From: New Orleans, LA, United States
Last Known Status: Disbanded
Latest Superjoint Ritual News
Below is our complete Superjoint Ritual news coverage, including columns and articles pertaining to the band. Some articles listed may be indirectly related, such as side projects of the band members, etc.
Note: We began associating news directly with bands in late 2003. Therefore, earlier band news may not be listed on this page.
Unless you happen to be one of those smart or lucky folks who has nothing to do with Facebook, you've no doubt seen your friends and family throw down over whether or not people should keep displaying the Confederate flag in America.
The controversy erupted when Dylann Roof was arrested for gunning down nine African Americans in a church and photos surfaced of him waving the flag.
That controversy has now hit the music world, with Ted Nugent and conservative rocker Kid Rock teaming up to write a pro-Confederacy song titled "Kiss My Rebel Ass."
It seems even metal isn't immune to the debate, as in an interview with Hard Rock Haven, Philip Anselmo (Down, Superjoint Ritual, Pantera) was asked about the flag appearing on album covers. Excerpts from the chat follow.
HRH: Well I’ve got a question for you that might be an awkward one, but the cover of "Use Once and Destroy" and a lot of Pantera’s merchandise has the Confederate flag on it. What’s your take on all this business…the backlash against the flag? More...
Read the full article at Hard Rock Haven.
The grindcore/death instigators from Fulgora - a mutinous collective uniting members of Pig Destroyer, Misery Index, Agoraphobic Nosebleed and Dying Fetus - were recently added to a pair of dates on the forthcoming It Takes Guts tour featuring reactivated metal giants, Superjoint.
Fulgora will be crumbling the stages of the tour's Poughkeepsie, New York and Lancaster, Pennsylvania stops on July 17th and 18th respectively. Additional support will be provided by labelmates King Parrot and Child Bite.
Watch Superjoint frontman/Housecore Records head, Philip H. Anselmo's comment on the band's inclusion via a video transmission below. See Fulgora live:
7/17/2015 The Chance - Poughkeepsie, NY w/ Superjoint, King Parrot, Child Bite
7/18/2015 Chameleon Club - Lancaster, PA w/ Superjoint, King Parrot, Child Bite
9/12/2015 Full Terror Assault - Cave-In-Rock, IL More...
American metal icons Superjoint (formerly Superjoint Ritual) will embark on the band's first tour in over a decade.
Presented by frontman Philip H. Anselmo's own Housecore Records, The "It Takes Guts" summer takeover will commence on July 10th in Oklahoma City and ravage its way through thirteen U.S. cities with additional dates to be confirmed in the coming weeks.
Support will be provided by punk metal/noise rock misfits, Child Bite, and Australian grind miscreants, King Parrot, both members of the Housecore Records family.
Now featuring Anselmo (Down, Philip H. Anselmo & The Illegals, Pantera et al), guitarists Kevin Bond (Christ Inversion, Artimus Pyledriver et al) and Jimmy Bower (Down, Eyehategod), drummer José Manuel Gonzalez (Warbeast, Philip H. Anselmo & The Illegals) and bassist Stephen Taylor (Philip H. Anselmo & The Illegals, Woven Hand, 16 Horse Power), the long-anticipated trek follows Superjoint's crushing performance closing out the second stage of last year's edition of the Housecore Horror Film Fest. More...
A good night’s sleep and mild weather helped me catch a second wind on the fifth consecutive day of metal concerts. I watched NWOBHM legends Satan at Beerland on Wednesday, the day before HHFF kick-off party. The sun’s rays dimmed just a little due to Superjoint Ritual backdrop and a breeze gave us some relief while catching the bands on the Midway stage. For me, today’s activities didn’t start there, though, it started at the Grindhouse tent located around the side of Emo’s. More...
Heavy metal legend Philip Anselmo and best-selling true crime author Corey Mitchell’s groundbreaking horror-meets-metal extravaganza, the Housecore™ Horror Film Festival, has just released individual day tickets! On a tight schedule? Dying to see that one special band? Mean old boss won't let you have the whole weekend off? Never fear, HHFF is here for you! It’s all going down at Emo’s in Austin, TX, right before Halloween, between the unhallowed dates of October 23-26, 2014; tickets for each show are now available, as well as the Combo and Music badges. More...
