From: Stoke On-Trent, United Kingdom
Last Known Status: Active
Latest Discharge News
Below is our complete Discharge news coverage, including columns and articles pertaining to the band. Some articles listed may be indirectly related, such as side projects of the band members, etc.
Prong will release an all-covers LP titled "Songs From The Black Hole" in the U.S. on March 31st via eOne Music.
The release will be in tandem with SPV/Steamhammer special CD and LP edition available in Scandinavia on March 25th, in Germany on March 27, and the rest of Europe on March 30th.
"Prong is very excited about the upcoming release of our new record, 'Songs From The Black Hole,'" says frontman Tommy Victor. "We are equally excited about the artwork and packaging."
Victor continues, "With the help of our art director Mike Lopez, the theme of urban decay, desolation, insecurity and ultimate change that prevails in the music has been brought to the surface in images. Since much of Prong's origins come from a place of abandonment, we feel our new album artwork fully reflects this sentiment."
The track listing is as follows:
1. Doomsday (DISCHARGE)
2. Vision Thing (SISTERS OF MERCY)
3. Goofy`s Concern (BUTTHOLE SURFERS)
4. Kids Of The Black Hole (ADOLESCENTS)
5. Bars (BLACK FLAG)
6. Seeing Red (KILLING JOKE)
7. Don`t Want To Know If You Are Lonely (HÜSKER DÜ)
8. Give Me The Cure (FUGAZI)
9. Banned in DC (BAD BRAINS)
10. Cortez The Killer (NEIL YOUNG) More...
CVLT Nation is proud to present the first covers compilation in a series dubbed The CVLT Nation Sessions with Discharge's seminal album "Hear Nothing See Nothing Say Nothing."
The digital release is available today, Thursday, January 16th, 2014. Give it a listen below, or download the tracks at CVLTNation.com.
The CVLT Nation Sessions is a musical project with the aim of reinterpreting iconic music that has influenced a wide spectrum of genres, while also widening the audience for the participating bands. CVLT Nation has recruited some of its favorite underground heavy bands from around the world to record covers for free distribution and download. All the mastering is done by Black Matter Mastering in Nashville, Tennessee. More...
Stoke-on-Trent is an English city which might not be well known outside of Britain, but they’ve produced some outstanding talent, such as legendary England goalkeeper, Gordon Banks and Phil Taylor, perhaps the greatest player in the history of professional darts. But it’s not just sport that Stoke has contributed to. The world of punk rock, and indeed all heavy music, was changed forever in the city when five young Stokies got together in 1977 and formed Discharge. The seeds of the band were sewn by vocalist Tezz Roberts and guitarist Royston "Rainy" Wainwright, who quickly added Tezz’s younger brother Anthony, aka “Bones” on guitar, as well bass player Nigel Bamford and drummer Anthony "Akko" Axon. Like most punk bands starting out at the time, they were influenced by the likes of the Sex Pistols, The Clash and The Damned, the latter two they would go on to support following the release of their first demo.
Their style was soon to change however, after Bamford and Axon quit the band and they hired vocalist, Cal Morris, leading Tezz Roberts to take up the position of drummer, while Rainy switched to bass. The new addition saw them shedding their Sex Pistols style in favour of a much more aggressive sound, influenced largely by Motorhead (whose frontman, Lemmy, was also born in Stoke-on-Trent) and their lyrics began to take a form as harsh their guitar tone, focusing on the fear of nuclear destruction and the evils in society that was caused by Capitalism. Although this change was made of their own accord, several other bands in Britain had also begun to perform a more abrasive style, such as Amebix and Chaos UK and the new second wave of punk was ready to unleashed, eventually referred to by rock historians as "UK82," which takes its name from a song by The Exploited. More...
Every week in Unearthing the Metal Underground, we take a look at three quality bands that haven't gotten as much exposure yet as they should. This week, we'll be taking a slightly different approach to the article and focusing on hardcore music instead, specifically hardcore music in the United Kingdom.
