Band Photo: Emperor (?)
From: Telemark, Norway
Last Known Status: Disbanded
Beginning life as a trio in the spring of '91 with Samoth (drums/vocals), Ihsahn (guitar) and Mortiis (bass). The band quickly recorded and circulated the now legendary "Wrath of the Tyrant" demo. It was this that brought them to the attention of the then still fledgling Candlelight record label . A deal was inked, Samoth moved to guitar and Bard Faust was recruited for the now vacant drum stool. By the end of the year the band had been once more into the studio to record their half of the "Emperor / Enslaved" split CD which was to eventually surface early in the following year. Mortiis departed for the band, and was after a while replaced by Tchort.
In autumn of '93 a series of headline grabbing events (which are now quite sufficiently documented. For further reading check "Lords Of Chaos". Emperor would suffer the temporary loss of Samoth and the permanent loss of Faust, due to prison-sentences. However, before Samoth has to do time, the band managed to put together a new line-up, with new bass-player Alver, and a session-drummer.
Even though the band was seriously disturbed by the unpleasant confrontations of the imprisonment's and line-up difficulties, the entity of Emperor came out even stronger in the end. By the time Samoth was paroled, Trym (ex. Enslaved) had joined the band on a permanent basis, and the bones of what would become their most epic and majestic material to date were taking shape.
By the end of '96, now fully prepared and rehearsed, they were back in the studio. First firing off the "Reverence" EP to announce their return to the fold and then following up in early '97 with what is without doubt the single most ambitious and important black metal release to date......"Anthems To The Welkin At Dusk". An album of epic savagery. Not only beautiful but bestial in it's wide ranging scope.
Emperor have now moved so far ahead of the field that it would be unfair to even consider them a black metal band any longer. Utilising elements of their more traditional metal roots, operatic vocals and of course their trademark symphonic riffing the band have created an album so mature that it may well take the rest of the competition years to catch up.