From: Dallas, TX, United States
Last Known Status: Disbanded
Formed in Dallas in the early 80's, Pantera was founded by brothers Darrell and Vincent Abbott. Along with Terrence Lee and a bassist named Rex Brown, Pantera joined the glam scene. Producing three records, the band never accomplished what they set out to do. In 1986 the members agreed to replace Terrence Lee with Phillip Anselmo. After Releasing aother album the band recieved a record deal with East West Records.
The groups first release with the new label was 'Cowboys From Hell.' This album put Pantera on the metal map, but did not sell very well because mainstream never picked it up. Two years later Pantera released 'Vulgar Display of Power', which defined Pantera's true aggressive style. The next release (Far Beynd Driven) surprised the world by debuting at number one on the Billboard Charts. Pantera released two more studio albums, and a live album in the following years.
Even though they never reached the status of No.1 again, Pantera built a following by touring for four years straight. Pantera have toured with everyone from Slayer (2001) to Rob Zombie (1996). They have also been featured on the Ozzfest on many occasions. Needless to say Pantera are still playing and preaching the same metal that made them metal icons in the early 90's.
Latest Pantera News
Below is our complete Pantera news coverage, including columns and articles pertaining to the band. Some articles listed may be indirectly related, such as side projects of the band members, etc.
Note: We began associating news directly with bands in late 2003. Therefore, earlier band news may not be listed on this page.
The 44th episode of the MetalUnderground.com Official Podcast opens up with "Drilling Holes in Your Baby's Head" by one man band of the week Samuel Evans. This week co-hosts Kevin Perez (n0thinghead) recollects his most recent local concert experience. Then co-host Ollie Hynes (Diamond Oz) weighs in to discuss hot button topics such as the recent Dimebag Darrell grave vandalism and the inevitable Nu Metal Revival Apocalypse. Concluding with Samuel Evans' "Basement Slave" playing us out.
Check out the new podcast at this location and feel free to leave us your feedback!
Guitar World's February 2015 issue tributes the late Pantera and Damageplan guitarist "Dimebag" Darrell Abbott. As part of the coverage, which was timed for the tenth anniversary of the guitarist's tragic death, the magazine was invited into Dimebag's home and recording studio (a.k.a. "The Fortress") in Dalworthington Gardens, TX.
In the video below, enjoy an exclusive video tour, which offers a private look at Dimebag's impressive guitar collection, his home, memorabilia, kitchen, bathrooms and a lot more.
Just For Fun
As the Metal Grasshopper series draws to a dramatic and monumental close, the final episode finds Philip H. Anselmo and delusional manchild Dave Hill mending their often tumultuous relationship before Hill is released back into the wild.
Check out the sixth and final segment in the series below. If you missed it, be sure to watch Part 5 over at this location.
Guitar World's upcoming February issue is a tribute to Pantera's Dimebag Darrel, and in celebration the online version Guitarworld.com has released a previously unheard Dimebag track titled "Whiskey Road."
The song was recorded in 2001 during the "Reinventing the Steel" U.S. tour and features Dimebag Darrel on vocals and instruments. Give it a listen below. More...
Just For Fun
Apparently nobody sent Pastor Steven Anderson from the Faithful Word Baptist Church the news that the Satanic panic ended a couple of decades ago, because he's decided to take aim at metal bands.
In an amusingly ludicrous hour long video titled "The Jews and Their Lies (Part 1 of 2)," Anderson argues that the bands Pantera, Black Sabbath, and Judas Priest are all Satanic... somehow because of the Talmud.
If you haven't bashed your head against a wall repeatedly in awhile, you could always watch the video below (the references to Pantera start at the 21:48 mark).
For those who may have seen the story trending on Facebook some time back, yes, Anderson is the same pastor who said the act of being gay should be illegal and punishable by death, stating "Here's what the Bible says, Leviticus 20:13, 'If a man also lie with mankind, as he lieth with a woman, both of them have committed an abomination. They shall surely be put to death. Their blood shall be upon them.' And that, my friend, is the cure for AIDS. It was right there in the Bible all along. Because if you executed the homos, like God recommends, you wouldn't have all this AIDS running rampant."