Ever wonder what it would be like to be held hostage in the original Texas Chain Saw Massacre house and break bread with the craziest family in horror history? Have you always dreamed of eating in the same room as Leatherface?! Well, the fiendish ghouls from the Housecore™ Horror Film Festival would love to offer you a once-in-a-lifetime invitation to make your nightmare a reality!
On Saturday, October 25th, for the first time in 40 years, the entire cast of TXCM will return to the Grand Central Café in Kingsland, Texas, 90 minutes outside of Austin,to spend an afternoon at the actual Texas Chain Saw Massacre house. In addition, they will be joined by the cast of The Texas Chainsaw Massacre Part 2,as well as HHFF co-founders heavy metal legend Philip H. Anselmo and best-selling true crime author, Corey Mitchell. More...
We regret to inform everyone that Norwegian black metal legends Satryicon will no longer be able to perform at this year's Housecore™ Horror Film Festival. The band explained via its official Facebook page:
"Dear U.S fans. We regret to inform that Satyricon will not perform at Knotfest in San Bernardino, CA and Horror Fest in Austin, TX in October 2014. The reasons for not being able to perform at these two festivals are both pragmatic ones and entirely different from each other.
"Satyricon will now shift its attention towards the writing of a new album, re-editing the footage from the 'Live at the Opera' live album/DVD and another project that will be announced at a later stage. It is important for the band that the U.S fans understand that you are far from forgotten and that the band look forward to come over for a full scale U.S tour as soon as it is possible. You deserve it." More...
THURSDAY, 6/27 - 13:30
Unmistakable, husky German accent behind me. I glance over my shoulder, turn, step aside the river of disembarking passengers from the Lufthansa Airbus parked out in the drizzly gray. The veteran green-fatigue-jacketed metalhead, balding, sporting a life-without-parole graying goatee, sticks out his hand.
“Holger. Nuclear Blast.” We shake, he grins and nods at the Testament logo above my lapel, only partially obscured by my boarding pass. He slips me a company card - “Holger Tiefenbach, Distribution & Marketing” - and lifts a finger toward a sign down the corridor: “Matkatavarat.” Luggage.
As we stride through Finland’s Helsinki-Vantaa Airport, locate the carousel for Flight 848 from Frankfurt, and wait for our suitcases to materialize - I was forced to check mine at the last minute and have since developed acute missing-luggage paranoia - Holger brings me up to speed on our shared reason for being here: Tuska Open Air Metal Festival, sixteen years running, 2014 edition set to kick off tomorrow afternoon.
“It used to be held in Kaisaniemi Park, right in the middle of the city. It was the greatest. You’d show up, basically have an afternoon at the park, and then head straight to the bars nearby, when the sun was just barely set.” He seems to almost sigh while tossing off a plaintive, what-are-you-gonna-do shrug. “They moved the location three, four years ago.”
“So it’s not as much fun now?” I want to get my finger on the pulse of conventional wisdom.
He’s quick to clarify. “It’s still awesome. The new location just took some getting used to.” On our painless stroll through the open doorway that passes for an immigration barrier - the stamps and stern looks and “papers, please” stuff was handled back in Germany, natch - Holger gives an inside view of current happenings back at the Nuclear Blast bunker.
“We spent a lot of time promoting that Tuomas Holopainen solo album - the one about Scrooge McDuck,” he tells me. I haven’t heard it, and ask him how it is. “Not metal. That’s how it is,” he chuckles. “But cool if you’re into that wacky stuff, like the last Nightwish album.
“And we signed Slayer!” He clenches a victorious fist like a kid receiving his BB gun on Christmas. “Finally.”
We’ve reached the Arrivals lobby, and a leather-jacketed brunette gives a wave. Rachel Roth (WandererOfKalevala), Metalunderground.com photographer and correspondent, currently residing in Vantaa. We have a bus to catch, and before parting ways with Holger, I bum a cigarette, pocketing the e-cig I’ve been abusing for two months.
