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Latest Sacrifice News
Below is our complete Sacrifice news coverage, including columns and articles pertaining to the band. Some articles listed may be indirectly related, such as side projects of the band members, etc.
Another edition of Asia Metal Festival went off this past weekend in Seoul, South Korea, bringing together extreme metal bands from all parts of the metal spectrum hailing from the host nation, Japan, Taiwan, and the U.K.
Roughly 600 fans, largely from South Korea but also with a large ex-pat contingent from the U.S., Canada, and all over Europe, turned up for the event in raucous anticipation of headliner Napalm Death’s first appearance on Korean soil.
Seoul melodic death metal act Terrormight kicked off the evening, or rather late afternoon with the festival’s 4:30 start time. The five piece band took full advantage of their 25-minute time slot, showcasing their rich, early-era In Flames sound with a keyboardist adding some rich underlying textures. Many punters showed up early and were ready to expend some energy, head banging enthusiastically at the front of the stage at V Hall in the city’s Hongdae District, an area filled with restaurants, bars, and drunken revelers of all ages. More...
Do a little digging and you’ll find a metal scene in just about every country around the developed world. So it should come as no surprise that there is, in fact, a thriving underground swell of support for the dark arts known broadly as metal in South Korea. From the southern port city of Busan to the sprawling capital of Seoul, metal lives in the southern portion of the Korean peninsula. Here’s a look at three of the bands keeping the scene alive and growing in Seoul.
Melodic black metal band Oathean is one of, if not the longest running metal act in South Korea. Oathean was founded in 1993 as a death metal band, then known as Odin, and didn’t adopt its current sound until 1997. A year later the band released its first album under the Oathean moniker, “The Eyes of Tremendous Sorrow.” Since then, Oathean has released four more full-length albums, the latest a self-titled effort that came out this past summer. Oathean enjoyed a brief glimpse of broad exposure in 2005 when their album, “Falling Away into the Grave of Nothingness,” was released in North America via The End records. All other Oathean records bar their debut have been released on band founder, vocalist, and guitarist Do So Kim’s own label, Jusin Productions, marketed as the first extreme metal label in South Korea.
Kim is also the man who brings many of the major touring metal bands to Seoul, as well as being the driving force behind the Asia Metal Festival ongoing series of concerts featuring bands from around Asia and further abroad. What’s more, he is the owner of a rock and metal bar in the trendy Hongdae district of the city, Sapiens 7, and he also owns a large concert hall located in the Sangsangmadang building in the same area, making him an all but indispensable part of the local metal scene as both a promoter and performer.
Oathean’s sound incorporates traditional Korean instruments and, at times, haunting operatic backing vocals into lengthy compositions inspired by the likes of Dissection and Emperor to create a truly compelling mix of Scandinavian and Korean soundscapes. The band has toured to Taiwan and Japan several times, and shared the stage with the likes of Cannibal Corpse, Kreator, and Graveworm. Oathean currently has a lengthy European tour in support of their latest release in the planning stages, their first sojourn to the continent in the band’s history.