Just For Fun
"Metal Grasshopper" continues with episode 5 "Vulgar Display of Feelings," in which metal god Philip H. Anselmo agrees to undergo group counseling with delusional manchild Dave Hill in an effort to get the goat that also happens to be his grandmother back safe and sound.
There's not a dry seat in the house as Dr. Joe Randazzo helps Philip and Dave get in touch with their feelings. Watch this one with the whole family probably. If you missed it, be sure to catch part 4 at this location.
Just For Fun
In Metal Grasshopper: Episode 4, metal overlord Philip H. Anselmo allows delusional man-child, Dave Hill loose on an unsuspecting public where he meets an actual woman.
Anselmo also schools Hill on stage banter, corpse paint, and other important topics. Later Anselmo and Hill get in a huge argument from which they may never recover! Hill requests group counseling. There is also breakfast cereal.
Just For Fun
In Metal Grasshopper Episode 3, Philip H. Anselmo puts delusional manchild Dave Hill to the test with a round of heavy metal flash cards.
Later, Anselmo makes Hill sit in a closet for a seriously long time while he makes an awesome salad. Hill also rents a goat, discusses the metal worth of butterflies and more... In short, this one pretty much has everything. Check out part 3 below, thanks to Metal Injection.
Metal Grasshopper is a new web series in which comedian/NPR darling Dave Hill travels to the wilds of Louisiana to get schooled in the ways of heavy metal by legendary frontman Philip H. Anselmo (Down, Pantera, Superjoint Ritual, Philip H. Anselmo And The Illegals, et al). You can still also see Part 1 and Part 2 online. More...
Today Noisey, the music arm of Vice, is proud to present episode 1 of "NOLA: Life, Death And Heavy Blues From The Bayou."
A seven-part series examining the people and the culture that helped foster bands like Down, Eyehategod, Crowbar, and so many others, episode 1 features New Orleans native Phil Anselmo who exports his style to Dallas band Pantera, thereby changing the landscape for metal in the '90s.
Meanwhile, a visit from the Melvins to the New Orleans area would alter music as we know it, while Kirk Windstein of the band Shell Shock was discovering that slower was, for him, indeed heavier. More...
THURSDAY, 6/27 - 13:30
Unmistakable, husky German accent behind me. I glance over my shoulder, turn, step aside the river of disembarking passengers from the Lufthansa Airbus parked out in the drizzly gray. The veteran green-fatigue-jacketed metalhead, balding, sporting a life-without-parole graying goatee, sticks out his hand.
“Holger. Nuclear Blast.” We shake, he grins and nods at the Testament logo above my lapel, only partially obscured by my boarding pass. He slips me a company card - “Holger Tiefenbach, Distribution & Marketing” - and lifts a finger toward a sign down the corridor: “Matkatavarat.” Luggage.
As we stride through Finland’s Helsinki-Vantaa Airport, locate the carousel for Flight 848 from Frankfurt, and wait for our suitcases to materialize - I was forced to check mine at the last minute and have since developed acute missing-luggage paranoia - Holger brings me up to speed on our shared reason for being here: Tuska Open Air Metal Festival, sixteen years running, 2014 edition set to kick off tomorrow afternoon.
“It used to be held in Kaisaniemi Park, right in the middle of the city. It was the greatest. You’d show up, basically have an afternoon at the park, and then head straight to the bars nearby, when the sun was just barely set.” He seems to almost sigh while tossing off a plaintive, what-are-you-gonna-do shrug. “They moved the location three, four years ago.”
“So it’s not as much fun now?” I want to get my finger on the pulse of conventional wisdom.
He’s quick to clarify. “It’s still awesome. The new location just took some getting used to.” On our painless stroll through the open doorway that passes for an immigration barrier - the stamps and stern looks and “papers, please” stuff was handled back in Germany, natch - Holger gives an inside view of current happenings back at the Nuclear Blast bunker.