I make a half-hearted promise to myself not to do this too much during Tuska (and not to beat myself up for doing just that). Rationalization is still the great human sport. More...
Heavy metal legend Philip Anselmo and best-selling true crime author Corey Mitchell’s horror-meets-metal extravaganza, the Housecore Horror Film Festival, has already released several huge jaw-dropping bands and film events for this year’s lineup.
The event features the Official 40th Anniversary Reunion of the surviving cast members of The Texas Chainsaw Massacre, including “Leatherface” himself, Gunnar Hansen; a TXCM 2 reunion with the cast including Bill “Chop-Top” Moseley; and a U.S. exclusive combined headline performance by the legendary Glenn Danzig of immortal classics from both Danzig and Samhain.
Now, they’ve returned for their biggest announcement yet, the return of Philip Anselmo’s legendary band, Superjoint. More...
Phil Anselmo, the vocalist of New Orleans based supergroup Down and former singer of Pantera and Superjoint Ritual, has posted a video message online in which he offers his condolences to Gwar, after the recent death of their guitarist Cory Smoot, who passed away in his bunk on November 3rd. You can check out the video below. A memorial service for Smoot will take place tomorrow at the Bennett Funeral Home Chesterfield Chapel, located at 14301 Ashbrook Parkway in Chesterfield, VA. The service begins at 4pm and is open to the public. More...
With his own new label, Hank3 Records, and the sense that he has thrown off the chains holding him back creatively, Shelton Hank Williams III, aka Hank3, is coming out swinging this year with the release of four records on September 6th, 2011.
The unprecedented launch, in a distribution partnership with Megaforce Records (MRI), features a broad range of music that bridges more than one head-thumping genre - a familiar theme that Hank3 fans have embraced for years. "Ghost to a Ghost/Guttertown," a double-album set, is a straight-shooting country collection, flavored with Hank3's trademark hellbilly sound, and heavily weighted with Cajun influence and an ambient, lonesome mood - and a few very special guests.
Two more releases are "Attention Deficient Domination" and "3 Bar Ranch Cattle Callin" which are described as "intensely metal-driven records" on which Hank3 plays all instruments. "Attention Deficit Domination" is a pressure-dropping, doom rock statement that has been anticipated by his hardcore fans for years, and Cattle Callin explores a new mind-bending "Cattle Core" sound, featuring Hank3's speed metal woven in and around actual cattle auctioneering.
All three projects were recorded at The Haunted Ranch, Hank3's home and studio that lies on the outskirts of Nashville - a fitting place since the town has never really known what to do with this grandson of the American icon. He finally parted ways with Curb Records January 1.
"I have musical freedom. I'm able to say 'Here's my record' and I don't have to go through a million different channels just to put out a song," he says. "It's all me now." More...
Arson Anthem, the band featuring former Pantera, Superjoint Ritual and current Down frontman Phil Anselmo, along with Hank Williams III (also formerly of Superjoint Ritual), Mike IX Williams (Eyehategod, Outlaw Order) and Colin Yeo of Ponykiller fame, has announced that they will be releasing their debut full length album, "Insecurity Notoriety" on October 12th through Anselmo's Housecore Records.
Anselmo comments: "I'm not sure what it is... but when Hank III, Colin, Mike and I get into "Arson" mode, time stops. We know the mission is to write unforgiving hardcore inspired by a slew of '80's bands... but the result is its own animal, yet not too terrible removed from the genuine article.
"With that said, Insecurity Notoriety is like listening to an old favorite blast from the skanking past... vicious, snotty, grating and anthemic! I know it's typical to call a modern-day hardcore band 'fresh' or 'different', especially when it's your band, but... it is! This effort makes our first EP sound like child's play, as it should. Play it over and over! Piss everyone off!"
