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Cuentos De Los Hermanos Grind

From: Bogota, Colombia
Last Known Status: Active

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Below is our complete Cuentos De Los Hermanos Grind news coverage, including columns and articles pertaining to the band. Some articles listed may be indirectly related, such as side projects of the band members, etc.

Column

Unearthing The Metal Underground In Colombia

Colombia just might be one of the forefathers of the extreme metal scene and it may have influenced some of the most nihilistic groups to come out of Europe. Yes, this South American land of extremes may have been one of the catalysts for the Scandinavian scene, ushering in a whole horde of sick and twisted metal bands. You may think that's an incredulous statement to make and a mighty tall order, but wait. There's a true story I am going to recount for you now.

Back in 1992, a few Colombian metal fans/musicians went up from Stavanger, Norway to a record shop in Oslo owned by Oystein Aarseth (better known as Euronymous). As they were going through the releases, they struck up a conversation with Euronymous about the country they were from, black metal in general and their respective bands. Euronymous became animated and said "Two bands from your city of Medellin influenced Mayhem's sound."

"Parabellum and Reencarnacion were a few of the true bands that shaped us. They captured a hellish environment and represented a true hardcore, evil sound that we emulated in the band."
Spoken by Euronymous himself a year before he died in infamy, and put in Spanish on the liner notes of the 2005 compilation "Tempus Mortiis" put out by Blasfemia Records. This anthology featured Parabellum, a nihilistic affair redolent in that evil backwards riffing that characterized the band. Songs such as "Engendro 666" and "Madre Muerta" influenced Mayhem and other Norwegian bands and helped create a whole genre of evilness, blasphemy and sickos.

At the time, neither Parabellum nor Reencarnacion were satanists, but critiqued Christianity and Catholicism and played an early prototype of metal that predated the "black" genre in 1981 (with the exception of Venom) and was called "ultra" metal or "anti-technical" metal in Colombia since it was raw and primitive musicianship. Kreator, Beherit and Impaled Nazarene have also paid homage to them in one form or another. More...

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