Rage Against The Machine
Last Known Status: Regrouped
Latest Rage Against The Machine News
Below is our complete Rage Against The Machine news coverage, including columns and articles pertaining to the band. Some articles listed may be indirectly related, such as side projects of the band members, etc.
MTV.com has written an interesting piece on Viral Videos and talked to a number of band members about their music's use in these indie videos:
Just as Vietnam was called the first TV war, the current conflict in Iraq could be remembered as the first viral-video war.
Viral video, the buzz word of the last few months (especially with marketers), is the term used to describe Internet videos like the "Star Wars" kid, "Brokeback to the Future" and "MySpace: The Movie" that have become phenomena thanks to e-mail and Web sites like YouTube.com and iFilm. But while those were clearly created to get a good laugh, there's a far different viral-video campaign blossoming that centers on American soldiers in the Middle East.
Essentially, troops are using affordable cameras and laptops to shoot and edit videos that chronicle their experience in and out of combat. And since most are set to modern rock music and feature the sort of quick cuts and stylistic shots often associated with MTV, the effect is like watching a music video.
"Wow this is cool — it's better than the real video," Staind singer Aaron Lewis said as he screened a video of "So Far Away" that juxtaposes frightening explosions with scenes of soldiers jokingly Saran-wrapping another troop to his bunk. "It's just crazy to see the footage of them right there in the middle of it, doing it all."
"I have seen ones where you can see people blowing up and all that kind of stuff," said Korn singer Jonathan Davis, whose music has been used by the video-makers. "But even the tame ones serve a purpose. They put faces on the people out there doing it, they're in the barracks and stuff, which is good."
"It is truly an indie media, from soldiers who are the ones who really know what's going on," said Tom Morello after screening a video that uses Rage Against the Machine's "Killing in the Name." "It's not being filtered through some corporate-owned news service or whatever. So I think that their insights to what's happening there are important ones, being set to music that they like."
And not just music they like, but aggressive, political music that reflects the subject matter.
"The intense nature of the song really adds more emotion to the video," said Chris Wentzel, a civilian who used soldiers' footage he found online to make a clip for Drowning Pool's "Bodies." "If music wasn't used in the videos it would kind of take away from the video as far as emotion."
After Davis screened a clip that uses Korn's "Dead Bodies Everywhere," he knew exactly what the filmmaker was going for.
"It's a video of them killing people, so there's going to be dead bodies everywhere, which totally gives it a new meaning," Davis said of the song, which he wrote about working at a coroner's office before Korn formed. "I remember working at the funeral home, and you had to [inject humor] or you would have gone crazy from all the death being around you. And I think this is a way for them to do that, where they get their laptops and get their camera, 'Oh, check out my video.' It's like a way for them to deal with what they're doing. 'Cause they're killing people, man — I don't care who you are or what it is, it's still killing people and it's still got to be taxing on your mind."
And for that reason, Davis is supportive of the viral videos, even though they are made without permission from the bands and are therefore technically illegal.
"I don't know what the record company is going to say about that, but what's it hurting?" Davis said. "It's reality. People hear stuff from me all the time, they don't get to see that; they just see the powder-coated stuff. But if you really saw what's going on over there, you could see something different."
Read the full article at MTV.com.
MTV.com has an article that discusses that issue with Tom Morello (Audioslave, ex-Rage Against The Machine) as well as Public Enemy's Chuck D and Anti-Flag singer Justin Sane. There are no revelations there, but it makes for an interesting, if not thought-provoking, read. Here's an excerpt:
"When you see footage of demonstrations from the 1960s and early '70s (usually anti-war or pro-civil rights) on television, it's almost invariably accompanied by a protest song from the era — by Neil Young, Bob Dylan, Creedence Clearwater Revival, Marvin Gaye, John Lennon or another activist-minded performer. Such songs were everywhere at the time — so you'd figure, with social unrest at its highest level since the 1970s, that today's airwaves and charts would be buzzing with angry songs, right?"
Read the full article at MTV.com.
Sam Dunn is a 30-year old anthropologist. He's also a lifelong metal fan. After years of studying diverse cultures Sam turns his academic eye a little closer to home and embarks on an epic journey into the heart of heavy metal. His mission: to try and figure out why metal music is consistently stereotyped, dismissed and condemned, even while the tribe that loves it stubbornly holds its ground - spreading the word, keeping the faith, and adopting the styles and attitudes that go way beyond the music.