Phil Anselmo, the lead singer of New Orleans supergroup Down and former frontman of Pantera and Superjoint Ritual, has announced that he will soon start work on his autobiography. He will be working on the book with Corey Mitchell of MetalSucks. More information, including the title, is expected to be revealed shortly.
Down/ex-Pantera frontman Phil Anselmo has recently contributed a poem to BoxingInsider.com. You can check it out below:
A trained; composed; skilled fist
can strike out at an opponent for only so long
before it connects directly into the hearts of loved ones closest.
A pugilistic dementia reaction of habit
with a system in slow motion.
Done by thirty-three
and bitter about it.
What could have been!
Not a single promise kept.
Golden gloves trophies, colorless ribbons
and lost timelines…
next to a stack of unopened mail;
forgotten for months.
Bloodstains on a battle tested brain.
fed back to the cruel streets unwanted and
left to cope alone
with predictable failure lying await in ambush
ticking like a time bomb inside of himself.
Whether it be nerve-damaged ticks
violent, abrupt outbursts
fists through framed family photos
or bottom shelf tequila—
this man is but a trapped, wounded hero
with torn pride inside.
A sad baggage to heave around
with nowhere to put it,
nor knowledge of how to.
The Retired Journeyman will be remembered
as the portrayal of a man that left his mark
as the loser of boxing matches
by those of us who lived through his losses
and have scorned his name because of them.
But let us take a moment to allot compassion for him
because to remember his name
is to know the unparalleled and oft-misguided courage it takes
to climb through the ropes, and into the ring
with nothing left.
For every champion, they must first meet The Journeyman…
who’s scarred face serves its purpose
and with every punch it receives, it
only serves as a detriment to this man’s health
and further distances him, from him.
Woe to The Journeyman—
a hollow young man
with only directionless; puzzled memories of combat
left on his head.
Bereft of family or friends
sitting quietly in his lonely squat—
uninvited, yet familiar company is kept
and can always be found seated in an opposing corner of the house
in a dimly lit smoker
waiting for the bell to ring
in The retired Journeyman’s
Phil Anselmo, former frontman of Pantera and Superjoint Ritual and current vocalist of Down and guitarist for Arson Anthem recently did an in depth interview with AntiQuiet, during which he spoke about his days in Pantera, feud with the Abbott brothers and the rumours that he is back on drugs. Some excerpts are as follows:
Antiquiet: I don’t mean to dredge up old bullshit, but I want to talk about something you’ve encountered firsthand. When you had that beef with Dime and Vin, us fans got the word through fuckin’ Metal Hammer and the music journalists, who of course tend to… you know, pull the juicy quotes out, to keep the circus going, to get attention, to sell magazines.
So let’s say things were different and the journalists minded other business, and you guys had space to work it out on your own. Do you think things might have turned out differently?
Phil Anselmo: Well… it’s kind of a moot point here. But if you’re talking in… imaginary terms, if you’re talking what ifs, theoretically, yeah. Rex and I actually talk about it a lot and we know… Pantera could have kept going.
The interview that sparked off everybody’s imagination… Little to everyone’s knowledge, the guy who asked me that- it was supposed to be off the record- he asked me straight out what would happen if [we] got into a fight- a physical thing. First of all, that never would have happened. Second of all, theoretically, once again- obviously, I would have the advantage over them. So I put it in a [certain] way, like a million motherfuckers do every day- boxers, et cetera- you know, they say they’re going to do terrible, horrible things to each other, and then after everything clears, they shake hands and hug each other and it’s done.
But if things are put as an absolute, and it’s just black and white, it’s just read and it’s taken that way, and it’s very unfortunate that it was. Because, as I’ve said before, Pantera was a mighty force man. More...
Read the full article at AntiQuiet.
The official release of Christ Inversion's self-titled recording is set for October 28, 2008 on Housecore Records
Christ Inversion features:
Philip H. Anselmo (DOWN, Pantera, SJR, Etc..) - Guitar & Backing Vocals
Wayne Fabra (Graveyard Rodeo, Necrophagia) - Vocals
Jay Gracianette (Sinkhole, House of Shock) - Bass
Gary Herbert -(Graveyard Rodeo) - Drums
You can check out some of Christ Inversion's material on their MySpace page.
