Band Photo: Rigor Mortis (?)
From: Dallas, TX, United States
Last Known Status: Active
Latest Rigor Mortis News
Below is our complete Rigor Mortis news coverage, including columns and articles pertaining to the band. Some articles listed may be indirectly related, such as side projects of the band members, etc.
Finally, the "Slaves to the Grave" release from Rigor Mortis is shaping up for release in early 2014. The band has revealed the tracklisting of the release over on Death Metal Underground. Al Jourgensen will also appear on the final track.
Recorded with its 1988 lineup including now-deceased guitarist Mike Scaccia, "Slaves to the Grave" was recorded during February 2012 at 13th Planet Studios in El Paso, Texas. According to the band, this will be the final Rigor Mortis release and a swan song to Scaccia, who died on December 23rd, 2012 while performing at the Rail Club in Fort Worth, Texas.
2.Rain Of Ruin
3.Flesh For Flies
7.Fragrance Of Corpse
8.Curse Of The Draugr
9.Sacramentum Gladiatorum (Scaccia Instrumental)
10.Ludus Magnus (Guest Vocal appearance by Al Jourgensen)
Rigor Mortis guitarist Mike Scaccia passed away late last year, and the band had been scheduled to play a tribute show in June. However the group has now checked in with the following announcement about canceling the appearance due to drummer Harden Harrison being injured:
"We’ve got some really bad and sad news to announce. The Scaccianators will be unable to perform at the Mike Scaccia/Birthday Tribute Show on June 14 at Trees.
"Rigor Mortis drummer Harden Harrison had a freak accident the other day when he motorcycle fell over and he grabbed at a weird angle it to prevent it from falling. The weight from the motorcycle did severe damage to his shoulder. He just got the results from the MRI and it was bad news. He has a torn rotator cup and has to have surgery on June 6. He will be in a sling for at least two months.
"Of course Harden is really bummed as are all of us. But we will do this Scaccianator thing in the future… probably at the Rigor Mortis CD Release Show, or maybe even next year if we do the Scaccia Tribute Show again. The good news is we still have a killer lineup and I’ve already got some good ideas in what to do to make up for us not being able to play. We will post the info once we have decided on what exactly we will do.
"We are sorry… but this was just an accident and it’s just one of those things. Please wish Harden luck on his upcoming surgery and recovery. THANKS!!!"
Dallas, Texas based producer/engineer/mixer Kerry Crafton has finished mixing the long awaited fourth and final release from the legendary Texas thrash metal band Rigor Mortis. The CD was recorded at 13th Planet Studio in El Paso Texas in February 2012. Mike Scaccia and Rigor Mortis produced the sessions and Ministry frontman Al Jourgensen and Angie Jourgensen are the executive producers. Completion of the CD was delayed while guitarist Mike Scaccia was on a European tour with the band Ministry and then by Scaccia’s sudden passing.
Scaccia brought the tracks back to Dallas to be mixed by longtime friend Kerry Crafton. Crafton engineered the first Rigor Mortis album “Rigor Mortis” for Capitol Records in 1988. Crafton was the producer/engineer/mixer on the 3rd Rigor Mortis Release for Triple X Records “Rigor Mortis vs The Earth.” He now closes out the Rigor Mortis legacy by mixing the final Rigor Mortis CD “Slaves To The Grave.”
Mixing began in December and Crafton and Scaccia had only one day together to begin the mixing process before the tragic onstage passing of Scaccia at the Rail Club in Ft Worth while playing with Rigor Mortis.