Sam visits heavy metal landmarks as far flung as L.A.'s Sunset Strip, the dirty streets of Birmingham and the dark forests of Norway. Along the way, the two sides of Sam Dunn - curious anthropologist and rabid fan - collide, as Sam explores metal's obsession with sexuality, religion, violence and death, meets his heroes and discovers some things about the culture that even he can't defend. Part social document, part celebration of a misunderstood art form, this documentary is the first of its kind: a chance for metal fans to speak out and a window into a culture that's far more complex than it appears.
The film stars Tony Iommi (Black Sabbath), Rob Zombie, Alice Cooper, Arch Enemy, Dee Snider (Twisted Sister), Geddy Lee (Rush), Vince Neil (Motley Crue), Lemmy Kilmister (Motorhead) and others.
The film is written and directed by Sam Dunn and Scot McFadyen and is distributed by Seville Pictures.
The film opened in Toronto, Montreal, Vancouver, Calgary and Quebec City yesterday (Feb. 24) and will open in the U.S., UK, Germany, Australia, Scandinavia, Brazil, Japan, Poland and Belgium in early March.
For more information, visit www.metalhistory.com.
The New York Post reports that former Rage Against the Machine singer Zack de la Rocha turned down an offer to join rasta-punk legends the Bad Brains, who are now being fronted by former Cro-Mags frontman John 'Bloodclot' Joseph. Zack de la Rocha has yet to release his solo effort since parting with Rage Against The Machine.
The Axis of Justice Radio Network, the monthly radio program hosted by Tom Morello (Audioslave) and Serj Tankian (System of a Down), will launch its 2006 season with a very special show set to air Friday, January 13. Morello and Tankian will welcome Noam Chomsky, the famed scholar, political activist and libertarian socialist. The Axis of Justice Radio Network can be heard on KPFK in Los Angeles (90.7 FM) and in Santa Barbara (98.7 FM) at 7:00PM, online at www.kpfk.org, and on XM Satellite Radio on XM channel 53. The show will also be archived at axisofjustice.org.
The interview was conducted and taped in December and over the course of the one-hour program, Chomsky discusses subjects such as Iraq, propaganda, American activism, the international labor movement, and hope for the future. When Chomsky was asked "what gives you hope for the future", he
responded, "What gives me hope is people like you, and your listeners. In fact, the general population of the United States." He goes on to say how, despite right-wing politicians and a massive campaign to shift American values to the right, Americans maintain startlingly progressive, humane values.
AXIS OF JUSTICE is a non-profit organization formed by Morello and Tankian. Its purpose is to bring together musicians, fans of music, and grassroots political organizations to fight for social justice together. AXIS OF JUSTICE aims to build a bridge between fans of music around the world and local political organizations to effectively organize around issues of peace, human rights, and economic justice.
MTV.com reports: During Saturday's (Oct. 29) performance at New York's Madison Square Garden, AUDIOSLAVE frontman Chris Cornell told the crowd the band is finished writing all of the material for its third album. The group then played, for the first time, one of the tracks that'll make the LP. Cornell said the song was still untitled, and even had its lyrics written down on the stage so he wouldn't forget them. "I only wrote them last week," he said.
AUDIOSLAVE is currently in the middle of its first major North American tour since the release of their sophomore album, "Out of Exile", which finds the band headlining arenas on its own for the first time.
AUDIOSLAVE did a short run of North American dates just before "Out of Exile"'s May 24 release.
As on that tour, AUDIOSLAVE is playing songs from its members' previous groups, SOUNDGARDEN, RAGE AGAINST THE MACHINE and TEMPLE OF THE DOG.
The band is joined on the current jaunt by openers SEETHER and KASABIAN.
