From: Tokyo, Japan
Last Known Status: Active
Latest Sigh News
Below is our complete Sigh news coverage, including columns and articles pertaining to the band. Some articles listed may be indirectly related, such as side projects of the band members, etc.
Japan’s SIGH will embark on a North American tour later this year with ZIMMERS HOLE and UNEXPECT. The first dates to be released include:
September 11 - Fort Worth, TX @ Ridglea Theater
September 16 - New York, NY @ B.B. King Blues Club
It appears that Japan’s SIGH will embark on a North American tour late next year with ZIMMERS HOLE and UNEXPECT. The first date to be released is as follows:
September 16 - New York, NY @ B.B. King Blues Club
The End Records have announced plans to reissue SIGH’s 2005 album Gallows Gallery on November 27th, 2007.
The reissue, remastered by James Murphy, also features revamped artwork and several bonus tracks. The band recently released their album Hangman’s Hymn in June of this year to rave reviews.
About the reissue, singer/founder/frontman Mirai Kawashima says: “In the beginning, Gallows Gallery was planned to be pretty much a jazzy album. You’ll hear the discarded pieces along with some alternate versions never heard before in the bonus tracks. Remastered by the mighty James Murphy, finally Gallows Gallery will be released in the form of what it should have been!”
The tracklisting for the reissue of Gallows Gallery is:
1. “Pale Monument”
2. “In A Drowse”
3. “The Enlightment Day”
4. “Confession To Be Buried”
5. “The Tranquilizer Song”
6. “Midnight Sun”
7. “Silver Universe”
8. “Gavotte Grim”
11. “The Tranquilizer Song” (David Harrow Mix)
12. “Pale Monument” (Harsh Vocal Version)
13. “In A Drowse” (Demo 2003)
14. “Messiahplan” (Gunface Alternate Guitar Solo Take)
15. “The Tranquilizer Song” (David Harrow Remix Outtake)
16. “Jazzy Outtake 1”
17. “Jazzy Outtake 2”
In other SIGH news, the band’s song “Inked in Blood” from Hangman’s Hymn is featured on the free compilation from SonicFrontiers.net.
To find out more on the compilation, go here.
MTV.com reports: Mirai Kawashima, the frontman for Japanese experimental black-metal band SIGH, is pissed. He’s not mad that the band’s U.S. dates with MAYHEM were canceled when MAYHEM drummer Hellhammer broke his hand, or that SIGH’s U.S. headlining shows were nixed because they were improperly booked. And he’s not even upset that SIGH’s seventh studio album, Hangman’s Hymn — one of the most innovative, unusual and brilliantly assembled extreme-metal discs this year — will be dwarfed in sales by some upcoming release by the next metalcore flavor of the month. No, Kawashima’s rage has more to do with his generalized disgust for the values and beliefs of modern man.
“I hate 99 percent of the people on this earth,” he said in a soft voice. “I hate weak people who have to cling to fairy tales like religion, and I hate greedy people that have nothing more than making money in their head. I just want all of them to die.”
Well, that accounts for the rage on Hangman’s Hymn, but not the artistry. Since their first album, 1993’s Scorn Defeat, SIGH have incorporated jazz twists, psychedelic interludes and orchestral flourishes into their songs. Hangman’s Hymn, which was largely influenced by Wagner, Weber and Mozart, is less jarring, but it’s even more creative. The tempos of songs like “Inked in Blood” and “Death With Dishonor” are still fast enough to trip up a NASCAR champion, but the way they’re constructed — by incorporating violins, cellos, horns, bells, keyboard and choirs — is more akin to classical opera than high-rise demolition.
“Good opera is so emotional and powerful,” Kawashima said. “And that’s what I was inspired by. A lot of black-metal bands use keyboards and strings for embellishments. But the keyboard parts and orchestration on Hangman’s Hymn are not embellishments. They are as important to the songs as the guitars, bass and drums. So even though it’s very metal, you can say it’s pretty much classical music as well.”
Like many operas, Hangman’s Hymn is divided into three acts. There’s no distinct story line, but each act represents a different set of ideas as presented through symbolic references to heaven, hell, earth and death.
“Act one and two is about the greed of humanity on this planet,” Kawashima said. “And act three is about destruction and images of burning like an inferno. Then, at the end of act three, there’s an image of heaven in the song ‘In Paradisum‘ and lots of Latin chanting to create the image of the funeral. I didn’t want to have a plot because it’s more powerful to create strong images.”
As multifaceted as Hangman’s Hymn is, Kawashima said it was the easiest SIGH album to write so far. On past releases, he has painstakingly written, arranged, recorded, re-written, re-recorded and rearranged for months on end. This time, however, the songs practically created themselves and there was no shortage of ideas. Three months after he started writing, he was done.
“I was just driven over a very short amount of time and I came up with many ideas in that time,” he said. “I think it happened so fast because I had such a clear vision of the concept from the very beginning.”
Kawashima, who works on video game and TV music when he’s not writing for SIGH, created 70 percent of the music for Hangman’s Hymn before inviting his bandmates Shinichi Ishikawa (guitar), Satoshi Fujinami (bass) and Junichi Harashima (drums) to add their input. After that, the entire album was recorded quickly, scheduled for release and came out June 12.
As talented and prolific as Kawashima is, he is unable to support himself strictly with his music. So, in the morning, he heads downtown to work at a Japanese telecommunications company, then works on his sinister songs at night.