Kerry Crafton commented: “After Mikey died, it was very hard to open up the session and get back to mixing. I expected to have my buddy Mike with me as I did all the mixes. Instead, we had just one day together to set up basic tones and for him to explain what was what. It was a couple of weeks before I was able to begin again. When I got back to it, I found it both heartbreaking and cathartic. Though Mike was gone physically, I still was blessed with his musical presence every day as I mixed on through the tears. Mixing sessions with the band were good group therapy. This record is amazing. Mike, Bruce Corbitt, Harden Harrison and Casey Orr all performed brilliantly in the recording of this album and I believe they all did the best work of their lives. I feel very lucky to have had the chance to mix this project for such a great group of musicians and friends. The depth and breadth of the material is really awesome. This will, obviously, be the last project from Rigor Mortis, but it is a great final musical statement.”
The CD is currently being shopped to several interested labels and a release is expected this Summer.
Many times a band becomes well known and its musicians end up starting new musical collaborations that live off of the name of that pioneering act. The reverse was true of Texas quartet Rigor Mortis. Although fairly influential and cult in the thrash metal underground, its members went on to bigger success in other, more well-known metal acts. In the beginning, though, it was just the four of them - or better stated, three.
Rigor Mortis was the brain child of New York guitarist Mike Scaccia, drummer Harden Harrison and bassist Casey Orr. Basing themselves out of Dallas in 1983, the band had no official singer and usually had Casey on the mic. Years later, that was why Rigor Mortis normally had several instrumental tracks and started off its debut album with "Welcome to Your Funeral." Vocalist Bruce Corbitt didn't come into the picture until late 1987. He'd only been in a Black Sabbath covers band and wasn't sure of himself on the helm, but determined to prove himself. He said he wanted it badly, wanted to be a really bad mofo. Thus began the official line-up of Rigor Mortis. More...
It was recently announced that Rigor Mortis guitarist Mike Scaccia passed away on December 23rd on stage during a performance.
Since then Ministry frontman Al Jourgensen has issued a statement about Mike's passing, and various other metal bands have also shared their thoughts about Mike online.
The Electric Hellfire Club:
We in The Electric Hellfire Club are saddened to learn of the untimely death of one of industrial/metal's greatest, most-underrated players, Ministry/RevCo/Rigor Mortis guitarist Mike Scaccia. Our condolences to his family. However, we should all be so lucky to shuffle off this mortal coil as he did: doing what we love, which, in his case was playing onstage with a guitar in his hands. We'll miss you, Mike.
Turbid North: More...
Ministry frontman Al Jourgensen has posted a message online paying tribute to his bandmate Mike Scaccia, who passed away in the early hours of December 23rd whilst performing on stage with Rigor Mortis. Jourgensen's message reads as follows:
"I just lost my lil' brother and my best friend. The 13th Planet compound is devastated, completely in shock and shattered. Mikey was not only the best guitar player in the history of music, but he was a close, close, close part of our family — and I just lost a huge chunk of my heart today. Our lives are forever changed. Life without Mikey is like orange juice without pulp — kind of bland. I have no words to express what this guy meant to me, my family, my career... everything!
"Get to know his lead parts, for they are in the pantheon of music! Unfortunately, most of you didn't get to know Mikey's soul, which is in the pantheon of humanity. He is my hero, my friend and my idol. Mikey was always beside me - my right-hand man - through thick and thin, the good, the bad, the ugly and the beautiful.
"Rest in peace my brother, my friend, my heart.
"Please pray for Mike Scaccia and Jenny, his wife and their children, and his family."
Rigor Mortis guitarist Mike Scaccia died in the very early hours of December 23, 2012 at the band's gig in Fort Worth celebrating the 50th birthday of singer Bruce Corbitt. Apparently, Scaccia passed out on stage during the performance and was found to have no pulse. No official cause of death has yet to be announced, but it appears to have been an apparent heart attack. Scaccia was 47.
In addition to co-founding Rigor Mortis, Scaccia also played with Ministry (including the latest LP "Relapse") and the Revolting Cocks.
In a post on his official Facebook page, singer Bruce Corbitt commented: "My brother is gone! The only reason I am who I am is because of this man. If it wasn't for him I wouldn't even be in a band. RIP Mike Scaccia! The greatest guitar player I ever knew!"