Audioslave dropped by Live@Much on Thursday (October 6), where singer Chris Cornell talked about walking into a sort of family with his former Rage Against the Machine bandmates and whether it was a big step for the former Soundgarden singer to deal with. "Not really. I mean, I felt like it was an opportunity that could yield something extremely fruitful and maybe it would; maybe it wouldn't," Cornell responded. "In my mind, I thought, 'This makes a lot of sense.' And I'd had a lot of opportunities to work with a lot of people after Soundgarden split up and none of it ever made sense. And I didn't even make a phone call. But with these guys, it made a lot of sense. I thought of these three guys playing a song that I'm singing over is going to be great. What I didn't know was a week into that we were writing songs like 'Like a Stone' and 'Getaway Car' or 'I Am A Highway', which isn't something that any of us, I think, you know, put our fingers, something that we were going to be able to do that quickly, but we did right away. And so that was fantastic, which it happened so quickly, like I said before, we were finished with the record before I even knew who these guys were."
Read the full article at MuchMusic.com.
ContactMusic.com is reporting that Los Angeles riot police were called in to intervene at a free AUDIOSLAVE show on Hollywood Boulevard Wednesday night (May 18) when fans broke down barriers and started fighting each other.
Thousands gathered outside the Hollywood + Highland complex to watch the band's street performance for TV show "Jimmy Kimmel Live".
But after waiting for 90 minutes for the supergroup to appear and then facing interruptions as "Kimmel" broke for commercials, the fans became restless.
And when the group started playing "Killing in the Name of" — a hit for several of the bandmembers' former group RAGE AGAINST THE MACHINE — the fans became unruly and barriers keeping them apart tumbled.
One bystander says, "It was really frightening. All of a sudden there was this commotion and the riot police arrived. It didn't last long but a lot of people feared that this could have become a much bigger incident.
"It was quite fitting that the gig took place on the eve of the new 'Star Wars' release because these guys looked like stormtroopers."
AUDIOSLAVE, who now said to be permanently adding SOUNDGARDEN and RAGE AGAINST THE MACHINE tunes to their setlist, played the following tunes on their opening night in Las Vegas:
RAGE AGAINST THE MACHINE:
Bulls on Parade
Killing in the Name Of
Sleep Now in the Fire
Black Hole Sun
The following excerpts were taken from an article from the Arkansas Traveler website about the fall of nu metal:
In the mid-90s Nu-Metal was an exciting, emerging twist in modern rock music that promised to exchange the best ideas in rock and rap for a single - hybrid music that could expose each style's audience to the other. However, as the 90s gave way and the millennium changed, the second wave of Nu-Metal (NM2) got further away from its hip-hop roots and closer to the dark side of heavy metal. The genre is virtually dismissible, but can it come back from the edge of death?
The first wave of Nu-Metal (NM1) was a hybrid of rap and rock music pioneered by soon-to-be staples of the genera Korn, the Deftones and Rage Against the Machine. It was pioneering and new because, unlike the oft-noted collaborations between Run DMC and Aerosmith or between Public Enemy and Anthrax, the NM1 scene wasn't based on a rock musician pounding out the beats and the emcees simply rapping over the established record.
Rather, NM1 musicians familiar with the repertoire of hip-hop's percussion section transcribed and played those beats (especially the snare and high-hat parts) as rhythm on a detuned, overdriven electric guitar. Ergo, the importance of the riff, which itself had been so dominant in eighties rock, was largely missing.
As a result, Nu-Metal made the listener want to jump up and down rather than pump twin, clenched fists in the air. It was ultra-aggressive hip-hop, or it was modest, unassuming rock. Either way, it was crossing genres and exposing new listeners to the ideas inherent in the parent style's musical genotype.
There ended the exciting part. In the late 90s Nu-Metal got heavier and louder. Korn gave way to Limp Bizkit, to Taproot, then to Mudvayne. By the time Slipknot had entered the scene, the double-kick drum was back, the screaming was incessant, and virtually no rapping was taking place.
Whereas, visually, earlier bands projected an image of body piercing, seriously baggy clothes and short haircuts, the post-Slipknot NM2 had opted instead for tattoos, long hair and regular-fit, all black clothing. By 1999, things were again starting to look orthodox
Read the full article at The Arkansas Traveler.
The first AUDIOSLAVE date, of what seems to be a building US tour, has been announced. The gig is as follows (No support has been listed):
April 29 - Philadelphia, PA @ The Electric Factory
AUDIOSLAVE have also announced some touring plans for 2005, with three dates in Britain already announced for the Summer. Those three gigs are below:
June 20 - London, England @ Brixton Academy
June 21 - London, England @ Brixton Academy
June 24 - Manchester, England @ M.E.N Arena