Blabbermouth.net reports: According to a posting on legendary rock photographer Ross Halfin's official web site, Philip Anselmo (DOWN, PANTERA, SUPERJOINT RITUAL) has begun work on his autobiography. Anselmo apparently revealed the news to Halfin this past Sunday (July 27) following DOWN's performance in Istanbul, Turkey as the support act for METALLICA. Ross writes in the "Diary" section of his web site, "I walk to the dressing room and Phil grabs me for a hug while The Snake [SKID ROW guitarist Dave 'Snake' Sabo, who manages DOWN as part of the successful management company McGhee Entertainment headed up by Doc McGhee — Ed.] looks on with jealousy. Phil tells me he's writing a book about his time doing what he does and it'll include his time in PANTERA."
Philip Anselmo revealed in an online post last week that DOWN has recorded at least six new songs for a possible new release which may also include previously unreleased material from the "Over the Under" sessions.
"Get Thrashed: The Story Of Thrash Metal" will be released on DVD in August. The DVD features footage and interviews with thrash legends ranging from Metallica to Kreator to Hirax. You can read an interview with director Rick Ernst at this location.
The complete list of bands interviewed is as follows:
Metallica, Slayer, Anthrax, Exodus, Godsmack, Hatebreed, Megadeth, Testament, Overkill, Death Angel, Shadows Fall, Meshuggah, In Flames, Strapping Young Lad, Stone Sour, Superjoint Ritual, Lamb of God, Vio-lence, Kreator, Sodom, Destruction , Nuclear Assault, Voivod, Chimaira, Biohazard, Fozzy/WWE Superstar Chris Jericho, Sepultura, Kittie, The Haunted, DRI, Soilwork, Killswitch Engage, Heathen, Hirax More...
Keith Carman of Canada's Exclaim! magazine recently conducted an interview with vocalist Mike Williams (EYEHATEGOD) of ARSON ANTHEM, the hardcore punk-influenced project also featuring drummer Hank Williams III (ASSJACK, SUPERJOINT RITUAL), guitarist Phil Anselmo (PANTERA, DOWN, SUPERJOINT RITUAL), and bassist Collin Yeo. A couple of excerpts from the chat follow:
Exclaim!: Do you have any aspirations for ARSON ANTHEM?
Mike: I'd like to inspire people. I can't say we're the first band to be doing this because there are a lot of bands that play heavy hardcore like a throwback to that era. I want to at least inspire people to seek out those older bands and do some research. That was such a great time for me growing up. I had no responsibility, running free listening to that type of music and riding my skateboard. Hopefully people who didn't live through it can do it vicariously. We have future plans and some new songs to record but first we just wanted to put out the record. Overall though, this is just about fun. The people who take it too seriously and say it doesn't sound like "Vulgar Display Of Power" don't get it.
Exclaim!: There's always backlash against a "new band" from established artists though.
Mike: Just because of the members of the band, people are gonna dig to find something to start an issue with. Phil's already getting the brunt of things. They kick down on him for no reason sometimes. It seems like some people don't even listen to the record before they judge. There's prejudice. I don't understand it. He gets these people who are jealous, hating on him or something. Some people hate for no reason.
Exclaim!: He is a magnet for controversy though, sometimes by his own actions.
Mike: Right. Sometimes controversy can be exciting but sometimes it's a pain in the ass. Sometimes I'd rather have chaos in my life than be bored but it can become too much. With the Internet now, everything is taken as fact. Rumours start and it's taken as truth, starting controversy. It's ridiculous. I don't get people who just bitch all of the time about what they hate. If they're doing that, they're bringing attention to it. Why waste your time? If you're gonna put energy towards something, support it. If you don't like it, ignore it.
Exclaim!: What do you have to say to detractors?