Besides drumming for Obituary, Donald Tardy has other interests of a more altruistic nature. He and his wife Heather established the "Metal Meowlisha" as a way of aiding over 130 feral cats a day. Metal Meowlisha has the following mission statement, and you may go to it's website to learn more.
"Donald and Heather are committed to caring for feral cats in more than 20 spots or ‘colonies’ each day, 365 days a year. This also involves continually practicing Trap-Neuter-Return and using spay/neuter to control the population of free roaming cats in our area. The ASPCA endorses Trap-Neuter-Return as the ONLY Humane and Effective manner of managing free roaming cat populations, and so do we! In caring for so many cats on the streets, we find many abandoned cats, especially in the current economy and college area that we are working in. Often they are in need of health care, some need extensive treatment. The MM works with our vet and local clinics to the sick and injured cats we find, and networks with the wonderful rescues and shelters in our city to help find homes for friendly, adoptable cats and kittens. We strive to provide medical care as needed to sick or injured feral cats so they can be returned to their outdoor homes to live happily and comfortably. The MM embraces a no-kill ideology and strives to treat sick and injured cats without euthanizing cats based on financial considerations or testing positive for infectious diseases. We also believe that any cat or kitten whose life will be impacted by the results of a "positive" test deserves to be retested as these results are not always correct the first time, and sometimes with time a cat will clear the antibodies or virus. They don't euthanize MLB players for testing positive! We believe all cats deserve a second chance as much as it is possible, keeping the cats quality of life & prognosis of course in primary consideration."
Currently, Obituary is planning it's next big live gig at the Chas Metal Attack VI in the Circo Volador in Mexico City, supported by Pathology and Rigor Mortis. The date for the Festival is February 4th, 2012. Check out Obituary's Facebook page for more information. More...
Exhorder and Rigor Mortis reunited to drive a metal stake into the heart of Texas. Both bands haven’t released a proper album in two decades, split up in the ‘90s and reunited (Exhorder in 2008, Rigor Mortis in 2005) to play select live shows. Rigor Mortis occasionally makes the three-plus-hour drive south to play Austin, but this performance was the first in 19 years for Exhorder. If not for promoters Motorbreath Entertainment, most in attendance would still be virgins to Exhorder’s “Anal Lust.”
Before Exhorder made its glorious return, local acts The Blood Royale, Hod and Dead Earth Politics took the stage. The Blood Royale opened the show with a crusty mix of old hardcore, grind, thrash and punk. Featuring JT of stoner rockers Dixie Witch, the band bombed the crowd with a furious attack of D-beats. During the group’s sound check, Exhorder vocalist Kyle Thomas told me they sounded good. I nodded and said they remind me of Motorhead. Guitarist/vocalist Timmo had a definite, Lemmy-type scruff in his voice.
Since forming in 2006, Hod has overcome band changes and come together as a cohesive unit. Decked out in black jeans and black leather vests, the group held their instruments like swords and shields, eagerly awaited front man Beer Reeb’s battle charge: “We are Hod and we play fucking metal.” Once he gave the signal, much metal playing ensued. The members' hair swirled in unison to the death/black/thrash/speed witches brew that one can only categorize as metal. I formerly described their music as a mix of Marduk and Morbid Angel. While those influences are still apparent, newer songs “Beware the Death Horse,” “In the Den of Wolves” and “Beneath the Mountain of the Scorpions” offer a greater range of sounds. Check these guys out on their tour supporting Marduk.
Dead Earth Politics played loud and aggressive. Their take on the groove metal sound proved a good choice to open for Exhorder. I can’t provide many details about their set because I was socializing at the time. Rigor Mortis and Exhorder gave them a big thumb up, though, and Rigor Mortis said they were friends with the band.
