Kotipelto & Liimatainen
From: Helsinki, Finland
Last Known Status: Active
Latest Kotipelto & Liimatainen News
Below is our complete Kotipelto & Liimatainen news coverage, including columns and articles pertaining to the band. Some articles listed may be indirectly related, such as side projects of the band members, etc.
Stratovarius/Kotipelto frontman Timo Kotipelto will join forces with guitarist Jani Liimatainen (Ex-Sonata Arctica) for a studio album "Blackoustic." The duo has been working together and playing acoustic shows for a while and the idea of recording an acoustic album together came from the fans and so "Blackoustic" will see the light of day on October 19, 2012 through earMusic/Edel.
"The fans were recording our shows with their cell phones and the´ve been telling us that we should make an album, so they could have better quality recordings of the songs to listen at home. At first we were just joking about it, but after a while we thought 'Why not? As far as we know, not many people have done it before, at least not within the heavier music genre. Our initial idea was to make a self-financed album with a relatively small pressing and then just maybe sell them at our shows".
But instead of making it a "fan-club release" the duo has opted to work with the label earMUSIC/Edel, which also releases Stratovarius' work since the album "Polaris".
Most of the songs were chosen from the duo's live set-list, including familiar Stratovarius covers like "Black Diamond" and "Hunting High and Low", but also songs like "Serenity" and "Sleep Well" from Kotipelto's solo albums have been given the new acoustic treatment; proving that behind great heavy metal song, there's very often a stunning melody "screaming" to come out. Furthermore, the album includes beautiful cover versions of Pete Townshend's "Behind Blue Eyes" and Deep Purple´s classic "Perfect Strangers".
"Blackoustic" also features a brand new composition: "Where My Rainbow Ends", written by Jani Liimatainen, who commented: "I remembered a song I wrote last winter. Originally it was an instrumental track, but after listening back to it I thought that the melody would work very well with vocals. We re-arranged the song into our acoustic format and -- as a slave of habit -- I wrote the lyrics for it the night before our last day of recording. It turned out surprisingly beautiful and delicate". More...