“We spent a lot of time promoting that Tuomas Holopainen solo album - the one about Scrooge McDuck,” he tells me. I haven’t heard it, and ask him how it is. “Not metal. That’s how it is,” he chuckles. “But cool if you’re into that wacky stuff, like the last Nightwish album.
“And we signed Slayer!” He clenches a victorious fist like a kid receiving his BB gun on Christmas. “Finally.”
We’ve reached the Arrivals lobby, and a leather-jacketed brunette gives a wave. Rachel Roth (WandererOfKalevala), Metalunderground.com photographer and correspondent, currently residing in Vantaa. We have a bus to catch, and before parting ways with Holger, I bum a cigarette, pocketing the e-cig I’ve been abusing for two months.
I make a half-hearted promise to myself not to do this too much during Tuska (and not to beat myself up for doing just that). Rationalization is still the great human sport. More...
This past Tuesday, April 1st, dawned with a bang and ended with the agonized wail of countless deceived, angry, and fed-up folks. It's what the kids these days might call "butthurt." Even in this high-speed age of unlimited information, it seems that some still have trouble checking the calendar or fact-checking stories.
Your Metalunderground.com Official Podcast co-hosts, Kevin Perez (n0thinghead) and Mike Smith (OverkillExposure) found this all quite amusing. So in the irreverent spirits of Mark Twain, Orson Welles, and The Onion, they decided Tuesday evening to chuck all journalistic ethics and decency right out the window and wage a valiant, side-splitting battle against truth.
This week's episode is one hundred percent fact-free, and features a tongue-in-cheek rundown of some of Metalunderground.com's 2014 April Fools highlights, posted as headlines throughout Tuesday.
Among the lampooned: every single member of Metallica (in what is sure to be an evil, thrashing comeback effort, "Hell Hath No Fury"), prison escapee Tim Lambesis (As I Lay Dying), evasive interviewee Phil Anselmo (Pantera, etc.), would-be cinematic deity Dave Mustaine (Megadeth), and noted Oscar-lacking actor Leonardo DiCaprio, whose "Meshuggah face" in the recent hit "The Wolf Of Wall Street" has earned him an onstage guest appearance with the twisted Swedish metal titans.
Please forgive the avalanche of lies and silly humor; we advise you to remove your "serious" caps for this episode. Also, a few bong rips beforehand wouldn't hurt. Take a listen here and enjoy!
The full song list for Rocksmith 2014 Edition, which just came out yesterday, has been revealed. Rocksmith lets you plug any electric guitar or bass directly into your Xbox 360, PlayStation 3, PC, or MAC, and teaches you to play while playing the game. Here's the latest video about Rocksmith 2014:
The full song list for Rocksmith 2014 is as follows (with even more available as downloadable content): More...
My personal confessions are less about what I enjoy that would shred my credibility through a wood chipper and more about which bands I used to despise that I'd never talk shit about today. Namely, I used to really hate System of a Down, Iron Maiden, Behemoth and Chimaira. After only hearing a handful of songs from each, I decided that all were overrated before actually giving their discography a real chance.
Holy shit did I regret that later on after listening to Chimaira's self-titled album, Iron Maiden's “Powerslave”, “Zos Kia Cultus,” and the entirety of “Toxicity” (although I still maintain that “Chop Suey” has always been overrated and overplayed and I'm not a fan of the title track on “Resurrection”).
It's hard to look at yourself after talking shit about music that you were completely ignorant about. Eventually, I moved on to "Seventh Son of a Seventh Son,” “Resurrection,” and “Steal This Album” and realized that I was talking out my ass and sounded like one of those guys who calls eurodance “techno” but has never listened to speedcore or confuses hip-hop with R&B. More...