The crowd greeted Texas thrash legends, Rigor Mortis with banging heads, pumping fists and the occasional flaying knee and elbow. Singer Bruce Corbitt stalked the stage like one of the many serial killers described in his gore-strewn lyrics. His yelled vocals possessed a crossover flare reminiscent of Kurt Brecht of D.R.I. The group’s use of only one guitarist outlined Corey Orr’s punky bass lines and Mike Scaccia’s wild guitar solos.
Corbitt held his custom chain-link microphone stand out to the crowd to help sing infectious chorus lines from cuts like “Re-Animator” and “Die in Pain.” The group showcased more material from the self-title debut such as “Demons” and “Slow Death.” During “Slow Death,” Corbitt looked at the crowd with hateful lust during the lyric “I have this knife/It's a good knife.” The group played “Cattle Mutilation” from their “Freaks” EP and launched into two new tracks “Bloodbath” and “The Infected.” These tracks will not disappoint the Rigor Mortis fans who have waited 20 years for a new album. The new material could have blended in with any of the horror thrash Rigor Mortis played in the late ‘80s that made a large impact on death metal.
Earlier in the evening, Kyle Thomas complained of an ache in his knee while we ascended the hard metal staircase to the green room for an interview. He said his knee hurt because he thought he could do things on stage that he did 20-years ago. Exhorder looks much older than they did on You Tube videos from their “The Law” tour, but the group was still full of energy and they played to perfection.
Kyle Thomas’ regular, tough voice was in perfect condition. The only time he seemed to falter was during a long scream, which he briefly lost but regained. Jorge Caicedo silently counted each beat and hit every note. Even though this was only his second show, he knew the material well. Earlier in the show, he had expressed his desire to be a permanent member of Exhorder. Caicedo replaced Frankie Sparcello who unexpectedly died before the tour. His performance, hard work and cool demeanor should play in his favor.
A large photo of Sparcello held in easel provided a way, as Kyle Thomas put it, for the band to take Sparcello on the road and as a memento for his fans and band members. Bands throughout the night gave their condolences, but the grief of his passing faded when Exhorder launched into their material. The group opened their set with “Death in Vain” and “Homicide,” two fast numbers from the “Slaughter in the Vatican” album. Vinnie LaBella and Jay Ceravolo picked their guitars with the wrist-tearing speed displayed by Dark Angel and Slayer. Then, Thomas and bunch launched into material from “The Law.”
The chugging groove found on this album has led to a million conversations and arguments about Pantera plagiarizing Exhorder’s style. Whether they did or not, I’m not going to rehash these ideas, one listen to the album will bring to light similarities. “I am the Cross” and the title track enthralled the crowd to a slow-but-bruising swagger. My personal favorite “(Cadence of) The Dirge” was the musical embodiment of all that is Exhorder. This track tempered groove with speed and even epic doom metal movements.
Having once played in Trouble and with Floodgate, tattooed with the Trouble logo on his arm and wearing a St. Vitus wristband, it is safe to say Thomas likes doom metal. Exhorder did the gods of gloom and doom, Black Sabbath, proud with their rendition of “Into the Void.” The crowd received this cover with added energy. Immediately after jamming the Sab, Exhorder played another cover. This time, they brought out Austin local (transplant) Billy Milano to sing his S.O.D. song “United Force.” By the now, the crowd had gone complete ape shit. Billy, Kyle, Vinnie and the bunch embraced as friends while shouting the song’s title.
Before the crowd did the “Milano Mosh,” Seth Davis displayed his drumming genius in a five-minute solo. Davis regularly teaches drum clinics, releases instructional videos and was once dubbed “The World’s Fastest Drummer.” Starting with a short kick-drum beat, Davis built momentum until all of his appendages were firing rapid, multiple beats. He switched his sticks from side to side while the crowd stood in agog. This solo was not only entertaining, but also it allowed the guitarists time to switch instruments. Both guitarists took over the bass for a couple of tracks Caicedo was still learning, but before the solo, these changes ate up some of Exhorder’s set time.
