Band Photo: 40 Below Summer (?)
From: NJ, United States
Last Known Status: Regrouped
The seeds of 40 Below Summer were sown in 1998, when drummer and Peruvian native Carlos Aguilar started jamming with singer Illidge. Joe D’Amico came into the fold next, followed by Jordan Plingos and Puerto Rican-born Hector Graziani. A self-released EP called Sideshow Freaks and constant gigging in New Jersey and New York helped foster a buzz about the band, and after numerous showcases on both coasts, a deal was signed with London/Sire Records. Their major label debut, Invitation To The Dance, was rele ased in October of 2001, produced by the legendary GGGarth Richardson (Rage Against The Machine, Kittie).
Following one label-supported run on the Jagermeister Music Tour, with Drowning Pool, Coal Chamber, and Ill Nino, making things work on their own is exactly what 40 Below Summer did – with the help of an incredibly devoted and growing fan base. “It’s pretty uplifting, especially when we’re just out in a van playing smaller clubs, and the kids are crazy,” continues Plingos. “They follow us, they’re just so psyched for you to be there, they want to talk to you and tell you what they thought about the show. It’s just nuts to see what five guys in a van can do.
“We’re not a nu-metal band,” says Illidge firmly. “We have elements of nu-metal in us; we have elements of old school metal in us. We have elements of hardcore and straight-up rock and folk and even some jazz and funk. We don’t want to be pigeonholed. We’re an aggressive rock band, and rock explores a little bit of everything.”
With The Mourning After ready for release, 40 Below Summer is preparing to do what they do best – tour as much as possible – and bring their hardcore fans a killer new album, an energized band, and an uncompromised outlook. “Everything feels much better,” says Aguilar. “Every single experience, every single show, the way we recorded this album, the songwriting – everything feels like it’s being done by a band again.”
“The music has to always come first,” confirms Illidge. “The music and the band itself have to come before anything else, and then you deal with the rest.”