Mike: We just want you to listen and judge for yourself. We have a right to put out any type of record we want. Freedom of speech. I'm happy to be doing this now but at times I wish this band had been together in the '80s. It would have been taken in a different light. ARSON ANTHEM isn't that complicated of a concept. It's just raw, in-your-face music. I love a lot of different stuff but it's great to put out this record and say, "Hey, this is the kind of music that I love."
Rick Florino of ARTISTdirect recently conducted an interview with Philip Anselmo (ARSON ANTHEM, DOWN, PANTERA, SUPERJOINT RITUAL). A couple of excerpts from the chat follow:
ARTISTdirect: ARSON ANTHEM is extremely brutal, raw and honest. The songs bear an intensity missing from modern hardcore and punk. What's the creative process like for this band? How do you compose these songs?
Anselmo: I'd mail cassette tapes of riffs I'd come up with to III [Hank Williams III] and Collin, and just give Mike a copy as well. A month or two went by and III drove his truck down to my place with his recording equipment and drums all packed-up in his truck. We wrote the majority of the songs (musically) during that first night. Everybody already knew all the parts from those tapes! The next day, we wrote the rest of the songs, and fucked with some different ideas. The next day we recorded. Mike sang the next night. III stuck around for the following day in order for he and I to mix a little. Then he split. All in all, "physically," it took three days to put together and record.
ARTISTdirect: The album feels unbridled and really free. Was this an especially fun record to make?
Anselmo: Yes. It was a very intense atmosphere, but extremely at ease as well. We knew that we expected the music to capture a specific sound, but until that happened, and it did, it was gratifying. We knew then, that the music that was being written was both flexible and tangible, and that's all we could hope for. We were going to be critical of ourselves, especially Mike and I. We were the oldest, and had followed the hardcore scene almost from its inception and watched it grow and die. Aside from a handful of current hardcore bands, we felt the need to express our interpretation of this type of music, because, to us, it's a sorely missing element within today's generic crop of two-chord bands that basically mimic the image of THE EXPLOITED, but fail completely to impress "true" purists with their music.
ARTISTdirect: Growing up in New Orleans, was there a strong hardcore scene when you were a kid? Or did you find more inspiration from the other East Coast scenes?
Anselmo: Both. In the early '80s, the N.O. underground scene was an incredible thing. There were numerous bands that played every week and weekend. It was a phenomenon that was slowly growing across the U.S. — especially when I moved to Texas, and the scene there was thriving as well. But to be completely honest, the N.O. scene was much more interesting and influential. The bands from N.O. were admittedly influenced by the East Coast sound. Out of all the bands from or around the NYC area that I could namedrop as probably the biggest influence to the N.O. sound would be CARNIVORE. If you take a peek into Pete Steele's resume, you'll find that within the NYC hardcore scene his name is legendary. He's penned many a great song for many a great band. SHEER TERROR was great too. They were like CARNIVORE meets THE RIGHTEOUS PIGS, who were an insanely great band from Las Vegas.
ARTISTdirect: The guitar playing has an almost black metal speed, and it's super-tight. Do you enjoy the chance to focus on playing rather than singing?
Anselmo: I love to play guitar. I've been writing my own songs on the axe since I was nine-years-old. I suck at leads. But I have my own style, although I haven't gotten any better at them for over two decades. My playing style on AA must be tight a la AGNOSTIC FRONT, and loose when necessary. On fast songs like "Hammer Them Out", I down-pick. Which is the correct way to play it. The lead guitar work is a bit repetitious, but when a song is under two minutes long, I don't have much room anyway. Thank goodness. But I've always contributed guitar parts to every band I've ever been in, so I'll always play the axe. Singing and playing have always gone hand-in-hand with me. I love 'em both equally.
Read the entire interview at www.artistdirect.com.
ARSON ANTHEM will release its self-titled debut EP on February 19 via Housecore Records; a label created by Anselmo focusing on Phil's side projects and other artists he believes in. The track listing for the effort is as follows:
01. Year Of The Fork
02. Doomed Morale
03. Bunker Life
04. Hammer Them Out
05. Wrecked Like Clockwork
06. Cops Shoot Coke
07. The Avoider
08. Sri Lankan Medication