About midway through their set, Kyle Thomas brought out a football. He asked the crowd if they had ever played “skankball.” This sport was a bit like rugby. He threw the ball into the crowd and whoever could hang onto it and bring it to him would get a free prize from the merch table. Nobody was hurt in the mad scramble and one dude even retained the ball. I wonder what award they gave him.
Exhorder closed their set in the same fashion as they opened it—with swift, neck-wrecking numbers from “Slaughter in the Vatican.” Thomas introduced “Slaughter in the Vatican” by stating that track really got him into trouble back in high school. The level of blasphemy did not hit home until one of his friends from the crowd told me he went to a Catholic school. The title of set closer “Anal Lust” was somehow even more insulting than the Pope murdering scenario of the previous song.
Those who attended this show have used many expressions to describe this special concert. Billy Milano’s guest spot, a rare Exhorder performance, Exhorder coming to town not frayed by the passing of their good friend and band member, a set list of classic thrash tunes by two under recognized forces in the thrash community and killer local acts are all ammo to fire at your Central Texas metal friends who stayed home that evening.
Go here to view photos of the show.
Metal/hardcore legend Billy Milano joined Exhorder for a performance of the classic S.O.D. song "United Forces" in Austin, Texas on April 16th. "United Forces" appeared on S.O.D.'s 1985 crossover classic "Speak English or Die." Short for Stormtroopers of Death, the now defunct S.O.D. was a a thrash/crossover super group featuring Scott Ian and Charlie Benante of Anthrax, Danny Lilker of Nuclear Assault, and Billy Milano of M.O.D.
The April 16th show was one of three dates scheduled on Exorder's mini-tour. The recently reunited Exhorder played Fort Worth, Texas, at The Rail Club the night before and left Austin for their New Orleans, Louisiana performance at The Hangar scheduled for the following night. Texas thrashers Rigor Mortis joined Exhorder on the two Texas dates.
The Austin show was Jorge Caicedo's second show as bassist for Exhorder. Caicedo filled the vacancy left by recently deceased Frankie Sparcello. Sparcello's cause of death has yet to be determined.
Check back in with Metal Underground for an upcoming show report on Exhorder's Austin performance and interview with Exhorder front man, Kyle Thomas.
Rigor Mortis is set to go in the studio and to record the band's first new tracks in 20 years. The group will be in the studio from March 6th through the 8th with long time friend and producer Kerry Crafton (Vs. The Earth), recording two new songs. Talks with labels will follow and a new full length Rirgor Mortis record will be released before the end of the year.
Rigor Mortis also has the following upcoming tour dates:
3/5 - San Antonio, TX - Night Riders
4/15 - Ft. Worth, TX - The Rail - W/ Exhorder
4/16 - Houston, TX - Fitzgerald's - W/ Exhorder
4/17 - NOLA - The Hangar
When it comes to American metal strongholds, New York, California, and Florida never escape mention, but Texas remains the wild card. Not only has the state produced a number of influential bands, but the fan base is famously strong. It's true that no scene is what it used to be, but Texas continues to turn out new and varied acts whose names reach far beyond its borders. San Antonio Metal Examiner Jacob Holmes did the first round up for Metal Underground, but it's a big state and there's still a lot of ground to cover.
Guitarist Wes Weaver has become something of a Texas metal folk hero in the last twenty years. Operating out of Houston, he co-founded Dark Reign in the early '90s, which soon morphed into the much-loved death metal juggernaut known as Imprecation. The band made a name for itself as a cult phenomenon, but they never broke out into the larger arena and finally disbanded. In the meantime, Weaver continued to boost the Texas scene with his venerable radio show, and he also appeared in the short-lived Infernal Dominion, which was regarded as a departure from his classic brand of crepitus death metal.
In 2004, the Texas metal community was surprised to hear that Weaver was spearheading a new band called Blaspherian. Their approach was a pummeling return to the Imprecation model, and the debut EP, "Allegiance to the Will of Damnation," was the antidote to an increasingly stagnant Houston scene.