The history of hardcore in Great Britain dates back a long way, beginning with what would become known as the "UK82" scene (also called "No future punk" and "UK Hardcore" amongst other things,) which featured massively influential bands such as The Exploited and the socially concsious, Discharge, who were so influential that they had a sub-genre named after them called D-Beat (similar to hardcore, only even faster,) which featured other high quality British hardcore acts like The Varukers.
Discharge - "Never Again"
The Varukers - "Soldier Boy"
Candlelight Records announces upcoming career perspective releases by hardcore legends Discharge, Extreme Noise Terror and The Varukers as a continuation of their classic series. On August 23, the label will release "Desensitise" and "War is Hell" by Discharge, Extreme Noise Terror's "Holocaust in my Head" on September 27 and the two-disc "The Damnation of Our Species" from The Varukers.
Track listings for each release are noted below.
Discharge - Desensitise
1.) Blood Of The Innocent
3.) What Method What Madness
4.) They Lie You Die
5.) Becomes Again And Again
6.) Spoils Of War
7.) Persuasion = Power
8.) Web Of Disadvantage
9.) Ignorance Is Your Surrender
10.) Kept In The Dark
11.) You Have The Gun
12.) Will Deceive You
13.) Beginning Of The End
14.) No Return
15.) Legacy You Left Behind (Bonus)
16.) Propaganda Feeds More...
Without a doubt, Discharge was one of the most important bands in the history of British punk rock music. The band, along with The Exploited and (Charged) G.B.H. ushered in a new era in the scene, spouting pacifist beliefs, calling for the disarmament of nuclear weapons and criticizing the evils of capitalism. Discharge also was able to mix metal with punk in an excellent fashion and has been an influence on many metal bands including Metallica, Celtic Frost, and Onslaught. So with this in mind, the discovery that Discharge would be performing in Swindon seemed like too good an opportunity to pass up.
Discharge was joined by two supporting acts on the evening, the first being Bastard! Rats!, who was able to entertain the small audience with a catchy brand of punk rock, utilized in a similar fashion to The Clash with a hint of the pop punk bands of the 90's such as Green Day, though with a much more aggressive tone than the latter. A set of around thirty minutes seemed just about right for the group, who, while not being able to garner a massive response from the few in the audience, certainly did well enough to win over a few converts.
Next up was Diablo 13. A slightly larger number of people were able to witness the locals, who perform a perfect mixture of hardcore punk with a country music influence, though the country stylings seemed to be showing less on the evening, the band instead opting to perform their more jagged material. Frontman Marky C is truly a sight to behold, as he absorbs himself so much in the group's music that he appears to be lost in a world of his own, allowing him to be one of the most expressive frontmen in the local scene. He clearly believes in the music, as do the rest of the band, who perform with a tight fashion but are clearly having fun while they play. It took a little while but eventually they were able to get a few old punks away from the bar and on to the dance floor, where the energy of the set was being met well.
Finally came the turn of the headlining legends Discharge. Despite the sparse crowd, the band was able to unleash an astonishingly ferocious set, providing an excellent mix of old punk material with the act's more recent crossover thrash metal catalogue. Newer songs such as "Hell Is War" and "The Beginning Of The End" are set upon the audience like the violent sonic onslaught they were designed to be and performed with the energy of young speed freaks, let alone a band which has been going for more than thirty years. Lead vocalist Ant Cimex has only been in the group for around a year but he fits in brilliantly, sporting a perfect mohawk and barking out Discharge classics old and new like a rabid dog. Likewise, the rest of the band are on top form too, with bass being handled in a precise manner, while the distorted guitar sounds are able to create a chaotic but fine crafted sound. All in all, it was a magnificent display from one of British punk and crossover's most seminal bands, and with the current British political climate being what it is, their music is becoming more and more relevant to the youth of today with every passing week. It's good to know that some bands never sell out or pigeon hole themselves and Discharge certainly show no signs of these changes, or compromise of any kind, in the near future.