of symphonic music can both enjoy.
“The achievement I’m most proud of is to get French metalheads to go to a metal show and head bang to France Gall,” said Johnsson during a recent chat with Metalunderground.
During our conversation he went to discuss the difficulties involved in getting the album released, which was passed on by Therion’s label. In the full interview below, Johnsson explains how negative comments going viral have actually worked better than press releases, with the album on track to become the highest selling Therion release with no advertising of any kind, and he reveals the band’s next big project will be a rock opera performed like a musical play.
Over a decade-plus career, New Jersey six-piece Ill Niño has achieved an impressive but underappreciated feat: escaped the Great Nu-Metal Collapse of 2003 relatively unscathed, and plowed ahead with a string of albums that explored, one by one, every corner of the band’s musical and cultural identity. Following a split with Roadrunner Records and a humble stint on the short-lived indie label Cement Shoes, Ill Niño released the fiery “Dead New World” in 2010 through Victory Records. The album encapsulated all the band’s prior adventures – groove, alternative, thrash, metalcore, and progressive – while replanting its signature Latin and tribal roots.
Brazilian-born vocalist and lyricist Cristian Machado spent his early childhood in Venezuela before moving to New Jersey as an adolescent, and so takes a broad, inclusive cultural view of heavy music – and questions the ways in which the genre and its subgenres are typically understood. This thirst for identity has never been more apparent than on “Epidemia,” Ill Niño’s newly released sixth album and next step in its partnership with Victory.
I recently seized the opportunity to phone Cristian on a day off from touring. I explored his thoughts on “Epidemia” and Ill Niño at large, his various outlooks on music, artistry, life, and much more – leaving no stone unturned.
A new addition to the prog/power metal world, former Cloudscape member Björn Eliasson has launched his own project Warnot, which just saw the release of a debut album. The freshman release "His Blood Is Yours" features a range of guest vocalists and is out now via Nightmare Records.
Björn was kind enough to share some insight with Metalunderground into the new album's creation, how these tracks differ from previous work with Cloudscape, and the story behind the lyrical themes. Read the full interview below, or you can find more info on Warnot over at Facebook here.
It was Friday, November 30th in Montreal, and my butt was killing me. Let me explain.
I'd arrived a little while ago at Katacombes, a little cavern of a club with a corner stage partially in the round. Headlining the evening was Derelict, an increasingly popular technical death metal outfit carving quite a name for itself across Canada. After tracking down frontman Eric Burnet, we escaped the noisy chatter - and the impending racket of the opening act - by ducking down a flight of stairs to a basement alcove outside the restrooms.
In the shadowy corner, we claimed a precarious perch atop two beer kegs while Eric brought me up to speed. We discussed all things Derelict, including this year's sophomore album "Perpetuation;" (reviewed here) the overall death metal genre and beyond; Eric's personal techniques and goals as a vocalist and lyricist; the downloading controversy; and more.
Columbus, Ohio, stoner rock band Lo-Pan has been trekking across the country as of late with High on Fire and Goatwhore, and being joined by Corrosion of Conformity for a few of those dates. But many metal heads have not heard much about this band; without vicious growls, crazy fast guitar riffs, and black band t-shirts, they haven't attracted much attention from typical metal listeners. They will not make any excuses for their post-rock, nineties-inspired sound, and will be exposed to a whole new audience full of new fans. I caught up with vocalist Jeff Martin and drummer Jesse Bartz to talk about the tour and the plethora of hotel desk bells that curiously lined their tour van's dashboard.
Sweden’s Tiamat has never been a band confined to a certain sound. Whenever an album conveys a certain path, the group turns around and travels a different route on the next album. From their Swedish death roots of “Sumerian Cry” to the atmospheric doom of “Clouds” to the bluesy soundscapes of “Wildhoney” to the electronic beats of “Judas Christ”—each album seems related only in their pursuit of lush ambiance.
“The Scarred People,” Tiamat’s tenth full-length studio record, bridges many of the ideas and sounds heard throughout the group’s long history. Tiamat mastermind, Johan Edlund corresponded with Metal Underground via the internet to give us the scoop on “The Scarred People.”
The Haunted fell prey to a string of member losses this year, including the departure of vocalist Peter Dolving, who has now released a new solo album titled "Thieves and Liars," in addition to working on other projects Rosvo and Science. Describing the end of his time with The Haunted, he commented "...the band started dying in 2006. Not because we sucked. Because we were good at doing something that didn't click with the business, the market, and the consumers. Simple as that."
With The Haunted in the rear view mirror and other musical outlets ahead, Peter shared with us what's happening in his world lately and his desire to create music that pleases him, regardless of genre classifications.
Peter also has some very strong words for the metal scene and the music industry in general, swearing off record labels to support his solo material and explaining his Rosvo project by stating, "Traditional metalheads and morons who actually are stupid enough to 'think' feces like Waitan or Burzum is music will hate it, and of course, that's the point." Check out the full interview below, along with a stream of "Thieves and Liars."
The Swiss industrial wizards in Sybreed have unleashed a fourth full-length album titled "God is an Automaton" (reviewed here), which bridges the gaps between the previous three and still moves the band forward into new territory.
With the album out now, guitarist "Drop" was eager to chat about the new release and what went into writing and recording these tracks. Drop also discussed the album's artwork being handled by Seth of Greek act Septicflesh, and the title of the album referring "to the fact that there are people willing to use the excuse of a higher being as a justification to their deeds and misdeeds." See the full interview below.
A funny thing happened on Main Street in the heart of hippie enclave Burlington, Vermont, this Tuesday past: a METAL show. Deathgrind splatter freaks Cattle Decapitation had booked a series of headlining dates after dropping off Six Feet Under's Autumn Apocalypse Tour. As happy coincidence would have it, California metallers Holy Grail had booked a night off from their ongoing tour with Hellyeah. The two bands' paths happened to cross at just the right time and place for Burlington's metal-starved fans.
Prior to the show in the intimate upstairs tavern Club Metronome, I strolled into the ground-floor establishment Nectars - fabled as the birthplace of Phish - where the five troublemakers of Holy Grail were cooling their heels. After finishing a game of pool, frontman James Paul Luna sat down with me in a booth to discuss his band's current happenings, including the highly anticipated new album "Ride The Void."