Like most veteran metal musicians, Blaspherian eschewed the current standard of soulless digital production in favor of a traditional analog soundscape. There are no typewriter drums or varnished guitar tones here; Blaspherian specializes in the booming, fuzzed-out death marches that reveal the blackened heart of true death metal. The riffs are efficient and linear even at the fastest moments, and nothing about the writing is rushed or overplayed. Chords hang, drums rumble, and evil all but drips from the speakers.
Blaspherian is important not only as a revival band, but because it points back directly to the groups that sired it. If younger fans are inspired to dig into the vaults of Texas' metal history, then "Allegiance to the Will of Damnation" has succeeded in its mission. The band makes semi-regular live appearances around the the state in the name of converting newcomers and flying the flag for the best days of death metal.
Texas metallers Rigor Mortis have issued the following update about their guitarist undergoing another surgery:
"Rigor Mortis guitarist Mike Scaccia is recovering nicely from the major neck surgery he had a few months back. But now it appears Mike is going to require another major surgery on his back. Mike has 5 shattered disks and his vertebrate is split in 3 places in his lower back. We will update you more on this and his progress."
As was previously reported, Rigor Mortis guitarist Mike Scaccia underwent neck surgery earlier this month. The band has issued the following update about his condition:
"I have spoken with Mike every few days to get updates on his recovery. As I mentioned a while back... the surgery is a success. Mike says he no longer has the pains in his arms that have bothered him in recent years. However, he has really been in some serious pain from the actual surgery itself. He has had to go back to the hospital 3 different times because of swelling in his neck and the severe pain he is going through. So he still has a long road ahead of him before he is 100% again.
"But Mike again mentioned how much that all of your support has meant to him to help him get through this scary time in his life and career. It has really motivated him to look forward to writing some of the best music of his career as soon as he is able. He says his arms feel like they did 20 years ago and he thinks he will be able to play even better and faster than he ever has. He can't wait to start writing some new Rigor Mortis songs. So again thanks from Mr. Scaccia and the rest of us in Rigor Mortis for all of your support!"
Texas metallers Rigor Mortis have posted a video of their performance at the Keep It True Festival on April 25th, 2009. The video can be viewed below. More...
Rigor Mortis has issued the following update about guitarist Mike Scaccia undergoing neck surgery:
"We have to let everyone know that Mike was overwhelmed and touched by all the responses that he read on here. Mike isn’t much of a Myspace kind of guy. He uses his computer for work and emails. So he is just a lurker when it comes to Myspace. But he did read your comments throughout the weekend and it really lifted his spirits. He was really down about it all before he read all of your comments. Just from the fact that it was really his first major kind of surgery. Plus the thought of the chance of him being paralyzed and possibly never playing his guitar again had scared him to death.
"We are waiting to see how his surgery went and we will let everyone know his progress. But here is part of his message he sent just an hour ½ before his surgery: Hey man, just wanted to say thanks to everyone. I am kind of freaking out, but you know what... I am going to bounce back harder than ever. If I knew how to tell everyone that wrote in Thanks a million, and I would be nothing with out them, I would, if you post this… please do let them know."
Warbeast / Rigor Mortis vocalist Bruce Corbitt has issued the following announcement about working with Phil Anselmo on the upcoming Warbeast album:
“We had hoped to finish recording our debut Warbeast album for Housecore Records back in April when we went to New Orleans. But we realized that it was just turning out too good to rush my vocals. I also had to return to Texas to get ready with Rigor Mortis for our show in Germany at Keep It True 12. I have always been rushed when it got to my vocal parts. So when Philip Anselmo suggested I just come back by myself and spend a week with him recording my vocals… I was thrilled at the idea of taking my time on each song.