Each week we check in with metal musicians to get their favorite mosh pit stories. Today Eric Dow, vocalist of Helsott, shares the following story of a Pantera pit from a Long Beach show:
The Pantera pit in 2000. It was just flat out the biggest, craziest fucking most single fucking chaos even I’ve ever been involved in. I think the Long Beach Sports Arena, makes the whole floor a pit…and they stopped the song, if you didn’t pit. They would stop the song, it didn’t matter if they were three minutes into it…or two minutes, or whatever. Pantera would stop the fucking song if they weren’t happy. So the pit grew about half way…I mean, it was still the biggest pit I’d ever been in…The whole fucking floor. They took the chairs out, it was just concrete. They stopped the song…I thought that was pretty funny. Phil Anselmo was like ‘you didn’t believe me, did you? If you guys are not moving around, we will fucking stop the song again.’
I think the only people that didn’t move were the guys who had their spot on the rail and I wouldn’t have moved either. But yeah, that whole fucking bottom floor…was probably easily 8,000 people. People going this way, people going that way….and then the whole song – the song was ‘Becoming’ – and the whole song, I think I got around the pit twice. It was that big….and I got hit by so many different people. Fuck what was I… I think I was 18... no, no I was 17…that’s right, I was 17 years old at the time. Shit just isn’t like that anymore, man. Concerts are nowhere near like they used to be.More...
Metal Injection & Peavey now present the third episode of Louder Education, a new collaborative show starring Testament shredder Alex Skolnick, Sound Of Urchin's Chris “Tomato” Harfenist, and the students of T.H.O.R. (Tomato's House of Rock).
Each week on the series, a new special guest is invited to Tomato's House of Rock, to discuss their journey in the music business, provide educational tips for the growing artists, and round off the show with a kick-ass jam with the kids.
On this latest edition, SiriusXM Liquid Metal and Ozzy's Boneyard program director and metal personality Jose Mangin comes down to the studio to talk about his path in the metal world, how he landed at SiriusXM, and gives advice to the students about how to get where they want to go. It all ends with Jose jamming with the kids on the Pantera classic, "A New Level."
Check out the clilp through Metal Injection or in the player below. In the next few weeks, the show will also feature guest appearances from:
- John Gallagher of Dying Fetus
- Oderus Urungus of GWAR More...
This week in the "....And Justice For Art" serial in Pure Grain Audio, writer Ramon Martos-Garcia tackles the artwork of Pantera circa the "Vulgar Display of Power" release and the stories behind its significance. The article talks about photographer Brad Guice, who did the imagery of the person being punched on the cover art.
Guice had produced campaign images for Coca Cola, editorials for Harper’s Bazaar, Interview Magazine and for artists like Sting, BB King and Prince, and was well-known for giving his images what he calls "a particular kind of movement" which made him the ideal candidate for the project. Years later during the release of the "Piss" track to the fans, the video paid homage to this cover in its images of fans getting clocked. Check out the full article at this location.
The unreleased Pantera track "Piss" was finally unveiled at the Golden Gods Awards in video homage form on April 11th. While combing the Pantera vaults for the 20th anniversary reissue of "Vulgar Display of Power," drummer Vinnie Paul made an astounding discovery - this unreleased track "Piss" from the sessions. This track will be featured on the CD/DVD deluxe edition Of "Vulgar Display Of Power," which will be available May 15th From Rhino records.
Pantera has announced via its official Facebook page that the band plans to release a new music video for the unreleased track "Piss," off the "Vulgar Display Of Power" recording sessions.
The band will premiere the song at the Revolver Golden Gods award show in celebration of the 20th anniversary of "Vulgar Display of Power." The music video will be the first from the band in twelve years.
Pantera drummer Vinnie Paul commented, "'Piss' is the only unheard complete Pantera track in existence. It was recorded at the same time as Vulgar Display of Power and it’s 100 percent Pantera with attitude and our signature groove! After mixing it, I can’t believe it didn’t make the record! So it’s 2012 and 20 years later and new Pantera music has been delivered. Cheers!"