“I actually think it’s good to have a day job because I don’t have to live on music, and that lets me do anything I want musically,” he concluded. “Of course, it would be great if I could live just on my music, doing something I like, but it’s very hard. If you live in Japan, it’s not easy to tour the U.S. or Europe. So having a day job and a band is the best thing.”
For the first time in six years, and quite possibly the very last, MAYHEM will "Deconsecrate the States"! July 2007 is sure to be the hottest on record as the ferocious fires of hell blaze across the U.S. under the cloven-hooves of Norway's MAYHEM. The premiere, the true, the feared, the world's most powerful black metal band will appear in select cities nationwide.
MAYHEM "Deconsecrate the States" tour dates:
July 16 - DNA Lounge, San Francisco, CA
July 17 - Galaxy Club - Santa Ana, CA
July 18 - Key Club - Los Angeles, CA
July 20 - Studio Seven - Seattle, WA
July 22 - Joe's - Chicago, IL
July 23 - BB Kings - New York, NY
July 24 - Jaxx - Springfield, VA
July 25 - The Sterling Hotel - Allentown, PA
Check your local listings for support acts which will include NACHTMYSTIUM, SIGH, TODAY IS THE DAY, INTRONAUT, WITHERED, AMBER ASYLUM, LUDICRA, CREMATORIUM, NOVEMBER'S DOOM, MOUTH OF ARCHITECT, DEKAPITATOR.
Advanced tickets are available from EnterTheVault.com. More...
Groundbreaking Japanese act SIGH has announced a few North American tour dates with Mespotamian masters MELECHESH.
SIGH is touring in support of its upcoming album, "Hangman’s Hymn", due on June 12 via The End Records. This is the first North American tour for MELECHESH, who released its critically acclaimed album "Emisarries" in January. Also on the touring bill is Atlanta's sludge/doom outfit ZOROASTER.
Confirmed dates so far:
Jul. 06 - Europa - Brooklyn, NY
Jul. 13 - Opera House - Toronto, CA
Jul. 14 - Sapphire Club - Montreal, QC More...
Japanese act SIGH have entered the studio today (August 24th) in Japan to commence work on their seventh album, titled Hangman’s Hymn, due out in 2007 via The End Records. The band will be working with engineer Takamichi Osada at Studio Moopies and will produce the album themselves. About the new album, Sigh frontman/leader Mirai Kawashima says, “It’ll definitely be by far the best album by us. The album is going to be the fastest, the most violent and the most symphonic ever recorded by Sigh!”
He describes the sound as, “thrash-metal-meets-German-symphonies! Fast, heavy, bombastic and majestic!’
The final tracklisting for Hangman's Hymn - Musikalische Exequien is as follows:
Act1 - 'Introitus/Kyrie', 'Inked in Blood', 'Me-Devil'.
Act2 - 'Dies Irae/The Master Malice', 'The Memories as a Sinner', 'Death with Dishonor', 'In Devil's Arms'.
Act3 - 'Overture/Rex Tremendae/I saw the World's End', 'Salvation in Flame/Confutatis', 'Finale: Hangman's Hymn/In Paradisum/Das Ende'.
ENFORSAKEN vocalist Steven Sagala has just finished tracking guest vocals for the cult Japanese band SIGH at Studio One in Racine, Wisconsin with producer Chris Djuricic (NOVEMBERS DOOM, ENFORSAKEN, SOIL, FLESHGRIND, etc.). Sagala will appear on three songs for SIGH's upcoming album, "Hangman's Hymn", due out later this year via The End Records.
As previously reported, ENFORSAKEN is disbanding after eight years of existence and will play its last concert in Chicago at the legendary Metro venue on Saturday, August 19 with DEAD TO FALL. More details and updates regarding ENFORSAKEN's final show can be found at www.myspace.com/Enforsaken.
Japanese metal band Sigh have released the tracklisting for their upcoming debut album for The End Records. Sigh's upcoming album is entitled "Hangman's Hym." The tracklisting is as follows:
2 Inked in Blood
4 Dies Irae/The Master Malice
5 The Memories as a Sinner
6 Death with Dishonor
7 In Devil's Arms
8 Overture/Rex Tremendae/I saw the World's End
9 Salvation in Flame/Confutatis
10 Finale: Hangman's Hymn/In Paradisum/Das Ende
U.K. black metallers THE MEADS OF ASPHODEL will release a mini-CD, entitled "In the name of God, Welcome to Planet Genocide", in July 2006 on Firestorm Records. Songtitles set to appear on the effort include "My Beautiful Genocide", "Baptized in the Warm Piss of Slaughtered Children", "The Man Who Killed for God", and two as-yet-undisclosed DISCHARGE covers. The release will once again feature Alan Davey (HAWKWIND) on bass and Mirai (SIGH) on keyboards.
Japanese metal act SIGH have signed a worldwide deal with The End Records. The band will release their seventh album, "Hangman's Hymn", sometime later this year.
The Japanese outfit has become one of the most respected and creative entities in the metal music scene thanks to the versatile and unique albums they have released, most notably 1997's black metal opus "Hail Horror Hail" and the psychedelic-tinged sounds of 2001's "Imaginary Sonicscape".
On the sound and direction of the new album, SIGH frontman/leader Mirai Kawashima said that "Hangman's Hymn" is "thrash metal meets German symphonies! Fast, heavy, bombastic and majestic!"