“Not only that, Philip is going to sort of coach me and give me tips in the studio. I have always been stubborn about letting anyone help me with my vocals. I always felt I was limited with my vocal ability anyway. So I just refused any kind of vocal lessons or training and I liked the fact that I just got up there and did it my way. But this is a different story… this will be my first official release since the debut Rigor Mortis album back in 1988. So I am excited and anxious about being helped by one of the greatest singers in metal history. Plus he is a longtime friend and brother of mine. So I know I will feel comfortable working with Philip in the studio. I have no doubt that with this extra time to record my vocals and learning some of Philip’s recording techniques in the studio… that this will be the best I have ever sounded.
“I am humble singer with no ego and I never like to say shit like… ‘This album is gonna kick your ass!’ But, I honestly believe that we are creating a Metal masterpiece with this debut Warbeast album. The music and the variety of these ten songs is incredible. I will go as far as to say that I think this could be one of the best metal albums from a Texas band released in this entire decade. But, I will just let everyone else be the judge of that when it’s finished. So wish me luck in New Orleans and in the studio! I will be leaving on Monday or Tuesday.”
Texas death metallers Rigor Mortis have issued the following statement about guitarist Mike Scaccia undergoing emergency neck surgery:
"Rigor Mortis guitarist Mike Scaccia will have emergency neck surgery this Monday morning at 6AM. Scaccia has been having problems with severe pains in his arms in recent years. It appeared it was always from medical conditions such as tendonitis from the many years of playing the intense and fast style of music that he plays. But a few days after his performance in Germany at “Keep It True 12” last weekend, Scaccia noticed his left arm went totally numb. So he went in to see his chiropractor, who noticed something seriously wrong in Scaccia’s neck. So he sent him for an immediate MRI. The results showed that Scaccia has a Cervical Herniated Disc in his lower neck and they told him that he could easily become paralyzed without immediate surgery.
"All of us in Rigor Mortis are hopeful that Mike will have a successful surgery and that he will be back playing his guitar very soon. The doctors have assured Mike that this surgery will make him a 10-times better guitar player. We will give an update sometime next week on how Mike is recovering. If you want to wish Mike luck with his surgery, he will be checking our Rigor Mortis Myspace page when he can. So feel free to leave him a message here."
Texas Metal Alliance, the new project of Rigor Mortis vocalist Bruce Corbitt, Gammacide guitarists Rick Perry and Scott Shelby, Gammacide/Devilfist bassist Alan Bovee, and Demonseed drummer Joe Gonzalez, has signed onto Phil Anselmo's Housecore Records. The band intends to release a full-length album on Housecore in 2009.
TMA has also asked their fans what they think about the band’s name. You can check them out on their MySpace page.
Billboard.com reports: Ozzfest 2008, with Metallica and Ozzy Osbourne as headliners, grossed nearly $3.5 million and drew close to 30,000 people to Dallas' Pizza Hut Park, according to producers Sharon Osbourne and AEG Live.
Sponsored by Affliction Clothing, this year's Ozzfest marked the return of the 13-year-old hard music brand after a free run at amphitheaters last year. This year's one-off event did "fantastically well," Sharon Osbourne told Billboard.com. "The one thing is you want for the kids to go away and keep talking about what a great show it was, and that's what they're doing."
In addition to Metallica and Osbourne, mainstage acts were Serj Tankian, Hellyeah, Johnathan Davis, Cavalera Conspiracy, Shadows Fall, Apocalyptica, and In This Moment. The second stage featured Sevendust, Devildriver, Kingdom of Sorrow, Soilent Green, Witchcraft and Goatwhore. On the third stage were the Sword, Drowning Pool, Rigor Mortis, Within Chaos, The Destro and "battle of the bands" winners Debris and Black Tooth.
Osbourne says plans are for Ozzfest to return to Dallas again next summer, likely as a two-day festival, and other cities are also being considered. "Ozzfest ain't going anywhere," she says. "We do try and shake things up and experiment. We're not the old donkey that plods on doing the same sh*t."
Read the full article at Billboard.com.