We've been chatting up metal fans and band members everywhere to get their best pit stories from live metal shows. This week Tony Piccoli from Detroit prog metal act Imminent Sonic Destruction shares the following tale of suffering abuse in the pit to see Pantera up close and personal:
Back when I was living in Arizona, and still in high school, I attended the Pantera/Soulfly concert at the Mesa Amphitheater. It was my first Pantera concert, and I was supremely excited. I was very much into Pantera at the time, and NOTHING was going to stop me from getting to the very front of the crowd. I literally memorized lines from their famed "home videos." I withstood the pain of being smashed into the bar of the rail at the front. I've been in many pits in my time, but this concert was special to me, and I wanted to be at the very front to witness the band in all their glory. As the pit circled behind me during the opening acts, the force that was pushing me into the top of the railing (which lined up perfectly to my chest) was growing stronger, and the pain was escalating. Using the bar, I started bracing myself, and pushing back into the crowd. This offended the big, giant Mexican dudes behind me. Oh man, they were pissed, and with that, the "fun" began.
The last of the opening bands was wrapping up, and I could feel the energy of the crowd behind me growing as the time for Pantera drew closer. The big guys behind me continued to push into me... sometimes leading with their elbows. I continued to take it, and respond with a pretty powerful push back against them, and the crowd, which continued to anger the big guys. Finally, the last opening band finished up. At this point, there was clear discontent between me and my boys, and the big guys behind me. However, since I was the one pushing back, they were most upset with me.
Fast Forward to Pantera's set. BOOM. The crowd explodes into a violent flowing ocean of humans. It was amazing, and... painful! The big guys behind me were seriously going after me. Multiple elbows to the back, a punch to my shoulder (after all, the pit was directly behind me) and finally, a direct closed fist hit to the back of my head.
I was done. "Fuck this."More...
It’s very close to that time of year again when metal fans all over the world pay their tributes to Dimebag Darrell Abbott, the legendary guitarist from Pantera who was murdered on stage on December 8th, 2004 while performing with his post-Pantera band, Damageplan. To understand why his death is so important to metal fans, it’s best to start, as all legends do, at the beginning. Darrell formed Pantera thirty years ago with his brother Vinnie Paul, along with guitarist Terry Glaze, vocalist Donnie Hart and bass player Tommy Bradford. Hart and Bradford left the group the same year, with the latter being replaced by Rex Brown, while the rest of the group decided that Darrell would be the bands sole guitar player. They soon became an underground favorite, touring throughout their native Texas, as well as Oklahoma and Louisiana, and supporting the likes of Quiet Riot and Dokken.
In 1983, the band released debut album, "Metal Magic" through its own record label of the same name with a second album, "Projects In The Jungle" following the next year. Both albums were very much in the glam metal vein but the second demonstrated the first hint of thrash metal influences, a style which was embellished on the third album, "I Am The Night."
Thrash metal soon crept its way into Pantera's sound permanently however, leading the group to part ways with Glaze and search for a more aggressive vocalist, which was found in New Orleans native, Phil Anselmo. With Anselmo, Pantera recorded the fourth album, "Power Metal," a hybrid of thrash metal and the popular hard rock style of the time. Following this release, Pantera decided to radically reinvent itself, shedding the big hair and make up the group had previously adorned and soon gained itself a manager in Walter O’ Brien, with a record deal coming shortly afterwards with Atco Records.
Despite now being considered something of a debut album for the band, the fifth album, "Cowboys From Hell" was released in 1990 and was instantly a hit with fans of the heavier side of metal, as well as some of their heroes such as Judas Priest and Slayer. It was certainly a breath of fresh air at the time, varied in sound but fluent, songs like the pummeling title track were just as much a part of the band's sound as the haunting epic, "Cemetery Gates." The band toured heavily to support the album, taking to the road with such respected acts as Exodus and Suicidal Tendencies and even earning a slot on the Monsters In Moscow festival with the likes of AC/DC and Metallica, in what was still the Soviet Union. More...